5 items from 2015
The Paris Film Office was set up in 2002 as part of the Mission Cinema project launched the same year. Both are integrated within the city council, the Mairie de Paris. Their goal is to provide a one-stop shop for French and foreign professionals that will handle all logistical aspects required for shooting in the French capital — which is not only one of the world’s most highly filmed cities but also one of the busiest, meaning that shooting there requires careful preparation. Two permits are required for filming in Paris: one issued by the Paris Film Office and one by the Préfecture de Police, the city’s police authority.
Since its launch, the Paris Film Office has inked agreements to improve filming conditions in the capital and set up a bilingual website to help French and international productions to prepare shoots. The site provides images of key locations and information »
- Martin Dale
The Museum Of Modern Art and the Film Society Of Lincoln Center announced the first nine films in the long-lived showcase for new work. They include Myroslav Slaboshpytskiy’s winner of the Critics’ Week grand prize at Cannes, which is set in a Ukrainian school for deaf and mute coeds and is told entirely in sign language, with no subtitles. The Tribe is one of four films that will make their way to Manhattan from Park City, Utah, where they’re also on the Sundance roster: Charles Poekel’s Christmas, Again, about a heartbroken Christmas-tree salesman; Rick Alverson’s Entertainment, a follow-up to The Comedy, about a broken-down comedian doing stand-up across the Mojave Desert and Kornél Mundruczó’s White God, winner of the Un Certain Regard prize at Cannes about a dog’s journey back to its owner after being abandoned in the city.
Representing 11 countries from around the world, »
- The Deadline Team
Recent Czech cinema has been gaining a reputation when it comes to revisiting history. Hefty award festooned mini-series-cum feature film The Burning Bush directed by renowned filmmaker Agnieszka Holland and Andrea Sedláčková´s sports drama Fair Play shaped moral heroes against an oppressive communist backdrop, elevating them on a pedestal to times not yet forsaken. As that goes Czech filmmakers don´t always paint life under dictatorship in such grey colours as Jiří Vejdělek proved in his maudlin yearning for adolescence in Tender Waves. Slovak director (and actor) Juraj Nvota adds his two cents with Hostage, which nods towards Vejdělek´s venture. Nvota has already laid a critical eye on communist times in two films: his thriller The Confidant (set in 68´ Czechoslovakia), and the domestic drama Music,...
[Read the whole post on twitchfilm.com...]
Six women have been elected onto the board of the European Film Academy (Efa).
Each board member is elected for a two-year term, with eight of the board up for re-election this time. Re-elected were two female members, Dagmar Jacobsen and Rebecca O’Brien. The six new board members are:
Tilde Corsi, Italy, producerIra von Gienanth, Germany, producer/distributorAngeles Gonzáles-Sinde, Spain, screenwriterVanessa Henneman, Netherlands, talent agentAgnès Jaoui, France, director/screenwriter/actressEwa Puszczynska, Poland, producer
Agnieszka Holland, Poland, director
Mike Downey, UK, producer
Antonio Saura, Spain, producer
Roberto Cicutto, Italy, producer
Tilde Corsi, Italy, producer
Helena Danielsson, Sweden, producer
Ira von Gienanth, Germany, producer/distributor
Ilann Girard, France, producer
Angeles Gonzáles-Sinde, Spain, screenwriter
Vanessa Henneman, Netherlands, talent agent
Dagmar Jacobsen, Germany, producer »
Drive Your Plough Over the Bones of the Dead
After working heavily in television since her last celebrated film, 2011’s In Darkness (which received an Oscar nod for Best Foreign Language Film), Polish auteur Agnieszka Holland finally looks to be readying a new feature after a year that saw her revamp ‘Rosemary’s Baby’ as a tv mini-series, as well as her more notable project, Burning Bush. Based on the novel by Olga Tokarczuk, one of the most famous figures in contemporary Polish literature, adapting the novel for the screen has been a labor of love for Holland who has been wanting to make the project for some time. Last summer it as announced that filming would begin at the end of the year and casting was underway, while Holland’s DoP from In Darkness, Jolanta Dylewska, was on board. We’re hoping it’s still underway, »
- Nicholas Bell
5 items from 2015
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