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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2005 | 2004 | 2002

2 items from 2015


John Osborne on Film: Look Back in Anger

6 March 2015 7:35 PM, PST | SoundOnSight | See recent SoundOnSight news »

I. The Landmine

In August 1955, George Devine, director of London’s Royal Court Theatre, ventured to meet a promising writer, living on a Thames houseboat. “I had to borrow a dinghy… wade out to it and row myself to my new playwright,” he recalled. Thus began a partnership between Devine, who sought to rescue the English stage from stale commercialism, and the 26 year old tyro, John Osborne. Together, they’d revolutionize modern theater.

Born in London but raised in Stoneleigh, Surrey, Osborne lost his father at age 12, resented his low-born mother and was expelled from school for striking a headmaster. While acting for Anthony Creighton’s repertory company, his mercurial temper and violent language appeared. In 1951 he wed actress Pamela Lane, only to divorce six years later. Osborne soon immortalized their marriage: their cramped apartment, with invasive friends and intruding in-laws, John and Pamela’s pet names and verbal abuse, »

- Christopher Saunders

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Blu-ray Review – The Manchurian Candidate (1962)

24 February 2015 10:43 AM, PST | Flickeringmyth | See recent Flickeringmyth news »

The Manchurian Candidate, 1962.

Directed by John Frankenheimer.

Starring Laurence Harvey, Frank Sinatra, Janet Leigh, Angela Lansbury, Henry Silver and James Gregory.

Synopsis:

A former Korean War Pow is brainwashed by Communists into becoming a political assassin. But another former prisoner may know how to save him.

Exploring the extremes of cold war paranoia in a stylish cloak and dagger format that must have raised more than a few eyebrows on its release in 1962, The Manchurian Candidate is a film that takes a look beyond the usual political invective.

Following the terrifying experiences of Korean War veterans as they attempt to settle back into ‘normal’ American life, the film is a supremely dark portrayal of influence and control. Laurence Harvey (Room at the Top, Darling) as Raymond Shaw creates a terrifyingly understated performance as the pawn in the games of the political elite. Specifically, his character is controlled through the use »

- Robert W Monk

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2 items from 2015


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