3 items from 2017
Over a decade ago, director Brett Ratner (Tower Heist) began developing a Hugh Hefner biopic called Playboy. Brian Grazer was going to produce the film about the founder of Playboy, which Oliver Stone once developed a few drafts for alongside 8 Mile screenwriter Scott Silver. Ratner and all involved talked about Robert Downey Jr. and Hugh Jackman for the role, but eventually Universal dropped the […]
- Jack Giroux
How important is resemblance, really?
As we mentioned in our newsletter yesterday, Christian Bale is reportedly in talks to star as former vice president Dick Cheney in an Adam McKay helmed biopic, alongside Amy Adams as Lynne Cheney and Steve Carrell as Donald Rumsfeld. The news, broken by Variety, has lead to a host of reactions across the internet, including a number of Dark Knight and American Psycho related jokes because, you know, duh. Front and center in many of these reactions is speculation (though in some cases, anticipatory salivation might be more accurate) over how Bale will transform for the role.
After all, Christian Bale is known for physical metamorphoses that rank just below those of caterpillars on an impressiveness scale; he famously lost 60 pounds for his role in The Machinist (bringing the 6' actor to a skeletal 120-ish pounds), and afterwards went directly to Batman Begins, eating and weight-lifting his way to 220 pounds, which »
- Ciara Wardlow
Gas-s-s-s – Or – It Became Necessary to Destroy the World in Order to Save It.
Cinematography: Ron Dexter
Film Editor: George Van Noy
Original Music: Country Joe and the Fish
Written and Produced by George Armitage
Directed by Roger Corman
Roger Corman finally accepted himself as an iconic filmmaker for this, his final show for A.I.P.. Barely released and long considered a failure, Gas-s-s-s – Or – It Became Necessary to Destroy the World in Order to Save It sees Corman and his writer associate George Armitage attempting a Mad magazine- like amalgam of all the counterculture trends of the late 1960s. That tactical mistake becomes eighty minutes of unfocused and unfunny satire. Armitage’s script and dialogue might occasionally hit some serendipitous notes, »
- Glenn Erickson
3 items from 2017
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