3 items from 2017
It’s the hottest day of the year and a dozen men – not universally perturbed at this point – are put in a room and asked to consider the guilt of a young man accused of killing his father. It’s premeditated murder in the first degree and the sentence is death. The jury takes their first vote and it’s unanimous. Almost.
Juror #8 (Henry Fonda) is the sole dissenting voice. It’s not that he believes the kid did not do it; he’s just not sure. Over the next 90 real-time minutes, #8 will test his doubts against the others, to understand whether or not those doubts are reasonable.
12 Angry Men began life as a teleplay. Written by Reginald Rose (inspired by his own experiences as a juror »
- Rupert Harvey
George Segal rode talent and a hot streak to the top of the movie heap from the mid-1960s into the 1980s. If you only know Segal for his popular TV series “Just Shoot Me” and “The Goldbergs,” here are crucial earlier roles to check out.
This was a break-out role for Segal, a prestigious WWII drama with a mostly British cast that included John Mills, Tom Courtenay, James Fox, Patrick O’Neal, and Denholm Elliott. Segal played a charismatically amoral American sharpie, scrambling to maintain his place at the top of the black-market heap in a Japanese prison camp.
Who’s Afraid of Virginia Woolf? (1966), dir. Mike Nichols:
Segal earned his lone Oscar nomination for this role, in Nichols’ adaptation of Edward Albee’s stinging marital drama. He brought brains and vulnerability as a college professor who, with his mousy wife (Sandy Dennis »
- Marshall Fine
Dana Andrews movies: Film noir actor excelled in both major and minor crime dramas. Dana Andrews movies: First-rate film noir actor excelled in both classics & minor fare One of the best-looking and most underrated actors of the studio era, Dana Andrews was a first-rate film noir/crime thriller star. Oftentimes dismissed as no more than a “dependable” or “reliable” leading man, in truth Andrews brought to life complex characters that never quite fit into the mold of Hollywood's standardized heroes – or rather, antiheroes. Unlike the cynical, tough-talking, and (albeit at times self-delusionally) self-confident characters played by the likes of Alan Ladd, Edward G. Robinson, James Cagney, Humphrey Bogart, and, however lazily, Robert Mitchum, Andrews created portrayals of tortured men at odds with their social standing, their sense of ethics, and even their romantic yearnings. Not infrequently, there was only a very fine line separating his (anti)heroes from most movie villains. »
- Andre Soares
3 items from 2017
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