Ivonne Margulies. Nothing Happens: Chantal Akerman's Hyperrealist Everyday. Durham, NC: Duke University Press, 1996.
Gwendolyn Audrey Foster, ed.. Identity and Memory: The FIlms of Chantal Akerman. Carbondale, IL: Southern Illinois University, 2003.
|Los Angeles Times (USA)||9 October 2015, Vol. 134, Iss. 310, pg. B6, by: Mark Olsen, "OBITUARIES: CHANTAL AKERMAN, 1950 - 2015 - Influential filmmaker"|
|The New York Times (USA)||18 January 2009, Vol. 158, Iss. 54,559, pg. AR12, by: Dennis Lim, "Then as Now, the Terrors of the Routine"|
|Bref (France)||June 2007, Iss. # 77, pg. 2, by: anonymous, "Exposition. Le Fresnoy"|
|Film Comment (USA)||September 2005, Vol. 41, Iss. 5, pg. 17, by: Nathan Lee, "Pleasures of the Text: Chantal Akerman's installation 'To Walk Next to One's Shoelaces in an Empty Fridge'"|
|Filmmaker (USA)||Spring 2001, Vol. 9, Iss. 3, pg. 38, by: Peter Bowen, "Captive Audience"|
|Le Soir (Belgium)||8 March 2005, Iss. 56, pg. 2, "Les actrices"|
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