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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2004 | 1992

3 items from 2015


Sign Language Film ‘The Tribe’ Features In 44th New Directors/New Films Series

21 January 2015 10:00 AM, PST | Deadline New York | See recent Deadline New York news »

The Museum Of Modern Art and the Film Society Of Lincoln Center announced the first nine films in the long-lived showcase for new work. They include Myroslav Slaboshpytskiy’s winner of the Critics’ Week grand prize at Cannes, which is set in a Ukrainian school for deaf and mute coeds and is told entirely in sign language, with no subtitles. The Tribe is one of four films that will make their way to Manhattan from Park City, Utah, where they’re also on the Sundance roster: Charles Poekel’s Christmas, Again, about a heartbroken Christmas-tree salesman; Rick Alverson’s Entertainment, a follow-up to The Comedy, about a broken-down comedian doing stand-up across the Mojave Desert and Kornél Mundruczó’s White God, winner of the Un Certain Regard prize at Cannes about a dog’s journey back to its owner after being abandoned in the city.

Representing 11 countries from around the world, »

- The Deadline Team

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Béla Tarr’s "Repulsion": Fragments of a Lost Remake

12 January 2015 5:18 AM, PST | MUBI | See recent MUBI news »

The fifth entry in an on-going series of audiovisual essays by Cristina Álvarez López and Adrian Martin.

***

Inside every narrative film is a non-narrative film struggling to get out. A film of details, of in-betweens, of atmospheres; of nothing-much-happening and everyday banality. A film of redundant repetition and obligatory scene-setting. A film where glances fall into the void rather than guiding a drama; where gestures and actions happen for their own sakes rather than for the symbolic or thematic meaning they project. A film where the background surges forward and becomes the foreground; where rooms and objects for once really do become (as that lousy reviewing cliché loves to say) ‘characters in their own right.’

A film without intrigue. Or, at any rate, only the most minimal filigree of intrigue, perhaps a single turning point or shock. In their great and too-little-known 1998 book To Dress a Nude: Exercises in Imagination, »

- Cristina Álvarez López & Adrian Martin

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Notebook's 7th Writers Poll: Fantasy Double Features of 2014

5 January 2015 10:08 AM, PST | MUBI | See recent MUBI news »

How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2014?

Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.

All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch »

- Notebook

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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2004 | 1992

3 items from 2015


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