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21-40 of 129 items from 2017   « Prev | Next »

Failure to relaunch: Matthew McConaughey needs another McConaissance

7 August 2017 7:56 AM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

The critically loathed Stephen King adaptation The Dark Tower is the latest in a string of disappointments for the Oscar-winning actor, whose comeback has crumbled. But what should he do next?

What in the world has happened to Matthew McConaughey? It was just three and half years ago that his career comeback – gleefully dubbed the McConaissance – culminated in a best actor Oscar for his performance in Dallas Buyers Club, just as his memorable stint on HBO’s True Detective was coming to a victorious close. That apex turned out to be more like the crest of a wave. The backlash may have even started during his bizarre, off-putting Oscar speech. As he boldly asserted that “it’s a scientific fact that gratitude reciprocates”, you could feel the second thoughts pulsing through the auditorium. As if enacting some kind of institutional justice, McConaughey’s career started tanking just about as soon as the ceremony ended. »

- Noah Gittell

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Andrew Droz Palermo || A Process Close To Music || The Cinematography Of A Ghost Story

3 August 2017 4:06 PM, PDT | Cinelinx | See recent Cinelinx news »

Would you have guessed A Ghost Story’s aesthetic was primarily formed instinctually day by day? I wouldn’t have, and I didn’t. The fact derailed everything I thought I knew about Andrew Droz Palermo (Cinematographer: You’re Next, Rich Hill, A Teacher) and David Lowery’s (Writer/Director: Ain’t Them Bodies Saints, Pete’s Dragon) formal motivations and forced the interview to operate in an intuitive mode similar to the film’s process.

Each day Andrew operated with the immediacy of a musician, or as close to that as the film industry allows. Even the most premeditated of shots/scenes could undergo major adjustments on the day, and they weren’t beholden to any rules for the sake of developing their own grammar. The film’s small budget allowed them to take their time and properly evaluate the results of their intuition.

I caught Andrew in between shoots. »

- (Aaron Hunt)

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Chile’s Growing Film Festival Scene: Sanfic Announces Lineup

30 July 2017 1:55 PM, PDT | Sydney's Buzz | See recent Sydney's Buzz news »

The thirteenth edition of Santiago International Film Festival, Sanfic (August 20–27, 2017), the largest film festival in Chile, will present more than 100 international and Chilean films, including productions shown and awarded in festivals such as Cannes, Berlin and Venice. Among the feature films will be 7 world and 14 Latin American premieres.

Sanfic (Santiago International Film Festival) is opening the festival to international press this year with Variety Dailies and important international guests for their Sanfic Industry section. Guest attending include Kim Yutani (Sundance programmer), Javier Martin (Berlinale delegate), Molly O ́Keefe (Tribeca Film Institute — fiction features) and Estrella Araiza (Industry director of Guadalajara Iff), to name a few. Matt Dillon is its special guest along with the renowned director of photography Rainer Klausmann.

The Summit starring Ricardo Darín, Dolores Fonzi and Erica Rivas, with an appearance of Christian Slater and renowned Chilean actors Paulina Garcia and Alfredo Castro

The opening film of the »

- Sydney Levine

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First Look Photo of Johnny Depp From Set Of Richard Says Goodbye

25 July 2017 7:56 AM, PDT | | See recent news »

Principal photography started on location in Vancouver on Richard Says Goodbye starring three-time Academy Award® nominee Johnny Depp, it was announced today by Im Global Founder and CEO Stuart Ford.

Golden Globe® nominee Danny Huston (Wonder Woman, X-Men Origins: Wolverine), Rosemarie DeWitt (La La Land, Rachel’s Getting Married), Zoey Deutch (Everybody Wants Some!!, upcoming The Disaster Artist), Devon Terrell (Barry), and Odessa Young (Looking for Grace, The Daughter) have joined the cast of the comedy drama, which is written and directed by Wayne Roberts (Katie Says Goodbye).

Im Global and Cirrina Studios are co-financing the film with additional financing from Leeding Media.

Brian Kavanaugh-Jones (Sinister, Midnight Special) of Automatik Entertainment and Im Global’s President of Production Greg Shapiro (The Hurt Locker, Zero Dark Thirty) are producing the film. Ford and Miguel Palos of Im Global, Karine Martin, David Lipman and Jim Pesoli of Cirrina Studios, David U. Lee »

- Michelle Hannett

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‘Logan Lucky’ Is A Whip-Smart, Laugh-Out-Loud Funny Romp [Review]

24 July 2017 10:06 AM, PDT | The Playlist | See recent The Playlist news »

Since coming out of a brief retirement from filmmaking following the release of his Liberace biopic for HBO “Behind the Candelabra,” Steven Soderbergh has been awfully busy. Amongst his many projects, he shot, edited, and directed two entire seasons of Cinemax‘s overlooked medical drama “The Knick,” directed an off-Broadway play called “The Library,” edited and shot male stripper sequel “Magic Mike Xxl,” and released a series of weird fan edits of famous films, including “Heaven’s Gate” and “2001: A Space Odyssey,” plus “Psychos,” a mirrored mash-up of both Alfred Hitchcock‘s original film and Gus Van Sant‘s remake.

Continue reading ‘Logan Lucky’ Is A Whip-Smart, Laugh-Out-Loud Funny Romp [Review] at The Playlist. »

- Kevin Jagernauth

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9 Films New to Netflix to Watch in August 2017, Including ‘The Matrix’ Trilogy and ‘Jackie Brown’

24 July 2017 8:41 AM, PDT | Indiewire | See recent Indiewire news »

Netflix may have cancelled the Wachowski’s cult hit “Sense 8,” but its adding two of their defining works to its streaming library next month. All three entries in “The Matrix” trilogy are heading to Netflix, as is the ambitious “Cloud Atlas,” which means you’ll be able to bring summer to an end by bingeing mind-melting science fiction.

Read More: Netflix Is Not the Problem: Why Bad Theatrical Presentations Are Destroying the Experience

Other titles joining the streaming service include underrated gems from Quentin Tarantino and Michael Haneke, plus two of the year’s most exciting documentary films. Check out a complete list of all the new movies joining Netflix in August 2017 below, including our 7 must-binge choices.

The Matrix” Trilogy (August 1)

August kicks off with “The Matrix,” “The Matrix Reloaded” and “The Matrix Revolutions” all becoming available to stream on Netflix. Say what you want about the two sequels, but »

- Zack Sharf

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Wme Signs Sunny Suljic, Hottest 11-Year Old Thesp In Town

14 July 2017 1:37 PM, PDT | Deadline | See recent Deadline news »

Exclusive: Sunny Suljic has signed with Wme, after the 11-year old created Cannes buzz starring opposite Nicole Kidman in the Yorgos Lanthimos-directed The Killing of a Sacred Deer. A24 releases the film in November. Suljic wrapped Gus Van Sant’s next film, Don’t Worry, He Won’t Get Far on Foot, and he is shooting Jonah Hill's directorial debut Mid 90’s, which tells the story of a young boy and his skateboard buddies growing up in 1990s Los Angeles. Suljic stars opposite… »

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Casting a Nirvana Movie Biopic

11 July 2017 5:00 PM, PDT | | See recent news »

The band Nirvana helped define an era. Nirvana was instrumental in establishing the “Grunge Rock” genre during the late 1980’s and the early 1990’s. Before his suicide at 27 years old, founding member Kurt Cobain helped define a “Generation X” and will always be remembered for his artistry. There have been books written and plans to make films about the band for decades. In 2005 Gus Van Sant directed a movie, “Last Days” loosely based on the band and Kurt Cobain’s last days. A 2015 docudrama directed by Benjamin StatlerSoaked In Bleach” followed the last days of Cobain’s life

Casting a Nirvana Movie Biopic »

- Nat Berman

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Whoa Is Me: Keanu Reeves’ Saddest Roles, From ‘My Own Private Idaho’ to ‘John Wick’

9 July 2017 12:00 PM, PDT | Indiewire | See recent Indiewire news »

We’ve all seen the Sad Keanu memes, and a number of details from the “Point Break” and “Matrix” star’s biography do indeed point toward tragedy. The actor is known for thrilling us rather than saddening us nevertheless, not that there aren’t a few exceptions to prove the rule (even if none of them involve him eating a sandwich on his lonesome).

With “To the Bone” premiering on Netflix this Friday, take a moment to relive some of Keanu’s saddest performances.

My Own Private Idaho

Maybe it’s the fact that he’s acting opposite River Phoenix, a friend who died just two years after Gus Van Sant’s early classic was released, but it’s hard not to feel for Keanu in “My Own Private Idaho.” A soon-to-be-wealthy heir, his Scott is always looking after his narcoleptic best friend (Phoenix, whose character is also in love »

- Michael Nordine

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The 81st Academy Awards: If I had been a voter

4 July 2017 12:30 PM, PDT | | See recent news »

Happy Independence Day everyone! With the 4th of July being a holiday, today I’m doing something relaxing. About a year or two ago, I stopped a series I had been doing, but today it has officially returned. Yes, once again I’m going to be taking a look back at a recent (or now recent-ish) Oscar lineup and explaining what my vote would have been in each of the big eight categories we all follow so intently each season. I previously mentioned that potentially I could do this once a week with previous Academy Award ceremonies, and while I’m not going to be attempting to do that, time will still tell if it’s something that gets consistent play or not. Again, if nothing else, this continues to give you an interesting look into my cinematic tastes. Over the course of the year you can sort of get »

- Joey Magidson

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Film Review: ‘The Forest of Lost Souls’

3 July 2017 6:47 PM, PDT | Variety - Film News | See recent Variety - Film News news »

Vastly more focused and interesting than director Gus Van Sant’s similarly themed 2015 misfire “The Sea of Trees,” the black-and-white stalker drama “The Forest of Lost Souls” is a nasty and impressive little thriller that goes about its business with ruthless cinematic efficiency. This notable debut from writer-director José Pedro Lopes, which world-preemed at Fantasporto and was featured in the long-running and gonzo-themed Freak Me Out sidebar of the Sydney Festival, is ensured of a long and happy specialty fest life.

In the fictional, mythical woods somewhere between Portugal and Spain that attracts those contemplating taking their own lives, well-to-do dad Ricardo Alves (Jorge Mota) arrives grief-stricken over the suicide of his daughter Irene (Lilia Lopes) in a foreboding pre-credit sequence. But before he can do the deed, he meets the acerbic Carolina (Daniela Love), who mocks him for his chosen method (a knife) and for failing to bring a suicide note (he asks to borrow pen »

- Eddie Cockrell

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Breaking Glass Pictures acquires 'Spaceship'

29 June 2017 12:33 PM, PDT | ScreenDaily | See recent ScreenDaily news »

Exclusive: 45 Years producer Tristan Goligher on roster.

Breaking Glass Pictures has acquired North American rights to former Screen International Star Of Tomorrow Alex Taylor’s directorial debut, Spaceship.

The distributor is planning a limited theatrical release in November, followed by DVD and VoD, for the film that had its world premiere at SXSW.

Spaceship centres on teenage cyber-goth Lucidia, whose mother died mysteriously seven years ago in the family swimming pool. Her father, Gabriel, is an archaeologist who can’t move on.

When Lucidia disappears in an apparent alien abduction, Gabriel is forced to confront her strange outsider friends and meets Tegan, a girl obsessed with unicorns and black holes. The story is told from multiple points of view, both teenage and adult.

Alexa Davies, Tallulah Haddon, Lara Peake, Lucian Charles Collier, Antti Reini, and singer-songwriter Annabel Allum star.

Spaceship was developed, financed and produced under Creative England’s iFeatures banner, supported by [link »

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Rushes. Canyon Cinema at 50, "Predator" Oral History, "Twin Peaks" Polaroids, Jean & Jane

28 June 2017 12:12 PM, PDT | MUBI | See recent MUBI news »

Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended VIEWINGThe legendary institution of experimental film Canyon Cinema has composed a gorgeous trailer of their works in the event of their 50th anniversary.The Safdie brothers' latest—starring Robert Pattinson!—gets an even further hypnotic treatment in montage with its second trailer. Read our rave review from Cannes.The trailer premiere for the forthcoming restoration of Edward Yang’s (as well as cinematographer Christopher Doyle's) debut feature That Day, On the Beach. Recommended READINGJonathan Rosenbaum admirably continues his long standing case for the virtues of Jerry Lewis over at his website:Perhaps even more to the point, why do the Americans love and hate Jerry Lewis? Clearly the degree to which he challenges, provokes, embarrasses, and sometimes even scares and troubles his public already sets him apart from Allen, Chaplin, Keaton, Lloyd, Langdon, »

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Hollywood North: 12 major flicks filmed in Canada

27 June 2017 1:00 PM, PDT | Cineplex | See recent Cineplex news »

Hollywood North: 12 major flicks filmed in CanadaHollywood North: 12 major flicks filmed in CanadaDaniel Bettridge6/27/2017 3:00:00 Pm

Everyone knows that Hollywood is the centre of the movie universe. But did you know that the likes of Vancouver, Toronto and Montreal have made some pretty important contributions to the multiplex too? Because they have. In fact the great white north has played an important role in the film industry down the years.

So to help celebrate Canada 150, join us as we look back on 11 blockbusters that you didn’t know were made in our home and native land.

The Twilight Saga – British Columbia

Want to follow in the brooding footsteps of Edward, Bella and the rest of the Twilight crew? Then head on over to beautiful British Columbia where the majority of the blockbuster franchise based on Stephenie Meyer’s bestselling teen novels were shot.

Pacific Rim - Toronto

Guillermo del Toro »

- Daniel Bettridge

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‘And Then I Go’ Review: We Need to Talk About This Disturbing Coming-of-Age Drama

23 June 2017 6:22 AM, PDT | Indiewire | See recent Indiewire news »

You may not have liked going to school as a kid, but you probably didn’t hate it as much as Edwin. In his opening narration, the eighth-grader, played by an impressive Arman Darbo, refers to his school as the reason he can’t sleep at night, a clique-filled nightmare and a “big shit-pile floating downstream.” At the bottom of that stream, caught in the wake and crashing against the rocks, he and his best friend are trying — and failing — to make it through each day undisturbed.

Read More: Laff 2017: 10 Festival Picks, from ‘My Friend Dahmer’ to ‘Everything Beautiful Is Far Away’

A coming-of-age drama about kids who may never actually come of age, “And Then I Go” reads as a less abrasive “We Need to Talk About Kevin.” Vincent Grashaw’s adaptation of Jim Shepard’s 2004 novel “Project X” isn’t about red flags and warning signs so much as the toxic combination of angst, detachment and alienation that makes terrible decisions seem like the only recourse to kids who don’t know — or don’t believe — that the problems they’re facing will one day seem insignificant. 

“Kids like you used to get their butts kicked when I was a kid,” Edwin’s kind-but-exhausted principal (Tony Hale, living up to the tradition of comic TV actors going serious for the indies) tells him after one especially sarcastic visit to the office. “They still do,” responds the troubled youth, who’s as quick-witted as he is confused. Cut to: Edwin and his best friend Flake getting their asses kicked by a couple of soccer players.

It takes all of 15 minutes to glean that this film’s narrative trajectory probably isn’t leaning toward reconciliation and catharsis. Edwin doesn’t seem likely to emerge from his adolescent ordeals changed for the better, and his parents (Melanie Lynskey and Justin Long) aren’t going to have an aha moment where they realize how to connect with their son. No, this movie’s arc is signaled by a question Flake asks Edwin: “Wanna see my dad’s guns?”

Rather than try to remake Gus Van Sant’s “Elephant,” as Tim Sutton did in “Dark Night,” Grashaw has crafted an intimate, sympathetic character study. The focus is on Edwin rather than what he may or may not eventually do, which is largely at the behest of his angry bestie. They’re making a list and checking it twice, but it’s clear all along that Flake (real name Roddy) is more committed to the idea than our wayward protagonist. Will they or won’t they?

Read More: As the Los Angeles Film Festival Struggles for Relevancy, a New Director Has Big Ideas For Change

Grashaw keeps us guessing. “And Then I Go” isn’t elegiac or fatalistic, nor is it a dread-filled slog toward an inevitable conclusion. There are glimmers of hope along the way, and a group art project goes surprisingly well — Edwin’s parents suggest taking a trip to the lake they used to visit every summer — and suggestions that the boy will find a way to weather this storm. By the time the end arrives, we’re as surprised as Edwin and Flake want their classmates to be.

Grade: B

And Then I Go” premiered at the Los Angeles Film Festival. It is currently seeking distribution.

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- Michael Nordine

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The Unpopular Opinion: Gus Van Sant’s ‘Psycho’ Remake is a Fascinating, Bold Experiment

22 June 2017 9:00 AM, PDT | Slash Film | See recent Slash Film news »

(Welcome to The Unpopular Opinion, a series where a writer goes to the defense of a much-maligned film or sets their sights on a movie seemingly beloved by all. In this edition: a defense of Gus Van Sant’s misunderstood Psycho remake.) Marion steps into the motel shower without a hint of hesitation. She adjusts the hot and […]

The post The Unpopular Opinion: Gus Van Sant’s ‘Psycho’ Remake is a Fascinating, Bold Experiment appeared first on /Film. »

- Chris Evangelista

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More Cannes Winners: Diane Kruger to Become the New Isabelle Huppert + Best Director Coppola Oscar Chances?

20 June 2017 8:05 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

'In the Fade' with Diane Kruger: Fatih Akin's German-language Avenging Woman drama may give its star the chance to become next awards season Isabelle Huppert. Diane Kruger: 2017–2018 awards season's Isabelle Huppert? The 2003 Cannes Film Festival's Female Revelation Chopard Trophy winner, Diane Kruger was Cannes' 2017 Best Actress winner for Fatih Akin's In the Fade / Aus dem Nichts. If Akin's German drama finds a U.S. distributor before the end of the year, Kruger could theoretically become the Isabelle Huppert of the 2017–2018 awards season – that is, in case the former does become a U.S. critics favorite while we stretch things a bit regarding the Kruger-Huppert commonalities. Just a bit, as both are European-born Best Actress Cannes winners who have been around for a while (in Huppert's case, for quite a while). Perhaps most importantly, like Huppert in Paul Verhoeven's Elle, Kruger plays a woman out for revenge in In the Fade. Diane Kruger-Isabelle Huppert 'differences' There is, however, one key difference between the two characters: in Elle, Huppert wants to avenge her own rape; in In the Fade, Kruger wants to avenge the death of her Turkish husband (Numan Acar) and their son (Rafael Santana) at the hands of white supremacist terrorists. Another key difference, this time about the Kruger-Huppert Cannes Film Festival connection: although Isabelle Huppert became a U.S. critics favorite – and later a Best Actress Oscar nominee – for her performance in Elle, her (unanimous) Best Actress Cannes win was for another movie, Michael Haneke's The Piano Teacher / La pianiste back in 2001. At that time, Huppert also became a U.S. critics favorite (winning Best Actress honors in San Diego and San Francisco; a runner-up in Los Angeles and New York), but, perhaps because of the psychological drama's sexually charged nature, she failed to receive a matching Oscar nod. Last year's Cannes Best Actress, by the way, was Jaclyn Jose for Brillante Mendoza's Philippine drama Ma' Rosa. Huppert had been in contention as well, as Elle was in the running for the Palme d'Or. Diane Kruger Best Actress Oscar nomination chances? A Best Actress nomination for Diane Kruger at the German Academy Awards (a.k.a. Lolas) – for her first German-language starring role – is all but guaranteed. Curiously, that would be her first. As for a Best Actress Oscar nod, that's less certain. For starters, unlike the mostly well-reviewed Elle, In the Fade has sharply divided critics. The Hollywood Reporter, for one, summarized Akin's film as a “thriller made riveting by an emotional performance from Diane Kruger,” while The Guardian's Peter Bradshaw called it a “mediocre revenge drama” with “a not particularly good” star turn. Besides, since the year 2000 just one “individual” Best Actress Cannes winner has gone on to receive an Oscar nomination for the same performance: Rooney Mara*, who, though one of the two leads in Todd Haynes' Carol (2011), was shortlisted in the Oscars' Best Supporting Actress category so as not to compete with her co-star and eventual Best Actress nominee Cate Blanchett. Then there's the special case of Penélope Cruz; the 2006 Best Actress Oscar nominee – for Pedro Almodóvar's Volver – was a Cannes winner as part of that family comedy-drama ensemble†. And finally, despite their Cannes Best Actress win for performances in (at least partly) English-language films, no less than seven other actresses have failed to be shortlisted for the Academy Awards this century. Björk, Dancer in the Dark (2000). Maggie Cheung, Clean (2004). Hanna Laslo, Free Zone (2005). Charlotte Gainsbourg, Antichrist (2009). Juliette Binoche, Certified Copy (2010). Kirsten Dunst, Melancholia (2011). Julianne Moore, Maps to the Stars (2014). Coincidentally, that same year Moore starred in Still Alice, which eventually earned her the Best Actress Oscar. Warner Bros. will be distributing In the Fade in Germany later this year. Regarding the Oscars, whether late in 2017 or late in 2018, seems like it would be helpful if Diane Kruger got a hold of Isabelle Huppert's – and/or Marion Cotillard's and Jean Dujardin's – U.S.-based awards season publicists. * Rooney Mara shared the 2011 Cannes Film Festival Best Actress Award with Emmanuelle Bercot for My King / Mon roi. † Also in the Cannes-winning Volver ensemble: Carmen Maura, Lola Dueñas, Blanca Portillo, Chus Lampreave, and Yohana Cobo. 'The Beguiled' trailer: Colin Farrell cast in the old Clint Eastwood role in Sofia Coppola's readaptation of Civil War-set, lust & circumstance drama. Sofia Coppola ends Cannes female drought About 13 years ago, Sofia Coppola became the first American woman to be shortlisted for the Best Director Academy Award – for the Tokyo-set drama Lost in Translation, starring Bill Murray and Scarlett Johansson. Coppola eventually lost in that category to Peter Jackson for the blockbuster The Lord of the Rings: The Return of the King, but she did take home that year's Best Original Screenplay Oscar statuette. There haven't been any other Oscar nominations since, but her father-daughter drama Somewhere, toplining Stephen Dorff and Elle Fanning, was the controversial Golden Lion winner at the 2010 Venice Film Festival. This year, Coppola has become only the second woman to win the Cannes Film Festival's Best Director Award – for The Beguiled, an American Civil War-set drama based on Thomas P. Cullinan's 1966 novel of the same name (originally published as A Painted Devil). With shades of Rumer Godden's Black Narcissus, The Beguiled follows a wounded Union soldier as he finds refuge at a girls' boarding school in Virginia. Sexual tension and assorted forms of pathological behavior ensue. Tenuous Cannes-Oscar Best Director connection From 2000 to 2016, 20 filmmakers† have taken home the Cannes Film Festival's Best Director Award. Of these, only four have gone on to receive matching Best Director Oscar nominations – but no wins: David Lynch, Mulholland Dr. (2001). Alejandro González Iñárritu, Babel (2006). Julian Schnabel, The Diving Bell and the Butterfly (2007). Bennett Miller, Foxcatcher (2014). Four other Cannes Best Director winners were bypassed by the Academy even though their movies featured – at least a sizable chunk of – English-language dialogue: Joel Coen, The Man Who Wasn't There§ (2001). Paul Thomas Anderson, Punch-Drunk Love (2002). Gus Van Sant, Elephant (2004). Nicolas Winding Refn, Drive (2011). In other words, a Best Director Cannes Film Festival win is no guarantee of a Best Director Academy Award nomination. Ultimately, Sofia Coppola's chances of an Oscar nod in the Best Director category depend on how well The Beguiled is received among Los Angeles and New York film circles, and how commercially successful – for an “arthouse movie” – it turns out to be. † During that period, there were three Cannes Film Festival Best Director ties: 2001: Joel Coen for The Man Who Wasn't There§ & David Lynch for Mulholland Dr. 2002: Im Kwon-taek for Painted Fire & Paul Thomas Anderson for Punch-Drunk Love. 2016: Cristian Mungiu for Graduation & Olivier Assayas for Personal Shopper. Both films opened in the U.S. in spring 2017 and may thus be eligible for the upcoming awards season. § Ethan Coen co-directed The Man Who Wasn't There, but didn't receive credit in that capacity. 'The Beguiled' with Nicole Kidman. The Best Actress Oscar winner ('The Hours,' 2002) had two movies in the Cannes Film Festival's Official Competition; the other one was 'The Killing of the Secret Deer,' also with Colin Farrell. Moreover, Kidman was the recipient of Cannes' special 70th Anniversary Prize. 'Sly' & 'elegant' Also adapted by Sofia Coppola, The Beguiled will be distributed in the U.S. by Oscar veteran Focus Features (Brokeback Mountain, The Danish Girl). The film has generally received positive notices – e.g., “sly” and “elegant” in the words of Time magazine's Stephanie Zacharek – and could well become a strong awards season contender in various categories. The cast includes The Killing of a Sacred Deer actors Nicole Kidman and Colin Farrell, in addition to Kirsten Dunst (the star of Coppola's Marie Antoinette), Somewhere actress Elle Fanning, Oona Laurence, Addison Riecke, Angourie Rice, and Emma Howard. As an aside, Cullinan's novel also served as the basis for Don Siegel's The Beguiled (1971), a Southern Gothic effort adapted by Irene Kamp and former Hollywood Ten member Albert Maltz. In the cast of what turned out to be a major box office flop: Clint Eastwood, Geraldine Page, Elizabeth Hartman, and Jo Ann Harris. Women directors at Cannes & the Oscars For the record, Soviet filmmaker Yuliya Solntseva was the Cannes Film Festival's first Best Director winner, for The Story of the Flaming Years back in 1961. The only woman to have directed a Palme d'Or winner is Jane Campion, for The Piano (1993). Early in 1994, Campion became the second woman to be shortlisted for an Academy Award in the Best Director category. The first one was Lina Wertmüller for Seven Beauties (1976). 'A Gentle Night' & 'Montparnasse Bienvenue' Qiu Yang's short film Palme d'Or winner A Gentle Night should be automatically eligible for the 2018 Academy Awards. But competition, as usual, will be fierce. In the last decade, the only short film Palme d'Or winner to have received an Oscar nomination is Juanjo Giménez Peña's Timecode (2016), in the Best Live Action Short Film category. This article was originally published at Alt Film Guide ( »

- Steph Mont.

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Rare Cannes Swedish Favorite, AIDS Drama and Best Actor Winner Phoenix Oscar Chances?

20 June 2017 7:16 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

Palme d'Or winner 'The Square' with Claes Bang: 'Gobsmackingly weird' Cannes Film Festival favorite may have a tough time landing a Best Foreign Language Film Academy Award nomination. Ruben Östlund's comedy-drama is totally unrelated to Jehane Noujaim's 2013 Oscar-nominated political documentary of the same title, which refers to downtown Cairo's Tahrir Square. Cannes' Palme d'Or winner 'The Square' & other Official Competition favorites' Oscar chances Screenwriter-director Ruben Östlund's The Square was the Palme d'Or winner at the 2017 Cannes Film Festival, which wrapped up on May 28. (See list of Palme d'Or and other 2017 Cannes winners further below.) Clocking in at about 2 hours and 20 minutes, Östlund's unusual comedy-drama revolving around the chaotic p.r. campaign to promote the opening of the titular installation – a symbolic square of light – at a contemporary art museum in Stockholm has been generally well-received by critics. In the opinion of The Guardian's Peter Bradshaw, »

- Steph Mont.

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Jack Black, Eli Roth Join ‘The House With a Clock in its Walls’ Horror Movie

20 June 2017 2:24 PM, PDT | Variety - Film News | See recent Variety - Film News news »

Jack Black will star in the gothic horror movie “The House With a Clock in its Walls” and Eli Roth will direct for Amblin Entertainment and Mythology Entertainment.

No start date has been set for the project, which has been adapted by Eric Kripke from the 1973 John Bellairs book, which was illustrated by Edward Gorey. The story is set with a recently orphaned 10-year-old boy named Lewis Barnavelt moving to the town of New Zebedee, Mich., to live with his mysterious uncle — who turns out to be a warlock, while his next-door neighbor Florence Zimmermann is a witch.

The titular house was previously owned by a couple who had dedicated their lives to black magic, and plotted to bring about the end of the world through a clock hidden in the walls, where it eternally ticks.


Jack Black in Talks to Join Joaquin Phoenix in Gus Van Sant’s »

- Dave McNary

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Blu-ray Review: Psycho (1998)

16 June 2017 11:24 AM, PDT | DailyDead | See recent DailyDead news »

While I’m never going to consider it a “good” movie, I’m strangely glad that director Gus Van Sant’s shot-for-shot 1998 remake of Alfred Hitchcock’s Psycho exists. It only serves to make the original movie that much better (as though such a thing was possible) by demonstrating all the things Hitchcock does so perfectly that the remake gets perfectly wrong. Think of it as a $20 million experimental film; now that is has been tried and failed, we know that the experiment doesn’t need repeating. That alone has to be worth something.

Coming off the enormous box office success and a bunch of Oscar nominations for Good Will Hunting, indie director Gus Van Sant suddenly found himself with a great deal of studio clout. Ever the outsider artist, Van Sant decided to cash in all of that goodwill by finally realizing a long-held desire to do a shot-for-shot remake of Psycho—which, »

- Patrick Bromley

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