Lana Turner - News Poster


Film Review: ‘The Green Fog’

Film Review: ‘The Green Fog’
To close its 60th anniversary edition last spring, the San Francisco International Film Festival had the excellent idea of commissioning Guy Maddin (along with his “Forbidden Room” collaborators, siblings Evan and Galen Johnson) to make a San Francisco-centric feature. “The Green Fog” compiles bits from about 100 San Fran-set movies and TV shows into a quasi-narrative pastiche that ostensibly pays tribute to Hitchcock’s “Vertigo.” Only faint echoes of that classic can be detected here, but this ingenious gizmo will nonetheless delight Maddin fans, or anyone else who enjoys games played with and about old movies. “Green Fog” is making its regular theatrical debut with short runs at San Fran’s Roxie and New York’s IFC Center. The film’s short (62-minute) runtime is its principal hurdle to wider exposure.

While there’s only one fleeting, incidental actual shot from “Vertigo” here, “The Green Fog” is suffused with a very Hitchcockian sense of intrigue, romance and suspense
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Feature: Top 25 Celebrity Portraits of 2017, Captured by Joe Arce

Chicago – My year in capturing 2017 celebrity portraits is best summed up with a bit of poetry: My subjects skewed older and politically bolder/In a year that demanded change/My list is longer with work hopefully stronger/In capturing these faces not strange.

As per every year the ranking of these portraits are based on a combination of the star power wattage of the subjects, the artistic results and the difficulty of landing the quarry for those budding smart-phone celebrity stalkers who may wish to play along at home. So without further adieu, I present my (Joe Arce’s) Top 25 Celebrity Portraits of 2017.

25. Maddie Ziegler

Maddie Ziegler

Photo credit: Joe Arce of Starstruck Foto for

Maddie Ziegler works the camera just as gracefully as she choreographs the dance floor. Carefree, playful and unafraid of taking chances, the teen dance phenom – and break-out star of “Dance Moms” and numerous
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Doc NYC 2017: 13 Films We Can’t Wait to See At the Festival, From ‘EuroTrump’ to ‘David Bowie: The Last Five Years’

  • Indiewire
Doc NYC 2017: 13 Films We Can’t Wait to See At the Festival, From ‘EuroTrump’ to ‘David Bowie: The Last Five Years’
New York City’s annual Doc NYC festival kicks off this week, including a full-to-bursting slate of some of this year’s most remarkable documentaries. If you’ve been looking to beef up on your documentary consumption, Doc NYC is the perfect chance to check out a wide variety of some of the year’s best fact-based features. Ahead, we pick out 14 of our most anticipated films from the fest, including some awards contenders, a handful of buzzy debuts, and a number of festival favorites. Take a look and start filling up your schedule now.

Doc NYC runs November 9 – 16 in New York City.


Donald Trump may seem like a sui generis figure, a one-of-a-kind monster who was forged in a perfect storm of racism, tweets, and chaos, but history suggests that he’s really just a new breed of an old type. You don’t even have to look
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They’re non-corporeal cut-ups, rich ghosts on the town with nothing better to do than spice up the love life of Roland Young’s harried, henpecked bank president. Hal Roach’s screwball hit did good things for everybody concerned, especially star Cary Grant and bit player Arthur Lake. But the show’s nostalgic heart is Billie Burke, of the tinkly-glass voice. Also starring platinum blonde Constance Bennett, Alan Mowbray and Eugene Pallette.




1937 / B&W / 1:37 flat full frame / 97 min. / Street Date October, 2017 / 20.99

Starring: Constance Bennett, Cary Grant, Roland Young, Billie Burke, Alan Mowbray, Eugene Pallette, Arthur Lake, Hedda Hopper, Virginia Sale, Theodore von Eltz, J. Farrell MacDonald, Elaine Shepard, Ward Bond, Hoagy Carmichael, Lana Turner, Russell Wade, Claire Windsor.

Cinematography: Norbert Brodine

Film Editor: William Terhune

Art Director: William Stevens

Original Music: Marvin Hatley

Written by Jack Jevne, Eric Hatch, Eddie Moran from a novel by Thorne Smith
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Casting-Couch Tactics Plagued Hollywood Long Before Harvey Weinstein

Casting-Couch Tactics Plagued Hollywood Long Before Harvey Weinstein
Whether producing “The Artist,” “Shakespeare in Love” or “The English Patient,” Queens-born serial predator Harvey Weinstein has always had a knack for making powerful period pictures. Maybe, between the best picture Oscars that those movies scored, he should have brushed up on his Hollywood history. His penchant for the casting couch — the practice of powerful white men exploiting young actresses trying to break into the movie business — has a historical precedent as old as the movie business itself.

“The perils for women in Hollywood are embedded, like land mines, from an actress’s debut to her swan song,” says film critic and historian Carrie Rickey, “where moguls like Harry Cohn reputedly wouldn’t cast starlets like Marilyn Monroe and Kim Novak unless they auditioned in bed.”

Long before Weinstein there was Louis B. Mayer, who co-founded Metro-Goldwyn-Mayer studios in 1924. Mayer, the ground zero of this kind of abuse, had means, motive, opportunity
See full article at Variety - Film News »

Review: Woody Allen's "September" (1987) Starring Mia Farrow; Twilight Time Blu-ray Release

  • CinemaRetro
“Love And Angst”

By Raymond Benson

Woody Allen came off an incredible run of five superior films released between 1983 and 1987 (Zelig, Broadway Danny Rose, The Purple Rose of Cairo, Hannah and Her Sisters, and Radio Days) and then delivered one of his occasional “serious” pictures (without his presence as an actor) in late ’87 that was so dire that it only grossed approximately $500,000 in its initial run.

Basically a six-character “play” that takes many cues from the works of Anton Chekhov, September is set in a Vermont country house where depressed Lane (Mia Farrow) is recovering from a suicide attempt. Her best friend Stephanie (Dianne Wiest) is there for moral support. Lane is in love with tenant/writer Peter (Sam Waterston), and neighbor/teacher Howard (Denholm Elliott) is in love with Lane. She doesn’t share Howard’s affections, but Peter, however, is in love with Stephanie. Coming to visit into
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Oss 117 Five Film Collection

He’s fast on his feet, quick with a gun, and faster with the to-die-for beauties that only existed in the swinging ’60s. The superspy exploits of Oss 117 were too big for just one actor, so meet all three iterations of the man they called Hubert Bonisseur de La Bath . . . seriously.

Oss 117 Five Film Collection


Oss 117 Is Unleashed; Oss 117: Panic in Bangkok; Oss 117: Mission For a Killer; Oss 117: Mission to Tokyo; Oss 117: Double Agent

Kl Studio Classics

1963-1968 / B&W and Color / 1:85 widescreen + 2:35 widescreen / 528 min. / Street Date September 26, 2017 / available through Kino Lorber / 59.95

Starring: Kerwin Matthews, Nadia Sanders, Irina Demick, Daniel Emilfork; Kerwin Matthews, Pier Angeli, Robert Hossein; Frederick Stafford, Mylène Demongeot, Perrette Pradier, Dominique Wilms, Raymond Pellegrin, Annie Anderson; Frederick Stafford, Marina Vlad, Jitsuko Yoshimura; John Gavin, Margaret Lee, Curd Jurgens, Luciana Paluzzi, Rosalba Neri, Robert Hossein, George Eastman.

Cinematography: Raymond Pierre Lemoigne
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Tiff Review: Cinematic Sexcapades are Fascinatingly Explored in ‘Scotty and the Secret History of Hollywood’

If the phrase “tell-all” hadn’t been coined before 2012, Scotty Bowers’ memoir Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars would have done the job. Here’s a Marine Corps veteran of World War II born in Illinois who decided to land in Hollywood upon his return on a whim. He answered a “wanted” advertisement to work at a gas station, was hit on sexually by Walter Pidgeon while pumping gas, and realized he could use this well-trafficked locale to help pair off closeted male movie stars with young hustlers like himself for twenty bucks a pop. From there he met Cary Grant and Spencer Tracy, had a threesome with Lana Turner and Ava Gardner, and eventually spilled the beans about it all.

The book was an overnight sensation with ardent fans and vehement detractors alike. Was it his right to air so much dirty laundry?
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Flashback: Lana Turner Went From Hollywood High School to Star in 1937

Flashback: Lana Turner Went From Hollywood High School to Star in 1937
The Hollywood Reporter's part in this was founder Billy Wilkerson, then 47, doing the discovering. In early 1937, Judy Turner (director Mervyn LeRoy later encouraged the change to "Lana") skipped typing class to have a Coke with friends at the nearby Top Hat Malt Shop. Wilkerson had walked from his THR office for the same reason. He saw Turner, a stunningly beautiful and by all accounts self-possessed 16-year-old,...
See full article at The Hollywood Reporter - Movie News »

The Sea Chase

John Wayne plays a German sea captain in a film that goes out of its way to create a favorable image of our former enemy, with hardly a Nazi flag or even a German accent in sight. Wayne and his co-star Lana Turner are as Teutonic as Blondie and Dagwood, yet the film works as a basic adventure – we like the charismatic star, and the sea chase format guarantees extra interest.

The Sea Chase


Warner Archive Collection

1955 / Color / 2:55 widescreen / 117 min. / Street Date July 11, 2017 / available through the WBshop / 21.99

Starring: John Wayne, Lana Turner, David Farrar, Lyle Bettger, Tab Hunter, James Arness, Richard Davalos, John Qualen, Paul Fix, Alan Hale Jr., Peter Whitney, Claude Akins, John Doucette, Tudor Owen, Adam Williams.

Cinematography: William Clothier

Film Editors: William Ziegler, Owen Marks

Original Music: Roy Webb

Written by James Warner Bellah, John Twist from a novel by Andrew Geer

Produced and Directed
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Twin Peaks Episode 10 Recap: Mom's (Most Likely) the Word

Twin Peaks Episode 10 Recap: Mom's (Most Likely) the Word
Anything is possible in the world of Twin Peaks, and in this new season it’s been ridiculously hard to draw any conclusions or make any predictions at all. But, as the weeks go by, it only becomes clearer that evil Richard Horne is in fact the child of Audrey and Evil Coop. I didn’t want it to be true. I hated the idea that Evil Coop raped Audrey (while she was comatose in the hospital after the bank explosion way back in the series finale). But Richard was so evil in this episode, who else could be his dad?
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"Peyton Place" 60th Anniversary Screening, July 12, L.A.

  • CinemaRetro
By Todd Garbarini

Mark Robson’s 1957 film Peyton Place celebrates its 60th anniversary with a special screening at the Royal Theatre in Los Angeles. The film, which runs 157 minutes, stars Lana Turner, Lee Philips, Lloyd Nolan, Arthur Kennedy, Russ Tamblyn, Terry More, and Hope Lange.

Please Note: Actress Terry Moore is currently scheduled to appear at the screening as part of a Q & A regarding the film and her career.

From the press release:

Part of our Anniversary Classics series. For details, visit:

Peyton Place (1957)

60th Anniversary Screening

Wednesday, July 12, at 7:00 Pm at the Royal Theatre

Q & A with Co-Star Terry Moore

Laemmle Theatres and the Anniversary Classics Series present a 60th anniversary screening of 'Peyton Place,' the smash hit movie version of Grace Metalious’s best-selling novel. The film earned nine top Academy Award nominations, including Best Picture, Best Director, and Best Adapted Screenplay.
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5 Cool Stories About How Celebs Were Discovered

Some stars spend years, even decades honing their craft and hoping to be discovered. Others are discovered by accident while strolling through a mall or sitting at a soda counter, such as the case of film legend Lana Turner who was discovered in 1937. Still, other stars have even more unique discovery stories. Here are 5 cool stories about how celebrities were discovered. Pamela Anderson Pamela was already 22 years old when she featured wearing a cutoff Labatt’s Beer t-shirt on the Jumbotron during a 1989 British Columbia Lions football game. She caused such a stir that the company hired

5 Cool Stories About How Celebs Were Discovered
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Cult Horror, Film Noir, and Sci-Fi Movies Tonight on TCM: Ulmer Remembered

Edgar G. Ulmer movies on TCM: 'The Black Cat' & 'Detour' Turner Classic Movies' June 2017 Star of the Month is Audrey Hepburn, but Edgar G. Ulmer is its film personality of the evening on June 6. TCM will be presenting seven Ulmer movies from the mid-1930s to the mid-1960s, including his two best-known efforts: The Black Cat (1934) and Detour (1945). The Black Cat was released shortly before the officialization of the Christian-inspired Production Code, which would castrate American filmmaking – with a few clever exceptions – for the next quarter of a century. Hence, audiences in spring 1934 were able to witness satanism in action, in addition to other bizarre happenings in an art deco mansion located in an isolated area of Hungary. Sporting a David Bowie hairdo, Boris Karloff is at his sinister best in The Black Cat (“Do you hear that, Vitus? The phone is dead. Even the phone is dead”), ailurophobic (a.
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Lana Del Rey and the Weeknd’s ‘Lust for Life’ Recalls an Infamous Hollywood Suicide (Video)

Lana Del Rey and the Weeknd’s ‘Lust for Life’ Recalls an Infamous Hollywood Suicide (Video)
Lana Del Rey knows Hollywood, dropping references to everyone from Marilyn Monroe to Nancy Sinatra to Lana Turner, from whom she borrowed her name. And the video for her new song with The Weeknd, “Lust for Life,” invites recollections of one of Hollywood’s most storied tragedies. “Lust for Life” features the frequent collaborators playing young lovers, sharing a lovely duet. “Climb up the H of the Hollywood sign,” she sings, and then her character does just that. When she gets to the top, she meets him there. He sings lines that include, “They say only the good die young.
See full article at The Wrap »

Sir Roger Moore Has Passed Away At Age 89

  • CinemaRetro
By Lee Pfeiffer

Sir Roger Moore, the iconic British actor who swept to fame playing The Saint and James Bond, has passed away from cancer at age 89. Moore grew up in a middle class lifestyle in Lambeth during WW2 and was among the children evacuated from the city during the Blitz. He had planned a career as a cartoonist but his good looks and charismatic personality drew him first to modeling and then studying acting at the Royal Academy of Dramatic Arts in London. He found success early in his career and was placed for a time under contract with MGM in Hollywood. However stardom didn't follow immediately.  Moore mostly appeared in soap opera stories opposite big stars but none of the films were very successful and was dismissed as just another pretty face. In  the 1956 period costume drama "Diane", he was Lana Turner's leading man- but the film
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Guest Post: How a Short I Wrote Ended Up Being Directed by Robin Wright and Premiering at Cannes

The Dark of Night

Guest Post by Denise Meyers

I am the antithesis of what a successful screenwriter looks like: I am 57, female, and live in the fly-over zone.

I am also a great one for beating the odds, because on May 18, 2017, the short film I wrote, “The Dark of Night,” directed by Robin Wright and starring Leslie Bibb and Sam Rockwell, will make its debut at the Cannes Film Festival, opening for the Cannes Classics film block and the digitally remastered version of 1980 Palme d’Or winner “All That Jazz.”

So how in the hell did a dame from North Carolina get an A-list actress like Robin Wright to direct a 10-minute film without an agent or a manager, but with an outstanding cast and 80 crew members from “House of Cards?”

That’s a good question.

I started my career in the film industry in 1982 as an assistant to Jody Scott-Fox, a motion picture literary agent. After 12 years I managed to work my way to the middle as an assistant to a producer, then became a story analyst for several independent film companies.

With the dream of a career in film always just out of reach, I finally gave up, packed my bags and moved to Utah where I became the top-selling gourd artist in the nation. Odd transition, I know, but where I failed miserably in the film industry, I killed in the art business. My work sold for between $500 and $25,000, and I was in top galleries and magazines and on TV.

Then the economy crashed and so did my business. That’s when “the dream that wouldn’t die” reared its head again and I started writing with a vengeance.

“Ride the Wind,” a script I wrote about Jamaican-American motorcycle legend Bessie Stringfield, was selected as an Athena List winner in 2016, and “Lucky 13,” my script about the Women’s Airforce Service Pilots, was an Athena Finalist. The Athena List was founded by Melissa Silverstein and Kathryn Kolbert as the answer to The Black List — the predominately male online script service — to give writers like myself the same chance men have to get their work in front of the people who can help get it made.

Scriptd founder Denise Hewett, a force of nature in her own right, gave “Lucky 13” to Beau Gordon, who used to work for Kevin Spacey. Beau passed it along to Nini Le Huynh, Robin Wright’s assistant, and an amazing actress in her own right.

I sent Nini “The Dark of Night,” a short script I’d written that won Table Read My Screenplay Austin in 2015, as a project for Nini to star in. Not long after, she called to ask if I would mind having a small crew from “House of Cards” produce the film. Sure, I thought. And pinch me while you are at it.

Then it got better. A lot better. Robin Wright read the script and wanted to direct it.

Before we knew it, 80 crew members signed onto the project: Dave Dunlap, the Director of Photography, Jessica Wenger McPhail, the costume designer, Alphonso Carrion, the editor, Todd Halvern, the assistant Ad, Sharif Salama, the Upm, Cassandra McCarthy, Kara Tabor, Eric Goserud, and dozens of others.

We shot last December in Baltimore on the same set Barry Levinson used for the classic film “Diner.” The production design department did an outstanding job of turning an iconic restaurant into a 1930s film noir dream, and we shot the film in black and white. John Garfield and Lana Turner should have had it so good.

Nothing in life prepares you to walk the red carpet at the Cannes Film Festival, just like nothing prepares you to have Robin Wright direct a film you wrote as an exercise in getting out of your own head.

I still live in fly-over zone, and I don’t have an agent, but it’s okay. Because for the rest of my life, I will know I defied the odds and accomplished the impossible.

Not too bad for a 57-year-old screenwriter from North Carolina, wouldn’t you say?

In February 2017 Denise Meyers was named the winner of the Atlanta Film Festival Screenplay competition. In February 2016 she was an Athena List winner at the Athena Film Festival in New York. She is the only writer in the six-year history of the Athena Film to have two screenplays make it to the finals, “Ride the Wind: The Bessie Stringfield Story,” and “Lucky 13.” “Lucky 13” was a Nashville Film Festival finalist and placed in the top 15 percent of scripts submitted to the Nicholl fellowships. Meyers is a finalist for the Seriesfest Female Initiative for a limited series TV pilot about the all-girl bands of WWII. She recently completed “Truth Against the World,” a pilot based on the “The Dark of Night.”

Guest Post: How a Short I Wrote Ended Up Being Directed by Robin Wright and Premiering at Cannes was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story.
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All That Hollywood Allows: Douglas Sirk’s Brilliant Melodramas

The European filmmaker directed a series of deceptively complex melodramas in the 1950s.“This is the dialectic — there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art” — Douglas Sirk

Douglas Sirk was born in Germany in 1900, and began his career in the early 1920s working in theater. In 1922, he directed his first production — an adaptation of Hermann Bossdorf’s Stationmaster Death, and from then on he became one of the most respected theater directors in Weimar Germany. Then, in 1934, he took a job as a film director at Ufa, the biggest studio in Germany at the time.

In 1941, Sirk left Germany and began working as a director in Hollywood. His early films, such as the WWII drama Hitler’s Madman (1942) have largely been forgotten. These early films varied in genre — he directed war films (Mystery Submarine), historical dramas (A Scandal in Paris), film
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From the People Archive: Debbie Reynolds the Golden Girl

From the People Archive: Debbie Reynolds the Golden Girl
Debbie Reynolds died on Dec. 28, 2016 — just one day after daughter Carrie Fisher‘s sudden death. Reynolds would have celebrated her 85th birthday on April 1, and the late mother-daughter duo were remembered at a public memorial on March 25. Before her death, Reynolds sat down with People to discuss her illustrious Hollywood career, painful divorces, relationship with her children and more. Read the 2011 profile below:

“Hello, dear,” says Debbie Reynolds with a smile, offering a hug at the door of her Beverly Hills bungalow. Sunny, modest and packed with memories, her home is equal parts everyday-grandma’s house and glamorous testament to
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Peyton Place

The book was raw & dirty, and did you read what that girl did with that guy on page 167? Racking up a stack of Oscar nominations, Peyton Place became one of the big hits of its year, launched the careers of several young actors, and proved that Hollywood could pasteurize most any so-called un-filmable book. Lana Turner is the nominal star but the leading actress is Diane Varsi, in her film debut.

Peyton Place


Twilight Time

1957 / Color / 2:35 widescreen / 157 min. / Street Date March 14, 2017 / Available from the Twilight Time Movies Store 29.95

Starring: Lana Turner, Hope Lange, Arthur Kennedy, Lloyd Nolan, Lee Philips, Terry Moore, Russ Tamblyn, Betty Field, David Nelson, Leon Ames, Mildred Dunnock.

Cinematography William Mellor

Art Direction Jack Martin Smith, Lyle R. Wheeler

Film Editor David Bretherton

Original Music Franz Waxman

Written by John Michael Hayes from the book by Grace Metalious

Produced by Jerry Wald

Directed by Mark Robson

What’s this,
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