2 items from 2014
The Paul Verhoeven filmography screens at the Tiff Bell Lightbox through April 4th, culminating in a screening of his new “crowdsourced” film, Tricked.
Common wisdom dictates that cynicism and sentimentality are carefully linked, if not outright synonymous. In filmic terms, the most comfortable formulation of that argument is to align, for instance, romantic comedies with socially-acceptable (and, often, utterly noxious) notions of gender politics. Through the deployment of relationships and character profiles that support popular notions of how women and men behave, these movies are able to exploit comfortable mores in order to mainline easy pathos. What’s less common is to consider how that relationship between affect and effect can be subverted, perhaps because it’s relatively rare for truly subversive artists to be handed the proverbial keys to the kingdom.
- Simon Howell
Directed by Paul Verhoeven
Based on a Philip K. Dick short story (We Can Remember It for You Wholesale), Total Recall is set in a futuristic society, where “it has become scientifically possible to implant fake memories into a person’s mind, while erasing their previous identity, thus creating a fictitious persona in such that the subject believes he or she is someone else.” The filmmakers took great liberty with the original story, but, luckily Dan O’Bannon and Ronald Shusett (respected writers of some of the greatest science fiction films), whipped up one of the best produced Hollywood screenplays of the 1990′s.
Arnold Schwarzenegger stars as Quaid, a 21st-century construction worker in 2084 who discovers that his entire memory of the past derives from a memory chip implanted in his brain. In seeking out the truth, he »
- Ricky da Conceição
2 items from 2014
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