9 items from 2015
Songs On Screen: All week HitFix will be featuring tributes by writers to their favorite musical moments from TV and film. Check out all the entries in the series here. When we talk about underrated directors, it's hard not to mention Walter Hill. Hill is an underrated director, the way Michael Ritchie and Peter Yates were underrated directors, the way Roger Donaldson, Joe Dante, and Fred Schepisi are underrated directors. They’re all underrated because it’s only when you look at their filmographies that the numbers start to total up and you realize, boy, he directed a lot of really good movies. In Hill’s case, that list includes "The Warriors," "48 Hours," "The Long Riders," "Southern Comfort,: "Hard Times," "Trespass," and "Wild Bill." Some great. Some solid. (My personal favorite of those is Hard Times, a pulpy film about bare-knuckle boxers in the Great Depression.) There were clunkers »
- Michael Oates Palmer
Ron Moody as Fagin in 'Oliver!' based on Charles Dickens' 'Oliver Twist.' Ron Moody as Fagin in Dickens musical 'Oliver!': Box office and critical hit (See previous post: "Ron Moody: 'Oliver!' Actor, Academy Award Nominee Dead at 91.") Although British made, Oliver! turned out to be an elephantine release along the lines of – exclamation point or no – Gypsy, Star!, Hello Dolly!, and other Hollywood mega-musicals from the mid'-50s to the early '70s. But however bloated and conventional the final result, and a cast whose best-known name was that of director Carol Reed's nephew, Oliver Reed, Oliver! found countless fans. The mostly British production became a huge financial and critical success in the U.S. at a time when star-studded mega-musicals had become perilous – at times downright disastrous – ventures. Upon the American release of Oliver! in Dec. 1968, frequently acerbic The »
- Andre Soares
By Alex Simon
There are few rituals in life more chaotic, confounding and magical than the wedding. Appropriately, marriages have provided the backdrop for many a story spun through the ages. Whether it’s sending out multitudes of wedding invitations, choosing the right dress, or whether to seat Aunt Mabel next to her second or fifth ex-husband at the reception, weddings both in life and on film are almost always guaranteed to bring forth a surge of emotions. Below are a few of our favorite cinematic nuptials:
1. The Searchers (1956)
John Ford’s western masterpiece is full of many iconic moments, not the least of which is one of the screen’s greatest knock-down, drag-out fights between Jeffrey Hunter and Ken Curtis for the hand of comely Vera Miles. Martin Scorsese loved this scene so much, he paid homage by having his characters watch it in Mean Streets (1973).
- The Hollywood Interview.com
"I remember a time of chaos... but most of all, I remember the Road Warrior. The man we called 'Max.'" In anticipation of the Mad Max: Fury Road premiere, the 35+ year history of George Miller's dystopian franchise is celebrated in a new featurette. Also included in our latest round-up is a newly announced Blu-ray from Scream Factory that should please Sam Elliott and Katharine Ross fans, as well as the special features and cover art for Warner Bros.' Innerspace high-definition home media release.
Mad Max: Fury Road: Press Release -- "From director George Miller, originator of the post-apocalyptic genre and mastermind behind the legendary “Mad Max” franchise, comes “Mad Max: Fury Road,” a return to the world of the Road Warrior, Max Rockatansky.
Haunted by his turbulent past, Mad Max believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with »
- Derek Anderson
“Oh no, Mrs. Robinson. I think, I think you’re the most attractive of all my parents’ friends. I mean that!”
The Graduate will screen at Webster University’s Moore Auditorium Friday April 17th at 7:30pm.
The Graduate (1967), director Mike Nichols’ second feature after he debuted with Who’S Afraid Of Virginia Wolf? (1966), is still a delightful classic and a nostalgic piece of its time, to say the least. Benjamin Braddock (Dustin Hoffman, 30 years old at the time, convincingly playing someone a decade his junior) is fresh out of college, and comes back to his rich parents’ house in a California suburb. Bored and undecided about what to do with his life, Benjamin is seduced by a friend of the family, middle-aged Mrs. Robinson (Anne Bancroft, who was actually only 36). When Mrs. Robinson’s daughter Elaine (Katharine Ross) shows up, Benjamin is forced to take her on a date. »
- Tom Stockman
Human beings and their affectionate vibes are something special. After all, we as individuals are going to love who we feel are worth loving. However, society demands that the protocol of loving should be straight-forward and “natural”. The rule of thumb: stick to your own kind! Whether it is being loyal to your own kind racially or culturally or either with your own age range the expectation of romance is defined…do not make waves and keep things safe and mainstream!
Well, human beings can be also unpredictable and live for going against the grain especially certain characters and personalities in the movies. Love and romance make for great film fodder but when the notion of such on-screen amorous activities takes its theme to a whole new challenging level then the gloves are off!
In Stop in the Name of Love: Top Ten Forbidden Romances in the Movies we will »
- Frank Ochieng
Before Katharine Ross garnered an Oscar nomination for “The Graduate,” the actress was working in a San Francisco theater troupe and starting to catch fire with guest roles on TV in the early 1960s. She’s onstage on Valentine’s Day at the Malibu Playhouse production of A.R. Gurney’s “Love Letters,” starring opposite her real-life husband, Sam Elliott.
Your first notice in Variety was for the San Francisco Actors Workshop production of something called “Twinkling of an Eye.”
And I’m not even sure that we even opened!
So it was more learning experience than thespian breakthrough?
It was where I learned I was bitten by the acting bug. But I actually learned a lot because we all did all of the jobs on the production from acting to ticket-taking to props.
Did your stage work lead to getting cast on television?
I did hear about a casting call »
- Steven Gaydos
Robert Redford movies: TCM shows 'Butch Cassidy and the Sundance Kid,' 'The Sting' They don't make movie stars like they used to, back in the days of Louis B. Mayer, Jack Warner, and Harry Cohn. That's what nostalgists have been bitching about for the last four or five decades; never mind the fact that movie stars have remained as big as ever despite the demise of the old studio system and the spectacular rise of television more than sixty years ago. This month of January 2015, Turner Classic Movies will be honoring one such post-studio era superstar: Robert Redford. Beginning this Monday evening, January 6, TCM will be presenting 15 Robert Redford movies. Tonight's entries include Redford's two biggest blockbusters, both directed by George Roy Hill and co-starring Paul Newman: Butch Cassidy and the Sundance Kid, which turned Redford, already in his early 30s, into a major film star to rival Rudolph Valentino, »
- Andre Soares
30. Apollo 13 (1995)
Lost to: Braveheart
In 1995, director Ron Howard brought a true life story of hope in the face of peril and started sweeping up awards. He won the Directors Guild Award. He won the Producers Guild Award. He won the Screen Actors Guild Ensemble Award. He lost the Golden Globe Drama to “Sense and Sensibility,” though he was nominated. Nothing could beat “Apollo 13.” Oscar night came and the Academy decided to hand the award to Mel Gibson’s historical epic about William Wallace, whose only precursor award was a surprise directing win at the Golden Globes. I’m not saying “Apollo 13″ is a greater film than “Braveheart.” It’s just proof that even the mighty may fall if a charismatic actor/director is at the helm.
29. L.A. Confidential (1997)
Lost to: Titanic
- Joshua Gaul
9 items from 2015
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