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Disney-Pixar celebrated “The Good Dinosaur,” Pixar’s second release this year and its first Western of a sort, with a green carpet and rustic features at El Capitan in Hollywood on Wednesday.
The premiere is the culmination of a long journey for first-time feature helmer Peter Sohn, who took over sole directing duties when Pixar decided to shift the story away from its original concept. “It’s been quite an adventure getting here,” he said. “Everyone put their heart into it and getting to see it with an audience like this blew me away.”
A number of cast members praised Sohn’s work with them and his ability to voice other characters when they were recording their scenes.
“When you get a job like this, you don’t get the entire script,” explained Sam Elliott, who plays T-rex cattle wrangler Butch in the film. “You just get what you’re responsible for. »
- Terry Flores
Dreams and hallucinations can be the broadest of horror staples. Throw in some weird imagery, maybe a few jarring cuts, and you have an instant scare. But an effective dream sequence is more than technique, it’s a filmmaker capturing a specific type of fear: losing control, having your life shattered, or meeting a manifestation of your guilt. The dream or the hallucination is the character’s psyche putting the pieces together or falling apart completely. Of course, dreams don’t always require messages. Sometimes, they’re just damn scary.
Aliens (1986)- Ripley’s nightmare
Aliens is the perfect sequel for many reasons. It follows in the footsteps of the original 1979 classic while existing as its own entity and delivering new characters that are just as memorable as the first’s. What’s more, it favors high-tension action scenes over more traditional horror-centric scenes, demonstrating the malleability of the series. »
While We’re Young: Roth’s Revisits Grindhouse Home Invasion
Genre director Eli Roth presents his first remake, Knock Knock, a rehash of a 1977 grindhouse thriller, Death Game (which starred Colleen Camp and Sondra Locke, both returning as producers), utilizing modern technology for this revamped mixture of home invasion nightmare and portrait of masculine anxiety. Entertaining as a bit of unintentional camp, Roth’s inability to reign in over-the-top antics from his wildly uneven cast members doffs its queasy sexual overtones nearly as soon as they begin to develop. Headliner Keanu Reeves, along with Roth’s own wife Lorenza Izzo, tend to run amok in a screenplay co-written by the director’s clutch of Chilean acolytes Nicolas Lopez and Guillermo Amodeo. Salty, overly exuberant bits of dialogue only solidify the film’s aptitude for off-putting ludicrousness, but for those inclined towards grungy, misanthropic portraits of cruel psychological games, it’s not a complete loss. »
- Nicholas Bell
You may not directly recall the name of director Richard Marquand, though in many ways he’s a notable director from the 1980s thanks to items like the pulpy Glenn Close courtroom drama Jagged Edge (1985), and a Ken Follett adaptation Eye of the Needle (1981). Oh, and he happened to helm Star Wars Episode VI: Return of the Jedi in 1983. The British director died of a stroke at the age of forty nine, which explains the abrupt end of a flourishing filmography. He made the jump from documentary and television series to feature with the forgotten 1978 British horror film The Legacy, which starred notable American stars (and real life couple) Katharine Ross and Sam Elliott. Based on a story by Jimmy Sangster, a writer of many Hammer Studio films, the screenplay was also co-written by Patrick Tilley (his last credit) and Paul Wheeler (who would exclusively work in television afterwards). The »
- Nicholas Bell
There are very few eras in horror history that rival my love for the horror filled ’70s. Everything from The Texas Chainsaw Massacre, Last House On The Left, Devil’S Rain, Race With The Devil…I could go on forever about my love for all things horror that made the ’70s easily the best decade of all time when it comes to providing shocks, scares and an unsettling vibe that ran through all of its films. Thanks to the gang at Scream Factory, ’70s horror is given some great treatment in the form of brand new Bluray releases of not only 1977’s Michael Winner-helmed The Sentinel (hitting shelves Sept.22nd) but also another gem of 1970’s genre greatness, the 1978 film The Legacy.
- Jerry Smith
There aren’t a lot of horror and sci-fi titles hitting DVD and Blu-ray shelves on September 15th, but that doesn’t mean there aren’t some fun releases to look forward to on Tuesday. Scream Factory is resurrecting another cult classic in HD—The Legacy, starring the always badass Sam Elliot—and for those of you David Duchovny fans out there, season one of Aquarius is being released by Anchor Bay this week, too.
There are also a handful of "B Movies" coming our way in various forms courtesy of Mill Creek Entertainment, and for those of you who didn’t pick up the Halloween box set last year, September 15th is your chance to finally own the Producer’s Cut of Halloween VI: The Curse of Michael Myers, as Lionsgate is giving it a standalone Blu-ray release.
Los Angeles, »
- Heather Wixson
The Legacy Blu-ray: "How far would you go to inherit everlasting life? When Margaret (Katharine Ross, The Stepford Wives) and her boyfriend Pete (Sam Elliot, Frogs, Road House) have a car accident in the English countryside, the other driver offers to take them to his lavish country estate to make amends. But once there, they are surprised to learn that all of the other houseguests are already expecting them! It's not long before the couple's fear turns into terror when the guests (including Roger Daltrey, Tommy) begin dying in unspeakable ways. Now it's clear, the true master of the house is a supernatural force that will stop at nothing to find the rightful heirs for an unimaginably horrible legacy. »
- Derek Anderson
Starring Katharine Ross and Sam Elliot, The Legacy will find new life on Blu-ray next Tuesday with a fresh HD transfer from the inter-positive courtesy of Scream Factory. Ahead of the film's September 15th home media release, we have clips and a trailer from the Blu-ray.
Synopsis: "How far would you go to inherit everlasting life? When Margaret (Katharine Ross, The Stepford Wives) and her boyfriend Pete (Sam Elliot, Frogs, Road House) have a car accident in the English countryside, the other driver offers to take them to his lavish country estate to make amends. But once there, they are surprised to learn that all of the other houseguests are already expecting them! It's not long before the couple's fear turns into terror when the guests (including Roger Daltrey, Tommy) begin dying in unspeakable ways. Now it's clear, the true master of the house is a supernatural force that will »
- Derek Anderson
Debbie Reynolds ca. early 1950s. Debbie Reynolds movies: Oscar nominee for 'The Unsinkable Molly Brown,' sweetness and light in phony 'The Singing Nun' Debbie Reynolds is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 23, '15. An MGM contract player from 1950 to 1959, Reynolds' movies can be seen just about every week on TCM. The only premiere on Debbie Reynolds Day is Jerry Paris' lively marital comedy How Sweet It Is (1968), costarring James Garner. This evening, TCM is showing Divorce American Style, The Catered Affair, The Unsinkable Molly Brown, and The Singing Nun. 'Divorce American Style,' 'The Catered Affair' Directed by the recently deceased Bud Yorkin, Divorce American Style (1967) is notable for its cast – Reynolds, Dick Van Dyke, Jean Simmons, Jason Robards, Van Johnson, Lee Grant – and for the fact that it earned Norman Lear (screenplay) and Robert Kaufman (story) a Best Original Screenplay Academy Award nomination. »
- Andre Soares
Michael Caine young. Michael Caine movies: From Irwin Allen bombs to Woody Allen classic It's hard to believe that Michael Caine has been around making movies for nearly six decades. No wonder he's had time to appear – in roles big and small and tiny – in more than 120 films, ranging from unwatchable stuff like the Sylvester Stallone soccer flick Victory and Michael Ritchie's adventure flick The Island to Brian G. Hutton's X, Y and Zee, Joseph L. Mankiewicz's Sleuth (a duel of wits and acting styles with Laurence Olivier), and Alfonso Cuarón's Children of Men. (See TCM's Michael Caine movie schedule further below.) Throughout his long, long career, Caine has played heroes and villains and everything in between. Sometimes, in his worst vehicles, he has floundered along with everybody else. At other times, he was the best element in otherwise disappointing fare, e.g., Philip Kaufman's Quills. »
- Andre Soares
1978’s The Legacy Makes its Bluray Debut
Scream Factory Presents The Legacy On Blu-ray September 15, 2015 Starring Katherine Ross, Sam Elliott and Roger Daltrey It is a birthright of the living death…Scream Factory proudly presents the Blu-ray debut of The Legacy on September 15, 2015. This release comes complete with a new HD transfer and bonus features, including new interviews with ...
Hnn | Horrornews.net - Official News Site »
2015 has already been a good year for DVD/Bluray releases from the gang at Scream Factory, with many new and old titles being released quite regularly. Everything from Tobe Hooper’s Invaders From Mars to the upcoming special feature-heavy Bluray of Wes Craven’s The People Under The Stairs, Sf have given genre fans exactly what they’ve asked for. While those fan favorites are awesome and are most definitely worth picking up, the films I’m excited for the most, are the somewhat forgotten gems that Scream Factory are set to unleash, like the Pierce Brosnan-led Nomads and the subject of this announcement, the 1978 Sam Elliot film The Legacy. The film, which also stars Katherine Ross and The Who’s Roger Daltrey in supporting roles, and was directed by Return Of The Jedi director Richard Marquand is hitting Bluray on September 15th, complete with new special features as well. »
- Jerry Smith
Scream Factory has detailed their plans for the Blu-ray release of The Legacy, revealing the list of bonus features and the fact that this this will be a new HD transfer from the inter-positive:
"It is a birthright of the living death...Scream Factory proudly presents the Blu-ray debut of The Legacy on September 15, 2015. This release comes complete with a new HD transfer and bonus features, including new interviews with film editor Anne V. Coates and special effects artist Robin Grantham.
How far would you go to inherit everlasting life? When Margaret (Katharine Ross, The Stepford Wives) and her boyfriend Pete (Sam Elliot, Frogs, Road House) have a car accident in the English countryside, the other driver offers to take them to his lavish country estate to make amends. But once there, they are surprised to learn that all of the other houseguests are already expecting them! It's not long »
- Jonathan James
Songs On Screen: All week HitFix will be featuring tributes by writers to their favorite musical moments from TV and film. Check out all the entries in the series here. When we talk about underrated directors, it's hard not to mention Walter Hill. Hill is an underrated director, the way Michael Ritchie and Peter Yates were underrated directors, the way Roger Donaldson, Joe Dante, and Fred Schepisi are underrated directors. They’re all underrated because it’s only when you look at their filmographies that the numbers start to total up and you realize, boy, he directed a lot of really good movies. In Hill’s case, that list includes "The Warriors," "48 Hours," "The Long Riders," "Southern Comfort,: "Hard Times," "Trespass," and "Wild Bill." Some great. Some solid. (My personal favorite of those is Hard Times, a pulpy film about bare-knuckle boxers in the Great Depression.) There were clunkers »
- Michael Oates Palmer
Ron Moody as Fagin in 'Oliver!' based on Charles Dickens' 'Oliver Twist.' Ron Moody as Fagin in Dickens musical 'Oliver!': Box office and critical hit (See previous post: "Ron Moody: 'Oliver!' Actor, Academy Award Nominee Dead at 91.") Although British made, Oliver! turned out to be an elephantine release along the lines of – exclamation point or no – Gypsy, Star!, Hello Dolly!, and other Hollywood mega-musicals from the mid'-50s to the early '70s. But however bloated and conventional the final result, and a cast whose best-known name was that of director Carol Reed's nephew, Oliver Reed, Oliver! found countless fans. The mostly British production became a huge financial and critical success in the U.S. at a time when star-studded mega-musicals had become perilous – at times downright disastrous – ventures. Upon the American release of Oliver! in Dec. 1968, frequently acerbic The »
- Andre Soares
By Alex Simon
There are few rituals in life more chaotic, confounding and magical than the wedding. Appropriately, marriages have provided the backdrop for many a story spun through the ages. Whether it’s sending out multitudes of wedding invitations, choosing the right dress, or whether to seat Aunt Mabel next to her second or fifth ex-husband at the reception, weddings both in life and on film are almost always guaranteed to bring forth a surge of emotions. Below are a few of our favorite cinematic nuptials:
1. The Searchers (1956)
John Ford’s western masterpiece is full of many iconic moments, not the least of which is one of the screen’s greatest knock-down, drag-out fights between Jeffrey Hunter and Ken Curtis for the hand of comely Vera Miles. Martin Scorsese loved this scene so much, he paid homage by having his characters watch it in Mean Streets (1973).
- The Hollywood Interview.com
"I remember a time of chaos... but most of all, I remember the Road Warrior. The man we called 'Max.'" In anticipation of the Mad Max: Fury Road premiere, the 35+ year history of George Miller's dystopian franchise is celebrated in a new featurette. Also included in our latest round-up is a newly announced Blu-ray from Scream Factory that should please Sam Elliott and Katharine Ross fans, as well as the special features and cover art for Warner Bros.' Innerspace high-definition home media release.
Mad Max: Fury Road: Press Release -- "From director George Miller, originator of the post-apocalyptic genre and mastermind behind the legendary “Mad Max” franchise, comes “Mad Max: Fury Road,” a return to the world of the Road Warrior, Max Rockatansky.
Haunted by his turbulent past, Mad Max believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with »
- Derek Anderson
“Oh no, Mrs. Robinson. I think, I think you’re the most attractive of all my parents’ friends. I mean that!”
The Graduate will screen at Webster University’s Moore Auditorium Friday April 17th at 7:30pm.
The Graduate (1967), director Mike Nichols’ second feature after he debuted with Who’S Afraid Of Virginia Wolf? (1966), is still a delightful classic and a nostalgic piece of its time, to say the least. Benjamin Braddock (Dustin Hoffman, 30 years old at the time, convincingly playing someone a decade his junior) is fresh out of college, and comes back to his rich parents’ house in a California suburb. Bored and undecided about what to do with his life, Benjamin is seduced by a friend of the family, middle-aged Mrs. Robinson (Anne Bancroft, who was actually only 36). When Mrs. Robinson’s daughter Elaine (Katharine Ross) shows up, Benjamin is forced to take her on a date. »
- Tom Stockman
Human beings and their affectionate vibes are something special. After all, we as individuals are going to love who we feel are worth loving. However, society demands that the protocol of loving should be straight-forward and “natural”. The rule of thumb: stick to your own kind! Whether it is being loyal to your own kind racially or culturally or either with your own age range the expectation of romance is defined…do not make waves and keep things safe and mainstream!
Well, human beings can be also unpredictable and live for going against the grain especially certain characters and personalities in the movies. Love and romance make for great film fodder but when the notion of such on-screen amorous activities takes its theme to a whole new challenging level then the gloves are off!
In Stop in the Name of Love: Top Ten Forbidden Romances in the Movies we will »
- Frank Ochieng
Before Katharine Ross garnered an Oscar nomination for “The Graduate,” the actress was working in a San Francisco theater troupe and starting to catch fire with guest roles on TV in the early 1960s. She’s onstage on Valentine’s Day at the Malibu Playhouse production of A.R. Gurney’s “Love Letters,” starring opposite her real-life husband, Sam Elliott.
Your first notice in Variety was for the San Francisco Actors Workshop production of something called “Twinkling of an Eye.”
And I’m not even sure that we even opened!
So it was more learning experience than thespian breakthrough?
It was where I learned I was bitten by the acting bug. But I actually learned a lot because we all did all of the jobs on the production from acting to ticket-taking to props.
Did your stage work lead to getting cast on television?
I did hear about a casting call »
- Steven Gaydos
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