6 items from 2015
"I remember a time of chaos... but most of all, I remember the Road Warrior. The man we called 'Max.'" In anticipation of the Mad Max: Fury Road premiere, the 35+ year history of George Miller's dystopian franchise is celebrated in a new featurette. Also included in our latest round-up is a newly announced Blu-ray from Scream Factory that should please Sam Elliott and Katharine Ross fans, as well as the special features and cover art for Warner Bros.' Innerspace high-definition home media release.
Mad Max: Fury Road: Press Release -- "From director George Miller, originator of the post-apocalyptic genre and mastermind behind the legendary “Mad Max” franchise, comes “Mad Max: Fury Road,” a return to the world of the Road Warrior, Max Rockatansky.
Haunted by his turbulent past, Mad Max believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with »
- Derek Anderson
“Oh no, Mrs. Robinson. I think, I think you’re the most attractive of all my parents’ friends. I mean that!”
The Graduate will screen at Webster University’s Moore Auditorium Friday April 17th at 7:30pm.
The Graduate (1967), director Mike Nichols’ second feature after he debuted with Who’S Afraid Of Virginia Wolf? (1966), is still a delightful classic and a nostalgic piece of its time, to say the least. Benjamin Braddock (Dustin Hoffman, 30 years old at the time, convincingly playing someone a decade his junior) is fresh out of college, and comes back to his rich parents’ house in a California suburb. Bored and undecided about what to do with his life, Benjamin is seduced by a friend of the family, middle-aged Mrs. Robinson (Anne Bancroft, who was actually only 36). When Mrs. Robinson’s daughter Elaine (Katharine Ross) shows up, Benjamin is forced to take her on a date. »
- Tom Stockman
Human beings and their affectionate vibes are something special. After all, we as individuals are going to love who we feel are worth loving. However, society demands that the protocol of loving should be straight-forward and “natural”. The rule of thumb: stick to your own kind! Whether it is being loyal to your own kind racially or culturally or either with your own age range the expectation of romance is defined…do not make waves and keep things safe and mainstream!
Well, human beings can be also unpredictable and live for going against the grain especially certain characters and personalities in the movies. Love and romance make for great film fodder but when the notion of such on-screen amorous activities takes its theme to a whole new challenging level then the gloves are off!
In Stop in the Name of Love: Top Ten Forbidden Romances in the Movies we will »
- Frank Ochieng
Before Katharine Ross garnered an Oscar nomination for “The Graduate,” the actress was working in a San Francisco theater troupe and starting to catch fire with guest roles on TV in the early 1960s. She’s onstage on Valentine’s Day at the Malibu Playhouse production of A.R. Gurney’s “Love Letters,” starring opposite her real-life husband, Sam Elliott.
Your first notice in Variety was for the San Francisco Actors Workshop production of something called “Twinkling of an Eye.”
And I’m not even sure that we even opened!
So it was more learning experience than thespian breakthrough?
It was where I learned I was bitten by the acting bug. But I actually learned a lot because we all did all of the jobs on the production from acting to ticket-taking to props.
Did your stage work lead to getting cast on television?
I did hear about a casting call »
- Steven Gaydos
Robert Redford movies: TCM shows 'Butch Cassidy and the Sundance Kid,' 'The Sting' They don't make movie stars like they used to, back in the days of Louis B. Mayer, Jack Warner, and Harry Cohn. That's what nostalgists have been bitching about for the last four or five decades; never mind the fact that movie stars have remained as big as ever despite the demise of the old studio system and the spectacular rise of television more than sixty years ago. This month of January 2015, Turner Classic Movies will be honoring one such post-studio era superstar: Robert Redford. Beginning this Monday evening, January 6, TCM will be presenting 15 Robert Redford movies. Tonight's entries include Redford's two biggest blockbusters, both directed by George Roy Hill and co-starring Paul Newman: Butch Cassidy and the Sundance Kid, which turned Redford, already in his early 30s, into a major film star to rival Rudolph Valentino, »
- Andre Soares
30. Apollo 13 (1995)
Lost to: Braveheart
In 1995, director Ron Howard brought a true life story of hope in the face of peril and started sweeping up awards. He won the Directors Guild Award. He won the Producers Guild Award. He won the Screen Actors Guild Ensemble Award. He lost the Golden Globe Drama to “Sense and Sensibility,” though he was nominated. Nothing could beat “Apollo 13.” Oscar night came and the Academy decided to hand the award to Mel Gibson’s historical epic about William Wallace, whose only precursor award was a surprise directing win at the Golden Globes. I’m not saying “Apollo 13″ is a greater film than “Braveheart.” It’s just proof that even the mighty may fall if a charismatic actor/director is at the helm.
29. L.A. Confidential (1997)
Lost to: Titanic
- Joshua Gaul
6 items from 2015
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