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[on his approach to filmmaking] I worked for Ján Kadár
, the great Czech filmmaker. If you read Hemingway, half of the information you get is in this style of how he tells you, his prose style. It's not literally the events he recounts, it's how he recounts them, which appears to be obsessively simple in nature. There's a hint to what people are thinking, but he doesn't go off into these vast ...
Often shows characters speaking in a foreign, unsubtitled language. According to McTiernan, this habit comes from the countless foreign films he saw as a student.