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[on learning what a film was] I went about it like it was reverse engineering. I knew that I had to go and learn what a movie was, not just my experience of going and watching a movie. So I went and sat in Truffaut's Day for Night
(1973), watched it for three days straight, eight hours at a time and memorized it shot-for-shot. I got past the story, all the original and secondary experience, so I ...
Films often feature lens flare (Die Hard
(1988) even had a sound effect synced up to a flare).