Piper Laurie - News Poster



A major horror hit from ’77, Ruby surprised all that made it including its director Curtis Harrington, who struggled with an interfering producer for control of the set. Despite everything, star Piper Laurie still shines, and there’s some good atmosphere — for an Exorcist rip-off, it’s not bad.


Special Elite Edition Blu-ray + DVD


1977 / Color / 1:85 widescreen / 85 min. / Street Date September 12, 2017 / available at Vci Entertainment / 29.95

Starring: Piper Laurie, Stuart Whitman, Roger Davis, Janit Baldwin, Crystin Sinclair, Sal Vecchio, Len Lesser, Fred Kohler.

Cinematography: William Mendenhall

Film Editor: William P. Magee

Original Music: Don Ellis

Written by George Edwards, Barry Schneider story by Steve Krantz

Produced by George Edwards, Steve Krantz

Directed by Curtis Harrington

Curtis Harrington had as rough a directing career as anyone, but not without an artistic triumph or two. Fascinated by fantasy and horror, he was filming avant-garde short subjects while still a teenager. He also
See full article at Trailers from Hell »

Blu-ray Review – Carrie (1976)

Carrie, 1976.

Directed by Brian De Palma.

Starring Sissy Spacek, Nancy Allen, John Travolta, William Katt, Piper Laurie, Amy Irving, P.J. Soles, and Betty Buckley.


A shy teenage girl with a domineering religious mother unleashes hell with her telekinetic powers against all those who have wronged her.

On the back of their excellent release of John Carpenter’s The Thing on Blu-ray earlier this year, Arrow Video have yet again delved into the vault of horror classics from notable directors and given Brian De Palma’s 1976 adaptation of Stephen King’s Carrie a 4K restoration, presented here in a glorious limited edition featuring some juicy new extras.

Carrie White (Sissy SpacekJFK) is a shy teenage girl without any friends, bullied at school by the other girls and sheltered from the fun of regular teenage life by her overbearing religious mother Margaret (Piper LaurieThe Hustler), who punishes Carrie whenever
See full article at Flickeringmyth »

Matthew McConaughey’s ‘White Boy Rick’ Release Moved Back by Eight Months

Matthew McConaughey’s ‘White Boy Rick’ Release Moved Back by Eight Months
Sony has moved the opening of drug-dealer drama “White Boy Rick” back by eight months — from Jan. 26 to Aug. 17.

The film stars newcomer Richie Merritt as Ricky Wershe Jr. and Matthew McConaughey as Ricky’s father, Richard Wershe Sr. Merritt was discovered in Baltimore during an extensive nationwide talent search.

Jennifer Jason Leigh and Rory Cochrane star as the FBI agents who begin working with Wershe as a confidential informant; Brian Tyree Henry as a narcotics detective; Bruce Dern and Piper Laurie as Wershe’s grandparents; and Bel Powley as his sister.

Set in 1980s Detroit at the height of the crack epidemic, “White Boy Rick” recaps the true-life story of Wershe, who was an undercover informant at age 14 before becoming a major dealer — until he was arrested at age 17.

White Boy Rick” is directed by Yann Demange from an original screenplay by Logan & Noah Miller with revisions by writers Andy Weiss, Scott Silver, and Steve Kloves
See full article at Variety - Film News »

Four Mother-Daughter Movies Could Dominate Awards Season

Four Mother-Daughter Movies Could Dominate Awards Season
Mother-daughter relationships have always been the stuff of great drama. And the Oscars are no exception. Three decades ago the “Moonstruck” acting duo Olympia Dukakis and Cher both won gold for playing a strong-willed New York Italian mother and her feisty daughter. Six years later, as a mute Scottish teacher and her de facto interpreter in New Zealand, Holly Hunter and Anna Paquin repeated that twofer triumph with Jane Campion’s “The Piano.”

Onscreen mother-daughter conflict has resulted in other dual Academy Award nominations: selfless Barbara Stanwyck tricked Anne Shirley into marrying rich in tearjerker “Stella Dallas” (1937); Meryl Streep’s big mouth inspired a rebellious Julia Roberts in “August: Osage County” (2013); Piper Laurie was literally crucified by Sissy Spacek in “Carrie” (1976). At the start of this decade, Mo’Nique won an Oscar portraying the sexually abusive parent of fellow “Precious” nominee Gabourey Sidibe. Back in 1984, both Shirley MacLaine and
See full article at Indiewire »

10 Horror Movie Reboots Gone Horribly Wrong

10 Horror Movie Reboots Gone Horribly Wrong
Oh, horror movies. Market research showed that more people knew the phrase Texas Chainsaw Massacre than the number of people who had seen it or even knew what it was about. So you know what that means! Reboot time! Now, there's nothing inherently wrong with rebooting a popular film and/or franchise. But there's also no rule that says they have to be bad. Nevertheless, crappy remakes keep plaguing horror fans. We're looking at 10 horror movie reboots that went horribly wrong.

Texas Chainsaw Massacre (2003) and Texas Chainsaw 3D (2013)

The Texas Chainsaw Massacre is easily one of the scariest movies of all time, no question. Loosely based on true events, put together in the early '70s on a shoestring budget, this thing played like some sorta snuff film. It's chilling. It's such a great horror film that once the sequels stopped coming, Hollywood tried to reboot it not once, but twice.
See full article at MovieWeb »

October Horrors 2017 Day 15 – Carrie (1976)

Carrie, 1976.

Directed by Brian De Palma.

Starring Sissy Spacek, Piper Laurie, Nancy Allen, William Katt, Amy Irving and John Travolta.


Carrie White is a shy teenager who endures a daily ritual of bullying from her classmates who torment her mercilessly at school, while also being subjective to repeated abuse from her religious fanatic of a mother. However, unbeknownst to everyone else, Carrie possesses telekinetic abilities which are rapidly growing in power, abilities that she ultimately unleashes to reap vengeance against the world that has long mocked and belittled her.

Did you know that Stephen King has had over 100 of his works adapted for film and television?

With a career as long and successful as King’s you’d expect that a few of his books and stories would have been made into films and TV shows, but over 100 is just unreal. I think only Shakespeare beats him in terms of screen adaptations.
See full article at Flickeringmyth »

Fantastic Fest Had a Rough Year, But the Best Movies Featured Powerful Women

  • Indiewire
Fantastic Fest Had a Rough Year, But the Best Movies Featured Powerful Women
This year, Fantastic Fest turned 13, a number that felt apt if you’ve been following the news. Most conversations started like this:

“How are you?”

“How are you?”

Exhale. Hug. Repeat.

Eventually, people got around to talking about the films. Even those were emotional.

Tortured Souls

In past years, bringing context into the Alamo Drafthouse theater meant deciding not to chomp chips and queso during a hushed thriller. This time, audiences welled up watching Carla Guigino confront a lifetime of abuse as the emotionally and physically handcuffed wife in Stephen King’s “Gerald’s Game,” a Lifetime movie-looking low budget adaptation whose blockbuster impact at the Fest might not translate to people at home when it premieres on Netflix. (Guigino, however, is terrific in a dual-of-sorts role as the manacled victim and her empowered subconscious.)

Read More:Fantastic Fest Under Fire: Why America’s Preeminent Genre Festival Needs Its Fans
See full article at Indiewire »

Scores On Screen. Telekinetic Tunes: Pino Donaggio’s Score for Brian De Palma’s "Carrie"

  • MUBI
High school girls are cheering, yelling, laughing as they take part in a game of volleyball, an everyday scene that could be taking place in any high school, anywhere. The girls are seemingly confident; strong and resilient. That is, all the girls bar one, whom we soon learn is named Carrie (Sissy Spacek). After she misses a shot that causes her team to forfeit the match, a chorus of defeated whines erupts and the girls reprimand Carrie en route to the locker room. “Look at her. Just standing there!” Such is their disdain for her very existence. One girl who is especially disgusted by the Carrie’s presence even turns back and glares at her, spitting aggressively, “You eat shit!” Before we have time to process the words directed at Carrie, or to speculate as to the girls’ reasons for them, the voices of her angry teammates and the mood
See full article at MUBI »

Film Review: ‘Pin Cushion’

Cinema was littered with tales of teenage mean girls well before Tina Fey put a tidy name to their ilk in 2004 — rarer, however, are stories that extend their reign of terror decades past the prom. Achingly fragile and genuinely, preciously peculiar, British writer-director Deborah Haywood’s first feature “Pin Cushion” ambitiously examines the psychological damage wrought by bullying at all ages, admitting the painful truth that for some of those mean girls and their beleaguered victims, growing older does not mean growing up. Given human grounding by the wonderful Joanna Scanlan, as a timidly eccentric single mother seeing her naive adolescent daughter slip into the same hellish social no-woman’s-land from which she has never escaped, Haywood’s filmmaking itself marches to a different drummer. That’s a mixed blessing: Cinematically, “Pin Cushion” goes all in on a heightened, macramé-and-macaroons aesthetic that occasionally smothers the rawer nerves of its storytelling.

See full article at Variety - Film News »

A ‘mother!’ of a Vicious Commentary

There’s no easy way to describe Darren Aronofsky’s latest film, the appropriately titled mother! (appropriate once the pieces start crashing into place). It’s oppressively heavy on symbolism, it’s profoundly unsettling, it’s guaranteed to piss off practically audience member in one way or another. To be blunt: it’s pure Aronofsky and, if its reception from both the Venice and Toronto Film Festivals to the scathingly polarizing reaction its had in its first weekend of release are any indicator, it’s going to cement itself with ease as one of the most thoroughly debated experiences of the 21st century. Whether that’s a good thing or a bad thing is up to you.

In a beautiful countryside manor amidst lush fields and the warmest sunsets (all beautifully brought to life by regular Aronofsky Dp Matthew Libatique and production designer Philip Messina) lives a couple – given no names in the story,
See full article at Age of the Nerd »

10 Best Stephen King Movies So Far

  • MovieWeb
10 Best Stephen King Movies So Far
It stormed the box office in September 2017, smashing box office records, pleasing critics, and quickly washing away the bad taste of so many poorly wrought Stephen King adaptations like the current of a suburban neighborhood sewer. Move over Ernest Hemmingway! Beat it Dr. Seuss! The Stephen King adaptation is a hot commodity in Hollywood once again.

Sure, those aforementioned authors have had their books adapted less than half as many times as the works of Stephen King. With so many adapted works from the same prolific storyteller, many of them are sure to be bad. And that is the case with Stephen King. If you grew up in the 80s, you might even remember that a Stephen King movie was not anticipated with the kind of must-see attitude of today's audiences. Many laughed off the notion, believing that if it was a Stephen King movie, it must be bad.

But as It reminded audiences,
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SAG-aftra Election Ending Bitterly With 2000 Strike Still in Dispute

Voting is ending for a particularly acrimonious SAG-aftra presidential election with results due to be announced as early as Thursday afternoon.

The counting of the ballots, with about a quarter of the 144,000 dues-current members expected to vote, will begin at 6:30 a.m. on Thursday.

The contest has featured accusations of election fraud and bungling the recent contract negotiations (made by Esai Morales and Membership First); negligence on safety issues and allowing massive staff salaries (made by independent stuntman Pete Antico); and Membership First’s alleged incompetence in the 2008 negotiations and its long opposition to the SAG-aftra merger (made by the Unite for Strength faction headed by current president Gabrielle Carteris).

The divisions within SAG-aftra run deep and have existed for the past two decades. Remarkably, the two main factions — the moderate-leaning Unite for Strength and the self-styled progressives of Membership First — have managed to revive the debate over the six-month commercials strike in 2000. Supporters of the
See full article at Variety - Film News »

Twin Peaks Recap: Return of the Queen

Twin Peaks Recap: Return of the Queen
It took 12 whole episodes, but Audrey Horne (Sherilyn Fenn) has finally returned to our television screens.

The Twin Peaks chat rooms, message boards and Twitter feeds have been speculating for years on end about where we would find her and how (Is she in Hollywood? Is she the mysterious billionaire in New York? Is she still in a coma? Was she horribly disfigured in the bank explosion? Is she now running One Eyed Jacks?). But I am fairly certain that no one saw this outcome, this development, this new Audrey.

At first I found it confusing and jarring: that weird guy is Audrey’s husband?
See full article at TVLine.com »

Theatre Review:"Zero Hour" Starring Jim Brochu; Theatre At St. Clement's, New York

  • CinemaRetro
By Lee Pfeiffer

All things come to those who wait. Having somehow inexcusably missed actor/writerJim Brochu's award-winning play "Zero Hour" that depicts the controversial life and career of Zero Mostel, I was able to see the show's most recent revival at the Theatre at St. Clement's  which is just off Broadway. The show is presented by the Peccadillo Theatre Company, which specializes in staging worthy productions in the prestigious venue that is just off Broadway. For Brochu, the one-man show is a triumph.. He wrote the script himself and the production is directed with flair by three-time Oscar nominee Piper Laurie. Mostel was a larger-than-life talent and he is played with uncanny skill by Brochu, who somehow makes himself into the spitting image of the iconic actor (he doesn't bare the slightest resemblance to Mostel off-stage). The imaginative scenario finds the entire play set in Mostel's New York painting
See full article at CinemaRetro »

‘Twin Peaks’: Former Series Star Joan Chen Pitches Her Character’s Wild Return to David Lynch

‘Twin Peaks’: Former Series Star Joan Chen Pitches Her Character’s Wild Return to David Lynch
David Lynch’s wildly anticipated “Twin Peaks” revival is kitted out with plenty of talented faces — over 200, both old and new — but there’s still a handful of original stars who were not tapped to return for the Showtime series. One of them is Joan Chen, who played Josie Packard during the show’s original run (and, incidentally, was the very first face to appear in the series’ very first episode, way back in 1990).

Chen, however, is eager to change that, and The Hollywood Reporter shares a compelling — and kind of wild — letter from the actress that she sent to Lynch, asking for her role to be reprised. Given that Chen’s character ended her “Twin Peaks” run as a drawer knob, it’s obviously written from a unique perspective.

“Dear David,
See full article at Indiewire »

‘Twin Peaks': Where’s Donna? Lara Flynn Boyle’s Odd History With the Show

‘Twin Peaks': Where’s Donna? Lara Flynn Boyle’s Odd History With the Show
There are some notable omissions from the 217 names on the cast list for Showtime’s “Twin Peaks” revival, including Heather Graham (who played Annie Blackburn) and Piper Laurie (Catherine Martell). But the most noticeable absence may be that of Lara Flynn Boyle. Boyle played the good-hearted best friend of Laura Palmer (Sheryl Lee). And while her omission from the giant cast list is disappointing, it isn’t a huge surprise. Boyle was famously recast in the “Twin Peaks” prequel film “Fire Walk With Me” — in which the role of Donna was played by Moira Kelly, who is also not appearing in the revival,
See full article at The Wrap »

Carrie (1976) Midnights This Weekend at The Moolah

“Pimples are the Lord’s way of chastising you.”

Carrie (1976) screens Midnights this weekend (April 28th and 29th) at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, Mo 63108) as part of Destroy the Brain’s monthly Late Night Grindhouse film series.

Over the past few decades, almost everything ever written by Stephen King has been filmed for either TV or the silver screen; however, very few of these adaptations have come close to matching the extremely high standard set by Carrie the first King novel to receive the movie treatment, way back in 1976 (which is when I first saw it at the old Webster Groves Cinema – double feature with Demon Seed!).

Directed by Brian De Palma, this superb supernatural horror stars Sissy Spacek as Carrie White, a shy and awkward teenage girl who is mercilessly bullied at high-school and further tormented at home by her overbearing, religious zealot mother
See full article at WeAreMovieGeeks.com »

Late Nite Grindhouse Presents ‘Carrie’ – April 28 & 29 at Moolah Theatre & Lounge

If You’Ve Got A Taste For Terror…

Take Carrie To The Prom.

Late Nite Grindhouse is proud to present the 1976 classic, Carrie. Directed by Brian de Palma and based on Stephen King’s debut novel, Carrie is one of the best Stephen King film adaptations due to de Palma’s excellent direction and the performances by Sissy Spacek and Piper Laurie. Come celebrate prom season at the Moolah Theatre & Lounge for our April Late Nite Grindhouse.

In this chilling adaptation of Stephen King’s horror novel, withdrawn and sensitive teen Carrie White (Sissy Spacek) faces taunting from classmates at school and abuse from her fanatically pious mother (Piper Laurie) at home. When strange occurrences start happening around Carrie, she begins to suspect that she has supernatural powers. Invited to the prom by the empathetic Tommy Ross (William Katt), Carrie tries to let her guard down, but things eventually take a dark and violent turn.
See full article at Destroy the Brain »

Interview: Betty Buckley Talks Working with M. Night Shyamalan for Split and Reflects on Carrie (1976)

As a man with multiple personalities (23, to be exact), James McAvoy is enthralling to watch in in M. Night Shyamalan's Split, but just as intriguing is his psychiatrist, Dr. Karen Fletcher, played by the great Betty Buckley, who plays a nail-biting mental chess match with her multi-dimensional patient in some of the film's most fascinating scenes.

With Split now out on Blu-ray and DVD from Universal Pictures Home Entertainment, I had the great pleasure of speaking with Buckley (whom many may know as Abby Bradford from Eight is Enough) about working with Shyamalan on both Split and The Happening, playing Miss Collins in Brian De Palma's Carrie (1976) and Margaret White in the ’80s Broadway musical adaptation of Stephen King's seminal novel, her new album Story Songs, and more.

Thanks so much for taking the time to talk with me today and congratulations on Split. I loved the film,
See full article at DailyDead »

Power Ranger R.J. Cyler Joins ‘White Boy Rick’ Cast

Power Ranger R.J. Cyler Joins ‘White Boy Rick’ Cast
R.J. Cyler, who stars as the Blue Power Ranger in the “Power Rangers” movie, has joined the cast of the Sony-Studio 8 drug dealer drama “White Boy Rick.”

The film stars newcomer Richie Merritt as Ricky Wershe Jr.and Matthew McConaughey as Ricky’s father, Richard Wershe Sr. Merritt was discovered in Baltimore during an extensive nationwide talent search.

Previously announced cast features Jennifer Jason Leigh and Rory Cochrane as the FBI agents who begin working with Wershe as a confidential informant; Brian Tyree Henry as a narcotics detective Officer Jackson; Bruce Dern and Piper Laurie as Wershe’s grandparents and Bel Powley as sister.

Cyler will portray Rudell Curry, one of the drug dealers. He previously starred in “Me and Earl and The Dying Girl” as Earl and joined the “Power Rangers” cast in 2015. Kyanna Simone Simpson (“Fist Fight”) has also joined the cast.

Set in 1980s Detroit at the height of the crack epidemic,
See full article at Variety - Film News »
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