8 items from 2014
‘The Texas Chain Saw Massacre’ actress Marilyn Burns dead at 64 The Texas Chain Saw Massacre actress Marilyn Burns, the one cast member who manages to survive Leatherface in Tobe Hooper’s low-budget 1974 horror cult classic, was found dead on Tuesday, August 4, 2014, at her home in the Houston area. According to her manager, "she was found unresponsive by a family member." The cause of death remains unclear. Burns (born on July 5, 1950, in Erie, Pennsylvania) was 64. The Houston-raised Marilyn Burns began appearing in films in the early ’70s. She had a bit part in Robert Altman’s Houston-filmed Brewster McCloud (1970), starring Bud Cort, Sally Kellerman, and Shelley Duvall, and was later cast in a supporting role in Sidney Lumet’s Austin-shot 1974 drama Lovin’ Molly; however, Burns was ultimately replaced by Susan Sarandon, reportedly remaining in the production as a stand-in for both Sarandon and Blythe Danner. Also in 1974, Marilyn Burns landed the »
- Andre Soares
Given the who’s-who of collaborators and acolytes of the late Robert Altman assembled for this feature-length tribute, it would have been all too easy for director Ron Mann to let the film turn into a loose, digressive — indeed, Altmanesque — jamboree of war stories and portable wisdom. But to great, stirring effect, “Altman” charts a different course, drawing on a wealth of existing material to tell the filmmaker’s story largely in his own, brashly eloquent words, and through generous clips from his massive, admittedly uneven, always uncompromising filmography. The result captures Altman the artist and the man, the one inseparable from the other, about as well as any two-hour film could hope to do. The pic makes its broadcast debut on Epix Aug. 6, following its June 20 premiere as part of the UCLA Film and Television Archive’s ongoing Altman retrospective.
Working closely with Altman’s widow, Kathryn, and his frequent producer, »
- Scott Foundas
Now what would the medical profession be like without the dependable skills of nursing in cinema? Sure, the doctors get their lion’s share of representation in the movies but what about the nurses that serve them? What is so interesting about the portrayal of nurses in film is that they can be characterized beyond the compassionate medical maidens that the public associates them with on a whim. Motion pictures allow for big screen nurses to show some complexity beyond loving bedside manners and juggling bedpans. Cinematic nurses can be caring, comical, crazed, confused or corrupt.
Whatever the complication or consideration of these celluloid servers of health care rest assure that they are a glorified bunch in their devotion to the medical field. Whether flawed or favorable we will take a look at some of the top-notch nurses in film as cited in The Healthy Helpers: The Top 10 Movie Nurses. »
- Frank Ochieng
Out Wrestler Darren Young Coming To GaymerX Convention
Meghan McCain has joined the Board Of Directors of GLAAD
Teens react to 90′s internet. Shut up, you brats!
Here’s the new trailer for the final season of True Blood. Still no Eric.
Brad Paisley doesn’t suffer fools.
Westboro Baptist Selfie!! Or west-Burro(ass) selfie. Hopefully they can hear the show out here. We'll play loud. pic.twitter.com/OrMhJjD8NE
— Brad Paisley »
The 3rd Annual "King of Shorts" has arrived. The New York Short Film Festival runs May 27-29 at the Landmark Sunshine Cinema in New York City. Over 60 films from 11 countries will be participating in this international competition. showcase shorts featuring "Bingo Night," starring Mindy Sterling ("Austin Powers"), "The Lord of Catan," starring Amy Acker ("Much Ado About Nothing") and Fran Kranz ("The Cabin in the Woods"), "The Parting Glass" produced by NY agency Opperman Weiss, "What Cheer?" starring Richard Kind ("Spin City," "Argo"), and "Joan's Day Out," starring Sally Kellerman ("Mash"), Tara Lynne Barr ("God Bless America"), and Betsy Franco ("Broken Tower," "General Hospital"). For the full lineup, go to www.NYshortsFest.com »
- Taylor Lindsay
Johnny Knoxville, Ray Romano, David Cross, and Sarah Silverman will pop up as themselves during the 13-episode season, along with Michael Ian Black, Conan O’Brien, and Andy Richter. Also joining the guest list inside and outside the garage are Chris Hardwick, Tig Notaro, Rob Riggle, Bill Burr, Paul Feig, Wyatt Cenak, Joey “Coco” Diaz, Rachael Harris, Moshe Kasher, Tom Kenny, Dave Koechner, »
- Dan Snierson
This weekend's "Mr. Peabody and Sherman," a feature-length, 3D animated film from DreamWorks Animation, is already notable in the sense that it's the first film based on characters from the classic series "The Rocky & Bullwinkle Show" that doesn't look like it's going to be a huge financial disaster.
The spritely story of time traveling dog Mr. Peabody (this time voiced by Ty Burrell) and his "pet" human Sherman (Max Charles) is adapted from the "Peabody's Improbable History" segments of "The Rocky & Bullwinkle Show," and was directed by Rob Minkoff (it's his first animated feature since a movie we've never heard of called "The Lion King").
With "Frozen" finally exiting theaters and "The Lego Movie" losing some of its staying power, it looks like "Mr. Peabody and Sherman," a brightly colored, lively movie that will probably rake in some big box office. The premise is appealing and a number of parents »
- Drew Taylor
Director Robert Altman had his fair share of ups and downs. The oscillation between works widely lauded and those typically forgotten is prevalent throughout his exceptionally diverse career. This was — and still is — certainly the case with his 1970s output. This decade of remarkable work saw the release of now established classics like M*A*S*H, Nashville, and McCabe & Mrs. Miller, as well as a picture like 3 Women, which would gradually gain a cult following of sorts and subsequently be regarded as a quality movie despite its initial dismissal. But couched between and around these features are more electric and generally more unorthodox films. There are multiple titles from this, arguably Altman’s most creative of decades, that remain generally unheralded to all but his most ardent of admirers.
For Altman, the 1970s began with this disparity. The first year of the decade saw the release of M*A*S*H, »
- Jeremy Carr
8 items from 2014
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