3 items from 2014
Johnny Knoxville, Ray Romano, David Cross, and Sarah Silverman will pop up as themselves during the 13-episode season, along with Michael Ian Black, Conan O’Brien, and Andy Richter. Also joining the guest list inside and outside the garage are Chris Hardwick, Tig Notaro, Rob Riggle, Bill Burr, Paul Feig, Wyatt Cenak, Joey “Coco” Diaz, Rachael Harris, Moshe Kasher, Tom Kenny, Dave Koechner, »
- Dan Snierson
This weekend's "Mr. Peabody and Sherman," a feature-length, 3D animated film from DreamWorks Animation, is already notable in the sense that it's the first film based on characters from the classic series "The Rocky & Bullwinkle Show" that doesn't look like it's going to be a huge financial disaster.
The spritely story of time traveling dog Mr. Peabody (this time voiced by Ty Burrell) and his "pet" human Sherman (Max Charles) is adapted from the "Peabody's Improbable History" segments of "The Rocky & Bullwinkle Show," and was directed by Rob Minkoff (it's his first animated feature since a movie we've never heard of called "The Lion King").
With "Frozen" finally exiting theaters and "The Lego Movie" losing some of its staying power, it looks like "Mr. Peabody and Sherman," a brightly colored, lively movie that will probably rake in some big box office. The premise is appealing and a number of parents »
- Drew Taylor
Director Robert Altman had his fair share of ups and downs. The oscillation between works widely lauded and those typically forgotten is prevalent throughout his exceptionally diverse career. This was — and still is — certainly the case with his 1970s output. This decade of remarkable work saw the release of now established classics like M*A*S*H, Nashville, and McCabe & Mrs. Miller, as well as a picture like 3 Women, which would gradually gain a cult following of sorts and subsequently be regarded as a quality movie despite its initial dismissal. But couched between and around these features are more electric and generally more unorthodox films. There are multiple titles from this, arguably Altman’s most creative of decades, that remain generally unheralded to all but his most ardent of admirers.
For Altman, the 1970s began with this disparity. The first year of the decade saw the release of M*A*S*H, »
- Jeremy Carr
3 items from 2014
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners