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| Academy Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 1986 | Nominated | Oscar |
Best Director for: Prizzi's Honor (1985) |
| 1976 | Nominated | Oscar |
Best Writing, Screenplay Adapted From Other Material for: The Man Who Would Be King (1975) Shared with: Gladys Hill |
| 1964 | Nominated | Oscar |
Best Actor in a Supporting Role for: The Cardinal (1963) |
| 1958 | Nominated | Oscar |
Best Writing, Screenplay Based on Material from Another Medium for: Heaven Knows, Mr. Allison (1957) Shared with: John Lee Mahin |
| 1953 | Nominated | Oscar |
Best Director for: Moulin Rouge (1952) |
Best Picture for: Moulin Rouge (1952) |
| 1952 | Nominated | Oscar |
Best Director for: The African Queen (1951) |
Best Writing, Screenplay for: The African Queen (1951) Shared with: James Agee |
| 1951 | Nominated | Oscar |
Best Director for: The Asphalt Jungle (1950) |
Best Writing, Screenplay for: The Asphalt Jungle (1950) Shared with: Ben Maddow |
| 1949 | Won | Oscar |
Best Director for: The Treasure of the Sierra Madre (1948) |
Best Writing, Screenplay for: The Treasure of the Sierra Madre (1948) |
| 1942 | Nominated | Oscar |
Best Writing, Original Screenplay for: Sergeant York (1941) Shared with: Harry Chandlee Abem Finkel Howard Koch |
Best Writing, Screenplay for: The Maltese Falcon (1941) |
| 1941 | Nominated | Oscar |
Best Writing, Original Screenplay for: Dr. Ehrlich's Magic Bullet (1940) Shared with: Norman Burnstine Heinz Herald |
| American Film Institute, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1983 | - | Life Achievement Award | |
| BAFTA Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1975 | Nominated | BAFTA Film Award |
Best Supporting Actor for: Chinatown (1974) |
| Berlin International Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 1963 | Nominated | Golden Berlin Bear |
for: Freud (1962) |
| Bodil Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1989 | Won | Bodil |
Best Non-European Film (Bedste ikke-europæiske film) for: The Dead (1987) |
| Boston Society of Film Critics Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1986 | Won | BSFC Award |
Best Director for: Prizzi's Honor (1985) |
| Cannes Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 1984 | Nominated | Golden Palm |
for: Under the Volcano (1984) |
| David di Donatello Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1966 | Won | David |
Best Foreign Director (Migliore Regia Straniero) for: The Bible: In the Beginning... (1966) |
| Directors Guild of America, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1986 | Nominated | DGA Award |
Outstanding Directorial Achievement in Motion Pictures for: Prizzi's Honor (1985) |
| 1983 | - | Lifetime Achievement Award | |
| 1965 | Nominated | DGA Award |
Outstanding Directorial Achievement in Motion Pictures for: The Night of the Iguana (1964) |
| 1963 | Nominated | DGA Award |
Outstanding Directorial Achievement in Motion Pictures for: Freud (1962) |
| 1962 | Nominated | DGA Award |
Outstanding Directorial Achievement in Motion Pictures for: The Misfits (1961) |
| 1958 | Nominated | DGA Award |
Outstanding Directorial Achievement in Motion Pictures for: Heaven Knows, Mr. Allison (1957) |
| 1957 | Nominated | DGA Award |
Outstanding Directorial Achievement in Motion Pictures for: Moby Dick (1956) |
| 1951 | Nominated | DGA Award |
Outstanding Directorial Achievement in Motion Pictures for: The Asphalt Jungle (1950) |
| Film Society of Lincoln Center | |||
| Year | Result | Award | Category/Recipient(s) |
| 1980 | - | Gala Tribute | |
| Fotogramas de Plata | |||
| Year | Result | Award | Category/Recipient(s) |
| 1989 | Won | Fotogramas de Plata |
Best Foreign Film (Mejor Película Extranjera) for: The Dead (1987) |
| French Syndicate of Cinema Critics | |||
| Year | Result | Award | Category/Recipient(s) |
| 1989 | Won | Critics Award |
Best Foreign Film for: The Dead (1987) USA. Tied with Out of Rosenheim (1987). |
| Golden Globes, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1986 | Won | Golden Globe |
Best Director - Motion Picture for: Prizzi's Honor (1985) |
| 1975 | Nominated | Golden Globe |
Best Supporting Actor - Motion Picture for: Chinatown (1974) |
| 1965 | Nominated | Golden Globe |
Best Motion Picture Director for: The Night of the Iguana (1964) |
| 1964 | Won | Golden Globe |
Best Supporting Actor for: The Cardinal (1963) |
| 1963 | Nominated | Golden Globe |
Best Motion Picture Director for: Freud (1962) |
| 1951 | Nominated | Golden Globe |
Best Motion Picture Director for: The Asphalt Jungle (1950) |
Best Screenplay for: The Asphalt Jungle (1950) Shared with: Ben Maddow |
| 1949 | Won | Golden Globe |
Best Motion Picture Director for: The Treasure of the Sierra Madre (1948) |
| Guild of German Art House Cinemas | |||
| Year | Result | Award | Category/Recipient(s) |
| 1987 | Won | Guild Film Award - Silver |
Foreign Film (Ausländischer Film) for: Prizzi's Honor (1985) |
| Independent Spirit Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1988 | Won | Independent Spirit Award |
Best Director for: The Dead (1987) |
| Italian National Syndicate of Film Journalists | |||
| Year | Result | Award | Category/Recipient(s) |
| 1957 | Won | Silver Ribbon |
Best Director - Foreign Film (Regista del Miglior Film Straniero) for: Moby Dick (1956) |
| Kansas City Film Critics Circle Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1975 | Won | KCFCC Award |
Best Supporting Actor for: Chinatown (1974) |
| Laurel Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1970 | Nominated | Golden Laurel |
Producer-Director 6th place. |
| 1968 | Nominated | Golden Laurel |
Producer-Director 8th place. |
| 1965 | 3rd place | Golden Laurel |
Producer-Director |
| 1964 | 2nd place | Golden Laurel |
Top Male Supporting Performance for: The Cardinal (1963) |
Top Producer/Director |
| 1963 | Nominated | Golden Laurel |
Top Producer/Director 4th place. |
| 1960 | Nominated | Golden Laurel |
Top Producer/Director 8th place. |
| 1959 | Nominated | Golden Laurel |
Top Producer/Director 7th place. |
| 1958 | Nominated | Golden Laurel |
Top Producer/Director 9th place. |
| London Critics Circle Film Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1989 | Won | ALFS Award |
Director of the Year for: The Dead (1987) |
| Los Angeles Film Critics Association Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1979 | - | Career Achievement Award | |
| Moscow International Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 1981 | Nominated | Golden Prize |
for: Victory (1981) |
| National Board of Review, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1984 | - | Career Achievement Award | |
| 1956 | Won | NBR Award |
Best Director for: Moby Dick (1956) |
| 1950 | Won | NBR Award |
Best Director for: The Asphalt Jungle (1950) |
| 1948 | Won | NBR Award |
Best Screenplay for: The Treasure of the Sierra Madre (1948) |
| National Society of Film Critics Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1986 | Won | NSFC Award |
Best Director for: Prizzi's Honor (1985) |
| New York Film Critics Circle Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1985 | Won | NYFCC Award |
Best Director for: Prizzi's Honor (1985) |
| 1956 | Won | NYFCC Award |
Best Director for: Moby Dick (1956) |
| 1948 | Won | NYFCC Award |
Best Director for: The Treasure of the Sierra Madre (1948) |
| Razzie Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1983 | Nominated | Razzie Award |
Worst Director for: Annie (1982) |
| Society of Camera Operators | |||
| Year | Result | Award | Category/Recipient(s) |
| 1981 | - | Governors' Award | |
| Tokyo International Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 1987 | Won | Special Achievement Award |
International Competition for: The Dead (1987) |
| Venice Film Festival | |||
| Year | Result | Award | Category/Recipient(s) |
| 1985 | - | Career Golden Lion |
For his whole works. |
| 1953 | Won | Silver Lion |
for: Moulin Rouge (1952) |
| Nominated | Golden Lion |
for: Moulin Rouge (1952) |
|
| 1950 | Nominated | Golden Lion |
for: The Asphalt Jungle (1950) |
| 1948 | Nominated | Golden Lion |
for: The Treasure of the Sierra Madre (1948) |
| Walk of Fame | |||
| Year | Result | Award | Category/Recipient(s) |
| unknown | - | Star on the Walk of Fame |
Motion Picture At 1779 Vine Street. |
| Writers Guild of America, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1976 | Nominated | WGA Award (Screen) |
Best Drama Adapted from Another Medium for: The Man Who Would Be King (1975) Shared with: Gladys Hill |
| 1965 | Nominated | WGA Award (Screen) |
Best Written American Drama for: The Night of the Iguana (1964) Shared with: Anthony Veiller |
| 1964 | - | Laurel Award for Screen Writing Achievement | |
| 1958 | Nominated | WGA Award (Screen) |
Best Written American Drama for: Heaven Knows, Mr. Allison (1957) Shared with: John Lee Mahin |
| 1953 | Nominated | WGA Award (Screen) |
Best Written American Drama for: Moulin Rouge (1952) Shared with: Anthony Veiller |
| 1951 | Nominated | WGA Award (Screen) |
Best Written American Drama for: The Asphalt Jungle (1950) Shared with: Ben Maddow |
The Robert Meltzer Award (Screenplay Dealing Most Ably with Problems of the American Scene) for: The Asphalt Jungle (1950) Shared with: Ben Maddow |
| 1949 | Won | WGA Award (Screen) |
Best Written American Western for: The Treasure of the Sierra Madre (1948) |
| Nominated | WGA Award (Screen) |
Best Written American Drama for: Key Largo (1948) Shared with: Richard Brooks |
Best Written American Drama for: The Treasure of the Sierra Madre (1948) |
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