3 items from 2016
July 1 marks the 100th birthday of Olivia de Havilland, an actress who made Hollywood history in more ways than one. She is best remembered as Melanie in the 1939 “Gone With the Wind,” as well as her roles opposite Errol Flynn, including “The Adventures of Robin Hood”; she’s also one of the few to have won two leading-actress Oscars.
But her influence on the movie industry goes far beyond that: She helped bring an end to the studio system, thanks to her landmark lawsuit against Warner Bros. in 1944.
The actress had made her film debut in 1935, at age 19, in a version of “A Midsummer Night’s Dream” that starred James Cagney and Mickey Rooney. Eventually WB signed her to a seven-year contract, which was the standard for studios when they wanted to hold onto actors.
The studio suspended her seven or eight times for refusing to play certain roles. When de Havilland’s contract expired, »
- Tim Gray
Each week, the fine folks at Fandor add a number of films to their Criterion Picks area, which will then be available to subscribers for the following twelve days. This week, the Criterion Picks focus on eight films from the Criterion Collection that were later remade.
Don’t have a Fandor subscription? They offer a free trial membership.
A cult classic of gooey greatness, The Blob follows the havoc wreaked on a small town by an outer-space monster with neither soul nor vertebrae, with Steve McQueen playing the rebel teen who tries to warn the residents about the jellylike invader.
- Ryan Gallagher
Alfred Hitchcock, Cary Grant, and Ingrid Bergman: The 'Notorious' British (Hitchcock, Grant) and Swedish (Bergman) talent. British actors and directors in Hollywood; Hollywood actors and directors in Britain: Anthony Slide's 'A Special Relationship.' 'A Special Relationship' Q&A: Britain in Hollywood and Hollywood in Britain First of all, what made you think of a book on “the special relationship” between the American and British film industries – particularly on the British side? I was aware of a couple of books on the British in Hollywood, but I wanted to move beyond that somewhat limited discussion and document the whole British/American relationship as it applied to filmmaking. Growing up in England, I had always been interested in the history of the British cinema, but generally my writing on film history has been concentrated on America. I suppose to a certain extent I wanted to go back into my archives, »
- Andre Soares
3 items from 2016
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