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20. Fear and Loathing in Las Vegas (1998)
Directed by: Terry Gilliam
So…drugs, right? Based on Hunter S. Thompson’s 1971 novel of the same title, Fear and Loathing stars Johnny Depp and Benicio del Toro as Raoul Duke and Dr. Gonzo, respectively. The pair is heading to Sin City, speeding through the Nevada desert, under the influence of mescaline. From there, the film is series a bizarre hallucinations seen through the eyes of Duke. So, we jump from hotel room to hotel room, all of the action a blur of what is happening and what really isn’t. Throughout the course of the film, Duke and/or Gonzo ingest the following drugs: mescaline, sunshine acid, diethyl ether, LSD, cocaine, and adenochrome (probably more). Duke – who is a Thompson stand-in – is supposed to be writing an article before heading back to Los Angeles, but tends to get sidetracked quite a bit. In »
- Joshua Gaul
If you ever wondered what Roger Rabbit would sound like if he was voiced by Pee-wee Herman, we now have the answer, thanks to the recently unearthed episode of Disney Studio Showcase above showing Who Framed Roger Rabbit? in its strange, black-and-white infancy (via Slashfilm). "Roger Rabbit is a live-action picture in which half the cast is made up of animated characters," a Disney producer explains. "It's based on the premise that cartoon characters really live and are not drawn. They exist in this world just like human beings do. »
Before Robert Zemeckis brought Charles Fleischer, Bob Hoskins, Christopher Lloyd and Kathleen Turner to the screen in 1988’s Who Framed Roger Rabbit?, Disney crafted an early version of the Gary K. Wolf adaptation starring Paul Reubens as the voice of the eponymous rabbit. Rights to the hardboiled tale set in a city where humans and cartoon characters coexist were purchased shortly after the book Who Censored Roger Rabbit? was published in 1981. Disney saw dollar signs and set about hiring Darrell Van Citters for the job, casting the soon-to-be Pee-wee Herman as the lovable rabbit. Peter Renaday (The Aristocats) was cast as detective Eddie Valiant, and Russi Taylor (Disney’s current Minnie Mouse) became the dangerously curvaceous Jessica Rabbit. The early test...
- Alison Nastasi
Before audiences saw Who Framed Roger Rabbit? in 1988, Walt Disney Productions had tried to make the film several years earlier after initially getting the rights to Gary K. Wolf's novel on which the film is based. In fact, animation director Darrell Van Citters actually shot some test footage, but not with Bob Hoskins as Eddie Valiant and Charles Fleischer as the voice of Roger Rabbit. Instead, it was Pee-Wee Herman star Paul Reubens (though he wasn't known as that character yet) voicing the titular rabbit with Peter Renaday and Mike Gabriel as the human detective. Now that footage has surfaced. Watch below! Here's the early 1980s test footage from the first attempt to make Who Framed Roger Rabbit?: The footage above was shown on The Disney Channel in 1983 on a program called "Disney Studio Showcase" but it was never seen again. Thankfully, Thief Archive (via SlashFilm) has unearthed »
- Ethan Anderton
Years before Robert Zemeckis directed the revolutionary live-action/animated hybrid Who Framed Roger Rabbit? in 1988, an earlier version was mounted at Walt Disney Studios between 1981 and 1983, which had Darrell Van Citters set to direct. Today, an eight-minute video has been unearthed that shows John Culhane taking viewers behind-the-scenes of this unmade version, which featured Paul Reubens as the voice of Roger Rabbit and Russi Taylor as the voice of Jessica Rabbit.
The video also shows a number of concept art images, that show how vastly different the earlier versions of these characters were, and we have a few split-screen photos with the 1981-1983 artwork next to the finished characters from the 1988 film. Take a look at the video and photos, then read on for more information, where you'll see that one of the animators is Frozen and Surf's Up director Chris Buck.
Between 1981 to 1983, Disney made its first attempt at adapting Gary K. Wolf’s book “Who Censored Roger Rabbit.” Below, is an eight-minute video that contains test footage and concept art. It looks a bit different from Robert Zemeckis' final version of Who Framed Roger Rabbit, which hit theaters in 1988. Most the obvious differences are with the final looks of two of the main characters, Roger Rabbit and Jessica Rabbit. This is because the animated in the footage below was directed by Darrell Van Citters, but the animation in the 1988 version was directed by Richard Williams. You'll also notice that Paul Reubens (aka Pee-Wee Herman) voiced Roger Rabbit, Peter Renaday and Mike Gabriel as Eddie Valiant and Russi Taylor voiced Jessica Rabbit. Why don't you do right, like some other men and women do and watch it. It's 1947 Hollywood and Eddie Valiant (Bob Hoskins), a down-on-his-luck detective is hired »
For this week’s spotlight piece, I wanted to take a look at an A-list director, one who’s really influenced the industry in a big way. The filmmaker in question? Why, Robert Zemeckis, of course. He’s known for his work with visual effects, for sure, but his talents go beyond that. He’s been responsible for so many iconic moments in cinema, with only some involving special effects at all. When you see how many outright classics he’s been responsible for, your head will spin that we don’t talk about him even more than we already do. As such, he’s a perfect director to shine this particular spotlight on. Zemeckis had his start on a relatively small scale, as you’d expect. First he made the musically tinged romantic comedy I Wanna Hold Your Hand as well as the comedy Used Cars. Those were downright »
- Joey Magidson
It's Bank Holiday Monday, and that can mean only one thing... parking yourself on the sofa for an epic movie marathon. There really is something for everyone, from shaggy dogs to sorcerers and space adventures.
Digital Spy rounds up nine films worth watching on TV today.
1. Beethoven - 9.25am, ITV2
Charles Grodin and Bonnie Hunt head up the Newton family, who find their lives flipped upside down with the arrival of a puppy who swiftly grows into a slobbering, troublemaking St Bernard. This is just about the best way to kick off Bank Holiday Monday!
2. Flash Gordon - 11.15am, More4
Arriving hot on the heels of Star Wars, this sci-fi adventure got panned by critics on initial release but has since acquired cult status thanks to some booming performances from thesps like Timothy Dalton and Brian Blessed, and Queen's thundering soundtrack.
If you haven’t yet caught a movie outdoors this summer, then you’re missing out! On a nice night, pack your bag with a picnic blanket, snacks, and bug spray, and head out to one of these flicks under the night sky! New York City August 20What: “The Way We Were”Who: Starring Barbra Streisand and Robert Redford, the classic Sydney Pollack-directed romantic drama won two Oscars at the 1974 ceremony.Where: Central Park Conservancy Film Festival What: “Who Framed Roger Rabbit”Who: Bob Hoskins, Christopher Lloyd, Joanna Cassidy, and others. Where: South Street Seaport What: “Captain Phillips”Who: Tom Hanks and Barkhad Abdi star in the 2013 dramatic thriller that earned six Oscar noms and had everyone saying, “I’m the captain now.”Where: Pier 63 Lawn August 21What: “Coming to America”Who: Eddie Murphy, Arsenio Hall, James Earl Jones, and others.Where: Central Park Conservancy Film Festival What: “The Birds »
Ari Folman, visionary director of Waltz With Bashir, brings us a journey beyond imagination in his upcoming movie The Congress. Robin Wright (pictured above) plays a version of herself in this thought-provoking film, which merges live-action and colourful animation. To celebrate the release of The Congress today (our review is here), we take a look at some other movies which have embraced a live-action/animation mash-up.
1) Mary Poppins
Family favourite Mary Poppins delighted audiences when it first burst onto screens in 1964, and now 50 years later the magical tale continues to enchant a brand new generation of film fans. The hit adventure’s wonderful mix of live-action and fantasy animation was surely one of the elements which won it five Oscars at the 1965 Academy Awards, including Best Visual Effects.
- Phil Wheat
“If ya don’t eat yer meat, you can’t have any pudding! How can ya have any pudding if ya don’t eat ya meat?”
Head down to Schlafly Bottleworks in Maplewood Thursday August 7th where Pink Floyd The Wall screens at at 7pm.
Pink Floyd The Wall is a feature length music video filmed in an era when those were something a bit more interesting than the video wallpaper we see today. It tells the story of Pink, a rock star who is really an amalgam of Pink Floyd’s founding members Syd Barrett and Roger Waters, as well as some other rock stars Waters had met or heard about.
The movie is about his decension into madness. He is unable to cope with his father’s death in WWII, his mother who paid little or no attention to him, his “conveyor belt” schooling of facelessness, all the »
- Tom Stockman
The 50-year-old actor was wearing a balding wig cap, fake teeth, a blue open shirt with a gold chain, and a black leather jacket as he shot the film's final scenes in Lynn, Massachusetts.
The Scott Cooper-directed crime drama is due for release in cinemas on September 18, 2015.
Bulger spent 16 years at large and 12 years on the FBI Ten Most Wanted Fugitives list before he was arrested in June 2011, aged 81. Prosecutors indicted him for 19 murders and he is currently serving two life terms.
Here are 9 other actors morphing into some of the world's most notorious real-life gangsters below: »
Ever since Super Mario made the leap from a dozen pixels vaguely resembling an offensive Italian stereotype, to the worst decision of Bob Hoskins’ career, gamers have longed to put down the controller and just watch their favourite games magically play themselves on the big screen.
Unfortunately, the end result is a lot like letting your little brother play; it’s all wrong, and you just want to grab the controller and say “look, just let me do it”. It’s always exciting when Cinema cares enough to borrow some of Gaming’s cool toys, but there’s the risk that it will just break them out of spite, and hand them back.
Are those endless Resident Evil movies even about zombies anymore? And why did Doom ditch the demons? The whole point is that its monsters are literal demons escaping from Hell, not just boring old genetic experiments.
- Michael Irving
For the man who directed Snoop Dogg's "La La La" and co-wrote RZA's directorial debut The Man With the Iron Fists, the relationship between hip-hop and film runs deep. "The only people who know more about movies than directors are rappers," Roth tells Rolling Stone. "All Snoop »
The 3rd July 2013 saw the release of Disney's The Lone Ranger, its larger-than-life western starring Johnny Depp and Armie Hammer. Its theatrical debut marked the end of a lengthy and difficult production, stories from which had been hungrily served up by the media - the previous summer was dominated by news stories of its spiralling budget, which was thought to have crossed $250m. Nevertheless, the 2013 blockbuster season should, in theory, have marked a fresh start for Disney, as it spent a reported $150m on marketing The Lone Ranger. But the House of Mouse hadn't counted on the popularity of another film launched on that exact same day in July: Universal's animated sequel, Despicable Me 2.
The Lone Ranger, a film with an »
He was a lump of a man, with oily skin, defeated posture and a dazed look. He ambled, sauntered, shrugged and scoffed. Most of all he just couldn't care less what a perfect role model for a disaffected teenager
- Ryan Gilbey
We're wrapping up! Thanks to everyone who posted questions and to Kathleen for kindly answering as many as she could. We hope you enjoyed this!
This was fun. Come to the show. And we'll enjoy each other more. Goodbye.
What is your favorite film and why?
My favorite film of mine would have to be Romancing the Stone because I really like how Joan Wilder changes. Change is what attracts me to a character and because I loved shooting in South America - it was like going home.
I had the pleasure of seeing you and Mr McDiarmid last Friday and I thought it was such a rare »
- Guardian Staff
Directed by Steven Spielberg
Steven Spielberg is known the world over for creating genuine movie magic. From his blockbuster splash Jaws in 1975 up until his 2012 biopic Lincoln, Spielberg is certainly a gifted filmmaker. Very few auteurs are still work today but Spielberg keeps banging out films that dazzle the senses and leave an everlasting impression on the viewer. However, some of Spielberg’s films haven’t achieved the recognition and respect they deserve. There are certain films that this movie master made that didn’t quite achieve a high status. One such film is 1991’s Hook, a fantasy adventure which didn’t really score well with critics but filled children of the 90s with joy, innocence, and wonder.
The film follows middle-aged lawyer Peter Banning (Robin Williams), a bitter individual who has forgotten who he is. »
- Randall Unger
Back in the summer of 1989, Rick Moranis had three films in the Us top 20 - each going on to be a $100m+ hit....
On August 4th 1989, the film Parenthood opened at number one in the Us, taking $10.5m on its opening weekend. It knocked Turner & Hooch off the top spot down to second, with Lethal Weapon 2 rounding out the top three.
Parenthood is lots of things. It's a very strong comedy. It's a film that boasts one of the finest comedic ensembles brought together in one movie in the last 25 years. And it's a movie that's spun off two really quite different television series.
But if you look at that top 20 box office chart for the weekend of August 4th-6th 1989, then you might just notice a pretty impressive achievement on top of all of that. For one actor had three films in the top 20, at the same time. »
Much like that it portrays, with the war movie there is always a thin line between success and failure. When dealing with such a hefty and complex subject matter, is one best suited to going on the offensive or holding back and forming a defensive line of conservatism? When dealing with real conflict involving real people, either by historical inspiration or factual invocation, are you making a drama or an action flick?
Regardless of which route one takes, this is a genre as susceptible to mediocrity and false hope as any other. Whether it be a great battle from history rendered obsolete by caricature or a teasing of genuine, shellshock events betrayed by insensitive thriller tropes, there will always be those that fail to hit the target when victory was so surely within reach. Intention is always undermined by incompetence.
Rather than look at the worst of the crop, Cinematic »
- Scott Patterson
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