4 items from 2017
Yvonne Monlaur: Cult horror movie actress & Bond Girl contender was featured in the 1960 British classics 'Circus of Horrors' & 'The Brides of Dracula.' Actress Yvonne Monlaur dead at 77: Best remembered for cult horror classics 'Circus of Horrors' & 'The Brides of Dracula' Actress Yvonne Monlaur, best known for her roles in the 1960 British cult horror classics Circus of Horrors and The Brides of Dracula, died of cardiac arrest on April 18 in the Paris suburb of Neuilly-sur-Seine. Monlaur was 77. According to various online sources, she was born Yvonne Thérèse Marie Camille Bédat de Monlaur in the southwestern town of Pau, in France's Pyrénées-Atlantiques department, on Dec. 15, 1939. Her father was poet and librettist Pierre Bédat de Monlaur; her mother was a Russian ballet dancer. The young Yvonne was trained in ballet and while still a teenager became a model for Elle magazine. She was “discovered” by newspaper publisher-turned-director André Hunebelle, »
- Andre Soares
This Week in Home VideoPlus 20 more new releases to watch at home this week on Blu-ray/DVD.
Welcome to this week in home video! Click the title to buy a Blu-ray/DVD from Amazon and help support Fsr in the process!
Pick of the WeekCatfight
What is it? Two old college friends cross paths as adults and beat the ever-loving crap out of each other.
Why see it? Onur Tukel’s latest is also his best thanks in part to the lead performances by Sandra Oh and Anne Heche. They do a good job of manipulating our sympathies and concerns ensuring that our loyalties shift from act to act. Themes of female friendships, class distinctions, and redemption run through alongside a satirical look at modern life, and there’s a terrifically wicked streak throughout. Funny, smart, and brutal are all apt descriptors for this cynical look at our violent selves.
[Blu-ray/DVD extras: Commentaries, featurette, deleted scenes]
- Rob Hunter
“Nothing in the world is irreversible, not even capitalism.”—Fidel CastroTen years in the making, almost forty in clandestine obscurity, Fernando Birri's Org (1967-1978) had almost disappeared after its premiere at the Venice Film Festival and resurfaced for the first time, in its legitimate and restored form, at this year's Berlinale where it was screened in Forum. A hallucinatory deluge of colors, sounds and syncopated reveries, Org is an onomatopoeic film where the aesthetic and political tensions of a decade coalesce into an unresolved crucible of psychedelic militancy. The cinema of Dziga Vertov and Guy Debord is projected through the canvases of Roy Lichtenstein, social realism is supplanted by a third worldly modernism. Of the many semiotic victims strewn along the film's path is the convulsive plot which remains illegible throughout and yet alludes to an archetypal structure that is undermined at its very basis. The festival helpfully described »
Water And Sugar: Carlo Di Palma, The Colours Of Life premiered at last year’s Venice Film Festival.
Adriana Chiesa is selling Water And Sugar: Carlo Di Palma, The Colours Of Life, the new feature doc about the legendary cinematographer (and Chiesa’s late husband), at this week’s European Film Market (Efm) and has reported deals for the UK (Swipe Films) and Spain (Film Buro). Instituto Luce will release the film in Italy this spring.
Directed by Fariborz Kamkari, the documentary profiles Di Palma’s career from being focus puller on Vittorio de Sica’s Bicycle Thieves (1948) to his credits as a cinematographer on films including Blow-Up (1966) and 11 Woody Allen films.
The film screened recently at the Santa Barbara International Festival, which Chiesa reveals that Iranian-born director Kamkari wasn’t able to attend because of the Trump travel ban then in place.
At Efm, Adriana Chiesa Enterprises has also begun sales on They Called Her Maryam »
- firstname.lastname@example.org (Geoffrey Macnab)
4 items from 2017
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