Howard Hawks - News Poster


Natalie Portman on ‘Lady Bird’: ‘I’ve Wanted to See This Movie for the Past 20 Years’

Natalie Portman on ‘Lady Bird’: ‘I’ve Wanted to See This Movie for the Past 20 Years’
Two weeks after putting the Hollywood Foreign Press Assn. on notice for producing an all-male lineup of best director Golden Globe nominees, actress (and director in her own right) Natalie Portman sang the praises of Greta Gerwig’s “Lady Bird” in Hollywood Thursday night.

“I just want to say, I’m so grateful for this movie,” the 36-year-old Oscar winner said of her “Jackie” and “No Strings Attached” co-star’s awards-season success story. “I’ve wanted to see this movie for the past 20 years and it hasn’t existed. I’ve been waiting for it. It’s just magic.”

The discussion, a post-screening Q&A in front of an audience of Academy and guild members, ranged from Gerwig’s broad influences (the work of Howard Hawks, Ernst Lubitsch, and Carole Lombard) to her specific ones (Northern California artist Wayne Thiebaud and John Huston’s Stockton, Calif.-set “Fat City,” which were heavy influences on the look of
See full article at Variety - Film News »

The image makers by Anne-Katrin Titze

Caroline Champetier shot Kevin Macdonald's (seen here with his Black Sea star Jude Law) Howard Hawks: American Artist and Adam Simon's Sam Fuller documentary, produced by Tim Robbins and Colin MacCabe, The Typewriter, The Rifle And The Movie Camera for the British Film Institute Photo: Anne-Katrin Titze

Caroline Champetier told me that she understood the "language of cinematography" after seeing the way Vilmos Zsigmond "lit" Robert Altman's The Long Goodbye, starring Elliott Gould. In our conversation the importance of a Robert Bresson ending, Ingmar Bergman's influence, and lessons from Jean Renoir, Roberto Rossellini and Jean-Luc Godard come to light.

On Benoît Jacquot's La Désenchantée, La Fille Seule and À Tout De Suite: "Each time he was in love with the girl. It's a good way to make a good movie, to be in love." Photo: Anne-Katrin Titze

Caroline's work with Arnaud Desplechin (La Sentinelle); Anne Fontaine (The Innocents,
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Bend of the River (Meuterei am Schlangenfluss)

The second Anthony Mann / James Stewart western displays excellent direction and impressive Technicolor location photography high in the high mountains of Oregon. A matinee staple, it delivers everything — Stewart’s mostly good hero and Arthur Kennedy’s mostly bad hero spar and tangle and eventually fight to the death near the timber line. Handsome Rock Hudson receives prime billing for flashing his ‘Dazzledent’ smile.

Bend of the River

All-Region Blu-ray

Explosive Media (Germany)

1952 / Color / 1:37 flat full frame / 91 min. / Meuterei am Schlangenfuss, Where the River Bends / Street Date August 10, 2017 / Eur 17,99

Starring: James Stewart, Arthur Kennedy, Julia Adams, Rock Hudson, Lori Nelson, Jay C. Flippen, Stepin’ Fetchit, Henry Morgan, Royal Dano, Chubby Johnson, Frances Bavier, Howard Petrie.

Cinematography: Irving Glassberg

Film Editor: Russell Schoengarth

Original Music: Hans J. Salter

Written by Borden Chase from the novel Bend of the Snake by Bill Gulick

Produced by Aaron Rosenberg

Directed by Anthony
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‘The Ballad of Lefty Brown’ Director Jared Moshé Shares His Favorite Westerns

‘The Ballad of Lefty Brown’ Director Jared Moshé Shares His Favorite Westerns
The Western is the quintessential American movie genre. Its iconography has been seared into our collective conscious: the solitary cowboy riding the endless frontier, towns struggling to survive in a lawless land, the quick-drawing gunfighter. Generations of filmmakers have engaged with those symbols, building an entire cinematic language on a genre that began with the simple premise of good “white hats” vs. bad “black hats.” In doing so, they have created mythologies, torn down legends and subverted what it means to be an American.

My exposure to the West began in the living room of my parents’ house. My father, a Sephardic Jew born and raised in Greece, shared with me the movies he loved as a child. Over the years my enthusiasm for the genre only grew as I became a history buff, a lover of myths, and eventually a filmmaker. In interviews, I’m often asked to name my favorite Western,
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National Film Registry Adds ‘Die Hard,’ ‘Guess Who’s Coming to Dinner,’ ‘Memento,’ and More Titles to Library of Congress

National Film Registry Adds ‘Die Hard,’ ‘Guess Who’s Coming to Dinner,’ ‘Memento,’ and More Titles to Library of Congress
As is annual tradition, Librarian of Congress Carla Hayden has announced this year’s 25 film set to join the National Film Registry of the Library of Congress. Selected for their “cultural, historic and/or aesthetic importance,” the films picked range from such beloved actioners as “Die Hard,” childhood classic “The Goonies,” the seminal “Guess Who’s Coming to Dinner,” and the mind-bending “Memento,” with plenty of other genres and styles represented among the list.

The additions span 1905 to 2000, and includes Hollywood blockbusters, documentaries, silent movies, animation, shorts, independent, and even home movies. The 2017 selections bring the number of films in the registry to 725.

“The selection of a film to the National Film Registry recognizes its importance to American cinema and the nation’s cultural and historical heritage,” Hayden said in an official statement. “Our love affair with motion pictures is a testament to their enduring power to enlighten, inspire and
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‘Titanic,’ ‘Die Hard,’ ‘Ace in the Hole,’ ‘Memento,’ and More Added to National Film Registry

Since 1989, the National Film Registry of the Library of Congress has been accomplishing the important task of preserving films that “represent important cultural, artistic and historic achievements in filmmaking.” From films way back in 1897 all the way up to 2004, they’ve now reached 725 films that celebrate our heritage and encapsulate our film history.

Today they’ve unveiled their 2017 list, which includes such Hollywood classics as Die Hard, Titanic, and Superman along with groundbreaking independent features like Yvonne Rainer’s Lives of Performers, Charles Burnett’s To Sleep with Anger, and Barbara Loden’s Wanda. Also making this list are a pair of Kirk Douglas-led features, Ace in the Hole and Spartacus, as well as Christopher Nolan’s Memento and more. Check out the full list below and you can watch some films on the registry for free here.

Ace in the Hole (aka Big Carnival) (1951)

Based on the infamous
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‘Titanic,’ ‘The Goonies,’ ‘Field of Dreams,’ ‘Memento’ Added to National Film Registry

‘Titanic,’ ‘The Goonies,’ ‘Field of Dreams,’ ‘Memento’ Added to National Film Registry
James Cameron’s disaster epic “Titanic,” the beloved fantasy “The Goonies,” Christopher Nolan’s “Memento” and 1989’s “Field of Dreams” are among the 25 films selected for inclusion in the Library of Congress’ National Film Registry.

The 2017 selections range from obscure documentaries to a Mexican-American family’s home movies from 1920s Texas to Disney’s 1941 animated classic “Dumbo” to the 1979 Luis Valdez-directed drama “Boulevard Nights” to 1960’s “Spartacus,” the Kirk Douglas-Stanley Kubrick sword-and-sandal drama that helped end the era of the blacklist.

The titles will be added to the Library’s collection of films designated as having cultural, social or aesthetic significance.

“Our love affair with motion pictures is a testament to their enduring power to enlighten, inspire and inform us as individuals and a nation as a whole,” said Carla Hayden, Librarian of Congress. “Being tasked with selecting only 25 each year is daunting because there are so many great films deserving of this honor
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The Genius of Leo McCarey

  • MUBI
The Notebook is the North American home for Locarno Film Festival Artistic Director Carlo Chatrian's blog. Chatrian has been writing thoughtful blog entries in Italian on Locarno's website since he took over as Director in late 2012, and you can find the English translations here on the Notebook as they're published.Appreciated and admired though he was by the greatest American filmmakers of his time (Frank Capra, Howard Hawks, Ernst Lubitsch), Leo McCarey isn’t held in the same regard today. While far from an obscure director, he isn’t considered a master of comedy by critics and audiences. The man who launched the careers of Laurel & Hardy and Cary Grant, and let the Marx Brothers make their zaniest film (Duck Soup), is not as well known as the performers he worked with. This lack of recognition may be due to the difficulty in finding a through-line in his work. While
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Anthony Harvey obituary

British film director who vied with Hollywood greats and worked with Katharine Hepburn on The Lion in Winter

In 2001 I visited Katharine Hepburn at her town house on East 49th Street, New York. The nonagenarian star had agreed to see me to comment on some photographs I was hoping to use in the book I was writing about her. Perched on a stool in her spartan basement kitchen and sipping tea, she scrutinised the images I laid before her.

A picture of Hepburn and Peter O’Toole on the set of The Lion In Winter (1968) elicited a comment on the third person in the picture. “Dear Tony. Looking so young and thoughtful,” she said, her eyes lighting up. She was referring to Anthony Harvey, the director of the film, who has died aged 87. “A real English gentleman and a brilliant director, one of the best I’ve ever worked with.
See full article at The Guardian - Film News »

'Gangster Land': Film Review

'Gangster Land': Film Review
Trying to find a new reason to tell stories already immortalized by Howard Hawks, Brian De Palma and others, Timothy Woodward Jr.'s Gangster Land shifts the focus from larger-than-life Al Capone to his henchman Jack McGurn, a boxer-turned-enforcer who helped plan the St. Valentine's Day Massacre. Respectable period production values and some recognizable castmembers are no substitute for imagination in this flat crime flick, which steals freely from its predecessors but offers none of their guilty-pleasure thrills.

Embodied most memorably as a mercurial showboat by Robert De Niro in De Palma's The Untouchables, Capone is oddly charisma-free here, played in...
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Peaky Blinders recap – series four, episode two: Heathens

Tommy proves what a great multi-tasker he is, but is it really all going his way? For one, Luca Changretta is causing trouble, as is the truly nasty Aberama Gold

Spoiler Alert: This blog is for those who are watching series four of Peaky Blinders. Don’t read on if you haven’t seen episode two.

The move back to Small Heath has definitely done this show the power of good. The plotting and writing feel leaner and the life-and-death stakes are free of grand, overarching conspiracies. It helps, too, that Peaky Blinders has always nodded to the conventions of the western and those conventions lend themselves to this year’s plot with the Shelby clan penned back in their old haunts and enemies approaching on all sides. To be honest, if the whole thing doesn’t culminate in a showdown along the lines of Howard Hawks’s classic Rio Bravo
See full article at The Guardian - TV News »

All 8 Aaron Sorkin Movies Ranked From Worst to Best (Photos)

  • The Wrap
All 8 Aaron Sorkin Movies Ranked From Worst to Best (Photos)
Aaron Sorkin was probably born in the wrong era. And yet here he is, still kicking in 2017. His characters operate under an impossibly witty and clever language, engaging in exchanges only experienced in the movies of Howard Hawks or Frank Capra. It’s fueled by a rapid-fire repartee. For better or worse, Sorkin has replicated this breathless style of dialogue. With the upcoming release of “Molly’s Game,” Sorkin’s directorial debut, we decided to rank every film the man has penned over the course of 25 years. “Malice” (1993) Sorkin’s shoddiest screenplay is also his most dated. In “Malice”, Nicole Kidman plays.
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/Answers: Our Favorite Movie Mysteries

/Answers: Our Favorite Movie Mysteries
Every week in /Answers, we attempt to answer a new pop culture-related question. With Murder on the Orient Express hitting theaters, this week’s edition asks “What is your favorite movie mystery?” This didn’t have to be a mystery movie, but rather any kind of mystery within any kind of movie. Ben Pearson: The Big Sleep Howard Hawks’ 1946 […]

The post /Answers: Our Favorite Movie Mysteries appeared first on /Film.
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‘American Gangster’ and the Two Sides of Ridley Scott

Looking back on this still-young century makes clear that 2007 was a major time for cinematic happenings — and, on the basis of this retrospective, one we’re not quite through with ten years on. One’s mind might quickly flash to a few big titles that will be represented, but it is the plurality of both festival and theatrical premieres that truly surprises: late works from old masters, debuts from filmmakers who’ve since become some of our most-respected artists, and mid-career turning points that didn’t necessarily announce themselves as such at the time. Join us as an assembled team, many of whom were coming of age that year, takes on their favorites.

There are at least two Ridley Scotts working in Hollywood. Ridley Scott, auteur — the man who revolutionized science fiction and horror cinema at the same time with Alien, who single-handedly resurrected the swords-and-sandals epic with Gladiator, who
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Rushes. Greta Gerwig, Algorithmically Created Videos, Paul Thomas Anderson

  • MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended Viewinga stunning trailer for the 4k restoration and re-release of Legend of the Mountain (1979), an under-seen, contemplative action masterpiece by Come Drink with Me and A Touch of Zen director King Hu.Hong Sang-soo's On the Beach at Night Alone gets a wry and incisive new trailer for its imminent U.S. release. We wrote on the film in February, and later interviewed the director about it.For De Filmkrant, Notebook contributors Cristina Álvarez López and Adrian Martin investigate in a new video essay the virtuous modulation to be found in Howard Hawks' and Barbara Stanwyck's talents in Ball of Fire.Commissioned by Renzo, Le CiNéMa Club has premiered three inspired short films from Mati Diop, Eduardo Williams, and Baptist Penetticobra all loosely interpreting the theme "Inhabit the earth".Recommended READINGIn
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Viennale 2017. Era's End

  • MUBI
The Night I SwamThe Vienna International Film Festival—or the Viennale, for short—has for many years been a kind of respite, perhaps even a bit of a beautiful secret outside of European cinephilia, for those looking to be invigorated by the ever-renewing promise of cinema. First under the direction of Alexander Horwath, who left the festival in 1997 and in 2002 took the lead of the illustrious Austrian Film Museum, and for the last 21 years under the guidance of Hans Hurch, the Viennale has cultivated that rare thing: A cultural institution that has a distinct and idiosyncratic sensibility of taste. It is a yearly event in which you can find the rare gems of the mainstream vividly mixed with expansive retrospectives, the latest films from major auteurs and exciting debutantes alike, with no fear of short or medium length works, a strong love for the avant-garde and an even more fierce
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The Vampire’s Ghost

Is it a classic? Well, not exactly, but it’s also not a typical disappointing ’40s Z-picture. Screenwriter Leigh Brackett pens a nice twist on the Dracula motif, and actor John Abbott is genuinely impressive as what is surely the most low-key vampire on the books. Plus a sexy dance from Adele Mara!

The Vampire’s Ghost


Olive Films

1945 / B&W / 1:37 flat Academy / 59 min. / Street Date October 31, 2017 / available through the Olive Films website / 29.98

Starring: John Abbott, Charles Gordon, Peggy Stewart, Grant Withers, Emmett Vogan, Adele Mara, Roy Barcroft, Martin Wilkins, Zack Williams.

Cinematography: Robert Pittack, Ellis Thackery

Special Effects: Howard and Theodore Lydecker

Written by John K. Butler, Leigh Brackett, story by Brackett

Associate Producer: Rudolph E. Abel

Directed by Lesley Selander

When Republic dabbled in genre work away from their serials and westerns, the result was often embarrassing. One horror title due for an upward bump in
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Light and the darkness by Anne-Katrin Titze

Caroline Champetier on Barbara Sukowa as Hannah Arendt in Margarethe von Trotta's film: "I thought it was a beautiful ingenious idea to give her this part." Photo: Anne-Katrin Titze

Cinematographer Caroline Champetier has worked with Benoît Jacquot, Xavier Beauvois, Jacques Rivette, Arnaud Desplechin, Anne Fontaine, Cédric Anger, Jacques Doillon, Leos Carax, André Téchiné, Barbet Schroeder, Philippe Garrel, Patricia Mazuy, Chantal Akerman, Danièle Huillet and Jean-Marie Straub, Claude Lanzmann, and Kevin Macdonald on his Howard Hawks documentary. Her films with these directors include La Fille Seule, Of Gods And Men, Le Pont Du Nord, La Sentinelle, Tokyo! with Denis Lavant, The Innocents, Le Tueur, Ponette, Alice Et Martin, Terror's Advocate, Night Wind, Of Women And Horses, Toute Une Nuit, Too Early/Too Late, and The Last Of The Unjust respectively.

On Margarethe von Trotta: "She had exactly the idea for the beginning of the movie." Photo: Anne-Katrin Titze

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'Only the Brave' Review: Josh Brolin & Co. Bring Heat, Humanity to Firefighter Drama

'Only the Brave' Review: Josh Brolin & Co. Bring Heat, Humanity to Firefighter Drama
If you've been to the movies any time over the last century, you're familiar with men like Eric Marsh. They're hard-ass guys, often stoic but capable of being sensitive and, in rare cases, prone to sentimentality. Their flaws and temper-flares are balanced out by their virtues: staunch professionalism, a salt-of-the-earth nobility, an almost stubborn loyalty to their men. The kind of dudes who treat their enemies – in this case, the massive forest fires that annually scorch acres of Arizona landscape – with something close to respect. ("What are you up to?
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Lumière Festival: Bertrand Tavernier on His Lifelong Love of Classic Westerns

Lumière Festival: Bertrand Tavernier on His Lifelong Love of Classic Westerns
This year’s 9th Lumière Festival includes a section dedicated to classic American Westerns, selected by French helmer Bertrand Tavernier (“The French Minister”), who is also curating a collection of books dedicated to the genre, published by Actes Sud.

The fourteen films to be screened span the period between 1943 and 1962, including titles such as William A. Wellman’s “The Ox-Bow Incident” (1943), John Ford’s “My Darling Clementine” (1946), Howard Hawks’ “Red River” (1948), Delmer Daves’ “Broken Arrow” (1950), King Vidor’s “Man Without a Star” (1955) and John Ford’s “The Man who Shot Liberty Valance” (1962).

Tavernier will personally present each film. He has been a fan of American Westerns since he was a teenager and became an avid reader of Western novels as soon as he learned how to read English, in his early twenties.

Through this section and also a book collection published by Actes Sud, Tavernier is paying his own personal tribute to this quintessentially American genre. He is
See full article at Variety - Film News »
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