5 items from 2015
Although relatively scarce, horror movies directed by women are out there. You may have to turn over a few rocks to know who they are and their material might be a little more difficult to get your hands on, but these directors deserve just as much attention and scrutiny as their male counterparts, who have long dominated the genre. The following discusses selections of female directors’ forays into the business of terror. (This post contains spoilers)
The late director Antonia Bird’s Ravenous is a bizarre amalgamation of humor and horror that explores cannibalism with warped nuance. The strangely cacophonous score builds up tension as craven outcasts face a glutinous and depraved attacker whose strength seems fortified by his consumption of human flesh. Set during America’s westward expansion, the metaphor of humanity’s insatiable appetite for power is plain to see, but its execution indulges in such »
- Lane Scarberry
When I used to look back on my childhood - in the days before the internet’s all-seeing taint - there were three things that I always assumed were as much a constant of my young life as excessive sugar intake and making up innumerable excuses for having torn my trousers.
The first was Bertha (lovely Bertha), the stop motion-animated kids TV show helmed by Ivor Wood about a sentient factory machine - the titular Bertha - whose exploits helped trick a generation of British children into thinking that factory life was a non-stop cavalcade of japery, typified by super-advanced AI, funny wee robots and, most unrealistically of all, smiling faces. Ivor Wood must’ve been laughing all the way to the Illuminati seminar: “Enjoy your life of low-wage labour in the iron clutch of Thatcher's fist, »
Munster, Go Home!, 1966.
Directed by Earl Bellamy.
Herman Munster inherits the title of Lord Munster and the estate of his English uncle so the family visit England but their presence isn’t welcomed by their dastardly English relatives.
TV shows very rarely make for good movies, with only a few notable exceptions such as Batman making the transition successfully. And Batman is an apt example as it was the full colour adventures of the Caped Crusader and Boy Wonder that put an end to the creaky black-and-white escapades of The Munsters TV show back in 1966 after two series. As a result, The Munsters got their own movie and for the first time they were shown in Technicolor.
In this big screen adventure, Herman Munster (Fred Gwynne) receives »
- Gary Collinson
I am the happiest TV fan in the world. Over the next year or so, we'll be getting a new season of "Twin Peaks," with David Lynch allegedly directing every single episode. And we'll be getting an "X-Files" sequel miniseries, which may well feature both an episode written by the reclusive-but-brilliant Darin Morgan, and a rumored sequel to one of the sickest hours of network television ever, "Home." I am the most annoyed TV fan in the world. Over the next year or so, we'll be getting a "Heroes" sequel series run by the same guy who very quickly ran out of ideas on the original. We'll be getting a "Coach" sequel series that will give Craig T. Nelson the sitcom comeback he didn't get when he passed on the role of Jay on "Modern Family." We'll be getting DJ Tanner and Kimmy Gibbler living together in a "Fuller House, »
- Alan Sepinwall
By Alex Simon
Lawyers in motion pictures have been portrayed as one of two extremes, devils or angels, almost since celluloid was invented. The first film dealing specifically with a law firm and attorneys, 1933’s Counsellor at Law, starring John Barrymore, portrayed its J.D.s as upstanding citizens, as did the early Perry Mason films of the same period. This quickly changed, however, with many attorneys portrayed as being capable of the same brand of skullduggery as their shifty clients. With that in mind, we bring you a list of the good, the bad and the ugly of lawyers in movies.
1. To Kill a Mockingbird (1962)
Gregory Peck’s Atticus Finch became the boilerplate for the Noble Movie Lawyer in this iconic, 1962 adaptation of Harper Lee’s award-winning novel. Atticus Finch, a small town attorney in the Depression-era South, must defend a black man (Brock Peters) falsely accused of raping a white woman, »
- The Hollywood Interview.com
5 items from 2015
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