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2012 | 2011 | 2010 | 2009
6 items from 2012
Deborah Kerr: Socially Dubious Desires
22 May 2012 2:03 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »
Deborah Kerr movies: with Burt Lancaster in From Here to Eternity Deborah Kerr Pt.2: Sexual Outlaw As an unhappily married woman having a torrid affair with an army officer shortly before the Japanese attack on Pearl Harbor, Deborah Kerr is equally powerful in one of her best-remembered movies, From Here to Eternity (1953), stealing the romantic melodrama from her male co-stars. Fred Zinnemann’s Academy Award-winning blockbuster marked one of the rare times when Kerr’s physique played a part in her erotic persona, as she parades around Hawaii in Lana Turner-type shorts and frolics on the wet sand with brawny Burt Lancaster. Less obvious is Kerr’s headmaster’s wife in Tea and Sympathy (1956), who, despite her discreet clothing and demeanor, ends up seducing one of her husband’s teenage students. It’s all for a good cause, of course — the "sensitive" adolescent thinks he may be gay »
- Andre Soares
Deborah Kerr: Sexual Outlaw
22 May 2012 2:03 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »
Yul Brynner, Deborah Kerr, The King and I Deborah Kerr Pt.1: What Lies Beneath True, you most likely won’t find Deborah Kerr labeled a sex goddess anywhere, but that’s merely because her sexual allure, apart from the beach scene in From Here to Eternity, was hardly obvious. Unlike overgrown little girls such as Marilyn Monroe, Clara Bow, Jean Harlow, Jayne Mansfield, or Brigitte Bardot, Kerr looked and acted like a mature woman even in her 20s. In other words, there was nothing kittenish about Deborah Kerr; she didn’t pout. Unlike Barbara Stanwyck, Joan Crawford, Rita Hayworth, Marlene Dietrich, Catherine Deneuve, Jeanne Moreau, Lizabeth Scott, or Susan Sarandon, Kerr’s seething sensuality had nothing to do with sultriness, come-hither looks, or bare body parts. Unlike Simone Simon, Jane Greer, the latter-day Barbara Stanwyck, and other (French or American) film noir dames, or Theda Bara and assorted film »
- Andre Soares
DVD Playhouse--May 2012
7 May 2012 3:57 PM, PDT | The Hollywood Interview | See recent The Hollywood Interview news »
DVD Playhouse – May 2012
By Allen Gardner
Shame (20th Century Fox) Director Steve McQueen’s harrowing portrait of a Manhattan sex addict (Michael Fassbender, in the year’s most riveting performance) whose psyche goes into overload when his equally-troubled sister (Carey Mulligan) visits unexpectedly. Exquisitely-made on every level, save for the screenplay, which makes its point after about thirty minutes. While it tries hard to be a modern-day Last Tango in Paris, this fatal flaw makes it fall somewhat short. The much- ballyhooed sex scenes and frontal nudity are the least-interesting things about the film, incidentally, which is still a must-see for discriminating adults who seek out challenging material. Also available on Blu-ray disc. Bonuses: Featurettes. Widescreen. Dolby and DTS-hd 5.1 surround.
Being John Malkovich (Criterion) Spike Jonze’s madcap film of Charlie Kaufman’s script, regarding a socially-disenfranchised puppeteer (John Cusack) who finds a portal into the mind of actor »
- The Hollywood Interview.com
Ten Terrific War Movies You Probably Never Heard Of
27 February 2012 6:19 PM, PST | SoundOnSight | See recent SoundOnSight news »
I’ve always been a war film buff, maybe because I grew up with them at a time when they were a regular part of the cinema landscape. That’s why I read, with particular interest, my Sound on Sight colleague Edgar Chaput’s recent pieces on The Flowers of War (“The Flowers of War Is an Uneven but Interesting Chinese Ww II Film” – posted 2/20/12) and The Front Line (The Front Line Rises to the Occasion to Overcome Its Familiarity” – 2/16/12) with such interest. An even more fun read was the back-and-forth between Edgar and Sos’s Michael Ryan over the latter (“The Sound on Sight Debate on Korea’s The Front Line” – 2/12/12), with Michael unimpressed because the movie had “…nothing new to add to the war genre,” and Edgar coming back with “…‘new’ is not always what a film must strive for. So long as it does well what it set out to do… »
- Bill Mesce
George Cukor: Oscar Actors Director
22 February 2012 3:41 PM, PST | Alt Film Guide | See recent Alt Film Guide news »
James Stewart, Cary Grant, Katharine Hepburn, The Philadelphia Story George Cukor: Oscar Actors' Director Pt.1 Additionally, the "gay sensibility" nonsense ignores the fact — and that is a fact — that George Cukor was equally adept at directing male actors. Clark Gable may have gotten Cukor fired from the Gone with the Wind set, but the extensive list of Cukor-directed performers nominated for Academy Awards includes Fredric March (The Royal Family of Broadway), Basil Rathbone (Romeo and Juliet), Charles Boyer (Gaslight), James Mason (A Star Is Born), Anthony Quinn (Wild Is the Wind), and no less than three male Oscar winners: James Stewart (The Philadelphia Story), Ronald Colman (A Double Life), and Rex Harrison (My Fair Lady). Cukor also guided numerous other male stars, including Spencer Tracy (five times), Cary Grant (three times), John Barrymore (three times), Melvyn Douglas (twice), Robert Taylor (twice), Joel McCrea (twice), William Holden, David Manners, Laurence Olivier, »
- Andre Soares
R.I.P. Former Wma Agent Phil Kellogg
8 February 2012 3:23 PM, PST | Deadline New York | See recent Deadline New York news »
Phil Kellogg passed away Sunday, just a month shy of his 100th birthday. Kellogg worked at Wma from 1950 to 1978, joining when Berg, Allenberg was acquired by Wma. Kellogg became head of the Picture Department in 1958 after Bert Allenberg passed away, and my, what a client list Kellogg had. He repped David Lean, Fred Zinneman, Deborah Kerr, David Niven, Robert Taylor, Jean Simmons, Stewart Granger, Robert Ryan, Richard Brooks and a host of others. »
- MIKE FLEMING
2012 | 2011 | 2010 | 2009
6 items from 2012
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