|Date of Birth||14 October 1893, Springfield, Ohio, USA|
|Date of Death||27 February 1993, New York City, New York, USA (heart failure)|
|Birth Name||Lillian Diana Gish|
|Nickname||The First Lady of American Cinema|
|Height||5' 4" (1.63 m)|
Mini Bio (2)
Lillian Diana Gish was born on October 14, 1893 in Springfield, Ohio. Her father James Lee Gish was an alcoholic who caroused around, was rarely at home and left the family to more or less to fend for themselves. To help make ends meet, Lillian, her sister Dorothy Gish and their mother Mary Gish a.k.a. Mary Robinson McConnell tried their hand at acting in local productions. Lillian was all of six years old when she first appeared in front of an audience. For the next 13 years, she and Dorothy appeared before stage audiences with great success. Actually, had she not made her way into films, Lillian quite possibly could have been one of the great stage actresses of all time. Ultimately, though, she found her way onto the big screen. In 1912, she met famed director D.W. Griffith. Impressed with what he saw, he immediately cast her in what was to be her first film, An Unseen Enemy (1912), followed by The One She Loved (1912) and My Baby (1912). She would make 12 films for Griffith in 1912. With 25 films in the next two years, Lillian's exposure to the public was so great that she fast became one of the top stars in the industry, right alongside Mary Pickford, "America's Sweetheart". In 1915, Lillian starred as Elsie Stoneman in Griffith's most ambitious project to date, The Birth of a Nation (1915). She was not making the large number of films that she was in the beginning, because she was successful and popular enough to be able to pick and choose the right films to appear in. The following year, she appeared in another Griffith classic, Intolerance: Love's Struggle Throughout the Ages (1916). By the early 1920s, her career was on its way down. As in anything else, be it sports or politics, new faces appeared on the scene to replace the "old", and Lillian was no different. In fact, she did not appear at all on the screen in 1922, 1925 or 1929. However, 1926 was her busiest of the decade with roles in La Bohème (1926) and The Scarlet Letter (1926). As the decade wound to a close, "talkies" were replacing silent films. However, Lillian was not idle during her time away from the screen. She appeared in stage productions to acclaim of the public and critics alike. In 1933, she filmed His Double Life (1933), and then didn't make another film for ten years. When she did return in 1943, she played in two big-budget pictures, Commandos Strike at Dawn (1942) and Top Man (1943). It was as though she had never been away. Although these roles did not bring her the attention she had in her early career, Lillian still proved she could hold her own with the best of them. She earned an Oscar nomination as Best Supporting Actress for her role of Laura Belle McCanles in Duel in the Sun (1946), but lost to Anne Baxter in The Razor's Edge (1946). One of the most critically acclaimed roles of her career came in the thriller The Night of the Hunter (1955), also notable as the only film directed by actor Charles Laughton. In 1969, she published her autobiography "The Movies, Mr. Griffith, and Me". In 1987, she made what was to be her last motion picture, The Whales of August (1987), a box-office success that exposed her to a new generation of fans. Her 75-year career is almost unbeatable in any field, let alone the film industry. On February 27, 1993, Lillian Gish died at age 99 peacefully in her sleep in New York City.
- IMDb Mini Biography By: Denny Jackson
Lillian Gish was born into a broken family where her restless father James Lee Gish was frequently absent. Mary Robinson McConnell a.k.a. Mary Gish, her mother, had entered into acting to make money to support the family. As soon as Lillian and her sister Dorothy were old enough, they became part of the act. To supplement their income, the two sisters also posed for pictures and acted in melodramas of the time. In 1912, they met fellow child actress Mary Pickford, and she got them extra work with Biograph films. Director D.W. Griffith was impressed by both the girls and especially by Lillian, who he saw as a exquisitely fragile, ethereal beauty. Over the next decade, Lillian was to become one of Griffith's greatest stars. She appeared in features such as The Birth of a Nation (1915); Broken Blossoms or The Yellow Man and the Girl (1919); and Orphans of the Storm (1921). With Griffith, she became the greatest screen heroine of the time and was known as 'The First Lady of the Silent Screen'. Lillian even tried her hand at directing with a movie called Remodeling Her Husband (1920) starring her sister Dorothy. After 13 years with Griffith, Lillian went to MGM where her first picture was La Bohème (1926). Her new contract gave her control over the type of picture, the director, the supporting lead and the cameraman. In the late 20s, Lillian's star began to wane and sound pictures became the rage with the viewing public. Lillian would resist the new sound pictures as she believed that silent pictures had a greater power and impact on audiences. And this was true in the beginning as they did not worry about the microphone. So Lillian was released by MGM in 1928 and went back to the stage and was a great success. She would continue on the stage for the next half century. Lillian never forgot D.W. Griffith, even when everyone else in Hollywood did. She helped care for the ailing Griffith and his wife until Griffith died in 1948. In the forties she again appeared in a handful of 'talkies' and received a Best Supporting Actress Oscar nomination for her role as Laura Belle McCanles in Duel in the Sun (1946). In 1970 she received a special Academy Award 'for superlative artistry and distinguished contributions to the progress of motion pictures'. Her last film was The Whales of August (1987) in which she shared the lead with Bette Davis. Lillian Gish never married.
- IMDb Mini Biography By: Tony Fontana <email@example.com>
Trade Mark (4)
Personal Quotes (19)
|An Unseen Enemy (1912)||$20|
|The White Sister (1923)||$5,000 /week|