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Trains in cinema have always made for an excitable source within the realm of the comedy, drama, mystery or suspense pertaining to the plot of a particular film. The setting for the featured trains as the driving force of entertainment serves as the heart and soul of the action for the most part.
In some cases using trains as a last minute symbolic theme for a film can generate great impact that thrives and questions the motives and urgency of the characters and storyline (i.e. the climax scene in The Defiant Ones where the salt-and-pepper escaped convicts Tony Curtis and Sidney Poitier try and make a desperate dash for permanent freedom on a speeding train en route to permanent freedom). Perhaps a train could also add an extra element of action-packed excitement in a film’s conclusive ending such as the uncontrollable commuter train in Speed?
In Getting on »
- Frank Ochieng
Alcoholism in the movies have been played for both dramatic and comical effect. In fact some of the binge drinking done on the big screen have garnered considerable praise and pathos resulting in many performers winning Oscars and Oscar nominations based on this very serious addiction.
The alcoholic in cinema is larger in life because it is a societal reflection of the demons and destruction that affect millions of people globally. Film allows for the liberty to use creative licenses to highlight the physical and psychological pain and false feelings of pleasure to convey the true face of alcoholism and its hold on fictional characterizations that are bound by the poisonous allure of the bottle. However heavy-handed or hearty it may seem in portraying the detached drinker or happy drunk one thing is for certain…the depth and dimensional range of the chronic cinema sipper has never disappointed in giving »
- Frank Ochieng
There are people out there who have never seen The Princess Bride. They walk among us, holding down jobs, contributing to society, and generally living happy, semi-fulfilled lives. But whisper a perfectly-timed “mawage” in their direction during a wedding, and the resulting blank stare or awkward chuckle will expose an inconceivable pop-cultural blind spot. Someone failed them when they were growing up.
In many ways it’s too late for them, but we can still save the next generation. The 55 Essential Movies Kids Must Experience (Before They Turn 13) is a starting point. This isn’t a list of the 55 “best” kids movies, »
- EW staff
When director Jan de Bont set about casting the various faces and secondary characters that populated bus #2525 in his 1994 actioner "Speed," it was very important to him that they reflect the multicultural identity of Los Angeles. Not only that, but he wanted there to be a heavy dose of realism in his choices, actors who seemed to be people you could look over on a morning commute and see reading the paper, sipping coffee, gazing out the window and starting their day. On the occasion of the film's 20th anniversary, I thought it would be interesting to track down as many of those actors as possible and tell the story of "Speed" from their perspective. It was a gargantuan task. While a number of them have remained in the industry in some way, many have moved on to other careers. But their individual stories are nevertheless as fascinating as the »
- Kristopher Tapley
Jamie Foxx is trying to save his city “like Batman” in a new trailer for “Annie,” starring Quvenzhané Wallis as the orphan who helps him do it. Foxx takes the place of Albert Finney's Daddy Warbucks as business tycoon and mayoral candidate Benjamin Stacks, who rescues the mischievous little orphan from a collision with a car, and welcomes her into his life for the sake of poll numbers. Also read: ‘Amazing Spider-Man 2': 6 Things the Sequel Got Wrong And of course, maybe more. Rose Byrne plays Foxx's assistant, and based on the latest look (above) at Sony's Dec. »
- Greg Gilman
I was glued to the Twitter application of my iPhone Sunday night waiting for the reactions to Bennett Miller's "Foxcatcher" to roll in as the film bowed in Competition at the Cannes Film Festival. It was interesting to watch the first wave of knee-jerks, all of them just a touch muted, I assume because Miller is not a filmmaker whose movies hit you right away. They kind of seep into you the more you spin away from them, and I got the feeling "Foxcatcher" is absolutely one such example. We were all more or less expecting something special out of Steve Carell here. From photos and that early trailer that slipped out last fall, it was clear he had undergone a transformation for the role of multimillionaire murderer John du Pont, both physically and professionally. And indeed, all indications are that it is a career-altering portrayal. Here's one juicy »
- Kristopher Tapley
As we continue on, I need to once again clarify that if this list was “Joshua Gaul’s 50 Favorite Movie Musicals,” it’d be a quite a different list. But, if my tastes determined what is definitive, I’d be asking you all to consider Aladdin as a brilliant piece of filmmaking and wax nostalgic about my love for Batteries Not Included and Flight of the Navigator (not for the musicals list, of course). Much to my dismay, my tastes are not universal. I’d like to think my research methods are.
courtesy of themoviescene.co.uk
30. Annie (1982)
Directed by John Huston
Signature Song: “Tomorrow” (http://youtu.be/Yop62wQH498)
Originally a 1924 comic strip, the beloved stage musical about a red-haired orphan girl was brought to the big screen in 1982 and directed by John Huston (yes, that John Huston – director of The Maltese Falcon and The African Queen, not to »
- Joshua Gaul
With a new spin on an old musical, Sony Pictures have released the international trailer for Annie. Directed by Will Gluck (Easy A and Friends With Benefits) the new musical stars Jamie Foxx, Quvenzhané Wallis, Rose Byrne, Bobby Cannavale and Cameron Diaz.
Academy Award nominee Quvenzhané Wallis (Beasts Of The Southern Wild) takes centre stage as orphan Annie. She is a feisty, young and vibrant girl living life in the Big Apple with her cruel foster mother, Miss Hannigan (Cameron Diaz). Annie’s luck soon changes when she crosses paths with hard-nosed tycoon and New York mayoral candidate Will Stacks (Jamie Foxx), who takes in Annie and soon develops a paternal bond for the girl. The film is a modern twist to the old 1982 version, which originally stared Aileen Quinn, Carol Burnett, Tim Curry and Albert Finney.
The trailer shows all the elements of the old classic, and will no »
- Ciham Messouki
Mickey Rooney was earliest surviving Best Actor Oscar nominee (photo: Mickey Rooney and Spencer Tracy in ‘Boys Town’) (See previous post: “Mickey Rooney Dead at 93: MGM’s Andy Hardy Series’ Hero and Judy Garland Frequent Co-Star Had Longest Film Career Ever?”) Mickey Rooney was the earliest surviving Best Actor Academy Award nominee — Babes in Arms, 1939; The Human Comedy, 1943 — and the last surviving male acting Oscar nominee of the 1930s. Rooney lost the Best Actor Oscar to two considerably more “prestigious” — albeit less popular — stars: Robert Donat for Sam Wood’s Goodbye, Mr. Chips (1939) and Paul Lukas for Herman Shumlin’s Watch on the Rhine (1943). Following Mickey Rooney’s death, there are only two acting Academy Award nominees from the ’30s still alive: two-time Best Actress winner Luise Rainer, 104 (for Robert Z. Leonard’s The Great Ziegfeld, 1936, and Sidney Franklin’s The Good Earth, 1937), and Best Supporting Actress nominee Olivia de Havilland, »
- Andre Soares
Feature Aliya Whiteley 3 Apr 2014 - 07:22
Tend to think of Richard Attenborough as a kindly old man? Aliya digs into his early career to find some far nastier roles...
British cinema has always liked its angry young men: Richard Burton, Albert Finney, Laurence Harvey and others all played the 1950s and 60s social animal, raging against the class system and the staid attitudes of post-war Britain.
But they weren’t the first angry young man on the screen. Maybe that crown could be claimed by an unlikely actor – Richard Attenborough. Attenborough is best known now as a director and producer, for films such as Gandhi, Chaplin and Shadowlands. When he gets thought of as an actor, it’s often as a kindly old man with a white beard. Misguided, sometimes, as when he played John Hammond, the owner of Jurassic Park, but not downright nasty. A lot of his earlier »
The Hollywood Reporter writes that Spacey will play former British prime minister Winston Churchill in a new biopic called "Captain of the Gate." The film will focus on Churchill's rise to power during World War II, and according to THR, chronicle his stand "against Parliament to defend Britain and the world from Adolf Hitler's Third Reich."
Churchill served as Britain's prime minister from 1940-1945, and again from 1951-1955. The influential world leader has frequently been the subject of movie and TV projects, including two HBO films: 2002's "The Gathering Storm," starring Albert Finney, and 2009's "Into the Storm," starring Brendan Gleeson.
- Katie Roberts
The Oscar-winning actor currently plays a ruthless American politician on Netflix's House of Cards.
According to WENN, Spacey will portray Churchill in a film called Captain of the Gate.
The film will chronicle the famous prime minister's life, from his childhood to his rise to power in British politics.
Apparently, even the White House wasn’t enough. Hot off his acclaimed turn as dastardly politician Frank Underwood on the second season of Netflix’s hit drama House of Cards, Kevin Spacey has signed on to play former British Prime Minister Winston Churchill in a biopic titled Captain of the Gate.
The biopic, which hails from Sierra/Affinity (Oculus, the upcoming Kill the Messenger), will focus on Churchill’s rise to power as he heroically took a stand against Parliament in order to protect England from Adolf Hitler’s powerful Third Reich. The script was penned by Ben Kaplan, who recently worked on the History Channel’s documentary Reagan. Kaplan also wrote episodes of historical documentary series Vietnam in HD and WWII in HD, both also for the History Channel, but Captain of the Gate will mark his feature debut.
Churchill has understandably been the subject of countless biopics, including »
- Isaac Feldberg
Even back when Britain was an industrial nation, films about industry were relatively rare: audiences who worked on assembly lines presumably wanted to look at something more glamorous on their night at the pictures. In Saturday Night and Sunday Morning (1960), Albert Finney snarled, "Don't let the bastards grind you down," a neat encapsulation of the working man's political philosophy, whereas I'm Alright Jack (1959) took a dismayed view of the hostile stand-off between Capital and Labor. That Boulting Brothers satire may have adopted a "plague on both your houses" stance, but in fact its sympathy was with management.
The Agitator (1945) is the product of a gentler age: it tries to be sympathetic to everybody, but again there's a hidden conservative bias. Still, as the product of a generation who had just won the war and were looking forward, some of them, to a bright socialist future of free education and health care, »
- David Cairns
The trailer is up for Sony's contemporary approach to "Annie" and performances look completely overdone and unrealistic from both Cameron Diaz and lead Quvenzhané Wallis. This just doesn't seem to have the magic of a beloved musical which has left a soft spot in so many of those who watched the stage version or the `981 film which starred Albert Finney (now Jamie Foxx) and Aileen Quinn. The way the trailer starts off with Diaz is just appalling, and it's pretty much downhill from that point onwards. We've had a butchered "Karate Kid" from Overbrook, and now here comes "Annie" to finish us off. Will Gluck directs as well as writing the script alongside Aline Brosh McKenna. The film is produced by Will Smith, James Lassiter, Jada Pinkett Smith, Laurence "Jay" Brown, Shawn "Jay Z" Carter, Tyran "Ty Ty" Smith and Gluck. »
Columbia releases glimpse of contemporary take on orphan rich-man story, starring 10-year-old Wallis and Jamie Foxx
Three years ago she was a truckdriver's daughter in smalltown Louisiana; now, the other side of an Oscar nomination for best actress, she's likely to be the mainstay of a potential Christmas blockbuster. And she's still only 10. Quvenzhané Wallis' acting career is nothing short of miraculous, so it's probably appropriate that she's the star of a remake of Annie, which Columbia is aiming at the this year's American festive season market.
The trailer has just been released, so what can we deduce? Well, it's been thoroughly updated to a contemporary feeling, with Jamie Foxx stepping into what we can call the Albert Finney role, and Wallis chirping away as the plucky little orphanage dweller. Foxx isn't just a lonely billionaire though; his relationship with Annie has been retooled around a PR campaign for political office, »
- Andrew Pulver
The Annie musical – inspired by Harold Gray’s Little Orphan Annie comic strip (which debuted in 1924) – has been around since the latest 1970s; multiple film and TV adaptations have sprung up over the decades since then, including John Huston’s 1982 movie (starring the likes of Albert Finney, Carol Burnett and Tim Curry) and Disney’s 1999 made-for-tv feature of the same name (featuring Kathy Bates, Victor Garber and Alan Cumming).
Annie (2014) is a full-blown modernization of the original musical, complete with new (read: contemporized) renditions of famous tunes like “Tomorrow” and “Hard-Knock Life” (supervised by Jay-z), in ...
Click to continue reading ‘Annie’ Trailer and Poster: It’s a Hard Knock Life in New York
The post »
- Sandy Schaefer
Sony Pictures has debuted the first trailer for Annie , which doesn't hit theaters until December 19. Directed by Will Gluck the new version stars Jamie Foxx, Quvenzhané Wallis, Rose Byrne, Bobby Cannavale and Cameron Diaz. The Broadway musical "Annie" was based upon the popular comic strip and radio show, "Little Orphan Annie" and features songs with music by Charles Strouse and lyrics by Martin Charnin and a book by Thomas Meehan. The show originally opened in 1977, and immediately became a hit, winning seven Tony Awards, including Best Musical. In 1982, Columbia Pictures released a film adaptation directed by John Huston and starring Albert Finney, Carol Burnett, Bernadette Peters, Tim Curry, and Aileen Quinn as Annie. »
At the peak of her Brideshead fame, she broke her jaw and lost half her teeth. It might have finished some actors, but not Diana Quick. She talks to Kira Cochrane about agitprop, acting couples – and supporting herself with crochet
There was a moment in the early 1980s when Diana Quick looked bound for one of those Hollywood careers synonymous with swimming pools, paparazzi and giant sunglasses. She had been acting professionally since the late 1960s, landed a major role in Ridley Scott's first feature The Duellists in 1977 and, as the 80s dawned, was working on the British TV adaptation of Brideshead Revisited. Her role as exquisite, troubled aristocrat Lady Julia Flyte made international fame seem assured. When the series aired in 1981, headlines wondered if Quick was the world's most beautiful woman.
But between shooting Brideshead and its TV showing, her life changed dramatically. In San Francisco with her boyfriend of the time, »
- Kira Cochrane
On Thursday, the 9th Circuit Court of Appeals handed down the latest development in the ongoing legal saga of Anthony Pellicano, the former private eye who spied on behalf of some in Hollywood against others in town. Since Pellicano's activities became known, there's been plenty of civil lawsuits. One such case is the action brought by Kissandra Tysman. Tysman is a former associate of Ed Masry, famously played by Albert Finney in Erin Brockovich. Masry died in 2005. But before the attorney passed away, he was accused by Tysman of using Pellicano to harass her. Allegedly, Pellicano's activities were aided
- Eriq Gardner
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