5 items from 2016
By Todd Garbarini
Kudos to the Criterion Collection for releasing Whit Stillman’s charming trio of young adult angst: Metropolitan (1990), Barcelona (1994), and The Last Days of Disco (1998). The bookend films have both been previously released by Criterion on DVD and Blu-ray, but now the company bows Barcelona to complete the trilogy. Available as both a stand-alone disc as well as part of a set of the three films, Barcelona features the luminous Mira Sorvino in an early role.
The trilogy of films that Mr. Stillman made as the beginning of his career and for which he is most well-known are interesting in that they depict groups of people who fall out of the scope of most of the general population and probably appeal to even less. That is actually a welcome relief. Metropolitan was shot in January and February in 1989 and released in August 1990 (a curious choice for a film »
- firstname.lastname@example.org (Cinema Retro)
Mark and Aaron take a look at Whit Stillman’s Barcelona (1994), and how it compares with his other work. We focus most on his other two films from the 1990s, Metropolitan (1990) and Last Days of Disco (1998), but we also discuss his most recent effort, Love and Friendship.
About the film:
Whit Stillman followed his delightful indie breakthrough Metropolitan with another clever and garrulous comedy of manners, this one with a darker edge. A pair of preppy yet constitutionally mismatched American cousins—a salesman and a navy officer—argue about romance and politics while working in the beautiful Spanish city of the film’s title. Set during the eighties, Barcelona explores topics both heady (American exceptionalism, Cold War foreign policy) and hilarious (the ins and outs of international dating, the proper shaving method) while remaining a constantly witty delight, featuring a sharp young cast that includes Taylor Nichols, Chris Eigeman, and Mira Sorvino. »
- Aaron West
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I’d heard of Stanley Kubrick but didn’t realise how special he was. He’d do 150 takes of a simple scene. He knew everybody’s job. If he asked you a question and you didn’t know the answer, you really got it – not me so much, because I was just a spark. After having a go at someone he’d be walking away and give you a wink, like: “See that? That’s got him going.” He was »
- TFS Staff
The film follows a young nurse (Wilson) who has to care for a reclusive horror author (Harry) who decides to live out the final chapter of her life in a 19th century farmhouse that holds its own spooky secrets.
Paris is producing the project with Menzies, while Ghossein is exec producing.
There will be another handful (or two) of interviews coming as we march toward Hollywood's High Holy Night on February 28th. But with Oscar nomination voting closing today and so many interviews these past few weeks this seems as good a time as any to ask you to "consider" our official index of interviews from the film year and to take a less daily approach to the remaining one-on-ones.
Laia Costa (Victoria)
Nina Hoss (Phoenix)
Jeremy Irvine (Stonewall)
Géza Röhrig (Son of Saul)
Affonso Gonçalves (Editing, »
- NATHANIEL R
5 items from 2016
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