2 items from 2015
Paddington is an instant family classic, and will likely defy the expectations of those expecting another live-action CGI hybrid such as Scooby Doo, The Smurfs or Yogi Bear. Director Paul King is able to take the story of a young Peruvian bear known worldwide, and turn it into a unique and charming experience unlike anything seen before. It truly is a special little film, and it will surely continue to find an audience well after it leaves theaters. Its the type of movie that is impossible to hate on any level.
The movie follows Paddington as he travels to London in search of a home. Finding himself lost and alone at Paddington Station, he begins to realize that city life is not all he had imagined, until he meets the kindly Brown family, who read the label around his neck ('Please look after this bear. Thank you.') and offer him a temporary haven. »
Paul Thomas Anderson learned to make movies by watching movies. Each of his films bears the ghostly fingerprints of his masters and mentors: the obsession and one-point perspective of Kubrick; the tough-guy veneers and fetid societies that sated the first decade of Scorsese’s career; the intense meditative stares of Jonathan Demme, constantly reminding us that we are, of course, watching a film—we’re immersed in it, but we are spectators, non-participants, in the hands of an artist. Anderson has never created voyeuristic or naturalistic films, never approached Cinéma vérité, and he’s never tried to feign an amateur aesthetic. He crafts films indebted to the grand ambience of New Hollywood, rendered unnaturally lucid and diligently composed. To watch one of Anderson’s films is to get a condensed lesson on the artisanship and history of American cinema.
But Anderson’s most obvious early influence—one he has name-checked, »
- Greg Cwik
2 items from 2015
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