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Heeeeeeere's Johnny! Stanley Kubrick's terrifically creepy adaptation of the Stephen King novel finds novelist Jack Nicholson gradually losing the plot while spending a winter as the caretaker of a remote mountain hotel. The blood starts to run when his paranormally gifted son picks up on the opulent hideaway's evil past, while distraught wife Shelley Duvall discovers there's nowhere to hide from the madness. »
When The Shining originally hit theaters back in 1980, it ran two minutes longer than the version we're all familiar with, including a hospital scene that Kubrick cut out a week into the film's theatrical run. Now that scene is being put back into the film for a special screening...
...which is, needless to say, a must-attend for all of you UK fans. Read on!
This year's Film4 FrightFest kicks off in London on August 21st, and we've just learned that the extended cut of The Shining will screen on Sunday night, August 24th. The 146-minute version includes a scene at the end of Wendy Torrance in a hospital bed, being told by Mr. Ullman that Jack's body couldn't be found. The screening will mark the first time the deleted scene has been publicly shown since the movie's original theatrical release.
It's interesting to note that Kubrick's horror masterpiece was heavily »
- John Squires
Elisabeth Bergner, who started in German silents went on to a Best Actress Oscar nomination for Escape Me Never (1935)Schweigen a fine collection of 1920s and 1930s postcards of film actors. I loved looking at it despite my Richard Dix aversion. And this postcard left makes me desperate to see Escape Me Never, one of the 30s Best Actress nominations I still haven't seen
Pret-a-Reporter Inside Madonna's 56th birthday bash
THR Cinematography Gordon Willis who died earlier this summer, was memorialized in Hollywood this weekend
Rope of Silicon every death in a Quentin Tarantino movie thus far
- NATHANIEL R
(Cbr) The world was saddened to learn of Robin Williams’ passing on Monday, and the circumstances surrounding his death only made it more tragic. Most of us, however, prefer to remember the comedy legend through the times he made us smile. Perhaps it was his goofy silliness as the alien Mork, or his stellar voice work in "Aladdin," or the way he managed to fill out the form of an old lady in "Mrs. Doubtfire." He had loads of dramatic roles as well, from "The Fisher King" to "Dead Poets Society." Williams could make you empathize with the hurting soul underneath the clown, the man behind the facade. For all his versatility — from playing a cartoon bat trying to save the rainforest to a frightening stalker working at a photo booth — it’s a shame Williams was never in a superhero movie, especially in an era when the likes of Robert Redford, »
- Larry Cruz, Comic Book Resources
The world is just, quite simply, not nearly as funny a place now as it was just a few hours ago, before the tragic death of legendary comedian and actor Robin Williams. For nearly 40 years, the man kept us in stitches in ways only he could, with an impeccable delivery and an unmistakable charm that is often mimicked but never equaled.
As the world mourns this comedy legend, we take a look back at our 16 favorite Robin Williams performances, some in classics that are beloved the world over, and some in overlooked and/or underrated gems that deserve to be noticed.
While some actors spend years paying their dues in thankless guest starring or supporting roles on film and TV, it didn't take Robin Williams long to find a foothold in Hollywood. His appearance as the alien Mork on one episode of Happy Days was so popular it lead »
‘The Texas Chain Saw Massacre’ actress Marilyn Burns dead at 64 The Texas Chain Saw Massacre actress Marilyn Burns, the one cast member who manages to survive Leatherface in Tobe Hooper’s low-budget 1974 horror cult classic, was found dead on Tuesday, August 4, 2014, at her home in the Houston area. According to her manager, "she was found unresponsive by a family member." The cause of death remains unclear. Burns (born on July 5, 1950, in Erie, Pennsylvania) was 64. The Houston-raised Marilyn Burns began appearing in films in the early ’70s. She had a bit part in Robert Altman’s Houston-filmed Brewster McCloud (1970), starring Bud Cort, Sally Kellerman, and Shelley Duvall, and was later cast in a supporting role in Sidney Lumet’s Austin-shot 1974 drama Lovin’ Molly; however, Burns was ultimately replaced by Susan Sarandon, reportedly remaining in the production as a stand-in for both Sarandon and Blythe Danner. Also in 1974, Marilyn Burns landed the »
- Andre Soares
Mark Romanek has entered negotiations to direct The Shining prequel The Overlook Hotel for Warner Bros. We reported in May that Gravity director Alfonso Cuarón was the studio's top choice to direct The Overlook Hotel, but it seems a deal was never reached.
The Overlook Hotel is based on the original prologue that Stephen King wrote for The Shining novel, which was cut before the book was published in 1977. The prologue tells the origin story of The Overlook Hotel and its first owner, Bob T. Watson, a "robber baron" at the start of the 20th Century who set out to build the greatest resort in America, nestled within the Colorado Rockies, where he and his family also lived.
Mark Romanek is checking into the Overlook Hotel. The director is in negotiations to direct the prequel to The Shining for Warner Bros., The Hollywood Reporter has confirmed. Photos Hollywood's 100 Favorite Films The Shining was one of Stephen King's early horror works and was adapted into the classic Stanley Kubrick movie, which starred Jack Nicholson and Shelley Duvall. Overlook is based on King's original prologue to The Shining, which was cut from the book prior to publication in 1977. Photos 15 Horror Movies That Offered the Most Bang for the Buck The film will tell the origin story of the haunted
- Borys Kit
Romance blooms under the sun and the stars in Woody Allen’s “Magic in the Moonlight,” a high-spirited bauble that goes down easy thanks to fleet comic pacing, a surfeit of ravishing Cote d’Azur vistas and the genuinely reactive chemistry of stars Colin Firth and Emma Stone. A welcome balm for the blockbuster-addled soul, Allen’s 44th feature finds the director back in the 1920s Gallic mood of 2011’s “Midnight in Paris,” with the star-crossed lovers this time held apart not by time but rather by philosophical inclinations. While the result may not quite equal “Midnight’”s box office bonanza, expect “Magic” to handily corner the upscale adult demo for the remainder of summer, continuing the Woodman’s late-career hot streak.
A childhood magic buff and amateur magician, Allen has incorporated hypnotists, stage illusionists and touches of the supernatural into many films including “Alice,” “The Curse of the Jade Scorpion” and “Scoop, »
- Scott Foundas
Nom’s latest argle-bargle.
Russian Priest: Colorful Shoes Make Soccer a Gay Abomination
Here’s the new teaser for Doctor Who. Don’t go breaking his hearts.
Last Week Tonight was off this week, but John Oliver took to Yt for this report on those “sparkly guns you can shoot in the sky,” … fireworks.
Creationist Cartoon Shown In Georgia Biology Class Equates Evolution, Homosexuality With Satan. It wasn’t “properly vetted.” Oh, okay.
And here’s The Weekly ShoutOUT™. Each week »
The line-up for this year's Film4 FrightFest in London has just been announced – and boy, is it a doozy! Sporting a record-breaking 38 UK/European premieres and 11 world premieres, this August is going to be an exciting time in the genre calendar.
Check it all out right here, including lots of new images!
This year Film4 FrightFest will be moving from its previous home at Leicester Square's Empire Cinema to the nearby Vue Cinema (also on Leicester Square), prompting an ingenious reshuffle of the screening arrangements.
All main screen films will be presented at different times across three different screens, with two extra screens reserved for single-slot screenings of the various films hitting this year's Discovery Screens.
Here's the full list of goodies:
Main Screens (5, 6, 7)
Thursday Aug 21
Opening Night Film - The Guest (UK Premiere)
- Gareth Jones
Film4 FrightFest 2014, returning for its 15th year, unveils its biggest line-up ever. From Thurs 21 August to Monday 25 August, the UK’s leading event for genre fans will be at the Vue West End, Leicester Square, to present sixty-four films plus twenty shorts across five screens. There are sixteen countries representing five continents with a record-breaking thirty-eight UK or European premieres and eleven world premieres.
Are you ready for a monstrous and memorable mayhem of killer claws, cannibalism, cult classics, murderous musicals, chiller thrillers, graphic novel action and sick celluloid masterpieces? Then prepare yourself for the biggest, strongest and most eclectic must-see programme in Film4 FrightFest’s history.
From the opening night turbo-driven thrill-ride The Guest to the UK premiere of the closing night mesmeric sci-fi fantasy The Signal, FrightFest has netted the latest works from genre big-hitters such as Eli Roth (The Green Inferno), Alan Moore and Mitch Jenkins (Show »
- Phil Wheat
Gravity director Alfonso Cuarón continues to be in high demand at Warner Bros. Just days after he entered talks to direct the Harry Potter spin-off Fantastic Beasts and Where to Find Them, the filmmaker has emerged as the studio's top choice to make The Shining prequel The Overlook Hotel.
Schmoes Know reports that the "ball is in Alfonso's court" for the project, but it isn't yet known if he plans on accepting their offer.
Back in April 2013, we reported that Glen Mazzara, the former showrunner of AMC's The Walking Dead, will be writing the script, which is set years before Jack Torrance (Jack Nicholson) moved into the hotel in The Shining. Schmoes Know reports that a script has just been turned in, although it isn't known how well-received it was by the studio. Laeta Kalogridis, James Vanderbilt and Brad Fisher are set to produce.
No production schedule has been set for The Overlook Hotel, »
I spent the weekend in Boston visiting one of my best girls so I was barely online. If you were also travelling this week (as everyone and their doggies and their distant relatives were according to the gridlock on my way back to the city) chances are you missed some posts. Here are a handful of key highlights from the week that was.
Our Moms and the Movies - a special podcast devoted to the mom's of our team and your mom and whatever movie-love she happened to inspire, directly or indirectly in you.
Top Ten Palme D'Or Winners - what are the best films ever to win the top prize at Cannes? We propose these twelve. Your thoughts?
Eye Roller? - Reader James T chose our banner theme this week and that choice generated the week's most robust comment section. »
- NATHANIEL R
Given that 3 Women is a different picture every time I lay eyes on it, I'm dying to see what other people see in it, too. Thus, this brilliantly strange atypical Robert Altman is an ideal film for Hit Me With Your Best Shot, wherein everyone is welcome to choose what they think of as the "best shot" from the pre-selected film. Find out what others saw in this picture by clicking on the photos to read the corresponding articles at these fine blogs.
11 Best Shots From 3 Women (1977)
They float about as a pair throughout the film as creepily as those cinematic twins in another Shelley Duvall classic...
-The Film's The Thing
She tries it on for size, decides she's gotten enough, and goes on her merry way...
-Dancin Dan on Film
A magnificent construction that highlights all of these themes while subtly foreshadowing what will happen later in the film. »
- NATHANIEL R
I've seen 3 Women exactly 3 times. Look at me all numeriffic. Each time it shapes-shift fluidly like its still half submerged in the embryonic waters of pools, aquariums, nursing home baths, and dream floods that keep engulfing the women, particularly Sissy Spacek as "Pinky" (or "Mildred" depending on how you read the picture). She's the most permeable of them all.
Permeable, maybe, but never painlessly transforming; if the movie camera had never discovered Sissy Spacek's face in various stages of psychotic breaks (see also Carrie) it would have missed its calling entirely.
The first time I saw the film it was like looking a crystal clear umbillical cord between Persona (1966) and Mulholland Dr (2001). The second time it was a singular experience, untethered to other films from my favorite genre (Women Who Lie To Themselves™) and played as a remarkable feat of interiority and actressing (Shelley Duvall won "Best Actress" at »
- NATHANIEL R
Millie: Okay, now what's wrong with ya? Pinky: Nuthin' Millie: Well there's gotta be something wrong with ya." Meet Millie (Shelley Duvall, Cannes Best Actress Winner / BAFTA Best Actress Nominee) and Pinky (Sissy Spacek). You won't ever forget them once you do. Join us Tuesday night when Hit Me With Your Best Shot looks at Robert Altman's 3 Women (1977). It's available on Netflix Instant Watch, Amazon Instant, and iTunes. Watch it, choose a shot, and play along! »
- NATHANIEL R
For this week's Hit Me With Your Best Shot, we're reairing one of the earliest of episodes. We invited new readers to select a shot if they weren't around in 2010 when "Best Shot" first began so this survey of Mean Girls best shots, as chosen by each participant (click on the link for the corresponding article) is an fusion of old and new pieces 'round the web. Here's my choice:
And what I originally wrote:
The camera tracks Regina through the hallway after she's hatched her brilliant revenge plan. She's regained control of the screaming rage we saw in the prior scene and she's just gliding through the hallways, with a neat hint of actressy athleticism. Gone is the sex kitten and in her place the marathon runner.
The shot functions like a reverse Hansel & Gretel; the witch leaving a bread crumb trail. In the bookend shot that follows the camera is still moving, »
- NATHANIEL R
One of the most revered films around the Dread Central offices is Stanley Kubrick's masterful take on Stephen King's The Shining. Cinephilia and Beyond dug up some continuity Polaroid photos used to keep track of the on-set mayhem, and we have a look at them for you here!
Based on Stephen King’s bestselling novel, Kubrick’s tale of a family man and would-be writer (Jack Nicholson) going mad as winter caretaker of the cursed Overlook Hotel is a seminal work of the genre.
Kubrick’s film has been described as a masterpiece of modern horror and is widely considered to be one of the most terrifying movies ever made. However, at the time of release both Kubrick and lead actress Shelley Duvall were nominated for Razzie Awards for the film.
Visit The Evilshop @ Amazon!
Got news? Click here to submit it!
Shine on in the comments section below! »
- Uncle Creepy
A few years ago I wrote a piece on my blog Day of the Woman about unrealistic horror couples, this isn’t to be confused with “worst horror couples” or like what Ryan Turek over at Shock Till You Drop posted, “Doomed Horror Romances.” Instead, I wanted to focus on couples in horror movies that really have no business being together. Some of these couples I’m judging from the shallow perspective of appearances, but some of these couples just don’t seem compatible. Now that I’m a little older and a little more in tune to what actually makes for a good relationship, I’ve re-vamped and revitalized this list just in time for everyone’s favorite holiday developed by the greeting card industry. Note: If you and your significant other resemble any of the couples we make fun of, we’re not making fun of you…we »
- BJ Colangelo
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