Yvonne De Carlo was born Margaret Yvonne Middleton on September 1, 1922 in Vancouver, British Columbia, Canada. She was three when her father abandoned the family. Her mother turned to waitressing in a restaurant to make ends meet--a rough beginning for an actress who would, one day, be one of Hollywood's elite. Yvonne's mother wanted her to be in the entertainment field and enrolled her in a local dance school and also saw that she studied dramatics. Yvonne was not shy in the least. She was somewhat akin to Colleen Moore who, like herself, entertained the neighborhood with impromptu productions. In 1937, when Yvonne was 15, her mother took her to Hollywood to try for fame and fortune, but nothing came of it and they returned to Canada. They came back to Hollywood in 1940, where Yvonne would dance in chorus lines at night while she checked in at the studios by day in search of film work. After appearing in unbilled parts in three short films, she finally got a part in a feature.
Although the film Harvard, Here I Come! (1941) was quite lame, Yvonne shone in her brief appearance as a bathing beauty. The rest of 1942 and 1943 saw her in more uncredited roles in films that did not quite set Hollywood on fire. In The Deerslayer (1943), she played Wah-Tah. The role did not amount to much, but it was much better than the ones she had been handed previously. The next year was about the same as the previous two years. She played small parts as either secretaries, someone's girlfriend, native girls or office clerks. Most aspiring young actresses would have given up and gone home in defeat, but not Yvonne. She trudged on. The next year, started out the same, with mostly bit parts, but later that year, she landed the title role in Salome Where She Danced (1945) for Universal Pictures. While critics were less than thrilled with the film, it was at long last her big break, and the film was a success for Universal. Now she was rolling.
Her next film was the western comedy Frontier Gal (1945) as Lorena Dumont. After a year off the screen in 1946, she returned in 1947 as Cara de Talavera in Song of Scheherazade (1947), and many agreed that the only thing worth watching in the film was Yvonne. Her next film was the highly regarded Burt Lancaster prison film Brute Force (1947). Time after time, Yvonne continued to pick up leading roles, in such pictures as Slave Girl (1947), Black Bart (1948), Casbah (1948) and River Lady (1948). She had a meaty role in Criss Cross (1949), a gangster movie, as the ex-wife of a hoodlum. At the start of the 1950s, Yvonne enjoyed continued success in lead roles. Her talents were again showcased in movies such as The Desert Hawk (1950), Silver City (1951) and Scarlet Angel (1952). Her last film in 1952 was Hurricane Smith (1952), a picture most fans and critics agree is best forgotten.
In 1956, she appeared in the film that would immortalize her best, The Ten Commandments (1956). She played Sephora, the wife of Moses (Charlton Heston). The film was, unquestionably, a super smash, and is still shown on television today. Her performance served as a springboard to another fine role, this time as Amantha Starr in Band of Angels (1957). In the late 1950s and early 1960s, Yvonne appeared on such television series as "Bonanza" (1959) and "The Virginian" (1962). However, with film roles drying up, she took what turned out to be the role for which she will be best remembered--that of Lily Munster in the smash series "The Munsters" (1964). However, she still was not completely through with the big screen. Appearances in such films as McLintock! (1963), The Power (1968), The Seven Minutes (1971) and La casa de las sombras (1976) kept her before the eyes of the moviegoing public. Yvonne De Carlo died at age 84 of natural causes on January 8, 2007 in Woodland Hills, California.
|Bob Morgan||(21 November 1955 - 1968) (divorced) 2 children|
Black hair and green eyes
Deep sultry voice
The role of Lily Munster in "The Munsters" (1964).
Two sons - Bruce Morgan and Michael Morgan. Stepdaughter Bari Morgan. Son, Michael, died in 1997.
Her birth name was Margaret, but she was known by Peggy growing up.
Miss Venice Beach 1938.
Took the part of Lily on "The Munsters" (1964) to help pay husband Bob Morgan's medical bills. Morgan, an actor/stuntman, had suffered near-fatal injuries while filming How the West Was Won (1962). By her own admission, Ms. De Carlo never imagined, at the time, that Lily Munster would become her most famous role.
Her maternal grandparents were Sicilian-born Michele De Carlo and Scotland-born Marie Purvis. She drew her stage name from her grandfather.
She chose her own stage name by using her middle name and her mother's maiden name of De Carlo.
Guest-starred in the pilot episode of "Bonanza" (1959) as gold rush entertainer Lotta Crabtree.
Her grandmother's name was Margret Purvis.
She was the producers' second choice to play Lily Munster, after Joan Marshall was dropped from consideration for the role of Phoebe Marshall.
Became a naturalized citizen of the United States.
Was trained in opera and was a former chorister at St. Paul's Anglican Church in Vancouver, British Columbia, Canada, when she was a little girl.
Called off her engagement to Jock Mahoney after she suffered a miscarriage.
Before she starred in "The Munsters" (1964) that same year, she was deeply in debt, her film career was over and was suffering from depression.
She had 6 hobbies: spending time with her family, golfing, dancing, drinking wine, listening to music, singing.
Began her career as a contract player for Paramount in 1942.
Before she was a successful actress, she was a dancer and had worked at various nightclubs in Vancouver, British Columbia.
Dropped out of King Edward High School at age 15 (which was her sophomore year), to focus more on her dance studies, hence, she attended B.C. School of Dancing.
Attended King Edward High School in Vancouver, British Columbia, Canada.
Attended Le Conte Middle School in Hollywood, California.
Was a heavy smoker for many years and suffered a stroke in 1998.
Resided at the Motion Picture and Television Hospital from 1998 to 2007, where she died.
Was only three when her father and mother split up.
Was best friends with: Fred Gwynne, Al Lewis, Zsa Zsa Gabor, Bob Hastings, Mel Blanc, John Carradine, John Ireland, Norman Lloyd, Barbara Nichols, Doug McClure, Joel McCrea, Bob Hope, Dan Duryea, Billy Barty, Richard Arlen, Broderick Crawford, Kevin Burns, Ricardo Montalban, Charlton Heston, Rod Cameron, Raymond Burr and Rock Hudson.
While working at Vancouver's Palomar, at age 16, she was allegedly pressured to expose her breasts. In response to the incident, she and her mother left the nightclub.
While working as a dancer for showman Nils Granlund at the Florentine Gardens, she was once arrested by immigration officials and deported to Canada. In 1941, Granlund sent a telegram to Canadian immigration officials pledging his sponsorship of her in the United States, and affirmed his offer of steady employment, both requirements to reenter the country.
Yvonne and Virginia Mayo toured together, signing and dancing in their later years.
Future comedienne Vicki Lawrence said DeCarlo was her childhood television heroine.
Throughout 1937, Yvonne's mother took her to Hollywood to try to be a star, but didn't succeed and returned to Canada.
She was awarded 2 Stars on the Hollywood Walk of Fame for Motion Pictures at 6124 Hollywood Boulevard; and for Television at 6715 Hollywood Boulevard in Hollywood, California.
Her mother, Marie De Carlo, died in 1993, from a fall.
An accomplished singer, since a little girl, she sang and played the harp on an episode of "The Munsters" (1964).
Established her movie career and worked as a contract player for Universal in 1945.
Her parents were Marie De Carlo, an actress, and William Middleton, a salesman.
When her son, Michael died in 1997, the causes were unknown, although a Santa Barbara Police report contains concerns about possible foul play.
While Margaret lived with her mother in Hollywood, her mother worked as a waitress.
By the time little Margaret entered into grade school, her voice was really strong.
When she was only 3 years old, her father abandoned the family, hence, she lived with her grandparents.
After she was born, her mother ran away from home, when Marie was 16 to become a ballerina, after a couple of years working as a shop girl, she was finally married in 1924.
Her mother was fascinated with actress Baby Peggy, and wanted to have a baby of her own, of the same name.
Of Sicilian and Scottish descent.
Engaged to Jock Mahoney. .
Best remembered by the public for her starring role as Lily Munster on "The Munsters" (1964).
Upon her death, she was cremated.
After her role in The Barefoot Executive (1995) (TV), she retired from acting at age 72.
Acting mentor and friend of Butch Patrick.
I was on cloud nine all the time. After I made my hit in Salome, Universal sent me to New York so I could learn to be a proper movie star.
I was named Margaret Yvonne. Margaret because my mother was very fond of one of the derivatives of the name. She was fascinated at the time by the movie star Baby Peggy and I suppose she wanted a Baby Peggy of her own.
[on "The Munsters" (1964)]: It meant security. It gave me a new, young audience I wouldn't have had otherwise. It made me 'hot' again, which I wasn't for a while.
[on Howard Hughes's romance, after watching Salome Where She Danced (1945)]: A man came over ... he said 'Mr. Hughes would like to meet you.' Well, I was not too much aware of Mr. Hughes at the time --- who he was or anything. So, I said, 'Oh, yes, fine!' And so, I looked and thought, 'Wow, this would be a terrific boyfriend for my aunt.'
[Upon her entrance in the movie Salome Where She Danced (1945), where she danced]: I came through these beaded curtains, wearing a Japanese kimono and a Japanese headpiece, and then performed a Siamese dance. Nobody seemed to know quite why.
[In 1965]: I guess I lead a double life, and I must admit I'm happy with both.
[on writing her own autobiography]: If I could, I'd change a lot of things because I'm not proud of everything I've done in my life. But to those people who helped me, and there were a lot, I say, thank you. They're the reason I wrote this book.
Men, no matter what their promises, rarely leave their spouses... the louses.
[When worried if "The Munsters" (1964) was ever going to be a hit]: I had moments of terror and fear that my public would not understand the makeup and all that. I really wondered if it was the right thing to do.
[Who said in 1963 about doing guest shots]: Everybody has just been marvelous. Particularly because no one has suggested they were helping, but that I was right for the parts.
[Who said in 1964 about playing the second vampire mother on television]: They told me to play her just like Donna Reed. That sounded strange to me until I tried it. Now it works. She acts just like any housewife. The difference is in her approach to things, as when she tells her little child to go to bed, 'And don't forget to close your lid.' The makeup turned out to her satisfaction. She wears floor-length black hair - gray-streaked with a widow's peak, of course. Her complexion is a faint green, but it shows up as dead white on the screen. She was pleased when some young visitors to the set commented how glamorous she looked.
[When she befell for the Lily Munster character she named because she slept with arms folded coffin-style, and a lily on her chest]: I had misgivings when I was told about the role. After all, I didn't want to destroy whatever image I had established. So I asked the makeup man what the makeup was supposed to be.
I wear a tight, fitting gray dress. The kind of thing it would be nice to be buried in. A long train and long, bat - like things banging from the sleeves. And low cut.
[Who told the media in 1971 about her stars, if she was really nervous about residing in New York City]: "I'm from Hollywood, I'm too dumb to be nervous about New York."
[When asked in 1972 about her affair with Howard Hughes, before he turned into a legendary recluse]: Howard taught me how to land a plane and how to take off. But he never taught me anything about flying in between. He thought that I had learned the difficult parts, and that was enough.
[Who wasn't very fond of Arabian Nights-type of movies, the ones she appeared in]: But I was amazed at how much the people over there like those pictures. I talked to many natives, cab drivers, hairdressers, hotel clerks, who said they had seen 'Scheherazade' four and five times. And they seemed to have liked 'Casbah,' too, although I don't know why. Everytime I play a concert, someone would yell, 'Sing something from Casbah.'
[When she was playing several concerts in the US, including the singing and dancing]: It would have happened to any film performer playing there. At every performance, there were between 150 and 200 civilian and military policemen to hold back the crowds. The hall would hold 1,500 people, but always the side doors would be pushed open and many more would stand in the aisles.
[Who asked in 1949 about O'Mahoney's fame]: What fame is he talking about? The only fame he has had is what he got by being seen with me!
|Harvard, Here I Come! (1941)||$35|
|The Ten Commandments (1956)||$25,000|
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