5 items from 2015
Eli Wallach and Anne Jackson on the Oscars' Red Carpet Eli Wallach and Anne Jackson at the Academy Awards Eli Wallach and wife Anne Jackson are seen above arriving at the 2011 Academy Awards ceremony, held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. The 95-year-old Wallach had received an Honorary Oscar at the Governors Awards in November 2010. See also: "Doris Day Inexplicably Snubbed by Academy," "Maureen O'Hara Honorary Oscar," "Honorary Oscars: Mary Pickford, Greta Garbo Among Rare Women Recipients," and "Hayao Miyazaki Getting Honorary Oscar." Delayed film debut The Actors Studio-trained Eli Wallach was to have made his film debut in Fred Zinnemann's Academy Award-winning 1953 blockbuster From Here to Eternity. Ultimately, however, Frank Sinatra – then a has-been following a string of box office duds – was cast for a pittance, getting beaten to a pulp by a pre-stardom Ernest Borgnine. For his bloodied efforts, Sinatra went on »
- D. Zhea
The San Francisco Film Society has selected Richard Gere as the recipient of the Peter J. Owens Award for excellence in acting for the 58th San Francisco Intl. Film Festival.
The award will be presented to Gere at the Film Society Awards Night on April 27 at the Armory Community Center.
Gere will also honored the night before at the Castro Theatre. That event will include an onstage interview, a selection of clips and a screening of Oren Moverman’s “Time Out of Mind.” In that 2014 film, Gere portrays a man who tries to patch things up with his estranged daughter after circumstances force him into a homeless shelter.
“Richard Gere is one of cinema’s few unmistakable icons, a powerful connection to the heart of Hollywood history,” said Sffs exec director Noah Cowan. “But when we saw his extraordinary performance in ‘Time Out of Mind,’ we were instantly reminded of »
- Dave McNary
Actor will receive the Peter J. Owens Award for excellence in acting at upcoming festival.
Richard Gere will be the recipient of this year’s Peter J. Owens Award for excellence in acting at the San Francisco International Film Festival.
The award will be presented at the Film Society Awards Night on April 27, where the recipients of the Irving M. Levin Directing Award, the Kanbar Award for excellence in storytelling and the George Gund III Craft of Cinema Award will also be honoured.
Gere will be publicly honoured at An Evening with Richard Gere on the previous day [April 26] which will include an onstage interview and will be followed by a screening of his latest film, Oren Moverman’s Time Out of Mind.
- firstname.lastname@example.org (Ian Sandwell)
The halls are starting to hum softly here in Berlin as the European Film Market swings into gear. The first deals were announced yesterday before the event officially opened, with The Weinstein Co notably boarding Im Global’s The Man Who Made It Snow. This morning, FilmNation unveiled a series of offshore output deals for titles from Open Road, which will kick off with the Jamie Foxx/Michelle Monaghan-starrer Sleepless Nights.
Though it’s not likely to be a frenzy, and with currency concerns in the market internationally, Berlin should see more action in the coming days. Distributors are looking for product for 2016 and beyond, and some memorable buys have emerged here in recent years. In 2014, The Weinstein Company made a record-setting $7M deal for The Imitation Game which has now made about $140M worldwide and has an armful of Oscar nominations to boot.
Much of the pre-buy buzz »
- Nancy Tartaglione
Everyone knows Woody Allen. At least, everyone thinks they know Woody Allen. His plumage is easily identifiable: horn-rimmed glasses, baggy suit, wispy hair, kvetching demeanor, ironic sense of humor, acute fear of death. As is his habitat: New York City, though recently he has flown as far afield as London, Barcelona, and Paris. His likes are well known: Bergman, Dostoevsky, New Orleans jazz. So too his dislikes: spiders, cars, nature, Wagner records, the entire city of Los Angeles. Whether or not these traits represent the true Allen, who’s to say? It is impossible to tell, with Allen, where cinema ends and life begins, an obfuscation he readily encourages. In the late nineteen-seventies, disillusioned with the comedic success he’d found making such films as Sleeper (1973), Love and Death (1975), and Annie Hall (1977), he turned for darker territory with Stardust Memories (1980), a film in which, none too surprisingly, he plays a »
- Graham Daseler
5 items from 2015
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