5 items from 2017
Stars: Beatrice Dalle, Théo Fernandez, Damien Ferdel, Zacharie Chasseriaud, Anne Marivin, Francis Renaud, Fabien Jegoudez, Nicolas Giraud, Chloé Coulloud, Dominique Frot | Written and Directed by Julien Maury, Alexandre Bustillo
French directors Julien Maury and Alexandre Bustillo, the driving force behind the notorious L’interieur (aka Inside) and the stylish Livid, turn their gallic focus to a much-maligned genre – the slasher movie – with Among the Living, a film that’s best described as Stephen King’s Stand By Me meets Friday the 13th.
Starting out with a disturbing prologue featuring a cameo by an almost unrecognisable Beatrice Dalle; a prologue that recalls the nastiness and brutality of L’interieur, Among the Living tells the story of troublemakers Victor, Tom and Dan who, on the last day of school, leave early to explore the countryside and commit petty crime. Ending up on the scenery-strewn back-lot at an abandoned film studio, they witness »
- Phil Wheat
Exclusive: Sales deal for comedy-drama Chacun Sa Vie.
The film celebrates Oscar and Palme d’Or-winner Lelouch’s 50-year cinema career with a cast of A-list French actors, in a feel good comedy about 12 men and 12 women who face romantic complications in the Burgundy wine-country town of Beaune, during its annual jazz festival.
WestEnd will begin world sales at the market in Cannes, where it will »
- firstname.lastname@example.org (Andreas Wiseman)
As far as late-career ruts go, Claude Lelouch has carved out one of the most comfortable, reliably crafting languid, tonally unpredictable slices of haute-bourgeois French life like a more anarchic Garry Marshall. For his 46th feature, “Everyone’s Life” (Chacun sa vie), Lelouch takes a cue from Marshall’s trio of multi-character omnibus projects, recruiting an even starrier than usual troupe of top-tier Gallic actors for a rambling outing in the Burgundy wine-country town of Beaune, and the change of scenery brings out both his best and worst instincts.
Spotlighting a dozen barely-written characters who face romantic complications during Beaune’s annual jazz festival, “Everyone’s Life” contains a few of the most effective individual scenes in the director’s recent filmography, as well as some of the most befuddling. At moments, the film passes as breezily as an afternoon nap after quaffing a bit of the region’s vintages »
- Andrew Barker
Au Beaune Pain: Lelouch Continues with Frivolous Comedy Spackle
Somewhere along the way Palme d’Or and Oscar winning auteur Claude Lelouch (1966’s A Man and a Woman) morphed into the Garry Marshall of French film, churning out vapid comedy vehicles sporting a glitzy array of notable Gallic stars. Whenever the slide began, his tendencies to overstuff his narratives with zany layers of (often inconsequential) tangential sub-plotting began years ago, look no further than his 1986 sequel to his most famous film, A Man and a Woman: 20 Years Later for longstanding evidence of the change. His later period reflects the stamp of various muses, such as actress Audrey Dana, and now, frequent co-author Valerie Perrin. With 2013’s We Love You, You Bastard and 2015’s Un + Une, Lelouch has become completely divorced from his illustrious past filmography, a chasm only widened by his latest venture, Everybody’s Life, once more featuring Johnny Hallyday and Jean Dujardin amongst a cavalcade of a cast, all whirling through this odd kitchen sink array of miscellaneous characters all inclined to converse about their Zodiac signs as they fall in and out of romantic love or obsessive yearning during a a year’s time in Beaune, France.
As an annual jazz festival gets underway, a slew of characters intersect and coverage in the provincial town of Beaune in the Burgundy region. A judge (Eric Dupond-Moretti) must contend with the news of Clementine’s (Beatrice Dalle) retirement, a local prostitute whose company has brought him great joy since the death of his wife. Meanwhile, his colleague Nathalie (Julie Ferrier) falls out of a window after finding her husband (Gerard Darmon) with another man, sharing an ambulance with a hypochondriac singer (Mathilde Seigner) who believes she is having a heart attack following a performance at the festival. At the same time, a tawdry court case has drawn together another subsection of the community, including the troubled alcoholic Antoine (Christophe Lambert), currently facing the dissolution of his own marriage with his disconsolate wife (Marianne Denicourt) betwixt legal troubles. And as famed singer Johnny Hallyday faces a problem with a slippery doppelganger (who has a tryst with an unhappily married Comtesse played by Elsa Zylberstein, married to Vincent Perez), which causes some confusion with local cop Jean (Jean Dujardin), the marriage between former beauty queen (Nadia Fares) and Stephane (Stephane De Groodt) is also on the rocks. Meanwhile, the local hospital has decided to engage a new policy wherein patients must be put at ease through sexually provocative jokes, which brings a chummy nurse (Deborah Francois) into contact with several patients.
If Max Ophuls had wanted to make La Ronde (1950) into a relationship farce (to be fair, Roger Vadim kind of did this with his remake) set to light jazz, it might look something like Everybody’s Life. However, Lelouch feels as if he filmed his illustrious cast in a number of amusing scenarios and pasted the end results together as he saw fit, clipping it into a semblance of repeated scenarios with revolving characters, all who end up professing their love, being destroyed by it, or simply moving on to another chapter. However, the film is neither subtle nor diverse in its repetitive techniques, and for as entertaining as it is to see Hallyday and Dujardin horse around as they take selfies, the frivolousness quickly gets wearying, particularly by its grand framed finale, where we return to the court room a year later after the film’s beginning, with Lelouch stuffing all his characters, whether it makes sense or not, into the same room.
Gregoire Lacroix assists Perrin, Pierre Uytterhoeven (who co-wrote A Man and a Woman) and Lelouch in this adaptation from his own prose, but Everybody’s Life drifts aimlessly, as if besotted by the presence of its own unlucky in love characters all experiencing the same approximation of discontent. Most of these formulas are tedious, if not forgettable, with a glaring bright spot from Beatrice Dalle as a prostitute who wants nothing more to do with sex or men and relish the retirement she deserves. If somewhat less ungainly than rom-com Un+Une and the loopy We Love You, You Bastard, this isn’t a return to form or an ascension to new heights for Lelouch, try as it might to ‘experiment’ with traditional narrative form.
Reviewed on April 24th at the 2017 Colcoa French Film Festival – Opening Night Film. 113 Mins.
The post Everybody’s Life | 2017 Colcoa French Film Festival Review appeared first on Ioncinema.com. »
- Nicholas Bell
Iggy Pop watches over a troupe of troubled circus performers in the stark new trailer for the French film, Starlight. The Sophie Blondy-directed film first made the festival rounds in 2013 and will arrive on Blu-Ray and video-on-demand May 9th.
Pop plays an angel-type figure who appears throughout the film as the members of the failing circus company find themselves embroiled in feuds and love triangles on the shores of the North Sea. As the troupe struggles to attract an audience, they split into warring factions with the ballerina Angele, »
5 items from 2017
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