15 items from 2017
This isn’t the only Alfred Hitchcock film for which the love does not flow freely, but his 1947 final spin on the David O. Selznick-go-round is more a subject for study than Hitch’s usual fun suspense ride. Gregory Peck looks unhappy opposite Selznick ‘discovery’ Alida Valli, while an utterly top-flight cast tries to bring life to mostly irrelevant characters. Who comes off best? Young Louis Jourdan, that’s who.
Kl Studio Classics
1947 / B&W / 1:37 flat Academy / 125 min. / Street Date May 30, 2017 / available through Kino Lorber / 29.95
Cinematography Lee Garmes
Production Designer J. McMillan Johnson
Original Music Franz Waxman
Produced by David O. Selznick
Directed by Alfred Hitchcock
- Glenn Erickson
Happy Memorial Day, everyone! While you’re off enjoying some much-needed downtime with friends and family, we’ve gone ahead and put together a recap of this week’s horror and sci-fi home entertainment releases that are coming our way on May 30th.
For those of you cult film aficionados out there, get those wallets ready, because there’s a bunch of great titles arriving on Blu-ray this Tuesday, including Blackenstein, Evil Ed, The Blood of Fu Manchu / The Castle of Fu Manchu double feature, The Hearse, The Undertaker, Slaughterhouse Rock, and Hide and Go Shriek.
As far as new genre films go, The Blackcoat’s Daughter (one of my personal favorites of 2017) and Rupture are making their way to Blu-ray and DVD, with the Shock-o-Rama box set also coming out on DVD.
The Blackcoat’s Daughter (Lionsgate, Blu-ray & DVD)
Beautiful and haunted Joan (Emma Roberts) makes »
- Heather Wixson
Jason from Mnpp here with this week's All Sigourney edition of "Beauty vs Beast" -- everything should always be All Sigourney, don't you think? Most especially Alien movies. I can't tell you how much I missed the grounding presence of Ellen Ripley this past weekend, whiplashing around Ridley Scott's scattered Covenant. If only we were getting Neill Blomkamp's proposed sequel, I kept thinking. An Alien without a Ripley is a body without a heart or a brain - an exo-skeleton full of acid.
So that's where I stand on Covenant. And even if they're more positive than I am most (if not all?) reviews continue to point to the first two films as the franchise's high-water mark. But instead of facing Ripley off with Giger's literal Beast I thought it would be more interesting to do a variation on the eternal "Alien or Aliens" question, and face off »
Jason from Mnpp here using this week's "Beauty vs Beast" to wish one of my favorite actors of Classic Hollywood a happy birthday today - the great Joseph Cotten was born on this day in the year 1905. Cotten got his start on Broadway, where he caught the eye of some fella called Orson Welles - I suppose you can do worse for yourself than have your very first movie in theaters end up being Citizen Kane.
Just two years later Cotten took the job I always identify him with, as "Uncle Charlie" opposite Teresa Wright as his niece (also named Charlie, cuz doubling) in Alfred Hitchcock's Shadow of a Doubt. Hitch considered this his greatest film and I'd rank it up there (although "greatest" is a bit much when everything he made between 1954 and 1963 is sitting there) and mainly due to Cotten's subtly deranged work. Wright is also wonderful though - her best work, »
“This isn’t the real Mexico. You know that. All border towns bring out the worst in a country. I can just imagine your mother’s face if she could see our honeymoon hotel.”
Touch Of Evil screens Wednesday May 10th at The Tivoli Theater (6350 Delmar in ‘The Loop’) as part of their new ‘Classics in the Loop’ Crime & Noir film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.
Mike Vargas (Charlton Heston) is a Mexican detective who gets caught up in the strange case of a car being blown up in an America-Mexico border town. Not only does the ethical Vargas have to deal with criminal factions in the area, he must butt heads with the domineering Hank Quinlan (Orson Welles), a celebrated police detective. Vargas must prove that Quinlan isn’t the hero that others make him out to be, »
- Tom Stockman
3 May 2017 10:25 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
On May 4, 1944, MGM premiered Gaslight in New York at the Capitol Theatre. The thriller went on to claim two Oscars at the 17th Academy Awards, including a best actress nod for Ingrid Bergman. The Hollywood Reporter's original review is below.
- THR Staff
“Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock!”
The Third Man screens Wednesday May 3rd at The Tivoli Theater (6350 Delmar in ‘The Loop’) as part of their new ‘Classics in the Loop’ Crime & Noir film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.
Roger Ebert called Harry Lime, the character played by Orson Welles in the 1949 classic The Third Man, his favorite screen villain of all time. Fittingly, he gets one of the great movie character introductions — an unforgettable one involving a doorway, a cat, and a sudden beam of light. »
- Tom Stockman
Stars: Robert Powell, Jenny Agutter, Joseph Cotten, Angela Punch McGregor, Peter Sumner, Lorna Lesley, Ralph Cotterill, Adrian Wright, Tyler Coppin | Written by David Ambrose | Directed by David Hemmings
When I was younger I was a big James Herbert fan, so watching The Survivor was something I just had to do. Confusing and slow, I’ll admit I was not ready for what I found with the film, but now with its new release on Blu-ray, is it about time to give the film another chance?
When a 747 crash lands in a Sydney suburb the only other survivor is David Keller (Robert Powell). Unable to remember what happened to make the plane crash, he starts his own investigation into what happened. With the help of local psychic Hobbs (Jenny Agutter) he discovers not only why the plane crashed, but also why some of the dead refuse to be at peace.
- Paul Metcalf
The pomp and circumstance of Felix Mendelssohn’s “War March of the Priests,” as played on a grand pipe organ by a hooded figure seated in an opulent ballroom during the opening credits of The Abominable Dr. Phibes (1971), perfectly sets the tone and timbre of director Robert Fuest’s film, both with playful irreverence and an eloquently ominous aural shroud of dread. The events we’re about to see play out in the film will hardly be a righteous procession of missionary or military zeal, as Mendelssohn’s music was originally intended to evoke. Instead, as it rings and bellows forth from the ornate instrument in this eerie chamber, one which feels at once haunted and strangely festive, Mendelssohn’s fervor is immediately cast with the unmistakable sense of having been drawn forth from someplace much darker than one of heavenly inspiration.
The organ itself rises from the bowels of »
- Dennis Cozzalio
Any fan of Davis, Crawford or both knew going into this week’s Feud: Bette and Joan that the title of What Ever Happened to Cousin Charlotte? wasn’t going to be the only thing about the movie to change before its release. But even we couldn’t have guessed just how sad it was going to be to watch jealousy, insecurity and vindictiveness undermine the leading ladies to the point that Joan got herself replaced by Bette’s pal, Olivia. If you can bear to relive the episode, read on and weep…
There’s nothing more fun than getting to watch classic movies the way they were intended–on the big screen!
Now, I understand plenty of people don’t want to go to a theater, spend a fortune on tickets, popcorn, and a drink just to see the glow of cell phones and hear people rudely talking while someone kicks your seat from behind, but that’s not the experience you’ll get at Landmark theaters affordable ‘Crime & Noir’ film series. St. Louis movie buffs are in for a treat as Landmark’s The Tivoli Theater will return with it’s ‘Classics on the Loop’ every Wednesday beginning April 5th at 7pm. This season, the Tivoli will screen, on their big screen (which seats 320 btw), eight crime and noir masterpiece that need to be seen in a theater with an audience. Admission is only $7.
One benefits of the big screen is »
- Tom Stockman
There’s a sense I get from a lot of late-1970s American films that following the hope of the early 1960s, the anger of the late 1960s, and the despondency of the early 1970s, a lot of people felt that they had one last chance to truly reclaim the spirit of America, which was arguably on the precipice of being lost forever. With the bicentennial came a renewed focus on the foundations of freedom, democracy, and optimism on which the United States was founded, a realization of how far it had fallen from that promise, and how fast that fall seemed to have happened. We can look back now and see that in many ways they were right. A globalized economy pushed the working class to the margins. Government became limited in its capacity to help and unimaginably powerful in its capacity to destroy. Improved legislation for civil rights »
- Scott Nye
Article by Jim Batts, Dana Jung, and Tom Stockman
Alfred Hitchcock’s Vertigo screens at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s Saturday, March 11th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. The film will be introduced by Harry Hamm, movie reviewer for Kmox. Admission is only $5
This gives us a perfect excuse to re-run this top ten list so here, according to We Are Movie Geeks, are Alfred Hitchcock’s ten best films:
Frenzy, Hitchcock’s next to last feature film from 1972, represented a homecoming of sorts since it was the first film completely shot in his native England since his silents and early ” talkies ” in the 1930’s. By dipping into the then somewhat new territory of serial killers, he took full advantage of the new cinema freedoms and truly earned his ‘ R ‘ MPAA rating. »
- Tom Stockman
By: Carson Blackwelder
The best actress Oscar race might seem like a showdown between La La Land’s Emma Stone and Jackie’s Natalie Portman, but Elle’s Isabelle Huppert is proving to be quite the upset. Should Huppert actually snag an Oscar nomination this year, shockingly it would be a first for the French thespian. If Huppert has flown under the Academy’s radar, who else out there is considered the best of the best and hasn’t had a chance to win Hollywood’s biggest award?
Our latest indication of Huppert’s surprise domination this awards season was at the Golden Globes when the 63-year-old won for best actress in a drama and bested Portman — Stone was nominated for best actress in a musical or comedy. Further catapulting Huppert in the best actress Oscar standings was Elle being named best foreign-language film, »
- Carson Blackwelder
For the second week of January, horror and sci-fi fans have another relatively quiet week of home entertainment releases to look forward to this Tuesday. Scream Factory has given the underrated thriller Dead of Winter an HD overhaul on their upcoming Blu-ray, and Severin Films is resurrecting the cult classic The Survivor with a brand new 2K transfer.
Other releases for January 10th include Under the Shadow, B.C. Butcher, The Harrow, The Summoning, and the double feature Blu-ray of Crystal Lake Memories and Never Sleep Again.
Katie McGovern will do anything to make it as an actress…even if it kills her.
Academy Award winner Mary Steenburgen* and Roddy McDowell star in the chilling Dead Of Winter. When struggling actress Katie (Steenburgen) is offered the opportunity to replace an actress who has suffered an emotional breakdown during a film shoot, she jumps at »
- Heather Wixson
15 items from 2017
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners