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I’ll Be Seeing You

This unusually sensitive, overlooked WW2 romance skips the morale-boosting baloney of the day. Two people meet on a train, each with a personal shame they dare not speak of. Ginger Rogers and Joseph Cotten are excellent under William Dieterle’s direction, and Shirley Temple doesn’t do half the damage you’d think she might.

I’ll Be Seeing You

Blu-ray

Kl Studio Classics

1944 / B&W / 1:37 flat Academy / 85 min. / Street Date November 21, 2017 / available through Kino Lorber / 29.95

Starring: Ginger Rogers, Joseph Cotten, Shirley Temple, Spring Byington, John Derek, Tom Tully, Chill Wills, Kenny Bowers.

Cinematography: Tony Gaudio

Film Editor: William H. Zeigler

Special Effects: Jack Cosgrove

Original Music: Daniele Amfitheatrof

Stunt Double: Cliff Lyons

Written by Marion Parsonette from a play by Charles Martin

Produced by Dore Schary

Directed by William Dieterle

Aha! A little research explains why several late-’40s melodramas from David O. Selznick come off as smart productions,
See full article at Trailers from Hell »

The Killer is Loose

Psycho killers long ago lost their novelty, but in 1956 Budd Boetticher and Wendell Corey gave us Leon ‘Foggy’ Poole, a screen original with limitless appeal. Imagine a time when ‘normalcy’ was so taken for granted that any weird behavior was enough to give us the chills? Foggy carries this crime potboiler with a refreshing new idea: his dangerous maniac looks more normal than normal people.

The Killer Is Loose

Blu-ray

ClassicFlix

1956 / B&W / 1:85 widescreen / 76 min. / Street Date June 13, 2017 / 29.98

Starring: Joseph Cotten, Rhonda Fleming, Wendell Corey, Alan Hale Jr., Michael Pate, John Larch, Dee J. Thompson, Virginia Christine.

Cinematography: Lucien Ballard

Original Music: Lionel Newman

Written by Harold Medford, story by John & Ward Hawkins

Produced by Robert L. Jacks

Directed by Budd Boetticher

A smartly directed mid-fifties noir with a sensational central performance from the overlooked Wendell Corey, The Killer is Loose shows director Budd Boetticher at ease with a modest budget,
See full article at Trailers from Hell »

Portrait of Jennie

David O. Selznick’s marvelous romantic fantasy ode to Jennifer Jones was almost wholly unappreciated back in 1948. It’s one of those peculiar pictures that either melts one’s heart or doesn’t. Backed by a music score adapted from Debussy, just one breathy “Oh Eben . . . “ will turn average romantics into mush.

Portrait of Jennie

Blu-ray

Kl Studio Classics

1948 / B&W w/ Color Insert / 1:37 flat Academy / 86 min. / Street Date October 24, 2017 / available through Kino Lorber / 29.95

Starring: Jennifer Jones, Joseph Cotten, Ethel Barrymore, Lillian Gish, Cecil Kellaway, David Wayne, Albert Sharpe.

Cinematography: Joseph H. August

Production Designers: J. MacMillan Johnson, Joseph B. Platt

Original Music: Dimitri Tiomkin, also adapting themes from Claude Debussy; Bernard Herrmann

Written by Leonardo Bercovici, Peter Berneis, Paul Osborn, from the novella by Robert Nathan

Produced by David O. Selznick

Directed by William Dieterle

Once upon a time David O. Selznick’s Portrait of Jennie was an
See full article at Trailers from Hell »

Vampyr (1932)

Of all the legendary early horror films Carl Theodor Dreyer’s vampire nightmare was once the most difficult to appreciate — until Criterion’s restoration of a mostly intact, un-mutilated full cut. Dreyer creates his fantasy according to his own rules — this pallid, claustrophobic horror is closer to Ordet than it is Dracula or Nosferatu.

Vampyr

Blu-ray

The Criterion Collection 437

1932 / Color / 1:19 Movietone Ap. / 73 min. / available through The Criterion Collection / Street Date October 3, 2017 / 39.95

Starring: Julian West (Baron Nicolas De Gunzberg), Maurice Schutz, Rena Mandel, Sybille Schmitz, Jan Hieronimko, Henriette Gérard.

Cinematography: Rudolph Maté

Art Direction: Hermann Warm

Film Editor: Tonka Taldy

Original Music: Wolfgang Zeller

Written by Carl Theodor Dreyer, Christen Jul from In a Glass Darkly by Sheridan Le Fanu

Produced by Carl Theodor Dreyer, Julian West

Directed by Carl Theodor Dreyer

Carl Theodor Dreyer’s Vampyr is a tough row to hoe for horror fans, many of whom just
See full article at Trailers from Hell »

Duel in the Sun

David O. Selznick’s absurdly over-cooked western epic is a great picture, even if much of it induces a kind of hypnotic, mouth-hanging-open disbelief. Is this monument to the sex appeal of Jennifer Jones, Kitsch in terrible taste, or have Selznick and his army of Hollywood talents found a new level of hyped melodramatic harmony? It certainly has the star-power, beginning with Gregory Peck as a cowboy rapist who learned his bedside manners from Popeye’s Bluto. It’s all hugely enjoyable.

Duel in the Sun

Blu-ray

Kl Studio Classics

1946 / Color / 1:37 flat Academy / 144 min. / Special Edition / Street Date August 15, 2017 / available through Kino Lorber / 29.95

Starring Jennifer Jones, Gregory Peck, Joseph Cotten, Lionel Barrymore, Lillian Gish, Walter Huston, Butterfly McQueen, Charles Bickford, Tilly Losch.

Cinematography Lee Garmes, Ray Rennahan and Harold Rosson

Production Designer J. McMillan Johnson

Film Editor Hal C. Kern, John Saure and William H. Ziegler

Original Music Dimitri Tiomkin

Written by Niven Busch,
See full article at Trailers from Hell »

Good Bad Man Cortez: Final Interview Segment with Biographer of The Great Hollywood Heel

Good Bad Man Cortez: Final Interview Segment with Biographer of The Great Hollywood Heel
'The Magnificent Ambersons': Directed by Orson Welles, and starring Tim Holt (pictured), Dolores Costello (in the background), Joseph Cotten, Anne Baxter, and Agnes Moorehead, this Academy Award-nominated adaptation of Booth Tarkington's novel earned Ricardo Cortez's brother Stanley Cortez an Academy Award nomination for Best Cinematography, Black-and-White. He lost to Joseph Ruttenberg for William Wyler's blockbuster 'Mrs. Miniver.' Two years later, Cortez – along with Lee Garmes – would win Oscar statuettes for their evocative black-and-white work on John Cromwell's homefront drama 'Since You Went Away,' starring Ricardo Cortez's 'Torch Singer' leading lady, Claudette Colbert. In all, Stanley Cortez would receive cinematography credit in more than 80 films, ranging from B fare such as 'The Lady in the Morgue' and the 1940 'Margie' to Fritz Lang's 'Secret Beyond the Door,' Charles Laughton's 'The Night of the Hunter,' and Nunnally Johnson's 'The Three Faces
See full article at Alt Film Guide »

The Paradine Case

This isn’t the only Alfred Hitchcock film for which the love does not flow freely, but his 1947 final spin on the David O. Selznick-go-round is more a subject for study than Hitch’s usual fun suspense ride. Gregory Peck looks unhappy opposite Selznick ‘discovery’ Alida Valli, while an utterly top-flight cast tries to bring life to mostly irrelevant characters. Who comes off best? Young Louis Jourdan, that’s who.

The Paradine Case

Blu-ray

Kl Studio Classics

1947 / B&W / 1:37 flat Academy / 125 min. / Street Date May 30, 2017 / available through Kino Lorber / 29.95

Starring Gregory Peck, Alida Valli, Ann Todd, Charles Laughton, Louis Jourdan, Ethel Barrymore, Joan Tetzel.

Cinematography Lee Garmes

Production Designer J. McMillan Johnson

Film Editors John Faure, Hal C. Kern

Original Music Franz Waxman

Writing credits James Bridie, Alma Reville, David O. Selznick from the novel by Robert Hichens

Produced by David O. Selznick

Directed by Alfred Hitchcock

There
See full article at Trailers from Hell »

May 30th Blu-ray & DVD Releases Include The Blackcoat’S Daughter, The Hearse

Happy Memorial Day, everyone! While you’re off enjoying some much-needed downtime with friends and family, we’ve gone ahead and put together a recap of this week’s horror and sci-fi home entertainment releases that are coming our way on May 30th.

For those of you cult film aficionados out there, get those wallets ready, because there’s a bunch of great titles arriving on Blu-ray this Tuesday, including Blackenstein, Evil Ed, The Blood of Fu Manchu / The Castle of Fu Manchu double feature, The Hearse, The Undertaker, Slaughterhouse Rock, and Hide and Go Shriek.

As far as new genre films go, The Blackcoat’s Daughter (one of my personal favorites of 2017) and Rupture are making their way to Blu-ray and DVD, with the Shock-o-Rama box set also coming out on DVD.

The Blackcoat’s Daughter (Lionsgate, Blu-ray & DVD)

Beautiful and haunted Joan (Emma Roberts) makes
See full article at DailyDead »

Beauty vs Beast: All About Ellen

Jason from Mnpp here with this week's All Sigourney edition of "Beauty vs Beast" -- everything should always be All Sigourney, don't you think? Most especially Alien movies. I can't tell you how much I missed the grounding presence of Ellen Ripley this past weekend, whiplashing around Ridley Scott's scattered Covenant. If only we were getting Neill Blomkamp's proposed sequel, I kept thinking. An Alien without a Ripley is a body without a heart or a brain - an exo-skeleton full of acid.

So that's where I stand on Covenant. And even if they're more positive than I am most (if not all?) reviews continue to point to the first two films as the franchise's high-water mark. But instead of facing Ripley off with Giger's literal Beast I thought it would be more interesting to do a variation on the eternal "Alien or Aliens" question, and face off
See full article at FilmExperience »

Beauty vs Beast: The Maniac From Uncle

Jason from Mnpp here using this week's "Beauty vs Beast" to wish one of my favorite actors of Classic Hollywood a happy birthday today - the great Joseph Cotten was born on this day in the year 1905. Cotten got his start on Broadway, where he caught the eye of some fella called Orson Welles - I suppose you can do worse for yourself than have your very first movie in theaters end up being Citizen Kane.

Just two years later Cotten took the job I always identify him with, as "Uncle Charlie" opposite Teresa Wright as his niece (also named Charlie, cuz doubling) in Alfred Hitchcock's Shadow of a Doubt. Hitch considered this his greatest film and I'd rank it up there (although "greatest" is a bit much when everything he made between 1954 and 1963 is sitting there) and mainly due to Cotten's subtly deranged work. Wright is also wonderful though - her best work,
See full article at FilmExperience »

Touch Of Evil Screens May 10th at The Tivoli – ‘Classics in the Loop’

“This isn’t the real Mexico. You know that. All border towns bring out the worst in a country. I can just imagine your mother’s face if she could see our honeymoon hotel.”

Touch Of Evil screens Wednesday May 10th at The Tivoli Theater (6350 Delmar in ‘The Loop’) as part of their new ‘Classics in the Loop’ Crime & Noir film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.

Mike Vargas (Charlton Heston) is a Mexican detective who gets caught up in the strange case of a car being blown up in an America-Mexico border town. Not only does the ethical Vargas have to deal with criminal factions in the area, he must butt heads with the domineering Hank Quinlan (Orson Welles), a celebrated police detective. Vargas must prove that Quinlan isn’t the hero that others make him out to be,
See full article at WeAreMovieGeeks.com »

'Gaslight': THR's 1944 Review

'Gaslight': THR's 1944 Review
On May 4, 1944, MGM premiered Gaslight in New York at the Capitol Theatre. The thriller went on to claim two Oscars at the 17th Academy Awards, including a best actress nod for Ingrid Bergman. The Hollywood Reporter's original review is below.

When top-flight stars of the caliber of Ingrid Bergman, Charles Boyer and Joseph Cotten join forces in performing a psychological thriller, the public is assured of an extraordinary attraction.

Producer Arthur Hornblow Jr., aware that he was dealing with a skillfully wrought bit of theater in this play that had been known on the stage both as Gaslight...
See full article at The Hollywood Reporter - Movie News »

The Third Man Screens May 3rd at The Tivoli – ‘Classics in the Loop’

“Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock!”

The Third Man screens Wednesday May 3rd at The Tivoli Theater (6350 Delmar in ‘The Loop’) as part of their new ‘Classics in the Loop’ Crime & Noir film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.

Roger Ebert called Harry Lime, the character played by Orson Welles in the 1949 classic The Third Man, his favorite screen villain of all time. Fittingly, he gets one of the great movie character introductions — an unforgettable one involving a doorway, a cat, and a sudden beam of light.
See full article at WeAreMovieGeeks.com »

‘The Survivor’ Blu-ray Review (Severin)

Stars: Robert Powell, Jenny Agutter, Joseph Cotten, Angela Punch McGregor, Peter Sumner, Lorna Lesley, Ralph Cotterill, Adrian Wright, Tyler Coppin | Written by David Ambrose | Directed by David Hemmings

When I was younger I was a big James Herbert fan, so watching The Survivor was something I just had to do. Confusing and slow, I’ll admit I was not ready for what I found with the film, but now with its new release on Blu-ray, is it about time to give the film another chance?

When a 747 crash lands in a Sydney suburb the only other survivor is David Keller (Robert Powell). Unable to remember what happened to make the plane crash, he starts his own investigation into what happened. With the help of local psychic Hobbs (Jenny Agutter) he discovers not only why the plane crashed, but also why some of the dead refuse to be at peace.

The Survivor
See full article at Blogomatic3000 »

The Abominable Dr. Phibes

The pomp and circumstance of Felix Mendelssohn’s “War March of the Priests,” as played on a grand pipe organ by a hooded figure seated in an opulent ballroom during the opening credits of The Abominable Dr. Phibes (1971), perfectly sets the tone and timbre of director Robert Fuest’s film, both with playful irreverence and an eloquently ominous aural shroud of dread. The events we’re about to see play out in the film will hardly be a righteous procession of missionary or military zeal, as Mendelssohn’s music was originally intended to evoke. Instead, as it rings and bellows forth from the ornate instrument in this eerie chamber, one which feels at once haunted and strangely festive, Mendelssohn’s fervor is immediately cast with the unmistakable sense of having been drawn forth from someplace much darker than one of heavenly inspiration.

The organ itself rises from the bowels of
See full article at Trailers from Hell »

Feud Recap: It's Not Easy Being Green

Feud Recap: It's Not Easy Being Green
Any fan of Davis, Crawford or both knew going into this week’s Feud: Bette and Joan that the title of What Ever Happened to Cousin Charlotte? wasn’t going to be the only thing about the movie to change before its release. But even we couldn’t have guessed just how sad it was going to be to watch jealousy, insecurity and vindictiveness undermine the leading ladies to the point that Joan got herself replaced by Bette’s pal, Olivia. If you can bear to relive the episode, read on and weep…

RelatedApril TV Calendar: The Leftovers and Fargo Return,
See full article at TVLine.com »

‘Classics In The Loop’ – Wednesday Night ‘Classic Crime & Noir’ Film Series at The Tivoli Begins April 5th

There’s nothing more fun than getting to watch classic movies the way they were intended–on the big screen!

Now, I understand plenty of people don’t want to go to a theater, spend a fortune on tickets, popcorn, and a drink just to see the glow of cell phones and hear people rudely talking while someone kicks your seat from behind, but that’s not the experience you’ll get at Landmark theaters affordable ‘Crime & Noir’ film series. St. Louis movie buffs are in for a treat as Landmark’s The Tivoli Theater will return with it’s ‘Classics on the Loop’ every Wednesday beginning April 5th at 7pm. This season, the Tivoli will screen, on their big screen (which seats 320 btw), eight crime and noir masterpiece that need to be seen in a theater with an audience. Admission is only $7.

One benefits of the big screen is
See full article at WeAreMovieGeeks.com »

Scott Reviews Robert Aldrich’s Twilight’s Last Gleaming [Masters of Cinema Blu-ray Review]

There’s a sense I get from a lot of late-1970s American films that following the hope of the early 1960s, the anger of the late 1960s, and the despondency of the early 1970s, a lot of people felt that they had one last chance to truly reclaim the spirit of America, which was arguably on the precipice of being lost forever. With the bicentennial came a renewed focus on the foundations of freedom, democracy, and optimism on which the United States was founded, a realization of how far it had fallen from that promise, and how fast that fall seemed to have happened. We can look back now and see that in many ways they were right. A globalized economy pushed the working class to the margins. Government became limited in its capacity to help and unimaginably powerful in its capacity to destroy. Improved legislation for civil rights
See full article at CriterionCast »

Vertigo Screens at The Hi-Pointe Saturday Morning – Here are Alfred Hitchcock’s Ten Best Movies

Article by Jim Batts, Dana Jung, and Tom Stockman

Alfred Hitchcock’s Vertigo screens at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s Saturday, March 11th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. The film will be introduced by Harry Hamm, movie reviewer for Kmox. Admission is only $5

This gives us a perfect excuse to re-run this top ten list so here, according to We Are Movie Geeks, are Alfred Hitchcock’s ten best films:

Frenzy

Frenzy, Hitchcock’s next to last feature film from 1972, represented a homecoming of sorts since it was the first film completely shot in his native England since his silents and early ” talkies ” in the 1930’s. By dipping into the then somewhat new territory of serial killers, he took full advantage of the new cinema freedoms and truly earned his ‘ R ‘ MPAA rating.
See full article at WeAreMovieGeeks.com »

Isabelle Huppert May Receive First-Ever Oscar Nomination — Other Greats Who Also Have Zero

Isabelle Huppert (Courtesy: Tristan Fewings/Getty Images)

By: Carson Blackwelder

Managing Editor

The best actress Oscar race might seem like a showdown between La La Land’s Emma Stone and Jackie’s Natalie Portman, but Elle’s Isabelle Huppert is proving to be quite the upset. Should Huppert actually snag an Oscar nomination this year, shockingly it would be a first for the French thespian. If Huppert has flown under the Academy’s radar, who else out there is considered the best of the best and hasn’t had a chance to win Hollywood’s biggest award?

Our latest indication of Huppert’s surprise domination this awards season was at the Golden Globes when the 63-year-old won for best actress in a drama and bested Portman — Stone was nominated for best actress in a musical or comedy. Further catapulting Huppert in the best actress Oscar standings was Elle being named best foreign-language film,
See full article at Scott Feinberg »
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