1-20 of 28 items from 2015 « Prev | Next »
Weak and leaky horror about awful people trying to save themselves from a sinking motor, lifted only by a giant crustacean
Legendary schlock producer Samuel Z Arkoff confessed that he frequently came up with ideas for posters first, movies second. It is in that context that I can’t get too angry at Submerged, a dense, low-budget genre picture with very few thrills. Its poster image – a hand pressed against the window of a car that’s plunging underwater, with the tagline “You can’t scream and hold your breath at the same time” – is truly a work of brilliance. I can only blame myself for thinking the movie could measure up.
In my head, I’d conjured some gonzo real-time indie spirit experiment, such as Rodrigo Cortés’s Buried, the Ryan Reynolds film set entirely within a coffin. (It works!) If not that, at least a cheeseball flick such »
- Jordan Hoffman
Special Mention: Un chien andalou
Directed by Luis Buñuel
Genre: Experimental Short
The dream – or nightmare – has been a staple of horror cinema for decades. In 1929, Luis Bunuel joined forces with Salvador Dali to create Un chien andalou, an experimental and unforgettable 17-minute surrealist masterpiece. Buñuel famously said that he and Dalí wrote the film by telling one another their dreams. The film went on to influence the horror genre immensely. After all, even as manipulative as the “dream” device is, it’s still a proven way to jolt an audience. Just ask Wes Craven, who understood this bit of cinematic psychology when he dreamt of the central force behind A Nightmare on Elm Street, a film intended to be an exploration of surreal horror. David Lynch is contemporary cinema’s most devoted student of Un chien andalou – the severed ear at »
- Ricky Fernandes
Special Mention: C’est arrivé près de chez vous (Man Bites Dog)
Rémy Belvaux, André Bonzel, and Benoît Poelvoorde set out to make their first feature film with little resources and little money. In the tradition of filmmakers who can’t afford much film stock, the trio settled for a faux-documentary-style approach – the result is a high-concept satire of media violence that would spoof documentaries by following around a fictitious sociopath named Ben as he exercises his lethal craft. While the cinematic tradition of presenting villains as suave, charming, attractive, and intelligent individuals is nothing new, Man Bites Dog was still ahead of its time. Much like the great Hitchcockian villains such as Joseph Cotten in Shadow of a Doubt, Ben is a man of action and ideas. He expounds on art, »
- Ricky Fernandes
Born in St. Louis on May 27, 1911, iconic actor Vincent Price retained a special fondness for his place of origin, and that love was reciprocated with Vincentennial, a celebration of his 100th birthday in his hometown back in May of 2011 (for summary of all the Vincentennial activities go Here). One of the guests of honor at Vincentennial was Vincent Price’s daughter Victoria Price. Because of their close relationship and her access to his unpublished memoirs and letters, Victoria Price was able to provide a remarkably vivid account of her father’s public and private life in her essential book, Vincent Price, a Daughter’s Biography, originally published in 1999. .In 2011, her biography of her father was out of print. but now it’s been re-issued and Victoria will be in St. Louis this weekend (October 9th – 10th) for three special events. In addition to the biography, she will also be signing »
- Tom Stockman
"The music seemed extraordinarily fresh and genuine still. It might grow old-fashioned, he told himself, but never old, surely, while there was any youth left in men. It was an expression of youth–that, and no more; with sweetness and foolishness, the lingering accent, the heavy stresses–the delicacy, too–belonging to that time."—"The Professor's House," Willa CatherHis last words, in a hospital four months later, are said to have been 'Mind your own business!' addressed to an enquirer after the state of his bowels. Friends got to the studio just before the wreckers' ball. Pictures, a profusion, piles of them, littered the floor: of 'a world that will never be seen except in pictures'"—"The Pound Era," Hugh Kenner***Heart Of FIREOften when I go to a movie, usually one made before 1960, I think about the opening scene of The Red Shoes, of Marius Goring and his »
- gina telaroli
The advertising promised a surfeit of sleaze -- but the film is a superior thriller about a real-life, low-rent serial killers from back in the late 1940s. Tony Lo Bianco and the great Shirley Stoler are Ray and Martha, mixed-up lovers running a Merry Widow racket through the personals ads in romance magazines. Leonard Kastle's film is dramatically and psychologically sound, while the disc extras detail the true crime story, which is far, far, sleazier. The Honeymoon Killers Blu-ray The Criterion Collection 200 1969 / B&W / 1:85 widescreen / 107 min. / available through The Criterion Collection / Street Date September 29, 2015 / 39.95 Starring Shirley Stoler, Tony Lo Bianco, Mary Jane Higby, Doris Roberts, Kip McArdle, Marilyn Chris, Dortha Duckworth, Barbara Cason, Ann Harris Cinematography Oliver Wood Film Editor Richard Brophy, Stanley Warnow Music Gustav Mahler Produced by Warren Steibel Written and Directed by Leonard Kastle
Reviewed by Glenn Erickson
The ad campaign for this crime shocker »
- Glenn Erickson
Billy Wilder directed Sunset Blvd. with Gloria Swanson and William Holden. Billy Wilder and Charles Brackett movies Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). More detailed information further below. Post-split years Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as the classic comedy Some Like It Hot (1959), the Best Picture Oscar winner The Apartment (1960), and One Two Three (1961), notable as James Cagney's last film (until a brief comeback in Milos Forman's Ragtime two decades later). Although some of these movies were quite well received, Wilder's later efforts – which also included The Seven Year Itch »
- Andre Soares
“It isn’t here, you must have dreamed you put it there. Are you suggesting that this is a knife I hold in my hand? Have you gone mad, my husband?”
Gaslight plays at The Hi-Pointe Theater (1005 McCausland Ave., St. Louis, Mo 63117) September 19th at 10:30am as part of their Classic Film Series
Greetings again from the darkness! Husbands were surely disliked in the 1940’s, at least by writers of movies! There is no shortage of films depicting the villainous husband targeting the unsuspecting and defenseless wife. A couple years prior to Gaslight we had Suspcion, and a couple years after, we had Notorious. The latter also features Ingrid Bergman who won her first Oscar for Gaslight, one of the more atmospheric of the psychological thrillers.
- Tom Stockman
Ingrid Bergman ca. early 1940s. Ingrid Bergman movies on TCM: From the artificial 'Gaslight' to the magisterial 'Autumn Sonata' Two days ago, Turner Classic Movies' “Summer Under the Stars” series highlighted the film career of Greta Garbo. Today, Aug. 28, '15, TCM is focusing on another Swedish actress, three-time Academy Award winner Ingrid Bergman, who would have turned 100 years old tomorrow. TCM has likely aired most of Bergman's Hollywood films, and at least some of her early Swedish work. As a result, today's only premiere is Fielder Cook's little-seen and little-remembered From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973), about two bored kids (Sally Prager, Johnny Doran) who run away from home and end up at New York City's Metropolitan Museum. Obviously, this is no A Night at the Museum – and that's a major plus. Bergman plays an elderly art lover who takes an interest in them; her »
- Andre Soares
“Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock!”
The restored, 4k update of The Third Man opens Friday, August 7th in St. Louis at Landmark’s Plaza Frontenac Theater
Roger Ebert called Harry Lime, the character played by Orson Welles in the 1949 classic The Third Man, his favorite screen villain of all time. Fittingly, he gets one of the great movie character introductions — an unforgettable one involving a doorway, a cat, and a sudden beam of light. There’s a reason that the only Academy Award won by The Third Man, one of the most beloved films of all time, »
- Tom Stockman
Teresa Wright ca. 1945. Teresa Wright movies on TCM: 'The Little Foxes,' 'The Pride of the Yankees' Pretty, talented Teresa Wright made a relatively small number of movies: 28 in all, over the course of more than half a century. Most of her films have already been shown on Turner Classic Movies, so it's more than a little disappointing that TCM will not be presenting Teresa Wright rarities such as The Imperfect Lady and The Trouble with Women – two 1947 releases co-starring Ray Milland – on Aug. 4, '15, a "Summer Under the Stars" day dedicated to the only performer to date to have been shortlisted for Academy Awards for their first three film roles. TCM's Teresa Wright day would also have benefited from a presentation of The Search for Bridey Murphy (1956), an unusual entry – parapsychology, reincarnation – in the Wright movie canon and/or Roseland (1977), a little-remembered entry in James Ivory's canon. »
- Andre Soares
Olivia de Havilland on Turner Classic Movies: Your chance to watch 'The Adventures of Robin Hood' for the 384th time Olivia de Havilland is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 2, '15. The two-time Best Actress Oscar winner (To Each His Own, 1946; The Heiress, 1949) whose steely determination helped to change the way studios handled their contract players turned 99 last July 1. Unfortunately, TCM isn't showing any de Havilland movie rarities, e.g., Universal's cool thriller The Dark Mirror (1946), the Paramount comedy The Well-Groomed Bride (1947), or Terence Young's British-made That Lady (1955), with de Havilland as eye-patch-wearing Spanish princess Ana de Mendoza. On the other hand, you'll be able to catch for the 384th time a demure Olivia de Havilland being romanced by a dashing Errol Flynn in The Adventures of Robin Hood, as TCM shows this 1938 period adventure classic just about every month. But who's complaining? One the »
- Andre Soares
Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1. Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous »
- Andre Soares
With every new viewing, the resurrection of Harry Lime looks to me less secular. This classic 1949 noir – written by Graham Greene and directed by Carol Reed and now on rerelease – is a compelling parable of guilt. Joseph Cotten plays the down-on-his-luck pulp thriller writer Holly Martins, just arrived in postwar Vienna, a city carved up by the victorious allies, and swarming with chancers and black-marketeers. He’s been invited by his old pal Harry Lime to take up a job – or maybe simply be a loyal, tame witness to his bogus disappearance.
Continue reading »
- Peter Bradshaw
Orson Welles is celebrated as one of the foremost visionaries in the history of American filmmaking. He’s also renowned as the perennial artist against the system. While both of these factors make Welles perhaps the ideal auteur – someone satisfied with nothing less than a perfect articulation of his individual vision within the collaborative medium of filmmaking – it also presents some unique problems in examining works that were taken away from him.
The classically celebrated auteurs of studio era Hollywood (e.g., Hawks, Ford, Hitchcock) were known for creating individuated worldviews across their body of work either despite or even because of the strictures inherent in Classical Hollywood filmmaking. This was not Welles, who from his rise to infamy with the 1938 “War of the Worlds” broadcast to his first studio feature made a name by challenging the assumed utilities of a medium. Neither could »
- Drew Morton
"Heard of Harry Lime?" Rialto Pictures has debuted a new trailer for the 4K restoration of Carol Reed's classic film noir The Third Man, which will be premiering as a Cannes Classic selection later this month at the festival in France. This just looks so unbelievably stunning in 4K, all the cinematography is fabulous, it looks gorgeous seeing so much depth in the shadows. The cast includes Orson Welles, Joseph Cotten, Alida Valli, Trevor Howard and Bernard Lee. This is one of those classics that if you haven't ever seen, it's always the right time to watch. Or in this case, catch it on the big screen looking better than ever before. Trailer for the Cannes Classics 4K restoration of Carol Reed's The Third Man, found via The Playlist: Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, »
- Alex Billington
In spirit of Orson Welles' centennial, the 1949 noir starring Welles as a black marketeer haunting postwar Vienna opposite Joseph Cotten's pulp novelist has at long last been restored in glorious 4K. The new print will bow in Cannes' Classics sidebar before opening stateside this Summer from Rialto Pictures. Written by Graham Green and directed by Carol Reed, "The Third Man" won the Palme d'Or and an Oscar for cinematographer Robert Krasker's German Expressionist-inspired images. The film was restored by Deluxe on behalf of StudioCanal. Read More: Cannes Classics Programs Hitchcock, Welles and More In other Wellesian news, the producers of his unfinished 'The Other Side of the Wind" have just launched an Indiegogo campaign to put the film through post-production so that we may finally see his 1985 passion project. Read More: British Film Institute Toasts Orson Welles on His 100th Birthday »
- Ryan Lattanzio
Happy 100th birthday to Orson Welles, who is looking better than ever thanks to a major new restoration. Welles was born May 6, 1915, and even though he passed away in 1985, he got himself trending on his birthday in 2015. That's when you know you're a #legend.
In honor of Welles' 100th b-day, Rialto Pictures is releasing "The Third Man" in a major 4K restoration. It's the first-ever for the 1949 Carol Reed classic -- considered by many to be one of the greatest movies of all time -- which stars Orson Welles as Harry Lime and Joseph Cotten as Holly Martins. According to a media release, the new restoration will have its world premiere this month in the "Cannes Classics" section of the Cannes Film Festival, with U.S. openings at New York's Film Forum on June 26 (2-week run) and L.A.'s Nuart on July 3. Showings in San Francisco, Washington, DC, Seattle, »
- Gina Carbone
Released in 1949, Carol Reed's film noir The Third Man stars Joseph Cotten as Holly Martins, a pulp novelist searching post-war Vienna for his missing friend, Harry Lime (Orson Welles). Often cited as one of the greatest British films of all time, The Third Man is being re-released in a 4K restoration and will be in UK cinemas on Friday 26 June Continue reading »
- Guardian Staff
Rialto made the announcement on the eve of Welles’ 100th birthday. “The Third Man” restoration will premiere this month in the classics section of the Cannes Film Festival.
The U.S. opening has been set for New York’s Film Forum on June 26 for a two-week run, followed by the Nuart in Los Angeles on July 3. Engagements in San Francisco, Washington, D.C., Seattle, Philadelphia and other major markets will follow.
“The Third Man,” produced by Alexander Korda and David O. Selznick, was Reed’s second teaming with novelist-screenwriter Graham Greene. The film, set in Allied-occupied Vienna, also starred Joseph Cotten and Alida Valli.
It won the Palme d’Or at Cannes, the British Film Academy’s best British film award and an Academy »
- Dave McNary
1-20 of 28 items from 2015 « Prev | Next »
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners