8 items from 2015
Occasionally, a movie villain will pause for a moment to deliver a brief story or anecdote. And often, these apparently incidental tales tell us a lot about an antagonist's state of mind, experiences or warped worldview.
We've compiled a selection of 20 here. Some of them are blackly funny. Many are disturbing. One or two are even moving. The first one's very strange. All of them bring something unique to each particular film in which they appear, and all of them are laced with a delicious hint of menace.
20. Xander - Enemies Closer (2013)
"When I was a little boy at my grandmama's place, she had a lovely goose. I named her Edith, after the French singer Edith Piaf..."
We begin with a delightfully weird story from Peter Hyams' 2013 thriller, »
What is it that makes an artwork important? Relevance over time is one answer. This past summer in New York City, both the Museum of Modern Art and Film Forum ran a month-long series of Film Noir screenings. And this December of 2014, the Brooklyn Academy of Music ran a "Sunshine Noir" series of Film Noir shot in Los Angeles. Three revivals in one year speak to the continued pertinence of this genre: Film Noir is timeless. On the surface, Noir is stylized and sexy, but its hidden undercurrent illuminates something about our deeper vulnerabilities.
Most Film Noir is set in the seedy underbelly of a big city, like New York, Los Angeles, or Chicago. Shot in black and white, the blinking lights and cigarette smoke simmer in the darkness of night. These urban settings create a moody atmosphere for morally shady situations in the North American city. But, in 1949, one »
- Michelle Mackey
Article by Jim Batts, Dana Jung, and Tom Stockman
The Birds screens at Schlafly Bottleworks (7260 Southwest Ave.- at Manchester – Maplewood, Mo 63143) Thursday, April 2nd at 7pm. It is a benefit for Helping Kids Together (more details about this event can be found Here)
This gives us a perfect excuse to re-run this top ten list from March of 2012. Alfred Hitchcock directed 54 feature films between 1925 and 1976, and here, according to We Are Movie Geeks, are his ten best:
Frenzy, Hitchcock’s next to last feature film from 1972, represented a homecoming of sorts since it was the first film completely shot in his native England since his silents and early ” talkies ” in the 1930’s. By dipping into the then somewhat new territory of serial killers, he took full advantage of the new cinema freedoms and truly earned his ‘ R ‘ MPAA rating. Perhaps ole’ ” Hitch ” wanted to give those young up-and-coming »
- Movie Geeks
Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years. Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch. Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later, »
- Andre Soares
Teresa Wright and Matt Damon in 'The Rainmaker' Teresa Wright: From Marlon Brando to Matt Damon (See preceding post: "Teresa Wright vs. Samuel Goldwyn: Nasty Falling Out.") "I'd rather have luck than brains!" Teresa Wright was quoted as saying in the early 1950s. That's understandable, considering her post-Samuel Goldwyn choice of movie roles, some of which may have seemed promising on paper. Wright was Marlon Brando's first Hollywood leading lady, but that didn't help her to bounce back following the very public spat with her former boss. After all, The Men was released before Elia Kazan's film version of A Streetcar Named Desire turned Brando into a major international star. Chances are that good film offers were scarce. After Wright's brief 1950 comeback, for the third time in less than a decade she would be gone from the big screen for more than a year. »
- Andre Soares
Teresa Wright in 'Shadow of a Doubt': Alfred Hitchcock heroine (image: Joseph Cotten about to strangle Teresa Wright in 'Shadow of a Doubt') (See preceding article: "Teresa Wright Movies: Actress Made Oscar History.") After scoring with The Little Foxes, Mrs. Miniver, and The Pride of the Yankees, Teresa Wright was loaned to Universal – once initial choices Joan Fontaine and Olivia de Havilland became unavailable – to play the small-town heroine in Alfred Hitchcock's Shadow of a Doubt. (Check out video below: Teresa Wright reminiscing about the making of Shadow of a Doubt.) Co-written by Thornton Wilder, whose Our Town had provided Wright with her first chance on Broadway and who had suggested her to Hitchcock; Meet Me in St. Louis and Junior Miss author Sally Benson; and Hitchcock's wife, Alma Reville, Shadow of a Doubt was based on "Uncle Charlie," a story outline by Gordon McDonell – itself based on actual events. »
- Andre Soares
Teresa Wright movies: Actress made Oscar history Teresa Wright, best remembered for her Oscar-winning performance in the World War II melodrama Mrs. Miniver and for her deceptively fragile, small-town heroine in Alfred Hitchcock's mystery-drama Shadow of a Doubt, died at age 86 ten years ago – on March 6, 2005. Throughout her nearly six-decade show business career, Wright was featured in nearly 30 films, dozens of television series and made-for-tv movies, and a whole array of stage productions. On the big screen, she played opposite some of the most important stars of the '40s and '50s. It's a long list, including Bette Davis, Greer Garson, Gary Cooper, Myrna Loy, Ray Milland, Fredric March, Jean Simmons, Marlon Brando, Dana Andrews, Lew Ayres, Cornel Wilde, Robert Mitchum, Spencer Tracy, Joseph Cotten, and David Niven. Also of note, Teresa Wright made Oscar history in the early '40s, when she was nominated for each of her first three movie roles. »
- Andre Soares
Billy Wilder and Charles Brackett movies (See previous post: "The Charles Brackett Diaries: Billy Wilder and Hollywood in the '30s and '40s.") Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as Some Like It Hot, The Apartment, and One, Two, Three. However well-received, Wilder's later films generally lacked the sophistication and subtlety found in his earlier work with Brackett. Charles Brackett, for his part, became associated with 20th Century-Fox, working as a producer-screenwriter. His Fox films, though frequently popular and at times applauded by critics, were decidedly made-to-order, »
- Andre Soares
8 items from 2015
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