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2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1997

1-20 of 24 items from 2014   « Prev | Next »


Nyff 2014. Main Slate

19 August 2014 5:16 PM, PDT | MUBI | See recent MUBI news »

Opening Night – World Premiere

Gone Girl

David Fincher, USA, 2014, Dcp, 150m

David Fincher’s film version of Gillian Flynn’s phenomenally successful best seller (adapted by the author) is one wild cinematic ride, a perfectly cast and intensely compressed portrait of a recession-era marriage contained within a devastating depiction of celebrity/media culture, shifting gears as smoothly as a Maserati 250F. Ben Affleck is Nick Dunne, whose wife Amy (Rosamund Pike) goes missing on the day of their fifth anniversary. Neil Patrick Harris is Amy’s old boyfriend Desi, Carrie Coon (who played Honey in Tracy Letts’s acclaimed production of Who’s Afraid of Virginia Woolf?) is Nick’s sister Margo, Kim Dickens (TremeFriday Night Lights) is Detective Rhonda Boney, and Tyler Perry is Nick’s superstar lawyer Tanner Bolt. At once a grand panoramic vision of middle America, a uniquely disturbing exploration of the fault lines in a marriage, »

- Notebook

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Private Film Fund Based in Canary Islands Launches (Exclusive)

22 July 2014 11:30 AM, PDT | Variety - Film News | See recent Variety - Film News news »

In a bid to tap the hefty 38% tax breaks of Spain’s Canary Islands, Beverly Hills-based Defiant Pictures, run by producers Lucas Jarach and Nicolas Veinberg, has launched a private capital film fund in partnership with Spanish investment firm Grupo Eneas. Fund will disburse coin for an annual slate of five Canary Islands-based pics with budgets ranging from $3 million to $25 million.

Since the Canary Islands incentive requires producers to raise private capital from island-based investors to fund up to 38% of a picture’s budget, gaining access to these local investors can be a challenge, per Jarach.

Eneas’ ready access to a large pool of local private investors guarantees the stability of the financial structure. These companies can then reclaim their investment as a tax deduction at the end of the fiscal year.

Rafael Lopez is the head of Eneas’ Canary Island outfit.

First pic out the gate is Andy Tennant’s “Wild Oats, »

- Anna Marie de la Fuente

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Monica Bellucci Gets "Bazaar"

15 July 2014 11:09 AM, PDT | SneakPeek | See recent SneakPeek news »

Take another look @ Italian actress Monica Bellucci  ("Brotherhood of the Wolf") in a recent issue of "Harper's Bazaar" magazine (Ukraine).

Bellucci wears dresses from a past spring/summer collection from Dolce & Gabbana.

Bellucci's film career began in the early 1990's, playing roles in "La Riffa" (1991) and "Bram Stoker's Dracula" (1992).

In 1996 she was nominated for a 'César Award' for best supporting actress for her portrayal of 'Lisa' in "L'Appartement".

This was followed by roles in "Malèna" (2000), "Brotherhood of the Wolf" and "Irréversible" (2002).

She has since played in numerous films including "Tears of the Sun" (2003), "The Matrix Reloaded" (2003), "The Brothers Grimm" (2005), "Le Deuxième souffle" (2007), "Don't Look Back" (2009), and "The Sorcerer's Apprentice" (2010).

Bellucci dubbed her own voice for the French and Italian releases of the film "Shoot 'Em Up" (2007), also voicing 'Kaileena' in the video game "Prince of Persia: Warrior Within" and the French voice of 'Cappy' for the French version of »

- Michael Stevens

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Cannes 2014. The Coming-of-Age Film at Cannes

30 May 2014 3:38 PM, PDT | MUBI | See recent MUBI news »



The Wonders

At Cannes this year, I cried at the end of The Wonders by Alice (A-lee-che, she's Italian) Rohrwacher. Crying at The Wonders is one thing I have in common with Nicolas Widing Refn.

I didn't expect to cry. At first, the film reminded me of two nauseating clichés. One is the coming-of-age summer, when some unexpected boy arrives on the scene and changes everything. The other, in this film about an eccentric family of beekeepers in Tuscany, is that sort of softcore porn of the European idyllic countryside (with soft backlighting) that finds easy audiences in the United States. Summer Hours is one recent example. 

Yet about halfway through, The Wonders defied my expectations through filmmaking choices with texture, costume, and music. I'd guess that a song in the credits is what pushed Refn to tears. It's a John Hughes-type cue used much more subtly than Refn's own music choices. »

- Miriam Bale

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Winter Sleep wins Cannes Palme d'Or

24 May 2014 11:46 AM, PDT | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Quentin Tarantino and Uma Thurman present the Palme d'Or to Nuri Bilge Ceylan for Winter Sleep. Turkish director Nuri Bilge Ceylan has won the Cannes Film Festival’s top prize the Palme d’Or with Winter Sleep in the year that Turkish cinema is celebrating its centenary with a special focus in the Festival.

Although the film was touted as a strong contender early on, Ceylan looked genuinely surprise at the accolade, which he received before a red carpet crowd in the 2300-seat Lumière theatre.

With an epic running time of some 196 minutes the film tested the patience of many but clearly not Jane Campion’s jury.

Another award which had been promoted early in the Festival, was a best actor gong for Timothy Spall and his portrayal of the iconic artist in Mike Leigh’s Mr. Turner.

Timothy Spall receives his best actor award in Cannes from Monica Bellucci »

- Richard Mowe

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Paula Vaccaro talks up slate

21 May 2014 2:21 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Exclusive: Producer is in Cannes with slate that includes a restored William S Burroughs doc and On The Milky Road.

London-based Argentinean producer Paula Vaccaro is in town talking up an eclectic slate that includes a restored William S Burroughs doc and Emir Kusturica’s On The Milky Road.

Pinball London’s Vaccaro and Aaron Brookner serve as remastering producers on Burroughs: The Movie.

Brookner launched a Kickstarter campaign in late 2012 to restore the film, which his late uncle directed and remains the only feature doc about the Naked Lunch author, born 100 years ago.

Criterion is on board to release on DVD and Janus Film will distribute theatrically at the end of the year after Burroughs: The Movie returns to the New York Film Festival, the site of its world premiere 30 years ago.

Brookner will film the festival screening and insert into his original doc, Uncle Howard, which Vaccaro also produces. Jim Jarmusch is executive »

- jeremykay67@gmail.com (Jeremy Kay)

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2014 Cannes Critics’ Panel Day 4 | “Homesman” is Strong Marriage Material & Rohrwacher Farms a Solid Sophomore Pic with “The Wonders”

18 May 2014 2:15 PM, PDT | ioncinema | See recent ioncinema news »

Due to some unfortunate circumstances (laptop’s hard drive went kaput), I wasn’t able to update our grid for Day 3, but we’re finally back and will report back daily until the fest’s end. On day 4 of the comp, we saw Tommy Lee Jones return to the fest with his sophomore Croisette feature. He took home Best Director and Best Actor for 2005′s The Three Burials of Melquiades Estrada and didn’t deviate too far off with another Old West portrait – this one starring Hilary Swank, Meryl Streep and himself. We didn’t get enough grades to (just yet) to make a generalized opinion from our set on The Homesman, but that’ll surely correct itself shortly.

The second film of the day, which got an early screening the night befor,e was among the two true surprise selections of the Main Comp. The Wonders (aka Le Meraviglie »

- Eric Lavallee

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Cannes 2014: ‘The Wonders’ takes a soft chance at a coming-of-age tale

18 May 2014 8:52 AM, PDT | SoundOnSight | See recent SoundOnSight news »

The Wonders

Written and directed by Alice Rohrwacher

Italy/Switzerland/Germany, 2014

Alice Rohrwacher’s The Wonders often sets itself up as if a rural Italian Little Miss Sunshine. A dysfunctional beekeeping family live under the patriarchal reign of Wolfgang (Sam Louwyck), fully contained in a proud rural lifestyle without doors, privacy, or privilege. Rohrwacher takes a standard fish-out-of-water comedy , throwing in a few moments of beauty and absurd humor, but ultimately falls short of anything other than an updated but familiar tale of adolescence.

The film’s titlecard, humbly showing us “The Wonders”, comes on screen immediately after a brief scene of an entire family crowding a room in anticipation of little girl Marinella (Agnese Graziani) using the bathroom. It’s a kind of juxtaposition that sets the tone for the rest of the film — bleakly pastoral with a not-so-ironic sense of cheer. Such is the feeling of “The Wonders »

- Zach Lewis

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Cannes Film Review: ‘The Wonders’

17 May 2014 11:50 AM, PDT | Variety - Film News | See recent Variety - Film News news »

The mood of Alice Rohrwacher’s “The Wonders” is similar to that of her 2011 debut, “Corpo celeste”: Dardennes-inspired lensing, impressionistic sequences capturing the developing spirit of an adolescent girl, and a sense of people out of step with the world. Here the helmer-scripter is inspired by her backstory, with mixed Italian-German parentage, strong sister personalities and a farm in central Italy figuring into the story. Aiming to capture a young teen’s sense of belonging in a family determined to steer its own course, the pic has intermittent rewards yet isn’t weighty enough to justify a Cannes competish slot. Smaller fests and a modest Euro release make more likely venues.

Like “Corpo celeste,” the film opens with an indistinct nighttime scene that appears unmoored from what’s to come. Hunters imprecisely glimpsed in roaming flashlights are never seen again, and later only the occasional sound of rifle discharges, »

- Jay Weissberg

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Fresh Faces Emerge in Italian Film Scene as Biz Staggers

16 May 2014 10:00 AM, PDT | Variety - Film News | See recent Variety - Film News news »

The Italian film business, coming off an Oscar win this year for Paolo Sorrentino’s “The Great Beauty,” should be on a roll. But the Italo industry’s story is more complex, as shrinking budgets and a stagnant box office hamper a filmmaking community that’s stubbornly slow to shed its insular ways. Yet fresh faces are emerging, thanks to co-productions across Europe, helping the sector to stumble ahead. 

Recently, the Italian Culture Ministry revealed alarming figures that show a 27% drop in Italian film investments in 2013 to €358 million ($495 million), compared with 2012, while the country’s cinematic output remained substantially stable, at 167 pics. The average budget of an Italian movie these days is a measly $2.3 million.

“The numbers show that the budgets of quality midrange movies are getting slimmer, and this is terrible,” comments producer Riccardo Tozzi, who heads Italy’s national motion picture association, Anica.

Tozzi predicts shrinking budgets would »

- Nick Vivarelli

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Cannes: ‘Le Meraviglie’ Sells to France and Latin America (Exclusive)

15 May 2014 12:14 PM, PDT | Variety - Film News | See recent Variety - Film News news »

Ad vitam has acquired the French rights to “Le Meraviglie” (The Wonders), the second feature from Alice Rohrwacher, which is in Cannes’ competition. Brazil-based Alfa Filmes has picked up all Latin American rights. The Match Factory is selling the film in Cannes.

Ad Vitam released Rohrwacher’s debut feature, “Corpo Celeste,” which premiered at Cannes’ Directors’ Fortnight in 2011.

Le Meraviglie” is about a father who wants to keep his family together and retain the traditions of country life, while his daughter desires the world on TV shows.

The cast includes Sam Louwyck (“Bullhead”), Alba Rohrwacher and Monica Bellucci.

The film was produced by Italy’s Tempesta with Rai Cinema, in co-production with Amka Films Prods. in Switzerland and Pola Pandora in Germany.

“Alice is an exceptional director with a unique cinematographic language, and I’m sure ‘Le Meraviglie’ will be warmly embraced by the audience,” said Michael Weber, managing director of the Match Factory. »

- Leo Barraclough

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Competition Films: Jean-Luc Godard Returns To Cannes, Tommy Lee Jones Directs

12 May 2014 9:00 PM, PDT | Uinterview | See recent Uinterview news »

Among the 18 feature films competing for the Palme d’Or at this year’s Cannes Film Festival, Jean-Luc Godard is presenting his 19th film at the Cannes Film Festival, Adieu au Langage (Goodbye to Language).

Adieu au Langage (Goodbye to Language): Godard’s first film to compete at Cannes was Cleo de 5 a 7, which premiered at the 1962 Cannes Film Festival. Since then, 18 of his films have been screened at the festival, though not all in competition. Goodbye to Language is Godard’s first film in competition in over 10 years.

Nsfw:

Captive (The Captive): Atom Egoyan directs this Canadian thriller starring Ryan Reynolds, Rosario Dawson, Mireille Enos and Scott Speedman. This will be Egoyan’s fifth film in competition at the Cannes Film Festival; the writer/director won the Grand Jury Prize for The Sweet Hereafter in 1997.

Deux Jours, Une Nuit (Two Days, One Night): Directors and brothers »

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Cannes Check 2014: Alice Rohrwacher's 'The Wonders'

12 May 2014 9:46 AM, PDT | Hitfix | See recent Hitfix news »

Welcome back to Cannes Check, In Contention's annual preview of the films in Competition at this year's Cannes Film Festival, which kicks off on May 14. Taking on different selections every day, we'll be examining what they're about, who's involved and what their chances are of snagging an award from Jane Campion's jury. Next up, one of the clear (or not-so-clear) wild cards of the lineup: Alice Rohrwacher's "The Wonders." The director: Alice Rohrwacher (Italian, 33 years old). Amid the laundry list of usual-usual auteurs returning to the Competition, a few names raised eyebrows when Thierry Fremaux announced the lineup last month, and Rohrwacher's was one of them. After making a strong impression in Directors' Fortnight three years ago with her debut feature, the Catholic Church-themed coming-of-age drama "Corpo Celeste," an Un Certain Regard berth seemed the logical next step for her follow-up, but this was an unexpected promotion for the young Italian, »

- Guy Lodge

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Match Factory unveils Cannes slate

8 May 2014 12:29 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Exclusive: Leading art house sales outfit The Match Factory has revealed details of its packed Cannes slate.

Among the titles the Cologne-based company is presenting on the Croisette are three films in Official Selection.

Alice Rohrwacher ́s second feature, Le Meraviglie is screening in Competition.The film’s cast includes Monica Bellucci.

Rohrwacher, whose Corpo Celeste screened in the Directors’ Fortnight in 2011, worked on the new feature with her regular producer, Carlo Cresto-Dina (Tempesta) in co-production with Switzerland (Amka Films Productions) and Germany (Pola Pandora).

The Match Factory is also handling Snow in Paradise, the first feature film by renowned UK editor, Andrew Hulme. The film is screening in Un Certain Regard.

The film is based on the true story of Martin Askew who grew up in a crime-riddled east end of London in a culture of violence.

The sales outfit is also representing Cannes regular Kornél Mundruczó’s White God, which will play »

- geoffrey@macnab.demon.co.uk (Geoffrey Macnab)

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Trailer Watch: Alice Rohrwacher’s Le Meraviglie

7 May 2014 9:01 AM, PDT | Filmmaker Magazine - Blog | See recent Filmmaker Magazine news »

Conventional wisdom says to wait until a foreign trailer has subtitles before posting, but the gist is apparent enough in this first snippet from Alice Rohrwacher’s Cannes Competition entry Le Meraviglie. Set in the Umbrian countryside, the film centers on the eldest daughter of a provincial bee-keeping family, whose summer is upended by the arrival of a young German boy and local television competition, headed by none other than Monica Bellucci. Already silly/offensive conjectures are being batted around about Rohrwacher’s chances given the fact that both she and jury president Jane Campion are women, but we’ll see if they’re at all warranted in the ensuing weeks. »

- Sarah Salovaara

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Casting: Walken, Bellucci, Robertson, Roe

5 May 2014 10:29 PM, PDT | Dark Horizons | See recent Dark Horizons news »

Family Fang

Christopher Walken will join Jason Bateman and Nicole Kidman in "The Family Fang". David Lindsay-Abaire adaptated the novel by Kevin Wilson, and shooting is scheduled to kick off in July.

The story follows a pair of siblings from a performance artist family whose parents suddenly disappear. Walken plays their father. [Source: Screen]

Ville-Marie

Monica Bellucci will star in Guy Edoin's ensemble drama "Ville-Marie" about four different people's lives that eventually intersect at the Ville-Marie Hospital.

Bellucci plays a French actress on location in Montreal who attempts to patch up relations with her son while he strives to discover the true identity of his father. [Source: Screen]

The Longest Ride

Britt Robertson has scored the female lead role in George Tillman Jr.'s film adaptation of the Nicholas Sparks novel "The Longest Ride". Scott Eastwood signed on to star in the film earlier this week.

The story follows a young college student (Robertson »

- Garth Franklin

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Monica Bellucci joins Ville-Marie

5 May 2014 6:15 PM, PDT | ScreenDaily | See recent ScreenDaily news »

Exclusive: The Italian siren’s involvement gives Guy Édoin’s story of four intertwined lives a timely boost as the filmmaker prepares to take part in the Cannes networking programme L’Atelier.

Bellucci will star in Max Films and Canadian distributor Filmoption’s drama as Sophie, a French actress on location in Montreal who attempts to patch up relations with her son while he strives to discover the true identity of his father.

Unbeknown to the young man, the film was conceived specifically to answer his questions.

Meanwhile, a troubled ambulance technician tries to keep his life in order while a kindly nurse watches over him amid the chaos of ER. The four characters’ lives eventually intersect at the Ville-Marie Hospital.

Félize Frappier of Max Films produces and Roger Frappier serves as executive producer. Ville-Marie is the first Canadian-funded project to be invited to participate in Cinéfondation’s L’Atelier.

“I fell in »

- jeremykay67@gmail.com (Jeremy Kay)

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Criterion Collection: Il Sorpasso | Blu-ray Review

29 April 2014 9:30 AM, PDT | ioncinema | See recent ioncinema news »

In the spirit of spring, Dino Rici’s tragicomedy Il Sorpasso from 1962 has been given a vibrant rebirth courtesy of Criterion. Rarely seen and largely forgotten in recent years, Il Sorpasso retains many structures of the classic road movie, seasoned with glimpses of the era’s growing sense of rebellious dissatisfaction. Over the years, it has proven to be an influential work; its descendant branches laced throughout any analysis of the classic film genre of wandering heroes. Artistically, Il Sorpasso may not rank among the best of the category, but its seductive amalgam of bildungsroman, social commentary and cautionary tale make for a compelling and infectious watch.

Il Sorpasso’s unlikely odyssey orbits around the burgeoning friendship between Bruno (Vittorio Gassman), a zesty 40 year old raconteur and Roberto (Jean-Louis Trintignant), a quiet, bookish law student half his age. Bruno dashes about the ancient streets of Rome in a battered Lancia »

- David Anderson

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Egypt Film Censorship Spat Sparks National Controversy

24 April 2014 5:10 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Controversy is mounting over film censorship in Egypt where the military-backed government has pulled steamy pic “Halawet Rooh,” Arabic for “Sweetness of Spirit,” from movie theatres, overruling the head of the country’s censorship board who resigned in protest sparking outrage.

Ironically the spat comes just after Darren Aronofsky’s “Noah” got the green light to be released in Egypt even though its banned in the United Arab Emirates, Qatar and Bahrein. That had caused Egyptian freedom of expression advocates to cheer.

The decision by interim prime minister Ibrahim Mahlab to unilaterally yank “Sweetness,” which stars Lebanese bombshell Haifa Wehbe, prompted Ahmed Awad, undersecretary to the culture minister and head of the censorship authority, to immediately resign. The censorship board is supposed to be an independent body with final say on whether a movie can be seen by Egyptian auds.

Directed by Sameh Abdel Aziz, “Sweetness” is reportedly loosely based »

- Nick Vivarelli

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Antico Caffè della Pace, Rome's cafe to the stars, faces eviction

13 March 2014 5:07 PM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

Petitions fight against closure of famous Italian cafe, which has hosted everyone from Sophia Loren to Madonna

Woody Allen has filmed there; Julia Roberts was filmed there. Pope John Paul II, so the owners say, once popped in for breakfast.

Its ivy-clad walls and sunlit terrace made for people-watching have drawn Italian creatives and Hollywood stars to the Antico Caffè della Pace for decades. The guest list has ranged from Madonna to Monica Bellucci, Sophia Loren to Spike Lee. Federico Fellini, a regular in his day, would have appreciated the show.

But now the picturesque 19th-century bar is fighting for survival. The owners of the Antico Caffè building, in the heart of Rome's historic centre, are pressing for an eviction, reportedly with a view to turning the premises into a hotel. Petitions have been launched in the face of imminent closure. Italy's president, Giorgio Napolitano, has been drawn into the row, »

- Lizzy Davies

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2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1997

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