12 items from 2014
Each year, the Library of Congress selects 25 films to be named to the National Film Registry, a proclamation of commitment to preserving the chosen pictures for all time. They can be big studio pictures or experimental short films, goofball comedies or poetic meditations on life. The National Film Registery "showcases the extraordinary diversity of America’s film heritage and the disparate strands making it so vibrant" and by preserving the films, the Library of Congress hopes to "a crucial element of American creativity, culture and history.” This year’s selections span the period 1913 to 2004 and include a number of films you’re familiar with. Unless you’ve never heard of "Saving Private Ryan," "The Big Lebowski," “Rosemary’s Baby” or "Ferris Bueller's Day Off." Highlights from the list include the aforementioned film, Arthur Penn’s Western "Little Big Man," John Lasseter’s 1986 animated film, “Luxo Jr.," 1953’s “House of Wax, »
- Matt Patches
Spanning the years 1913-2004, the 25 films to be added to the Library of Congress’ National Film Registry for 2014 include Steven Spielberg’s Saving Private Ryan, Roman Polanski’s Rosemary’s Baby, Arthur Penn’s Little Big Man, John Hughes’ Ferris Bueller’s Day Off and the Coen brothers’ The Big Lebowski. The annual selection helps to ensure that the movies will be preserved for all time. This year’s list brings the number of films in the registry to 650.
Also on the list are John Lasseter’s 1986 animated film, Luxo Jr; the original Willy Wonka And The Chocolate Factory with Gene Wilder; and Howard Hawks’ classic 1959 Western Rio Bravo. Documentaries and silent films also make up part of the selection which represents titles that are “culturally, historically or aesthetically” significant; they must also each be at least 10 years old. Check out the rundown of all 25 movies below:
2014 National Film Registry »
- Nancy Tartaglione
“The Big Lebowski,” “Ferris Bueller’s Day Off,” “Rosemary’s Baby,” “Saving Private Ryan” and “Willy Wonka and the Chocolate Factory” are among the 25 films saluted by the National Film Registry of the Library of Congress in the organization’s annual selection of notable works.
The org says selection will help ensure preservation of these films. This year’s choices bring the registry total to 650, a small fraction of the Library’s vast collection of 1.3 million items. As always, the choices are eclectic, including Hollywood films, indies, documentaries, silent movies and student films.
“The National Film Registry showcases the extraordinary diversity of America’s film heritage and the disparate strands making it so vibrant,” said the Librarian of Congress James H. Billington. “By preserving these films, we protect a crucial element of American creativity, culture and history.”
Under the terms of the National Film Preservation Act, each year the Librarian »
- Tim Gray
Cary Grant films on TCM: Gender-bending 'I Was a Male War Bride' (photo: Cary Grant not gay at all in 'I Was a Male War Bride') More Cary Grant films will be shown tonight, as Turner Classic Movies continues with its Star of the Month presentations. On TCM right now is the World War II action-drama Destination Tokyo (1943), in which Grant finds himself aboard a U.S. submarine, alongside John Garfield, Dane Clark, Robert Hutton, and Tom Tully, among others. The directorial debut of screenwriter Delmer Daves (The Petrified Forest, Love Affair) -- who, in the following decade, would direct a series of classy Westerns, e.g., 3:10 to Yuma, The Hanging Tree -- Destination Tokyo is pure flag-waving propaganda, plodding its way through the dangerous waters of Hollywood war-movie stereotypes and speechifying banalities. The film's key point of interest, in fact, is Grant himself -- not because he's any good, »
- Andre Soares
The Universal Monsters Shared Universe franchise announced back in July keeps getting bigger and bigger, with the studio rumored to be developing a reboot of The Wolf Man.
Prisoners screenwriter Aaron Guzikowski has reportedly come aboard to write the script, although no details were given about how this classic character will be rebooted. Universal's Dracula Untold was confirmed last month to be the first in this series. Although it wasn't initially envisioned as a part of the franchise, a prologue scene that showed Luke Evans' title character in a modern-day market is what helps kick off this universe.
The Untitled Mummy Reboot will fully launch the franchise, arriving in theaters June 24, 2016, with the studio announcing last month that an unspecified monster movie will hit theaters on April 21, 2017. It isn't known if The Wolf Man or another project will occupy this date yet.
The Wolf Man franchise was launched in »
Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman, »
- Andre Soares
Gone Girl is a cynical movie. No doubt. It features two sociopaths working out their deeply troubled marital issues in the public eye with just the right amount of bloodshed. Yet in more than a few ways, it could be an unofficial remake of The Awful Truth, Leo McCarey’s 1937 screwball comedy where two assholes realize that they want to stay married. The movie opens with Jerry Warriner (Cary Grant, naturally) lying to his wife about a trip to Florida (complete with sunlamp sessions at the gym and fake letters). When his wife Lucy (Irene Dunne) returns home later than expected, and with her debonair singing instructor in tow, Jerry can’t believe her story of a broken down vehicle. He’s furious. She finds out he was lying about visiting the Sunshine State, and mutual divorce proceedings commence. They both want to keep the dog. The rest of the film involves Lucy’s engagement to the »
- Scott Beggs
What do film directors Alfred Hitchcock, Stanley Kubrick, Agnès Varda, Robert Wise, Fred Zinnemann, Luis Buñuel, Alain Resnais, Roman Polanski, Sidney Lumet, Robert Altman, Louis Malle, Richard Linklater, Tom Tykwer, Alexander Sokurov, Paul Greengrass, Song Il-Gon, Alfonso Cuarón, and Alejandro Iñárritu have in common? More specifically, what type of film have they directed, setting them apart from fewer than 50 of their filmmaking peers? Sorry, “comedy” or “drama” isn’t right. If you’ve looked at this article’s headline, you’ve probably already guessed that the answer is that they’ve all made “real-time” films, or films that seemed to take about as long as their running time.
The real-time film has long been a sub-genre without much critical attention, but the time of the real-time film has come. Cuarón’s Gravity (2013), which was shot and edited so as to seem like a real-time film, floated away with the most 2014 Oscars, »
- Daniel Smith-Rowsey
Polly Bergen: 'Desperate Housewives' Emmy nominee; winner for 'The Helen Morgan Story' (photo: Felicity Huffman, Doug Savant, and Polly Bergen in 'Desperate Housewives') (See previous article: "Polly Bergen: Actress on Richard Nixon 'Enemies List'.") Polly Bergen began her lengthy — and to some extent prestigious — television career in 1950, making sporadic appearances in anthology series. She won an Emmy for Best Actress in a Single Performance – Lead or Supporting — beating Julie Andrews, Helen Hayes, Teresa Wright, and Piper Laurie — for playing troubled torch singer Helen Morgan (Show Boat) in the 1957 Playhouse 90 episode "The Helen Morgan Story," featuring veteran Sylvia Sidney as Morgan's mother. Curiously, Bergen's retelling of Helen Morgan's story was broadcast the same year that Ann Blyth starred in Michael Curtiz's Morgan biopic. Also titled The Helen Morgan Story, the film focused on the relationship between the singer and a »
- Andre Soares
Reviewed by Grace Fontaine, MoreHorror.com
Rosemary’s Baby (1968)
Warning: I would not recommend watching this if you are pregnant, ladies.
“Rosemary’s Baby” does not thrive on eliciting base, violent terror upon its viewers, the aims it has is far sinister- it wants to put you off balance and keep you there.
Young newlyweds Rosemary and Guy Woodhouse have picked up sticks and set down in a grand yet somewhat ancient apartment building smack bang in the middle of cosmopolitan New York City. Rosemary is a clever yet naïve housewife who is quite content to be a homebody while Guy is a struggling actor who is desperate to make it big in the Big Apple. Although the couple share a loving and playful relationship, »
“I saw Lon Chaney Junior Dancing with the Queen!”
There will be a full moon Thursday May 1st when The Wolf Man screens at Schlafly Bottleworks in Mapelwood at 7pm.
“Even a man who is pure at heart and says his prayers by night may become a wolf when the wolfbane blooms and the autumn moon is bright”. This is one of the most classic lines from Universal’s Gloden Age of Horror along with “It’s Alive”(Frankenstein) and “Listen to them, the children of the night….what music they make”(Dracula). In The Wolf Man (1941) Lon Chaney stars as Lawrence Talbot, who returns home to England, is bitten by a werewolf and then becomes one himself. It is very easy to become sympathetic toward Talbot and Chaney well-portrays the anguish and shame at what he has become. Claude Rains is excellent as Sir John Talbot’s father and Ralph Bellamy, »
- Tom Stockman
So, we’ve arrived at the top 20, slowly creeping toward those films that are exactly what a romantic comedy should be. We’ve seen films that fall into the category, but lean more toward other genres. We’ve seen romantic films that are funny enough to be comedies, but don’t entirely represent the spirit of the rom-com, despite being brilliant films. Now, we form a clearer picture of what a romantic comedy is. Not all of the films in this section are necessarily “good,” but they’re all iconic, definitive romantic comedies (hence their inclusion). Memorability does not necessarily come partnered with quality. It means right place, right time.
courtesy of totalfilm.com
20. Sleepless in Seattle (1993)
- Joshua Gaul
12 items from 2014
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