8 items from 2017
27 years ago, with just a handful of movie roles to her name, Julia Roberts became America's sweetheart when Pretty Woman debuted in theaters. The iconic actress hasn't stopped working since, even taking her talents to the world of animation, voicing Smurfwillow in this year's animated sequel Smurfs: The Lost Village. Today we have word that the actress is revisiting her iconic role in Pretty Woman with a new commercial, which was filming in West Hollywood, California this week.
The Daily Mail reports that the actress was shooting a commercial for the Italian fashion company Calzedonia, with the actress wearing a black dress and carrying several Calzedonia bags as she walks down the sidewalk. The actress was seen "licking her lips and chatting with the crew" between takes of this commercial, which mirrors a scene from Pretty Woman, which was directed by the iconic Garry Marshall, where she is carrying several »
Last month, a new report surfaced that comedy legend Eddie Murphy has been secretly writing the screenplay for Coming to America 2, a follow-up to his 1988 classic which he both starred in and received a story credit for. The news regarding this sequel was never confirmed, but first surfaced after Eddie Murphy's verified Twitter account sent out a tweet about a Coming to America sequel, which lead to the actor's entire account being deleted. Today we have confirmation that the sequel is actually happening, with original Coming to America writers Barry Blaustein and David Sheffield writing the script.
The news first surfaced after Eddie Murphy's Twitter account posted a cryptic tweet that only read, "Coming to America sequel?" along with a photo of the Princess Imani character played by Vanessa Bell Calloway. After the actor's account was deleted, a report surfaced that claimed Coming to America 2 is in fact in the works, »
Close-Up is a column that spotlights films now playing on Mubi. Leo McCarey's The Awful Truth (1937) is showing February 13 - March 15, 2017 in the United Kingdom in the series The Rom Com Variations.Leo McCarey’s 1937 screwball classic The Awful Truth is the epitome of a sub-genre dubbed by philosopher Stanley Cavell the “comedy of remarriage.” In the film, husband and wife Jerry and Lucy Warriner (Cary Grant and Irene Dunne) succumb to their marital suspicions and embark on an easier-said-than-done divorce. He returns home from an unspecified dalliance, complete with fake Florida tan (ever the gentleman, he bronzes so as to save Lucy the embarrassment of getting asked why her husband looks pale after spending time in the sun), but upon his arrival, Lucy herself is nowhere to be found. She must be with her Aunt Patsy, Jerry assures his guests, that is until Aunt Patsy (Cecil Cunningham) shows up sans niece. »
As A Lawyer, Ralph Bellamy Was Indefensible
It’s a good thing this story wasn’t part of the actual series. Otherwise we might not all be here right now.
I’m so old, I watched Perry Mason first run not on the reruns playing on every channel this side of C-span. But it’s not why I became a lawyer. Perry Mason was unrealistic. A murder trial every week where the real murderer was dumb enough to sit in the courtroom and watch. No, Perry Mason didn’t make me want to become a lawyer. The Defenders did.
The Defenders was a show about a middle-aged attorney – played by E.G. Marshall – and his fresh-out-of-law-school son – played by a young, pre-permed Robert Reed. Although the show had some murder mystery episodes, most dealt with some of the complex and serious issues of the time; abortion, religious intolerance, capital punishment, civil rights, »
- Bob Ingersoll
Join us for some old-school 16mm Movie Madness! – It’s our monthly 16Mm Double Feature Night at The Way Out Club (2525 Jefferson Avenue in St. Louis)! Join Tom Stockman and Roger from “Roger’s Reels’ for a double feature of two complete films projected on 16mm film. The show is Tuesday February 7th and starts at 8pm. Admission is Free though we will be setting out a jar to take donations for the National Children’s Cancer Society.
First up is Trading Places
Trading Place is a beloved fish out of water comedy from 1983. The filthy rich Duke brothers (Ralph Bellamy and Don Ameche) conduct a cruel experiment on two completely opposite (and completely oblivious) young men to prove that they could quite easily and successfully trade places.
- Tom Stockman
Walter (Cary Grant) and Hildy (Rosalind Russell) used to be married. Hildy is a journalist looking for a way out of the biz, but Walter – who also happens to be her ex-boss – wants to bring her back in. He just wants her, full stop. He sees her new fiancé – a safe dullard named Bruce (Ralph Bellamy) – and he despairs.
But Hildy and Bruce are leaving town tonight and getting married tomorrow. Walter, in typically psychopathic rom-com style, desperately contrives various ways of preventing them. Then the news story of the year is unleashed: a man accused of shooting a black police officer absconds on the eve of his execution.
A domino run of darkly farcical events begins, which not only resurrect Hildy’s passion for journalism, but also her lapsed camaraderie with Walter. »
- Rupert Harvey
His Girl Friday, 1940.
Directed by Howard Hawks.
A hard-boiled newspaper editor attempts to rekindle his ex-wife’s – and ex-star reporter’s – love for both himself and the world of newspaper journalism.
His Girl Friday marks something of a turning point in the movies. Howard Hawks’s adaptation of a play (Hold the Front Page) exploring the dynamic world of newspaper journalism took the genius idea of changing the gender of the originally male ace-reporter character and transforming him into Rosalind Russell’s vivacious Hildy Johnson. Her portrayal of a smart and determined journalist trading razor-sharp quips and put-downs with her charismatic ex-boss and ex-husband Walter Burns (Cary Grant) is a truly wonderful creation, bringing a whole new dimension to fast-talking character driven screwball comedy.
Hoping to draw Johnson back into the non-stop life of the newsroom, »
- Robert W Monk
The restoration of a newly rediscovered director’s cut of the 1931 The Front Page prompts this two-feature comedy disc — Lewis Milestone’s early talkie plus the sublime Howard Hawks remake, which plays a major gender switch on the main characters of Hecht & MacArthur’s original play.
The Criterion Collection 849
Available through The Criterion Collection / Street Date January 10, 2017 / 39.96
1940 / B&W /1:37 flat Academy / 92 min.
Starring Cary Grant, Rosalind Russell, Ralph Bellamy, Gene Lockhart, Porter Hall, Ernest Truex, Cliff Edwards, Clarence Kolb, Roscoe Karns, Frank Jenks, Regis Toomey, Abner Biberman, Frank Orth, John Qualen, Helen Mack, Alma Kruger, Billy Gilbert, Marion Martin.
Cinematography Joseph Walker
Film Editor Gene Havelick
Produced and Directed by Howard Hawks
- Glenn Erickson
8 items from 2017
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