Mario Bava Poster


Jump to: Overview (2) | Mini Bio (1) | Trade Mark (2) | Trivia (5) | Personal Quotes (4)

Overview (2)

Date of Birth 31 July 1914Sanremo, Liguria, Italy
Date of Death 27 April 1980Rome, Lazio, Italy  (heart attack)

Mini Bio (1)

Italian director Mario Bava was born on July 31, 1914 in the coastal northern Italian town of San Remo. His father, Eugenio Bava (1886-1966), was a cinematographer in the early days of the Italian film industry. Bava was trained as a painter, and when he eventually followed his father into film photography his artistic background led him to a strong belief in the importance of visual composition in filmmaking.

Other than a series of short films in the 1940s which he directed, Bava was a cinematographer until 1960. He developed a reputation as a special effects genius, and was able to use optical trickery to great success. Among the directors for whom Bava photographed films were Paolo Heusch, Riccardo Freda, Jacques Tourneur and Raoul Walsh. While working with Freda on Lust of the Vampire (1957) in 1956, the director left the project after an argument with the producers and the film mostly unfinished. Bava stepped in and directed the majority of the movie, finishing it on schedule. This film, also known as "The Devil's Commandment", inspired a wave of gothic Italian horror films. After a similar incident occurred on Freda's Caltiki, the Immortal Monster (1959), and Bava's having been credited with "saving" Tourneur's The Giant of Marathon (1959), Galatea urged Bava to direct any film he wanted with their financing.

The film that emerged, Black Sunday (1960), is one his most well known as well as one of his best. This widely influential movie also started the horror career of a beautiful but then unknown British actress named Barbara Steele. While Black Sunday is a black and white film, it was in the color milieu that the director excelled. The projects which followed began to develop stunning photography, making great use of lighting, set design, and camera positioning to compliment mise-en-scenes bathed in deep primaries. Through works such as Hercules in the Haunted World (1961), The Whip and the Body (1963), and Planet of the Vampires (1965), Bava's films took on the look of works of art. In the films Evil Eye (1963) and Blood and Black Lace (1964), he created the style and substance of the giallo, a genre which would be perfected in the later films of Dario Argento.

Bava worked in many popular genres, including viking films, peplum, spaghetti westerns, action, and even softcore, but it is his horror films and giallo mystery films which stand out and for which he is best remembered. Recommended are Black Sunday (1960), The Whip and the Body (1963), Blood and Black Lace (1964), Kill Baby, Kill (1966), A Bay of Blood (1971), and Lisa and the Devil (1973). Bava's son Lamberto served as his assistant on most of his films since 1965, and since 1980 has been a director himself. Lamberto Bava's films include Macabre (1980), Demons (1985) and Body Puzzle (1992).

But after the commercial failure of his later films, as well as the unreleased works of Rabid Dogs (1974), Bava went into a decline and by 1975, retired from filmmaking all together. He was persuaded to come out of retirement at the request of his son, Lamberto, to direct Shock, as well as a made-for-Italian television movie. Mario Bava died from a sudden heart attack on April 27, 1980 at age 65. With his death, an era in Italian filmmaking had come to a close.

- IMDb Mini Biography By: Jeff Dove <jeffdove@well.sf.ca.us> & matt-282

Trade Mark (2)

Frequent uses of a zoom frame onto or back from a character's face during suspense scenes.
Scenes on an airplane as a means of establishing or ending a story in his films. Examples: The Evil Eye (1963), Baron Blood (1972), Lisa and the Devil (1974) and Shock (1977).

Trivia (5)

Father of director Lamberto Bava.
Son of Eugenio Bava.
He trained as a painter and was able to execute a number of matte and glass paintings for his films.
He became a director of photography in 1939.
Dino De Laurentiis originally approached Bava to handle the special effects of King Kong (1976). Bava did not want to leave Italy so he turned down the offer. He recommended Carlo Rambaldi.

Personal Quotes (4)

Movies are a magician's forge, they allow you to build a story with your hands--at least, that's what it means to me. What attracts me in movies is to be presented with a problem and be able to solve it. Nothing else; just to create an illusion, an effect, with almost nothing.
I didn't want to be a director because, in my opinion, a director must be a true genius.
In a horror film, lighting is 70% of the effectiveness. It's essential in creation the atmosphere.
The guys of the Cahiers du Cinéma came to me. They wanted to analyze the connection between the plate swinging at the beginning of Blood and Black Lace (1964) and the telephone falling to the ground when Eva Bartok dies. I didn't even remember how the movie ended.

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