2 items from 2016
There’s something claustrophobic about a film set entirely in a single location, an unsettling feeling of being cornered in a confined environment, cut off from the rest of the world. Stories such as these require nuanced characters and thoughtful attention to narrative detail, many of which employ a theatrical feel, while others were literally sprung from a playwright’s pen. Their action sequences are merely verbal, characters revealing shocking truths and saying the unthinkable, while the setting forces them together until an often brutal conclusion. When people are trapped like rats, it’s no surprise they sometimes eat each other.
A new entry in this sub-genre, Green Room, a violent thriller from Blue Ruin director Jeremy Saulnier expands this weekend. In the film, after a punk band witnesses a vicious murder, they find themselves trapped in the club’s green room, forced to fight their way out to freedom. »
- Tony Hinds
Both versions of this film have very similar plots—based on the novel “The Executioners” by John D. MacDonald—but the approach of the respective directors are so different that the two films become very distinct. The original 1962 version of Cape Fear is a Hitchcockian suspense drama, while the 1991 remake is more of a slasher film. Both films tell the story of an obsessed ex-con/rapist who manipulates the loopholes of the law in order to stalk a man he hates. It’s interesting to see the same story interpreted so differently.
The 1962 version starred Gregory Peck, one of the greatest actors of his—or any other—generation, along with Robert Mitchum, who is wonderfully menacing as the villain. It was directed by J. Lee Thompson, »
- email@example.com (Rob Young)
2 items from 2016
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