IMDb > Wim Wenders > News
Quicklinks
Top Links
biography by votes awardsNewsDesk
Filmographies
overviewby type by year by ratings by votes awards by genre by keyword
Biographical
biography other works publicity photo galleryNewsDesk
External Links
official sites miscellaneous photographs sound clips video clips

Connect with IMDb



2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2000 | 1999 | 1998 | 1997 | 1996 | 1993 | 1991

1-20 of 103 items from 2017   « Prev | Next »


Time is on my side by Anne-Katrin Titze

23 hours ago | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Michael Almereyda with Hampton Fancher on the form of Escapes, executive produced by Wes Anderson: "This is my tribute to Bruce Conner." Photo: Anne-Katrin Titze

In my Escapes conversation with Michael Almereyda (Experimenter, starring Peter Sarsgaard) and Hampton Fancher (co-screenwriter of Blade Runner and Blade Runner 2049) we start out with Federico García Lorca, Bruce Conner, Philip K Dick and Chris Marker. Then we encounter a Jean-Pierre Léaud, Tina Sinatra, Michael Pfleghar (Romeo Und Julia 70) connection and next stop over at Thom Andersen's Los Angeles Plays Itself, Brian Kelly and Flipper, Skinningrove on photographer Chris Killip, Yasujiro Ozu's influence on Wim Wenders (Yuharu Atsuta in Tokyo-Ga) and Jim Jarmusch.

Hampton Fancher: "It's looking at my life through other people's eyes."

Michael Almereyda's approach in Escapes turns the idea of a biopic inside out. Clips from Hampton Fancher's television and movie performances mixed with those »

- Anne-Katrin Titze

Permalink | Report a problem


Tiff 2017: 'Kings', 'Stronger', 'mother!' among line-up

25 July 2017 8:52 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Update: Tiff unveils Galas, Special Presentations selections.

Deniz Gamze Ergüven’s Mustang follow-up Kings (above), David Gordon Green’s Boston Marathon drama Stronger starring Jake Gyllenhaal, Joe Wright’s Darkest Hour starring Gary Oldman as Winston Churchill, and Darren Aronofsky’s mother! with Jenifer Lawrence and Javier Bardem are among the initial wave of Toronto International Film Festival (Tiff) picks announced on Tuesday.

Kings ia a world premiere, alongside many others (see below) including Hany Abu-Assad’s plane crash survivor drama The Mountain Between Us with Kate Winslet and Idris Elba, Craig Gillespie’s I, Tonya starring Margot Robbie, Wim Wender’s romantic thriller Submergence with Alicia Wikander and James McAvoy, Mahamat-Saleh Haroun’s immigration drama A Season In France, and two from The Weinstein Company: The Current War starring Benedict Cumberbatch, Michael Shannon, Tom Holland, and Nicholas Hoult, and Neil Burger’s Intouchables remake starring Bryan Cranston, Kevin Hart, and [link=nm »

- jeremykay67@gmail.com (Jeremy Kay)

Permalink | Report a problem


Tiff 2017: 'Darkest Hour', 'Kings', 'mother!' among line-up

25 July 2017 8:52 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Update: Tiff unveils Galas, Special Presentations selections.

Joe Wright’s Darkest Hour (above) starring Gary Oldman as Winston Churchill, Deniz Gamze Ergüven’s Mustang follow-up Kings, and Darren Aronofsky’s mother! with Jenifer Lawrence and Javier Bardem are among the initial wave of Toronto International Film Festival (Tiff) picks announced on Tuesday.

Toronto promgrammers updated the premiere status of each film announced in Galas and Special Presentations on Tuesday morning. Darkest Hour is a Canadian premiere, suggesting Telluride and possibly Venice berths, while mother! is a North American premiere, which indicates a world premiere slot in Venice.

Kings ia a world premiere, alongside many others (see below) including Hany Abu-Assad’s plane crash survivor drama The Mountain Between Us with Kate Winslet and Idris Elba, David Gordon Green’s Boston Marathon drama Stronger with Jake Gyllenhaal, and Craig Gillespie’s I, Tonya starring Margot Robbie, Wim Wender’s romantic thriller Submergence with Alicia Wikander and James McAvoy, [link »

- jeremykay67@gmail.com (Jeremy Kay)

Permalink | Report a problem


Tiff 2017. Lineup

25 July 2017 8:04 AM, PDT | MUBI | See recent MUBI news »

ThelmaA selection of films from the 2017 edition of the Toronto International Film Festival has been unveiled, with new films by Sebastián Lelio, Deniz Gamze Ergüven, Darren Aronofsky, Greta Gerwig, Guillermo Del Toro, Joachim Trier, Wim Wenders, and many more.Special PRESENTATIONSOpening Night: Ladybird (Greta Gerwig)Closing Night: Sheikh Jackson (Amr Salama)Battle of the Sexes (Valerie Faris & Jonathan Dayton)Bpm (Beats Per Minute) (Robin Campillo)The Brawler (Anurag Kashyap)The Breadwinner (Nora Twomey)Call Me By Your Name (Luca Guadagnino)Catch the Wind (Gaël Morel)The Children Act (Richard Eyre)The Current War (Alfonso Gomez-Rejon)Disobedience (Sebastián Lelio)Downsizing (Alexander Payne)A Fantastic Woman (Sebastián Lelio)First They Killed My Father (Angelina Jolie)The Guardians (Xavier Beauvois)Hostiles (Scott Cooper)The Hungry (Bornila Chatterjee)I, Tonya (Craig Gillespie)Mother! (Darren Aronofsky)Novitiate (Maggie Betts)Omerta (Hansal Mehta)Plonger (Mélanie Laurent)The Price of Success (Teddy Lussi-Modeste)Professor Marston & the Wonder Women »

Permalink | Report a problem


Tiff 2017 Lineup Includes ‘The Shape of Water,’ ‘mother!,’ ‘Downsizing,’ and More

25 July 2017 7:40 AM, PDT | The Film Stage | See recent The Film Stage news »

Even though Toronto International Film Festival have reduced their lineup by around 20% when compared to past years, there’s no shortage of high-profile premieres and potential discoveries. Ahead of the festival, which runs from September 7 through 17, they’ve now unveiled the first look at their lineup, including Guillermo del Toro’s The Shape of Water, Darren Aronofsky’s mother!, Alexander Payne’s Downsizing, George Clooney’s Suburbicon, Greta Gerwig’s directorial debut Lady Bird (opening the festival), Martin McDonagh’s Three Billboards Outside Ebbing, Missouri, Joe Wright’s Darkest Hour, and many more.

There’s also past festival favorites, including Luca Guadagnino’s Call Me By Your Name, Ruben Östlund’s Palme d’Or winner The Square, The Rider, Mudbound, and more. Other highly-anticipated projects include Joachim Trier’s ThelmaSebastián Lelio’s Disobedience (whose A Fantastic Woman is also in the lineup), the Jessica Chastain-led Woman Walks Ahead, »

- Jordan Raup

Permalink | Report a problem


Tiff Reveals First Slate of 2017 Titles, Including ‘The Shape of Water,’ ‘Downsizing,’ and ‘Call Me By Your Name’

25 July 2017 7:33 AM, PDT | Indiewire | See recent Indiewire news »

This year’s Toronto International Film Festival still is over a month from kicking off, but the starry annual event is pulling out zero stops when it comes to its first official slate announcement. The festival will close out with Olivier Nakache and Eric Toledo’s “C’est la vie!,” and the Special Presentations section will open with Greta Gerwig’s directorial debut, “Lady Bird,” and close with Amr Salama’s “Sheikh Jackson.”

Today’s first glimpse of this year’s programing include a slew of 2017’s most anticipated features, including Guillermo del Toro’s adult fairy tale “The Shape of Water,” Alexander Payne’s Matt Damon-starring comedy “Downsizing,” Darren Aronofsky’s secretive “mother!,” George Clooney’s reportedly uber-violent “Suburbicon,” and Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri.”

And that is just the tip of a very big iceberg, one that today includes the announcement of both Gala and Special Presentations titles. »

- Kate Erbland

Permalink | Report a problem


All of the Films Joining FilmStruck’s Criterion Channel this August

24 July 2017 2:17 PM, PDT | CriterionCast | See recent CriterionCast news »

Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This August will feature an exciting assortment of films, as noted below.

To sign up for a free two-week trial here.

Tuesday, August 1

Tuesday’s Short + Feature: These Boots and Mystery Train

Music is at the heart of this program, which pairs a zany music video by Finnish master Aki Kaurismäki with a tune-filled career highlight from American independent-film pioneer Jim Jarmusch. In the 1993 These Boots, Kaurismäki’s band of pompadoured “Finnish Elvis” rockers, the Leningrad Cowboys, cover a Nancy Sinatra classic in their signature deadpan style. It’s the perfect prelude to Jarmusch’s 1989 Mystery Train, a homage to the King of Rock ‘n’ Roll and the musical legacy of Memphis, featuring appearances by Screamin’ Jay Hawkins and Joe Strummer. »

- Ryan Gallagher

Permalink | Report a problem


Locarno 2017. Lineup

12 July 2017 7:24 AM, PDT | MUBI | See recent MUBI news »

Ben & Joshua Safdie's Good TimeThe lineup for the 2017 festival has been revealed, including new films by Wang Bing, Radu Jude, Raúl Ruiz and others, alongside retrospectives and tributes dedicated to Jean-Marie Straub, Jacques Tourneur and much more.Piazza GRANDEAmori che non sonno stare al mondo (Francesca Comencini, Italy)Atomic Blonde (David Leitch, USA)Chien (Samuel Benchetrit, France/Belgium)Demain et tous les autres jours (Noémie Lvovsky, France)Drei Zinnen (Jan Zabeil, Germany/Italy)Good Time (Ben & Joshua Safdie, USA)Gotthard - One Life, One Soul (Kevin Merz, Switzerland)I Walked with a Zombie (Jacques Tourneur, USA)Iceman (Felix Randau, Germany/Italy/Austria)Laissez bronzer les cadavres (Hélène Cattet & Bruno Forzani, Belgium/France)Lola Pater (Nadir Moknèche, France/Belgium)Sicilia! (Jean-Marie Straub & Danièle Huillet, Italy/France/Germany)Sparring (Samuel Jouy, France)The Big Sick (Michael Showalter, USA)The Song of Scorpions (Anup Singh, Switzerland/France/Singapore)What Happed to Monday (Tommy Wirkola, »

Permalink | Report a problem


The Best Movies About the Afterlife — IndieWire Critics Survey

10 July 2017 11:05 AM, PDT | Indiewire | See recent Indiewire news »

Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: In honor of David Lowery’s “A Ghost Story,” what is the best movie about the afterlife?

Kate Erbland (@katerbland), IndieWire

It will come as no surprise to anyone that, as a child, I watched a lot of television. A lot. I was mostly obsessed with HBO — our single movie channel, number 2 on the dial; yes, my childhood TV had a dial, don’t ask — with intermittent deviations into mostly inappropriate mini-series (thus explaining my rarely disclosed expertise on “The Thornbirds”), and was pretty much given free range to watch whatever the hell I wanted, whenever I wanted. This is why my favorite »

- David Ehrlich

Permalink | Report a problem


All of the Films Joining Filmstruck’s Criterion Channel This July

26 June 2017 10:33 AM, PDT | CriterionCast | See recent CriterionCast news »

Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This July will feature an exciting assortment of films, as noted below.

To sign up for a free two-week trial here.

Saturday, July 1 Changing Faces

What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).

Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*

Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master »

- Ryan Gallagher

Permalink | Report a problem


Anatomy of a Disaster: Inside the ‘Buena Vista Social Club’ Sequel That Became a Fiasco

21 June 2017 11:28 AM, PDT | Thompson on Hollywood | See recent Thompson on Hollywood news »

Back in January, Lucy Walker was on the verge of debuting her fifth feature at Sundance — the high-profile sequel to Wim Wenders’ 1999 Oscar-nominated documentary, “The Buena Vista Social Club.” It was the best-possible launchpad, with a prime slot of January 20, the first full day of the festival. Sundance had good reason to bet on the title: It continued a story that grossed $23 million worldwide and created a platinum-selling album, and could carry fresh meaning with the changes in Cuban-American relations. As Sundance described it:

As the sun sets on the careers of Cuba’s finest musicians, the Buena Vista Social Club, we get their side of the whole story, which stretches back to the beginning of the Cuban Republic, through the Grammy-winning 1998 album and Wim Wenders’ film, up to the new Cuba today.

And then, hours before the premiere, distributor Broad Green Pictures did the unthinkable: It pulled the film from the lineup. »

- Anne Thompson

Permalink | Report a problem


Anatomy of a Disaster: Inside the ‘Buena Vista Social Club’ Sequel That Became a Fiasco

21 June 2017 11:28 AM, PDT | Indiewire | See recent Indiewire news »

Back in January, Lucy Walker was on the verge of debuting her fifth feature at Sundance — the high-profile sequel to Wim Wenders’ 1999 Oscar-nominated documentary, “The Buena Vista Social Club.” It was the best-possible launchpad, with a prime slot of January 20, the first full day of the festival. Sundance had good reason to bet on the title: It continued a story that grossed $23 million worldwide and created a platinum-selling album, and could carry fresh meaning with the changes in Cuban-American relations. As Sundance described it:

As the sun sets on the careers of Cuba’s finest musicians, the Buena Vista Social Club, we get their side of the whole story, which stretches back to the beginning of the Cuban Republic, through the Grammy-winning 1998 album and Wim Wenders’ film, up to the new Cuba today.

And then, hours before the premiere, distributor Broad Green Pictures did the unthinkable: It pulled the film from the lineup.

“We at Broad Green are disappointed that we will not be able to premiere this compelling documentary at this year’s Sundance Film Festival,” Broad Green said in a statement. “The film’s post production process has taken longer than expected and thus the decision was made to wait to introduce the film to audiences until it can be presented in its best possible iteration.”

Broad Green CEO Gabriel Hammond’s decision seemed bizarre: While there’s no shame in a documentary playing Sundance in less-than-final form — in 2013 Jehane Noujaim’s “The Square” premiered as a work in progress, and went on to receive an Oscar nomination — pulling a film from the festival, much less moments before its debut, was virtually unheard of.

No one was more baffled than Walker. An ambitious, high-profile documentarian with a Sundance audience award and two Oscar nominations to her credit, she had rushed to the Sundance-submission finish line. She thought she had finished her movie.

And then the mystery deepened. Two weeks later, in a February 1 Instagram post, she commented, “it’s not clear for now if that work will be seen or appreciated which is the purgatorial pitstop we are in currently.” Later, she added: “Any minute now we’ll be able to explain! I’m still dreaming the beautiful film we made might be seen ever again.”

When Walker tried to reach Hammond after the festival, he was unreachable for a month, at which point movers arrived at her Venice office to cart editing equipment away.

Now, nearly six months later, it’s clear that the filmmaker never regained control of her movie. On April 22, she only learned that her film had a May 26 release date when she read about it on IndieWire. Broad Green released the overhauled film in 80 theaters for a two-week run. (Total gross: $123,445.) To this day, she hasn’t seen the film.

Walker has kept silent in the press, limiting herself to several carefully worded social media posts like this @lucywalkerfilm tweet:

Buena Vista Social Club Adios (my follow-up film) has been significantly changed (shots & scenes including narrative spine removed, other scenes added so it’s overall longer ) since I finished it before Sundance. Apparently it’s being released this week in lots of theaters (for a doc). I haven’t seen it myself but I hope audiences enjoy it.

What went wrong? We talked to a number of participants in this debacle, and no one comes out ahead.

Related storiesLucy Walker's Buena Vista Social Club Documentary Finally Gets a Title and Release DateBroad Green Pictures Is Missing Release Dates and Angering Filmmakers. Here's Why.IndieWire and FilmStruck's 'Movies That Inspire Me': Lucy Walker on Seeing Cuban Music Come Alive in 'Buena Vista Social Club' »

- Anne Thompson

Permalink | Report a problem


Errol Morris Compares Trump to General Ripper In ‘Dr. Strangelove’: ‘This Person Is Insane’

20 June 2017 7:32 AM, PDT | Indiewire | See recent Indiewire news »

If the mark of a true cinephile is how accurately they quote a Stanley Kubrick film, it’s no surprise that Errol Morris takes the cake. The Oscar-winning documentarian behind “The Thin Blue Line” and “The Fog of War” has a new movie coming out: “The B-Side,” about large-format Polaroid portrait photographer Elsa Dorfman. Morris recently regaled The Daily Beast with with memories of interviewing Donald Trump 15 years ago, and recalled a certain scene from “Dr. Strangelove.”

Read More: Film Acquisition Rundown: Neon Picks Up Errol Morris’ ‘The B-Side,’ FilmRise Gets Two Sundance Premieres and More

“I mean, it’s hard not to be just utterly appalled by it all. And so, yes, I am utterly appalled by it all,” said Morris.

“I can’t even stand people trying to make sense out of it. There’s no point in trying. There’s a scene I’ve always loved in ‘Dr. Strangelove, »

- Jude Dry

Permalink | Report a problem


Filmmaker Wim Wenders Signs With UTA

15 June 2017 11:35 AM, PDT | Deadline | See recent Deadline news »

Exclusive: Wim Wenders has just signed with UTA. The move comes after the three-time Oscar-nominated filmmaker’s latest documentary, Pope Francis: A Man Of His Word, landed a worldwide rights deal from Focus Features at Cannes. Next up for Wenders: Submergence, a romantic thriller starring Alicia Vikander and James McAvoy based on J.M. Ledgard’s 2013 bestseller. The pic is aiming for a fall film festival run. In Pope Francis, only the second co-production the Vatican has… »

Permalink | Report a problem


Good Morning (ohayo)

9 June 2017 11:31 AM, PDT | Trailers from Hell | See recent Trailers from Hell news »

It’s Yasujiro Ozu in light mode, except that his insights into the human social mechanism make this cheerful neighborhood comedy as meaningful as his dramas. Two boys go on a ‘talk strike’ because they want a television set, a choice that has an effect on everyone around them. And what can you say about a movie with running jokes about flatulence . . . and is still a world-class classic?

Good Morning

Blu-ray

The Criterion Collection 84

1959 / Color / 1:37 flat Academy / 94 min. / ohayo / available through The Criterion Collection / Street Date May 16, 2017 / 39.95

Starring: Keiji Sada, Yoshiko Kuga, Chishu Ryu, Kuniko Miyake, Haruko Sugimura, Koji Shitara, Masahiko Shimazu, Isamu Hayashi, Kyoko Izumi, Toyo Takahashi, Sadako Sawamura, Eijiro Tono.

Cinematography: Yushun Atsuta

Film Editor: Yoshiyasu Hamamura

Original Music: Toshiro Mayuzumi

Written by Yasujiro Ozu, Kogo Noda

Produced by Shizuo Yamanouchi

Directed by Yasujiro Ozu

 

Ozu’s Good Morning is a straight-out delight, being both inconsequential and insightful. »

- Glenn Erickson

Permalink | Report a problem


Cannes at 70: The biggest scandals

27 May 2017 2:30 AM, PDT | ScreenDaily | See recent ScreenDaily news »

The 70-year-old festival has never been far from controversy.

A row over the inclusion of Netflix titles in official competition has cast a shadow over this year’s Cannes Film Festival, with boos for the Netflix logos, clashes between Jury members and a rule changes for next year.

Perhaps it’s appropriate however that a row has been front of centre on Cannes 70th birthday, as the festival is no stranger to a controversy…

1954

Actress Simone Silva’s decision to go topless at a photocall resulted in a scrum which caused several broken bones.

1959

New Minister of Cultural Affairs Andre Malraux formalised Cannes’ burgeoning film market, which has since become integral to the festival and the largest industry event in the global industry. At the time, however, it was a decision not welcomed by all; as a direct reaction to this commercialisation, the French Syndicate of Film Critics (Afcc) was founded.

1960

La Dolce Vita won the »

Permalink | Report a problem


'Buena Vista Social Club: Adios': Film Review

26 May 2017 10:47 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »

Produced during the shocking success of 1997's Buena Vista Social Club album — the phenomenally popular collection of newly recorded Cuban roots music — Wim Wenders' documentary of the same name offered both fans and newcomers the joy of seeing brilliant elderly musicians rescued from obscurity. For most Americans, the record/film was both an introduction to a genre they hardly knew and a direct encounter with its progenitors — like discovering rockabilly just in time to see Johnny Cash and Jerry Lee Lewis give their last great concerts.

Two decades later, Lucy Walker's Buena Vista Social Club: Adios offers a very »

- John DeFore

Permalink | Report a problem


Movie Review: Adios revisits Buena Vista Social Club with few insights

25 May 2017 12:00 PM, PDT | avclub.com | See recent The AV Club news »

It’s been 20 years since the Buena Vista Social Club album made Cuban music a crossover sensation in the U.S. (for the first time since the ’50s), and 18 years since Wim Wenders’ documentary of the same title played in theaters. What’s become of the gifted musicians who found renewed or belated fame and fortune as a result of those projects? Buena Vista Social Club: Adios seeks to fill in the gap, but this sequel’s subtitle is all too literal. Many of the group’s most prominent figures were already quite elderly two decades ago. Sadly, the answer to the question “Where are they now?” tends to be “dead.” Nor did they pass away recently, after taking part in the new movie. Tres player Compay Segundo and pianist Rubén González, for example, both died back in 2003. Vocalist Ibrahim Ferrer died in 2005. Adios serves as »

- Mike D'Angelo

Permalink | Report a problem


80 top film-makers sound alarm over EU copyright rules

22 May 2017 4:57 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Petition calls for unified EU vision on copyright and culture.

Cannes Palme d’Or contenders Fatih Akin, Michael Haneke, Michel Hazanavicius have joined 80 top European film-makers in a petition calling for a unified European Union vision on copyright and culture in the digital age.

“We believe that European filmmaking reflects Europe’s positive values. That it can inspire ambition and renewal in Europe’s cultural policies. Europe isn’t just jobs, territories, markets and consumers, European culture also supports multiple identities, democracy and freedom of expression,” the petition said.

Published to coincide with the European Film Forum in Cannes on Monday, it highlighted four key areas where the European Union needed to renew and reinforce its legislation to protect European culture.

Top of the filmmakers’ demands was the maintaining of the territoriality of copyright.

The European Parliament voted last week in favour of a European Commission proposal to de-territorialise digital rights, but the directors »

Permalink | Report a problem


80 top film-makers demand changes to EU copyright rules

22 May 2017 4:57 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Petition calls for unified EU vision on copyright and culture.

Cannes Palme d’Or contenders Fatih Akin, Michael Haneke, Michel Hazanavicius have joined 80 top European film-makers in a petition calling for a unified European Union vision on copyright and culture in the digital age.

“We believe that European filmmaking reflects Europe’s positive values. That it can inspire ambition and renewal in Europe’s cultural policies. Europe isn’t just jobs, territories, markets and consumers, European culture also supports multiple identities, democracy and freedom of expression,” the petition said.

Published to coincide with the European Film Forum in Cannes on Monday, it highlighted four key areas where the European Union needed to renew and reinforce its legislation to protect European culture.

Top of the filmmakers’ demands was the maintaining of the territoriality of copyright.

The European Parliament voted last week in favour of a European Commission proposal to de-territorialise digital rights, but the directors »

Permalink | Report a problem


2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2000 | 1999 | 1998 | 1997 | 1996 | 1993 | 1991

1-20 of 103 items from 2017   « Prev | Next »


IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

See our NewsDesk partners