6 items from 2015
The thriller, which stars Keanu Reeves, premiered this weekend at the Sundance Festival.
Knock Knock follows a seemingly happy married man who's left alone while his wife and children go away for the weekend.
Two beautiful girls show up at his house, and turn his life upside down.
Roth recently said: "I had a window before I promote Green Inferno, and I wanted to make a movie like Roman Polanski or Paul Verhoeven made when they were young, a classic psychosexual thriller that's not a horror movie, but would have everyone on the edge of their seats.
"Getting Keanu is amazing, he's a fine actor who is perfect for this."
The film is currently without a distributor. »
Directed by Mia Hansen-Løve
I suppose it’s a right of passage of sorts to find your own music scene and counterculture when you’re growing up. And I suppose many of us try our hand at the artistry of it all. And I suppose some of us never really make it. I just never realized until this film how underwhelming it could be to watch it all happen on screen. You could argue that Eden is trying to point out how underwhelming the whole experience is, but did the film have to be so underwhelming too to make that happen?
Mia Hansen-Løve’s film follows the 20-year journey of a young French DJ named Paul, who gets caught up in the house and electro scene that propelled Daft Punk to stardom. Daft Punk is even represented in peripheral roles by »
- Dylan Griffin
I’ve always liked this elegant poster for Paul Verhoeven’s The 4th Man with its striking combination of soft realism and hard geometry (that knife-like number 4!) and I decided recently to look for other designs by the artist who signs himself Topazio. But, although I have found a number of pieces with his signature, I have so far come up short on much information on the man. Vincent Topazio was, it seems, an illustrator who worked from at least the mid 70s (I found a 1975 New York magazine illustration for an article on dog trainers credited to him as well as the cover for The Average White Band’s Cut the Cake from the same year) through at least the mid 80s. I have found seven of his movie posters, all illustrated in what seems to be a combination of crayon and airbrush. »
- Adrian Curry
Marrakech’s jury prexy, Isabelle Huppert, has just completed a four-month stint in the United States, where she co-starred with Cate Blanchett in the Sydney Theater Company production of Jean Genet’s “The Maids,” at the Lincoln Center Festival, followed by her film roles in Joachim Trier’s “Louder than Bombs,” alongside Jesse Eisenberg and Gabriel Byrne, and in Guillaume Nicloux’s “The Valley of Love,” with Gerard Depardieu.
In an interview at the Marrakech film festival she explained that her recent intensive U.S. experience is a pure coincidence of back-to-back projects.
Huppert explained that she’s very happy with the roles that she has been offered recently and is not overly concerned about being typecast, for example »
- Martin Dale
One cannot overlook the plentiful cinematic contributions of Dutch auteur Paul Verhoeven, who made waves back in 1973 with Turkish Delight and helmed a handful of notable collaborations starring Rutger Hauer, though they parted ways indefinitely after Verhoeven’s 1985 English language debut, Flesh+Blood. Of course, Verhoeven’s Us big-budget genre work, such as RoboCop (1987) and Total Recall (1990), both spawning recent lackluster remakes, and pulpy neo-noir Basic Instinct (1992) were overshadowed by the debacle that would come to be Showgirls (1995), now celebrated as one of the best worst films ever made. Twenty years after that, with only a few more features since, including 1997’s Starship Troopers, the maligned Hollow Man (2000) and a welcomed return to his native Holland for Black Book (2006), Verhoeven has been mostly an absent figure. In 2012, a mid-length film graced the lineup at the Rome Film Festival, while his long-gestating Jesus of »
- Nicholas Bell
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2014?
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch »
6 items from 2015
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