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3 items from 2000

Keanu Reeves Tricked Out Of His Paycheck

7 September 2000 | WENN | See recent WENN news »

Angry movie star Keanu Reeves tried to quit his latest film - after learning he'd been shortchanged by $1.5 million. Keanu, who usually commands a $15 million fee, agreed to work for scale (Hollywood's version of minimum wage) for a small role in Watcher, The (2000). But once he'd taken the part, movie bosses expanded the character into the film's main villain. Keanu then learned co- stars James Spader and Marisa Tomei were being paid $1.5 million more. A Hollywood source says, "Keanu tried to get out of the project but his legal advisers claimed he'd face an uphill battle to do so. "He's very upset at being treated this way. And he's already told them not to publicize the film." Universal is expected to offer Keanu a share of the profits to keep him happy. »

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Keanu Reeves Co-Star Doubts His Ability

18 July 2000 | WENN | See recent WENN news »

Keanu Reeves' co-star Ernie Hudson had serious doubts over the star's ability to play a serial killer in chilling flick Driven (2000) - because he is so "nice". Reeves plays the chilling part of a serial killer in the flick while James Spader and Marisa Tomei play FBI agents intent on tracking him down. But Hudson was concerned during shooting on the first day because he felt sure Matrix, The (1999) star Reeves would be unable to play a brutal murderer. Hudson says, "At first I thought that I didn't know if Keanu could do it. "But after some time on set I realised he would be just fine. He is very convincing because he is like all those guys on the news. People think they are really nice and people trust him and they have no idea how deadly this guy is until it is too late. It is a really tense movie." »

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Film review: 'Supernova'

17 January 2000 | The Hollywood Reporter | See recent The Hollywood Reporter news »

The first big stinker of the new year, MGM's troubled sci-fi thriller "Supernova" has apparently been hammered into its present state by parties other than original director Walter Hill. That would account for the film being credited to one Thomas Lee, a literal nobody, but the project's poorly thought out mixture of believable science fiction and 1990s space opera is a fundamental design flaw, and the finished product's not likely to shine at the boxoffice.

Unspooling wide without the distraction of poor opening-day reviews because it wasn't screened for critics -- French critics might start getting this treatment all the time if they don't watch out -- "Supernova" tries to satisfy the target audience with lots of special effects and action sequences familiar to genre aficionados.

Nary a cliche from the "Aliens", "Star Trek" and "Terminator" universes has been left out, however, and the public is not easily fooled. In fact, the often incomprehensible and always derivative script based on a story by William Malone and producer Daniel Chuba is only matched by the bewildered or blatantly misled performers.

Lead James Spader, playing drug addict-turned-co-pilot Nick, who likes the quiet of "deep space," is stiffer than an asteroid as the action hero who tries to save a 22nd century medical rescue spaceship and crew about to be sucked into a blue giant star on the verge of exploding. He's paired up romantically, after the usual spats, with medical officer Kaela (Angela Bassett). She has to trust him after the captain (Robert Forster) is killed in a "dimensional jump" when they answer a galactic 911 call.

Nick takes over as their crippled ship the Nightingale 229 nearly crashes on a moon where the distress signal originated. With only hours to go before the ship is wiped out, Nick and crew have plenty of time to test the boundaries of a PG-13 rating and engage in zero-gravity sex and several climactic fights that get pretty nasty, but what irks more than the usual pandering to audience expectations is the feeble attempts at characterization.

Crowded with conflicts, corny hardware and other unexplained or unexplainable wonders of the future and overloaded with flimsy devices to create tension, "Supernova" comes down to the typical results of a bad guy drawing innocent people to their doom and not getting away with it. In the process, a somewhat sexually suggestive globe of material from the ninth dimension emerges as the universe-rearranging MacGuffin that Kaela's murderous ex-boyfriend (Peter Facinelli) means to take back to Earth, alone.

Lou Diamond Phillips and Robin Tunney as lovers and expendable crew members are joined by Wilson Cruz's sweet-but-doomed computer nerd, who created the partly self-aware ship computer Sweetie (voiced by Vanessa Marshall).

Nearly everyone dies and there is a big bang at the end.

The special effects by Digital Domain and special makeup effects designed by Patrick Tatopoulos whiz by effectively, but cinematographer Lloyd Ahern II, a frequent Hill collaborator, overdoes the woozy camera moves in trying to spruce up the stagebound action.


MGM Distribution Co.

Metro-Goldwyn-Mayer Pictures presents

a Screenland Pictures/Hammerhead production

Director:Thomas Lee

Screenwriter:David Campbell Wilson

Producers:Ash R. Shah, Daniel Chuba, Jamie Dixon

Executive producer:Ralph S. Singleton

Director of photography:Lloyd Ahern II

Production designer:Marek Dobrowolski

Editors:Michael Schweitzer, Melissa Kent

Costume designer:Bob Ringwood

Music:David Williams

Visual effects supervisor:Mark Stetson

Casting:Mary Jo Slater



Nick Vanzant:James Spader

Kaela Evers:Angela Bassett

A.J. Marley:Robert Forster

Yerzy Penalosa:Lou Diamond Phillips

Karl Larson:Peter Facinelli

Danika Lund:Robin Tunney

Benji Sotomejor:Wilson Cruz

Sweetie:Vanessa Marshall

Running time -- 90 minutes

MPAA rating: PG-13


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