3 items from 2016
On this date, March 24, in 1984 at 7:00 a.m., five high school students showed up for an all-day Saturday detention. To be more specific, a brain, an athlete, a basket case, a princess and a criminal showed up for all-day Saturday detention. And they learned more about themselves then they ever thought possible. Today is the date of that fateful day for those kids, the criminal John (Judd Nelson), princess Claire (Molly Ringwald), athlete Andy (Emilio Estevez), basketcase Allison (Ally Sheedy) and the brain Ralph (Anthony Michael Hall). While The Breakfast Club celebrated its 30th anniversary in 2015, we have yet to have a year go by where quotes from that film aren't still intensely relevant. For »
Directors’ trademarks is a series of articles that examines the “signatures” that filmmakers leave behind in their work. This month, we’re examining the trademark style and calling signs of John Huges as director.
John Hughes’ is one of the most influential filmmakers of the past few decades. His contributions as writer, director, and producer have created many well-loved and contemporary classic films. While his impact as a filmmaker in general overshadows his contributions just as a director, there are many commonalities between the films he directed versus the films he only contributed a script. As such, the trademarks considered below are meant to represent the films directed by John Hughes, but they can easily also apply to the films he contributed to, but did not direct.
Hughes’ career began as a writer for several advertising campaigns. He went on to join National Lampoon where he wrote several films including 1984’s Vacation, »
- email@example.com (G.S. Perno)
If “The Sound of Music” reps the Mother of all nun-out-of-water movies, and “Ida” the Superior, then Zach Clark’s “Little Sister” is a far scrappier breed of rogue abbess. As sweetly funky and improbably pure-hearted as its young heroine, a trainee nun and erstwhile Goth making peace with her troubled North Carolina family, Clark’s fifth feature is marked by his characteristic brand of distorted realism, though a classically redemptive arc — with even a hint of spiked sentimentality — sounds a new note in his oeuvre. A shade less emotionally daring than the career high of 2013’s “White Reindeer,” this not-so-twisted “Sister” could nonetheless prove the helmer’s most audience-friendly work to date — with an added draw for Brat Packers curious to see a potent Ally Sheedy in problem-parent mode.
- Guy Lodge
3 items from 2016
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners