1 item from 1996
10 December 1996 | The Hollywood Reporter | See recent The Hollywood Reporter news »
"Evita" is muerte.
Buena Vista's big-screen, Madonna-starring adaptation of Andrew Lloyd Webber's colossus of a musical is a dull, workmanlike extravaganza that will likely reign only for a short while as an "events" curiosity at the boxoffice.
Buena Vista's challenge, of course, will be to lure Madonna fans to a musical they probably never attended and, similarly, to attract older theatergoers to a vehicle for the Material Girl.
Lavishly mounted, with multitudes of extras, this Alan Parker-directed opus is a generally dreary, stodgy affair. Swathed in a dim array of muted browns and golds and filmed in a straight-ahead style, "Evita" is surprisingly devoid of the electric energy and incredible trajectory of Eva Peron's cataclysmic life.
Bookended by her lavish funeral, the film traces Eva's life as a peasant girl through her early "wild years" to her eventual meeting with a rising Juan Peron (Jonathan Pryce) and finally to her ascendance as Argentina's evanescent leader. It's a pretty straightforward telling, documenting her mercurial boldness and unwavering self-promotion.
Unfortunately, the production never really finds a point of view on her amazing ascent. With a screenplay dually credited to Alan Parker and Oliver Stone (indicative of the film's circuitous route to the screen), "Evita"'s scenario is basically a superficial, factual recitation of her rise to near-deity. Most woefully, "Evita" is bereft of irony or any perspective -- political, psychological or historical.
Parker's visual style is distressingly bland throughout. While he shows a flair for character groupings, "Evita" clomps along in a pedestrian visual cadence: Countless scenes of peasants -- marching in the streets, or standing in expectant herds to hear her balcony orations, or tromping along at her funeral -- all clump together. After awhile, the novelty of viewing large aggregations of peons standing before public works edifices loses its luster.
As Evita, Madonna exudes a grim and relentless ambition but never ignites any real sparks. After awhile, as we witness her methodical rise to power, the character becomes about as exciting and charismatic as Bob Dole.
While Madonna is surprisingly prim and subdued, the talented Jonathan Pryce is almost moribund. With his hair flattened back and a tiny smile seemingly cemented on his face, Pryce's visage looks as if it has been dabbed on by an undertaker. Worse, his performance is so limp that one is left in wonderment how such a wan person could ever have risen to head the Argentine government.
As Che, Antonio Banderas exhibits a surprisingly good singing voice; alas, his warblings are not enough to carry the expositional drivel he is required to deliver. One's mind drifts back to Clint Eastwood and Lee Marvin croaking away in a buckboard in "Paint Your Wagon".
Other than the radiantly expressive "Don't Cry for Me, Argentina", the music all smears together in the same singsong cadence. Indeed, most of the expository lyrics are numbingly humdrum and forgettable. Credit, however, to Nigel Wright, for the music production and David Caddick for the music supervision: The orchestrations are often stirring and mellifluous.
EVITA
Buena Vista Pictures Distribution
Hollywood Pictures
Andrew G. Vajna presents "Evita"
A Cinergi/Robert Stigwood/
Dirty Hands production
An Alan Parker film
Producers Robert Stigwood,
Alan Parker, Andrew G. Vajna
Director Alan Parker
Screenwriters Alan Parker, Oliver Stone
Based on the musical "Evita"
Lyrics Tim Rice
Music Andrew Lloyd Webber
Line producer David Wimbury
Associate producer Lisa Moran
Director of photography Darius Khondji
Production designer Brian Morris
Editor Gerry Hambling
Music Andrew Lloyd Webber
Lyrics Tim Rice
Music production Nigel Wright
Music supervision David Caddick
Costume designer Penny Rose
Choreographer Vincent Paterson
Casting John & Ros Hubbard
Music produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber, David Caddick,
Emilio Estefan Jr.
Orchestra conducted by John Mauceri
Color/stereo
Cast:
Eva Peron Madonna
Che Antonio Banderas
Juan Peron Jonathan Pryce
Agustin Magaldi Jimmy Nail
Dona Juana Victoria Sus
Brother Juan Julian Littman
Blanca Olga Meediz
Elisa Laura Pallas
Erminda Julia Worsley
Young Eva Maria Lujan Hidalgo
Running time -- 133 minutes
MPAA rating: PG
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1 item from 1996
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