Biography for
Roman Polanski More at IMDbPro »

Date of Birth

18 August 1933, Paris, France

Birth Name

Roman Liebling

Nickname

Romek

Height

5' 5" (1.65 m)

Mini Biography

Roman Polanski's parents returned to Poland from France just two years before the World War II began: both were taken later to concentration camps where his mother eventually died. Young Roman managed to escape the ghetto and learned to survive wandering through the Polish countryside and living with the different Catholic families. Though local people usually ignored cinemas where mostly German films were shown, Polanski seemed not very much concerned about patriotism and frequently went to the movies. In 1945, he reunited with his father who sent him to technical school, but young Polanski seemed to have already made his choice.

In the 1950s, he took up acting, appearing in Andrzej Wajda's Pokolenie (1955) before studying at the Lodz Film School. His early shorts such as Dwaj ludzie z szafa (1958), Le gros et le maigre (1961), and Ssaki (1962) showed his taste for black humor and interest in bizarre human relationships. His feature debut, Nóz w wodzie (1962), was the first Polish post-war film not associated with the war theme. Though being already a major Polish filmmaker, Polanski yet chose to leave the country and headed to France. Being down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and Golden Bear at the Berlin Film Festivals.

In 1968, Polanski went to Hollywood, where he made the psychological thriller Rosemary's Baby (1968). However, after the brutal murder of his wife Sharon Tate by the infamous Manson gang in 1969, the director decided to return to Europe. In 1974, he again appeared with a US release of Chinatown (1974). It seemed the beginning of the promising Hollywood career, but after his conviction for the statutory rape of a 13-year old girl, Polanski fled from America to avoid prison.

After Tess (1979), which was awarded several Oscars and Cesars, his work became intermittent and rarely approached the level of his better known films. The director also stretched his talents to include occasional work in theatre. He still likes to act in the films of other directors, sometimes with interesting results as it was in Una pura formalità (1994).

IMDb Mini Biography By: Yuri German

Spouse

Emmanuelle Seigner	(30 August 1989 - present) 2 children
Sharon Tate	(20 January 1968 - 9 August 1969) (her death)
Barbara Lass	(19 September 1959 - 1962) (divorced)

Trade Mark

Likes to arrange shots from the protagonist's perspective and slowly pan around the room to points of interest as the character notices them.

Trivia

Has not been back to the United States since 1978.

Reuters reports that Polanski is returning to face sentencing on statutory rape charges. Ten years later with no return, it's clear the reports were false. [September 1997]

He was convicted of the statutory rape of a 13-year-old girl and fled to Europe to escape incarceration.

After Polanski fled from the American justice, the judge on his case swore to have him behind the bars. Though the judge died in 1989, the director still can't enter the US; otherwise, he would be arrested.

In 1969, while he was on out-of-town business, his wife, actress Sharon Tate was brutally murdered by members of Charles Manson's cult family; though Manson only ordered the killing and was not present during the murders. She was eight-months pregnant with their first child at the time. He has said that his life's biggest regret was not being present at the house on Cielo Drive, Beverly Hills the night his wife Sharon Tate and four others were brutally murdered.

Two children with Emmanuelle Seigner: Morgane and Elvis.

Shortly before her murder, wife Sharon Tate gave Polanski a copy of Thomas Hardy's 1891 novel "Tess of the d'Urbervilles", and he planned to film it with her. When he finally made the movie Tess (1979), he dedicated it to her.

Roman and his father are Holocaust survivors. His father was Jewish, and his half-Jewish mother (who was murdered in Auschwitz) had been raised as a Roman Catholic.

Received his first best director Oscar for the movie The Pianist (2002) five months after the awards ceremony. His friend, Harrison Ford, flew to France to present Polanski the award, since the director would be immediately arrested and incarcerated due to outstanding warrants stemming from his fleeing the US after his 1978 statutory rape conviction to avoid imprisonment. [8 September 2003].

Won the Best Director Oscar in 2003 for The Pianist (2002) at the age of 69 years and 7 months, making him the oldest person ever to win that award to that point in time. Polanski eclipsed the record previously held by George Cukor, who was 65 when he won for directing My Fair Lady (1964). This record was beaten in 2005 when Clint Eastwood won at the age of 74 for Million Dollar Baby (2004).

Within the Hollywood industry in the late 60s and early 70s he was often mocked as the stereotypical short, tyrannical European director.

Was voted the 26th Greatest Director of all time by Entertainment Weekly.

Was one of the judges in the Miss Universe pageant in 1976.

When he fled from the U.S. in the late 70s, much was made about the director's inability to ever make films in the States again. However, Polanski only shot 2 films in the States prior to his arrest: Rosemary's Baby (1968) and Chinatown (1974) were shot in North America. All other English-language films before the arrest were shot in the UK, and all the ones since have been shot in Central Europe.

President of the jury at the Cannes Film Festival in 1991

Is portrayed by Marek Probosz in Helter Skelter (2004) (TV).

Polanski was born Rajmund Roman Liebling in Paris, France, the son of Bula (née Katz-Przedborska) and Ryszard Liebling (aka Ryszard Polanski), who was a painter and plastics manufacturer. His father was a Polish Jew and his mother, a native of Russia, was brought up as a Catholic as she had a Jewish father and a Roman Catholic mother.

He was due to have directed "The Double," a modern-day, comedic adaptation of Fyodor Dostoyevsky's novel about a man whose life is taken over by his doppelganger. John Travolta, who was being paid $17M, was to have played the lead, alongside Isabelle Adjani, John Goodman, and Jean Reno. Shooting was to have begun in May 1996 in Paris. Lili Fini Zanuck and Todd Black were producing, Jeremy Leven had written the screenplay and other personnel such as director of photography Robert Richardson and production designer Pierre Guffroy were in place. Just nine days before principal photography was scheduled to start, and with around $15M already spent, Travolta flew back to US following an argument with Polanski. Travolta claimed that the screenplay had been significantly altered compared with the one he had signed up for. Following Travolta's departure, Steve Martin was quickly hired to replace him, but Isabelle Adjani said she was only prepared to work with Travolta, and she, too, left the film. The project collapsed shortly afterwards.

According to his autobiography, producer Robert Evans initially wanted Roman Polanski to direct Sliver (1993). Since Polanski will not return to the United States, Evans planned on having a second unit director shoot some footage of New York, whilst Polanski would direct the film in Paris.

Was offered the chance to direct King Kong (1976) but turned it down.

In November 1989 he was approached by Warner Bros to adapt and direct Mikhail Bulgakov's novel The Master and Margarita. The project was subsequently dropped by Warners due to budgetary concerns and the studio's belief that the subject matter was no longer relevant due to the fall of the Berlin wall. Polanski has described his script as the best he has ever adapted.

Directed four actors in Oscar-nominated performances: Ruth Gordon, Jack Nicholson, Faye Dunaway, and Adrien Brody. Gordon and Brody won Oscars for their performance in one of his movies.

Personal Quotes

Normal love isn't interesting. I assure you that it's incredibly boring.

My films are the expression of momentary desires. I follow my instincts, but in a disciplined way.

[On filmmaking] "You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity."

[On his style of filmmaking] "I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line."

The best films are because of nobody but the director.

I can only say that whatever my life and work have been, I'm not envious of anyone, and this is my biggest satisfaction.

Whenever I get happy, I always have a terrible feeling.

Cinema should make you forget you are sitting in a theater.

I never made a film which fully satisfied me.

In Paris, one is always reminded of being a foreigner. If you park your car wrong, it is not the fact that it's on the sidewalk that matters, but the fact that you speak with an accent.

[On François Truffaut, Claude Lelouch, and Jean-Luc Godard] People like Truffaut, Lelouch and Godard are like little kids playing at being revolutionaries. I've passed through this stage. I lived in a country where these things happened seriously.

Every failure made me more confident. Because I wanted even more to achieve as revenge. To show that I could.

Every film I make represents a departure for me. You see, it takes so long to make a film. By the time you get to the next one you're already a different man. You've grown up by one or two years.

[To the press after the murder of his wife Sharon Tate in 1969] ...All of you know how beautiful she was, but few of you know how good she was.

Hollywood is like that: a spoiled brat that screams for possession of a toy and then tosses it out of the baby buggy.

I would never think of doing a movie for children if I did not have any. A lot of things in the film I know about. I relate to all the sufferings much more now that I have kids. I see it from the outside now. And before, I didn't. Children have this capacity for resistance, and they accept things as they are, maybe because they have no other reference. They are somehow more flexible; they adapt much faster than adults.

I am not a fortune teller. I would like to be judged for my work, and not for my life. If there is any possibility of changing your destiny, it may be only in your creative life, certainly not in your life, period.

A lot has changed for me. My life has improved. It's not only children, but the relationship with my wife is the best thing that ever happened to me.

First comes my love of my work [in movies], but secondary to the creation itself is the need to get laid.

[on Jack Nicholson] Jack! You see how angry he gets in a scene? Unbelievably scary! He can not stop, he goes into a kind of it, you dunno whether he is acting any more!

[on Harrison Ford] Often when Harrison read a line, it was a different reading than I anticipated, but it worked. Somehow, it was more inspiring or original than what I had in mind.

[on Faye Dunaway] She was a gigantic pain in the ass. She demonstrated certifiable proof of insanity.

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