IMDb > Jim Jarmusch > News
Quicklinks
Top Links
biography by votes awardsNewsDesk
Filmographies
overviewby type by year by ratings by votes awards by genre by keyword
Biographical
biography other works publicity photo galleryNewsDesk
External Links
official sites miscellaneous photographs sound clips video clips

Connect with IMDb



2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2000 | 1999 | 1997 | 1992 | 1991

1-20 of 165 items from 2017   « Prev | Next »


Review: Christopher Doyle Visually Dazzles, Narratively Disappoints in ‘Hong Kong Trilogy’

20 September 2017 4:28 AM, PDT | The Film Stage | See recent The Film Stage news »

An often serenely meditative exploration of sociopolitical life in contemporary Hong Kong, Christopher Doyle’s Hong Kong Trilogy is a stunningly-photographed blend of documentary and fictional narrative, following real locals playing themselves. We can’t tell where real life ends and fiction begins, and ultimately, we don’t care. The film marks Doyle’s first directorial effort, crowdfunded via a Kickstarter campaign in 2014. Doyle, the self-proclaimed Keith Richards of cinematographers, is one of the most beloved and provocative DPs in the world, endowed with an exquisite eye for composition. His new film, however, meanders around for a merciful 85 minutes before fading to black, never fusing together into anything impacting, beyond a fleetingly casual interest in the characters. Other than that, we’re left with just a handful of dazzling visuals to recall, and little more.

The film is divided across three chapters. The first, titled Preschooled, follows the students of a local private school, »

- Tony Hinds

Permalink | Report a problem


Julie Delpy to Receive Honorary Tribute at 30th European Film Awards

15 September 2017 6:35 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Julie Delpy, the Oscar-nominated French-American writer, filmmaker and actress, will receive the European Achievement in World Cinema award at the 30th European Film Awards in December. The honor recognizes Delpy’s rich and diverse career in front of and behind the camera.

The Paris-born Delpy is best known for her role opposite Ethan Hawke in Richard Linklater’s “Before Sunrise” (1995), “Before Sunset” (2004) and “Before Midnight” (2013), which she co-wrote. Delpy received an Oscar nomination in screenwriting for “Before Sunset” and “Before Midnight” (shared with Linklater and Hawke) as well as a Golden Globe nomination for her performance in the latter.

A graduate of Nyu’s Tisch School of the Arts, Delpy has directed, written or acted in more than 30 films. She’s been nominated at the European Film Awards twice, first as an actress in Volker Schlöndorff’s “Homo Faber,” in 1991, and as a director in 2007 with “2 Days in Paris,” which also earned a Cesar nomination. Her »

- Elsa Keslassy

Permalink | Report a problem


‘Boom For Real’ Clip: Sara Driver’s Documentary On Famed Artist Jean-Michel Basquiat – Toronto

8 September 2017 2:32 PM, PDT | Deadline | See recent Deadline news »

Exclusive: Sara Driver’s documentary Boom For Real: The Late Teenage Years Of Jean-Michel Basquiat, offers insight into the artist and New York native’s formative years. The docu is having its world premiere today at the Toronto Film Festival. Driver, a close friend to Basquiat and part of art scene of the 1970s and ’80s, worked with other artists who emerged from that scene like Nan Goldin, Jim Jarmusch, James Nares, Fab Five Freddy, Lee Quinones, and Luc Sante. She… »

Permalink | Report a problem


Toronto: Le Pacte Acquires France on Javier Fesser’s ‘Campeones’ (Exclusive)

5 September 2017 3:00 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Madrid — In a bellwether deal, Jean Labadie’s Le Pacte, one of France’s most distinguished independent distributors, has secured French distribution rights to “Campeones,” directed by Academy Award-nominated Javier Fesser (“Binta and the Great Idea”).

Sold by Madrid-based Latido Films and produced by Spain’s Morena Films (“Altamira,” “Cell 211,” “Comandante”), Telefonica pay TV division Movistar + (“Tadeo Jones 2,” “Dragonkeeper”) and Fesser’s Películas Pendleton, “Campeones” has already tied down a Spanish distribution deal with Universal Pictures Intl. (Upi), whose releases include some of the biggest Spanish comedies ever.

Le Pacte’s French rights pick-up is another early market indicator of interest in the film,” as Latido Films prepares to move “Campeones,” currently in post-production, at Toronto’s market.

Founded by Labadie in 2007, Le Pacte plays off a mix of big name auteur titles (Jim Jarmusch’s “Paterson,” Ken Loach’s “I, Daniel Blake”), films from on-the-rise French talent (such as Thomas Lilti, whose »

- John Hopewell

Permalink | Report a problem


Adam Driver, David Lowery, and Jeff Nichols Debate Indies, Studio Movies, Netflix, and Legacies

2 September 2017 7:00 AM, PDT | Thompson on Hollywood | See recent Thompson on Hollywood news »

Last weekend in Little Rock, Arkansas, Jeff Nichols launched Premiere, the first event of his newly minted Arkansas Cinema Society. The writer-director of “Loving,” “Mud,” and “Midnight Special” screened a selection of smart movies, including Jim Jarmusch’s “Paterson” and J.J. Abrams’ “Star Wars: The Force Awakens,” hosted by star Adam Driver, whose family spent summers in Arkansas. Austin-based David Lowery brought “Pete’s Dragon” and “A Ghost Story” and producer Noah Stahl came with current release “Patti Cake$.”

I interviewed Driver, Lowery, and Nichols about how they define creative independence as they balance high- and low-budget movies. (It has been edited for length and clarity.)

Working with the studios

Jeff Nichols: I’m smack dab in the middle of the first draft of “Alien Nation” for Fox, trying to balance sensibilities. When you set out to work on something with a big price tag on it in terms of production cost, »

- Anne Thompson

Permalink | Report a problem


Adam Driver, David Lowery, and Jeff Nichols Debate Indies, Studio Movies, Netflix, and Legacies

2 September 2017 7:00 AM, PDT | Indiewire | See recent Indiewire news »

Last weekend in Little Rock, Arkansas, Jeff Nichols launched Premiere, the first event of his newly minted Arkansas Cinema Society. The writer-director of “Loving,” “Mud,” and “Midnight Special” screened a selection of smart movies, including Jim Jarmusch’s “Paterson” and J.J. Abrams’ “Star Wars: The Force Awakens,” hosted by star Adam Driver, whose family spent summers in Arkansas. Austin-based David Lowery brought “Pete’s Dragon” and “A Ghost Story” and producer Noah Stahl came with current release “Patti Cake$.”

I interviewed Driver, Lowery, and Nichols about how they define creative independence as they balance high- and low-budget movies. (It has been edited for length and clarity.)

Working with the studios

Jeff Nichols: I’m smack dab in the middle of the first draft of “Alien Nation” for Fox, trying to balance sensibilities. When you set out to work on something with a big price tag on it in terms of production cost, »

- Anne Thompson

Permalink | Report a problem


Tiff 2017: Sara Driver’s Basquiat Doc Acquired by The Match Factory

25 August 2017 10:01 AM, PDT | Women and Hollywood | See recent Women and Hollywood news »

Sara Driver: Unseen Zinema/YouTube

The Toronto International Film Festival hasn’t even begun yet and already a woman-directed selection has been sold. Variety reports that Sara Driver’s doc “Boom for Real: The Late Teenage Years of Jean-Michel Basquiat” has been acquired by The Match Factory. The company snagged the film’s international rights ahead of its world premiere in Tiff’s Documentary slate.

“Boom for Real” presents the young adult life of artist Basquiat. According to the official synopsis, the documentary “combines the life of Basquiat, as this effervescent figure, during his late formative years in New York City, and how his vision was embodied not only by the city, but its people and arts culture of the late 1970s and ’80s. NYC was changing: the downtown artists were creating their own scene in places which became famous later like Club 57, Cbgb, Mudd Club, and pop-up galleries. Basquiat was emblematical, crossing borders between art forms.”

Driver depicts Basquiat’s story through archival footage and interviews with those who knew the artist, including rapper Fab 5 Freddy, director Jim Jarmusch, and graffiti artist Lee Quiñones.

In addition to directing, Driver produced the doc with Rachel Dengiz (“Medora”).

“I am highly enthusiastic to bring Sara Driver’s film to the world,” Match Factory managing director Michael Weber commented. “Basquiat’s story blew me away by the richness of his art and his personal strength.”

Basquiat’s life has been a film subject before. Tamra Davis directed the 2010 in-depth doc “Jean-Michel Basquiat: The Radiant Child” and Julian Schnabel helmed the 1996 narrative feature “Basquiat,” which starred Jeffrey Wright as the artist.

Driver has previously directed narrative films. “You Are Not I,” “Sleepwalk,” and “When Pigs Fly.” “Boom for Real” marks her documentary debut.

“Boom for Real: The Late Teenage Years of Jean-Michel Basquiat” premieres September 8 at Tiff. The fest runs September 7–17.

Tiff 2017: Sara Driver’s Basquiat Doc Acquired by The Match Factory was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »

- Rachel Montpelier

Permalink | Report a problem


Toronto: Jean-Michel Basquiat Doc by Sara Driver Acquired by The Match Factory (Exclusive)

25 August 2017 6:55 AM, PDT | Variety - Film News | See recent Variety - Film News news »

The Match Factory has picked up the international rights to the documentary “Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,” the third feature-length film by the filmmaker Sara Driver. The pic will premiere in the Tiff Docs section at the Toronto Intl. Film Festival.

Driver, who is known for her collaborations with Jim Jarmusch and for her previous works “When Pigs Fly” (premiered in competition at Locarno in 1993) and “Sleepwalks” (opening film of Cannes Critics’ Week in 1983, awarded the Prix de Georges Sadoul given by the Cinematheque Francaise), explores in her latest film the pre-fame years of the celebrated American artist Jean-Michel Basquiat.

“ ‘Boom for Real’ combines the life of Basquiat, as this effervescent figure, during his late formative years in New York City, and how his vision was embodied not only by the city, but its people and arts culture of the late 1970s and ’80s,” according to a statement. His »

- Leo Barraclough

Permalink | Report a problem


Review: The Table Gathers Quartet of Superb Actresses in Elegant Drama

21 August 2017 6:00 PM, PDT | Screen Anarchy | See recent Screen Anarchy news »

Kim Jong-kwan assembles some of the finest actresses working in Korea today for his delightful new drama The Table. In some ways the Korean indie cousin of Jim Jarmusch's Coffee and Cigarettes, this elegant, delicate and humorous collection of four extended conversations works beautifully as a feature film, unlike the vast majority of omnibuses that are so popular in local cinema. A barista readies her small cafe for the day's business in a quiet Seoul neighborhood. Around the same table, from morning until evening, different woman engage in conversations as they navigate old, new and uncertain relationships. In the first story, Jung Yu-mi (Train to Busan) plays a top star who meets a former flame from her youth, now a salary worker. They haven't met...

[Read the whole post on screenanarchy.com...] »

Permalink | Report a problem


After Soderbergh: See the Top 10 Box Office Track Records of Classic Indie Filmmakers

19 August 2017 12:40 PM, PDT | Indiewire | See recent Indiewire news »

In a career that began with “sex lies and videotape” in 1989, “Logan Lucky” is Steven Soderbergh’s 26th theatrical release. It will extend his record as the top-grossing American director to come out of the independent scene in its formative years — a period we’ll define as 1975 (Joan Micklin Silver’s “Hester Street”) through 1992 (Quentin Tarantino’s debut, “Reservoir Dogs”).

To be clear, Soderbergh’s an outlier; his billion-dollar box office dwarfs every other indie filmmaker. However, looking at the performance of his contemporaries who got their start in that indie film movement, you may be surprised at who’s on the list. (Note: “Outside wide release” means less than 1,000 screens. Also, the list doesn’t include directors like Sam Raimi and Abel Ferrara, who have independent roots but were not discovered via the film festival/arthouse pathway, or Alan Rudolph, another significant ’80s figure; he started in horror films in the early ’70s. »

- Tom Brueggemann

Permalink | Report a problem


Locarno Critics Academy 2017: Meet This Year’s Aspiring Film Critics

15 August 2017 7:41 AM, PDT | Indiewire | See recent Indiewire news »

The 2017 Locarno Film Festival recently wrapped its 70th edition, where several aspiring film critics participated in the latest edition of the Locarno Critics Academy, an international workshop to educate promising writers in the craft and discipline of contemporary film criticism. This year’s participants will contribute essays on highlights from the festival. Here’s an overview of their backgrounds and interests.

Name: Jaime Grijalba Gómez

Age: 27

Twitter handle: @jaimegrijalba

Home: Santiago de Chile, Chile.

Cinematic area of expertise: Chilean cinema, film festivals, horror cinema

Best movie you’ve seen in 2017: El mar la mar

Favorite book (or piece of writing) about film: Bresson’s “Notes on the Cinematographer”

I’m taking part in the Locarno Critics Academy because… I want to think that criticism today still has a role that goes beyond those interested in film or in making them. It has a role in society, and I want to find it. »

- Eric Kohn

Permalink | Report a problem


Why the Coen Brothers’ Netflix Series Could Be Good News for the Film Industry

10 August 2017 1:22 PM, PDT | Indiewire | See recent Indiewire news »

“We are streaming motherfuckers!” That was the full text of Ethan and Joel Coen’s statement on the news that Netflix would be distributing the brothers’ anthology miniseries “The Ballad of Buster Scruggs.” There was an exclamation point, but no comma. They’re not streaming, motherfuckers. They are streaming motherfuckers. They’re not doing something, they’re becoming something. In this context, “streaming” isn’t a verb, it’s a noun.

This point did not go unnoticed. Maybe it was the result of a careless intern in the PR department; more likely, it was just the kind of thing that happens when revered artists are forced to participate in a press release (especially when said revered artists’ have spent much of their careers chortling at the absurdity of capitalism and its systems). To that point, the Coen brothers don’t really do typos — they’ve been making period movies for more than 30 years, »

- David Ehrlich

Permalink | Report a problem


Isabelle Huppert Is a Monster After Dark In Serge Bozon’s ‘Mrs. Hyde’ — Review

10 August 2017 7:19 AM, PDT | Indiewire | See recent Indiewire news »

Isabelle Huppert excels at playing tough, individualistic women, but she can just as easily dial it down for more fragile performances, so it was only a matter of time before she landed a role that let her have it both ways. In Serge Bozon’s peculiar comedy “Mrs. Hyde,” she’s a beleaguered French schoolteacher who gets struck by lightning and taps into the much more powerful, vindictive side of her personality lurking beneath the surface.

It’s a fascinating role in an uneven but frequently insightful movie riddled with amusing asides and enigmatic developments, partly because Huppert doesn’t undergo a radical transformation. Instead, she subtly finds herself at war with her inner confidence, and it’s often hard to tell which side has the upper hand.

Read More:‘Tomorrow and Thereafter’ Review: A Family Drama That’s Almost Powerful But Even More Disappointing — Locarno 2017

“Mrs. Hyde” has been »

- Eric Kohn

Permalink | Report a problem


Lars von Trier on Kanye: The Five Best Music Documentaries that Haven’t Been Made Yet

8 August 2017 8:01 AM, PDT | Indiewire | See recent Indiewire news »

News of Todd Haynes making his first documentary should’ve come as something of a curveball, but it was reported that the “Carol” director is planning a non-fiction project about the Velvet Underground, it seemed like the most natural thing in the world. Haynes’ “Velvet Goldmine” is such a knowing, textured, and vividly remembered reflection on the glam rock era that it can be easy to forget that its story merely alludes to the likes of Lou Reed.

But the fascination the Velvet Underground holds for Haynes isn’t the only thing that makes this newly announced documentary feel like such a perfect pairing between subject and storyteller. With the landmark “The Velvet Underground & Nico” LP, Reed and his cohorts effectively forged a new language for countercultural expression, synthesizing the subversive pop stylings of Andy Warhol into a rock movement that had already been neutered of its rebellious beginnings. With films like “Poison” and “Safe, »

- David Ehrlich

Permalink | Report a problem


Toronto ’17: The Solitary Journey of the Short Filmmaker: An interview with Tiff Short Cuts…

3 August 2017 2:01 PM, PDT | Sydney's Buzz | See recent Sydney's Buzz news »

Toronto ’17: The Solitary Journey of the Short Filmmaker: An interview with Tiff Short Cuts Programmer Danis Goulet

by Staff

Do you love short films? Find out which international shorts will play ‘Tiff 17 by heading to the Shorts Cuts film page. The Canadian component of Short Cuts will be announced on August 9.

A short film doesn’t need to play by anybody’s rules. It’s the sandbox of filmmaking, that comes with freedom, flexibility, and opportunities to fail. Perhaps this is why the medium has also launched the careers of filmmakers like Paul Thomas Anderson, Jim Jarmusch, Wes Anderson, and many more. Operating through its own niche market (with a smaller production budget, running time, and distribution) and mainly seen at film festivals, shorts deserve the attention of any serious cinephile.

In an interview originally conducted in 2016, Tiff Short Cuts programmer Danis Goulet took us through the arduous process »

- Sydney Levine

Permalink | Report a problem


Jeff Nichols Launches ‘Premiere,’ 3-Day Film Event in Little Rock, with Adam Driver and David Lowery — Exclusive

3 August 2017 6:50 AM, PDT | Thompson on Hollywood | See recent Thompson on Hollywood news »

Inspired by Richard Linklater’s work for the last 32 years with the Austin Film Society, writer-director Jeff Nichols (“Loving,” “Midnight Special”) is launching a similar nonprofit cinephile organization, the Arkansas Cinema Society (Acs), with an inaugural event (August 24-26) called “Premiere.”

Director David Lowery (“A Ghost Story,” “Pete’s Dragon”) and actor Adam Driver (“Girls,” “Paterson,” “The Force Awakens”) will travel to Little Rock and screen their films followed by Q&As with Nichols at the Ron Robinson Theater in the Little Rock River Market.

“Premiere” will kick off on Thursday, August 24 with a screening of the Sundance rap musical hit “Patti Cake$,” followed by a Q&A with the filmmakers and Nichols. On Friday, August 25, Acs will host an afternoon showing of Jim Jarmusch’s 2016 Cannes drama “Paterson,” starring Driver as an aspiring poet and bus driver. Friday evening, Acs will screen “Star Wars: The Force Awakens,” in which Driver Plays villain Kylo Ren. »

- Anne Thompson

Permalink | Report a problem


Jeff Nichols Launches ‘Premiere,’ 3-Day Film Event in Little Rock, with Adam Driver and David Lowery — Exclusive

3 August 2017 6:50 AM, PDT | Indiewire | See recent Indiewire news »

Inspired by Richard Linklater’s work for the last 32 years with the Austin Film Society, writer-director Jeff Nichols (“Loving,” “Midnight Special”) is launching a similar nonprofit cinephile organization, the Arkansas Cinema Society (Acs), with an inaugural event (August 24-26) called “Premiere.”

Director David Lowery (“A Ghost Story,” “Pete’s Dragon”) and actor Adam Driver (“Girls,” “Paterson,” “The Force Awakens”) will travel to Little Rock and screen their films followed by Q&As with Nichols at the Ron Robinson Theater in the Little Rock River Market.

“Premiere” will kick off on Thursday, August 24 with a screening of the Sundance rap musical hit “Patti Cake$,” followed by a Q&A with the filmmakers and Nichols. On Friday, August 25, Acs will host an afternoon showing of Jim Jarmusch’s 2016 Cannes drama “Paterson,” starring Driver as an aspiring poet and bus driver. Friday evening, Acs will screen “Star Wars: The Force Awakens,” in which Driver Plays villain Kylo Ren. Both films will be followed by a conversation between Nichols and Driver.

Read More‘Loving’ Director Jeff Nichols Launches Arkansas Cinema Society, With a Festival in 2018 — Exclusive

On Saturday, August 26, writer and director David Lowery will close out the event with a screening of his 2016 Disney remake of the 1970s musical “Pete’s Dragon,” as well as his latest drama, Sundance breakout “A Ghost Story,” starring Casey Affleck as a ghost haunting the home of his widow, followed by conversations with Nichols.

The Acs is looking to renovate a theater in Little Rock; longer term, Nichols wants to send programs to enlightened theaters around the state and create a grant program to help upgrade needy cinemas. “It’s a shame ‘Moonlight’ can’t be seen in southeast Arkansas, which has a massive African-American population,” said Nichols.  “Come on! Let’s get these films to the further reaches of the state.”

Nichols is also impressed with Afs’s Texas filmmaker production fund, which gives rising filmmakers grants that help them cover costs while taking their films to festivals. He vividly recalls being put up in fancy hotels while taking “Shotgun Stories” and “Take Shelter” at festivals where he couldn’t afford to buy a meal.

Nichols recently taught a course with Matthew McConaughey on “Mud” at the University of Texas, and was inducted into the Texas Film Hall of Fame last March. Next up: he’s writing his first studio movie from scratch, “Alien Nation.”

McKibbon Hospitality, which manages five hotels in Arkansas, is presenting sponsor of “Premiere.”

Sign UpStay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. Related storiesDavid Lowery Set to Direct TV Show About a Sex Occultist Who Helped Invent Rocket Science'A Ghost Story': David Lowery Explains the Pie Scene -- and Says It's Ok if People Can't Stomach It'A Ghost Story': How Shane Carruth Helped David Lowery Break Free of His Rigid Sense of Time »

- Anne Thompson

Permalink | Report a problem


Match Factory picks up Anup Singh's 'The Song Of Scorpions'

2 August 2017 4:31 AM, PDT | ScreenDaily | See recent ScreenDaily news »

Exclusive: Rajasthan-set drama will receive its world premiere at the upcoming Locarno film festival.

The Match Factory has picked up international rights to Anup Singh’s third film, The Song Of Scorpions, which will receive its world premiere in a Piazza Grande screening at the upcoming Locarno film festival.

Starring Golshifteh Farahani and Irrfan Khan, the film follows a carefree, independent tribal woman who is learning the ancient art of healing from her grandmother, a revered scorpion-singer.

A camel trader in the Rajasthan desert hears her sing and falls in love, but before they get to know each other, she is poisoned by a treachery that sets her on a perilous journey to avenge herself and find her song.

Produced by Swiss production company Feather Light Films, founded by Saskia Vischer and Shahaf Peled, and Michel Merkt’s Monaco-based Knm, the Swiss-French-Singapore co-production also stars Waheeda Rehman, Shashank Arora and Tillotama Shome.

It was produced »

- lizshackleton@gmail.com (Liz Shackleton)

Permalink | Report a problem


10 Toronto Film Festival Documentaries That Could Shake Up the Oscars

1 August 2017 2:51 PM, PDT | Thompson on Hollywood | See recent Thompson on Hollywood news »

The race always begins at Sundance, but the Toronto International Film Festival documentary lineup will impact the list of Oscar contenders — and this year, without clear frontrunners, Tiff’s influence will be greater than ever.

Every year, Thom Powers leads the Tiff documentary programmers through an enormous number of submissions to cull 22 selections. “It never gets any easier to make those decisions,” said Powers, who also programs influential November festival Doc NYC. “This year we’re going to see a greater range of different documentaries spread across the fall festivals, instead of a cluster of films that moves from festival to festival. More films will get more opportunities at the festivals this fall.”

Here’s a list of 10 must-sees for Tiff 2017 with potential to shake up the awards race.

1. “Super Size Me 2: Holy Chicken!”: Morgan Spurlock’s under-the-radar sequel to his 2005 Oscar nominee focuses on the new craze »

- Anne Thompson

Permalink | Report a problem


10 Toronto Film Festival Documentaries That Could Shake Up the Oscars

1 August 2017 2:51 PM, PDT | Indiewire | See recent Indiewire news »

The race always begins at Sundance, but the Toronto International Film Festival documentary lineup will impact the list of Oscar contenders — and this year, without clear frontrunners, Tiff’s influence will be greater than ever.

Every year, Thom Powers leads the Tiff documentary programmers through an enormous number of submissions to cull 22 selections. “It never gets any easier to make those decisions,” said Powers, who also programs influential November festival Doc NYC. “This year we’re going to see a greater range of different documentaries spread across the fall festivals, instead of a cluster of films that moves from festival to festival. More films will get more opportunities at the festivals this fall.”

Here’s a list of 10 must-sees for Tiff 2017 with potential to shake up the awards race.

1. “Super Size Me 2: Holy Chicken!”: Morgan Spurlock’s under-the-radar sequel to his 2005 Oscar nominee focuses on the new craze »

- Anne Thompson

Permalink | Report a problem


2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2000 | 1999 | 1997 | 1992 | 1991

1-20 of 165 items from 2017   « Prev | Next »


IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

See our NewsDesk partners