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By Joseph Allen and Kelsey Moore
If the movies are any indication, then we are in for one hot yet refreshing summer. Some of the season’s biggest and action-filled flicks feature powerful, female-led narratives, and goodness, do they come out in full force. The much anticipated female-led “Wonder Woman” is the first to hit summer screens, and if that’s not giving the finger to the male-dominated blockbuster, we don’t know what is.
July also has its fair share of action with Charlize Theron’s “Atomic Blonde.” This spy thriller sends Theron’s character to Berlin during the Cold War in order to save one agent whilst exposing others.
In between superheroes and spies, however, there are plenty of festival darlings and lighthearted comedies to enjoy. Marti Noxon’s “To The Bone,” which premiered at Sundance, features Lily Collins as a young woman battling anorexia. The film is based on Noxon’s own experience with an eating disorder and truthfully tackles the fine line between self-acceptance and despair. Gillian Robespierre’s “Landline” reunites Robespierre with “Obvious Child’s” Elisabeth Holm and Jenny Slate. It tackles the messiness of family, growing up, and adultery.
“Girls Trip,” on the other hand, is the perfect comedy to help beat the summer heat. Featuring the talents of Regina Hall, Queen Latifah, Jada Pinkett Smith, and Tiffany Haddish, this ensemble film follows four friends as they rekindle both their friendships and sense of adventure during a girl’s weekend to New Orleans.
August brings a slew of socially conscious titles, including several directed by women. Kathryn Bigelow’s highly anticipated follow-up to “Zero Dark Thirty,” “Detroit,” tells the story of the 1967 Detroit riots, and speaks to our present moment, one where it feels like little has changed in the 50 years since.
“Whose Streets?,” a documentary about the Ferguson protests, speaks to “Detroit’s” continued relevance as a story of racial animus. Co-director Sabaah Folayan gives us an inside look at the protests, and takes the temperature of a community still filled with righteous anger.
Sundance breakout “Step,” directed by Amanda Lipitz, also debuts in August. The documentary chronicles the hardships of a Baltimore school’s step team during their senior year, and explains how important the team has become for the girls on it.
Here are just some of many women-centric, women-directed, and women-written films releasing this summer. Be sure to keep up with Women and Hollywood for exhaustive monthly previews!
All descriptions are from press materials unless otherwise noted.
Before she was Wonder Woman (Gal Gadot) she was Diana, princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.
Did you know? Gal Gadot has been very adamant about the film’s feminist framework, stressing that Diana is “free of internalized sexism and any knowledge whatsoever of socialized gender roles.”
“Beatriz at Dinner”
“Beatriz at Dinner”
Beatriz (Salma Hayek), an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner in Southern California. Don Strutt (John Lithgow) is a real estate developer whose cutthroat tactics have made him a self-made, self-satisfied billionaire. When these two polar opposites meet at a dinner party, their worlds collide and neither will ever be the same.
Did you know? “Beatriz at Dinner” opens this year’s Sundance Film Festival London, and certainly feels like a timely release. In fact, John Lithgow’s character reminds us of a certain real-world real estate developer who is currently inhabiting the Oval Office.
“Maudie,” based on a true story, is an unlikely romance in which the reclusive Everett Lewis (Ethan Hawke) hires a fragile yet determined woman named Maudie (Sally Hawkins) to be his housekeeper. Maudie, bright-eyed but hunched with crippling arthritis, yearns to be independent, to live away from her protective family and she also yearns, passionately, to create art. Unexpectedly, they become a couple. “Maudie” charts a woman seeking her personal freedom, her unending fight to sustain it, and her surprising rise to fame as a folk painter.
Did you know? Maud Lewis was a Canadian folk artist who possessed no formal training. “Maudie” — which is currently playing in Canada — has ignited a renewed interest in her work. In fact, a painting recently found in a thrift shop just sold for $45,000, approximately three times its appraised value.
In this edgy R-rated comedy, five best friends from college (played by Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz) reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most.
Did you know? Some would call this a gender-reversed redo of the late ‘90s film “Very Bad Things,” starring Christian Slater. But, let’s be honest: with this ensemble of A-listers and comedic geniuses — we’re looking at you, Kate McKinnon and Ilana Glazer — Aniello’s film is sure to bring a lot more laughs and intrigue.
“The Beguiled” is an atmospheric thriller from acclaimed writer/director Sofia Coppola. The story unfolds during the Civil War, at a Southern girls’ boarding school. Its sheltered women (Nicole Kidman, Kirsten Dunst, Elle Fanning, Emma Howard, Oona Laurence, Angourie Rice, and Addison Riecke) take in an injured enemy soldier (Colin Farrell). As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events.
Did you know? Director Sofia Coppola does not consider this a remake of the 1971 film. Instead, she wanted to “tell the same story, but flip it to the women characters’ point of view” as they were the ones “cut off during that time, left behind during the war.”
Ellen (Lily Collins) is an unruly, anorexic 20-year-old who spent the better part of her teenage years being shepherded through various recovery programs, only to find herself several pounds lighter every time. Determined to find a solution, her dysfunctional family agrees to send her to a group home for youths, which is led by a non-traditional doctor (Keanu Reeves). Surprised by the unusual rules — and charmed by her fellow patients — Ellen has to discover for herself how to confront her addiction and attempt self-acceptance, in order to stand a chance against her demons. (Sundance Film Institute)
Did you know? This is a deeply personal project for Noxon. As she discussed with Women and Hollywood, she, too, battled anorexia and bulimia for over 10 years. By exploring this experience in her film, Noxon aims to show just how real these diseases are and how far they are from “an issue of vanity.”
Rural England, 1865. Katherine (Florence Pugh) is stifled by her loveless marriage to a bitter man twice her age (Paul Hilton), and his cold, unforgiving family. When she embarks on a passionate affair with a young worker (Cosmo Jarvis) on her husband’s estate, a force is unleashed inside her so powerful that she will stop at nothing to get what she wants.
Did you know? Though she made a memorable impression in Carol Morley’s “The Falling” and TV crime thriller “Marcella,” this marks the first major leading role for Florence Pugh, who is receiving fantastic reviews for her performance.
When four lifelong friends (Regina Hall, Queen Latifah, Jada Pinkett Smith, and Tiffany Haddish) travel to New Orleans for the annual Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling, and romancing to make the Big Easy blush.
Did you know? Queen Latifah and Jada Pinkett Smith have not been onscreen together since 1996. Their first collaboration, “Set it Off” (also starring Vivica A. Fox and Kimberly Elise), examines the personal and financial struggles of four women who decide to start robbing banks together.
The Manhattan of 1995: a land without cell phones, but abundant in CD listening stations, bar smoke, and family dysfunction. Enter the Jacobs. Eldest daughter Dana’s (Jenny Slate) looming marriage to straight-laced Ben (Jay Duplass) prompts a willful dive into her wild side, while her younger sister, Ali (Abby Quinn), is still in high school but leads a covert life of sex, drugs, and clubbing. After discovering love letters penned by their father (John Turturro), the sisters try to expose his apparent affair while keeping it from their all-too-composed mother (Edie Falco). (Sundance Film Institute)
Did you know? Gillian Robespierre and Elisabeth Holm previously collaborated on critically acclaimed “Obvious Child,” which also stars Jenny Slate. As Ropespierre told Women and Hollywood, her new film explores the “female perspective of monogamy across multiple generations.”
The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Charlize Theron) is equal parts spycraft, sensuality, and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies.
Did you know? Charlize Theron fought for her character’s no-strings-attached, one-night stand with a female agent. After all, as Theron herself rhetorically asks, “Why is it that James Bond can sleep with every girl in every movie” and nobody questions his lack of emotional investment?
A decade after “An Inconvenient Truth” brought climate change into the heart of popular culture, comes the riveting and rousing follow-up that shows just how close we are to a real energy revolution. Vice President Al Gore continues his tireless fight traveling around the world training an army of climate champions and influencing international climate policy. Cameras follow him behind the scenes — in moments both private and public, funny and poignant — as he pursues the inspirational idea that while the stakes have never been higher, the perils of climate change can be overcome with human ingenuity and passion.
Did you know? During an interview with Women and Hollywood, Cohen explained that she wanted audiences to leave the film feeling “empowered — like change is possible and in their hands.” This thirst for change continues throughout her personal work; she is a co-founder of the Catapult Film Fund, which provides development funding and informal mentorship to documentarians.
“From the Land of the Moon” — Co-Written and Directed by Nicole Garcia
“From the Land of the Moon”
In 1950s France, Gabrielle (Marion Cotillard) is a passionate, free-spirited woman who is in a loveless marriage and falls for another man (Louis Garrel) when she is sent away to the Alps to treat an illness. Gabrielle yearns to free herself and run away with André.
Did you know? “From the Land of the Moon” was one of only three female-directed films that played in competition at last year’s Cannes Film Festival. Garcia’s work was in good company, as Andrea Arnold’s “American Honey” and Maren Ade’s “Toni Erdmann” also graced the screen. Think this year’s Cannes is any better? Check out Women and Hollywood’s infographic and festival thoughts.
Baltimore is a city that is fighting to save its youth. This documentary chronicles the trials and triumphs of the Senior girls on the high school’s Step Team as they prepare to be the first in their families to go to college — and the first graduating class of The Baltimore Leadership School for Young Women. “Step” is more than just a hobby for these girls, it is the outlet that keeps them united and fighting for their goals.
Did you know? “Step” was awarded the U.S. Documentary Special Jury Award for Inspirational Filmmaking at Sundance 2017 and was picked up at the festival by Fox Searchlight for $4 million.
In the summer of 1967, a handful of rioters took over the city of Detroit following a police raid on an unlicensed bar. Army paratroopers, National Guardsmen, and state and local police were called on to help put a stop to the rioting, which lasted for five days. What sparked the riots was the racism and discrimination of the police force that was felt within the city by the African American population.
Did you know? This is the third collaboration between Kathryn Bigelow and screenwriter Mark Boal, who also worked together on “Zero Dark Thirty” and “The Hurt Locker.” Both Bigelow and Boal won Oscars for the latter.
Ingrid (Aubrey Plaza) is an unstable young woman with a checkered past of obsessive behavior. She secretly moves to Los Angeles to get close to Taylor Sloane (Elizabeth Olsen) — an Instagram “lifestyle guru” with a fabulous artist boyfriend, a camera-ready terrier, and an array of new products and brands to promote to her followers. After Ingrid adopts a Taylor-made identity for herself, her machinations to prove she’s Bff material for her Insta idol are underway — that is, until she meets Taylor’s obnoxious brother Nicky (Billy Magnussen), who threatens to tear down her façade. (Sundance Film Festival)
Did you know? “Ingrid Goes West” won the Salt Screenwriting Award at Sundance 2017, and was picked up by distributor Neon.
Based on one of the longest-running New York Times bestsellers, “The Glass Castle” tells the story of Jeannette Walls’ (Brie Larson) unconventional upbringing at the hands of her deeply dysfunctional and uniquely vibrant parents (Naomi Watts and Woody Harrelson), and her journey towards acceptance and fulfillment.
“Whose Streets?” (Documentary) — Co-Directed by Sabaah Folayan
The activists and leaders who live and breathe this movement for justice bring you “Whose Streets?” — a documentary about the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and then left lying in the street for hours, it marks a breaking point for the residents of St. Louis County. Grief, long-standing tension, and renewed anger bring residents together to hold vigil and protest this latest tragedy. In the days that follow, artists, musicians, teachers, and parents turn into freedom fighters, standing on the front lines to demand justice. As the National Guard descends on Ferguson, a small suburb of St. Louis, with military grade weaponry, these young community members become torchbearers of a new wave of resistance.
Did you know? As Sabaah Folayan told Women and Hollywood, “Whose Streets?” exists to “honor those who put their lives and livelihoods on the line to fight for our constitutional rights.”
In a coming-of-age story straight out of Jersey, an unlikely rapper (Danielle Macdonald) finds her voice as a one-of-a-kind hip-hop legend in the making in “Patti Cake$,” the first feature film from acclaimed commercial and music video director Geremy Jasper. Set in gritty strip-mall suburbia, “Patti Cake$” chronicles an underdog’s quest for fame and glory with humor, raw energy, and some unforgettable beats.
Did you know? The film has been compared to “8 Mile” and “Hustle & Flow,” but it’s a departure from these films because its central figure is a woman. “Patti Cake$” examines the barriers women face in entering the world of hip hop. At the same time, it questions whether its central figure is appropriating black culture.
“The Unknown Girl”
“The Unknown Girl”
Dr. Jenny Davin (Adèle Haenel) runs a busy bare-bones medical clinic on the outskirts of Liege. Late one night, hours past closing time, Jenny ignores a buzz at the clinic’s door. The next morning she learns that this buzz came from a young woman in need of help, and that this unidentified caller is now dead. Weighed down by guilt and the thought of an unknown girl in an unmarked grave, Jenny applies her methodical, diagnostic mind to the case, making it her mission to find out who this woman was, and who, or what, was responsible for her death. (Toronto International Film Festival)
Did you know? The film’s directors, the Dardenne brothers, initially wanted to cast Marion Cottilard in the role, but ended up casting her in the Oscar-nominated “Two Days, One Night” instead.
Summer 2017 Film Preview was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »
- Kelsey Moore
The film community is mourning the loss of Roger Moore. The British actor, best known for playing James Bond, passed away on Tuesday in Switzerland after a short battle with cancer. Moore’s children, Deborah, Geoffrey and Christian, confirmed the news via Twitter. The actor was 89.
“The love with which he was surrounded in his final days was so great it cannot be quantified in words alone,” read the statement. “We know our own love and admiration will be magnified many times over, across the world, by people who knew him for his films, his television shows and his passionate work for Unicef which he considered to be his greatest achievement.”
Read More: Roger Moore, Iconic James Bond Actor, Dead at 89
- Yoselin Acevedo
Narrowing down the 15 best movies in any genre is tough, but for lesbian films you have to begin with a reductive question: What is a lesbian film? What, in fact, is a lesbian? (But that’s a different piece). Must the film focus primarily on a gay storyline, or can it feature strong lesbian characters doing something entirely different than just being lesbians? Is subtext enough? How much cinephile wrath will rain down on us for the absence of a certain recent Oscar nominee?
Ultimately, the best lesbian films honor the traditions of queer cinema in all of its glory: Strong women, high entertainment value, and bold visuals reign supreme. Too often, lesbian characters are either unattractive man-haters or used for titillation. These movies reclaim all of that; they’re the movies you will see played on a loop in the club, or at an underground rooftop movie night. Some »
- Jude Dry
“Illicit” begins, believe it or not, with a title card offering the dictionary definition of its title, which may or may not speak volumes about just how slow on the uptake filmmaker Corey Grant assumed his potential audience would be. The movie itself could be defined as the latest and least in a long line of “Fatal Attraction” knockoffs, if only it didn’t devolve into something much sillier during its final 20 minutes. Indeed, even during the first 99 minutes, the overstated melodrama frequently veers close to self-parody as the predominantly African-American cast is called upon to histrionically underline and italicize the introduction of every major plot point.
On the other hand, there is one thing that distinguishes “Illicit” from most other “Fatal Attraction” wannabes: This particular tale of ill-considered adultery offers equal opportunities for unfaithful spouses. Sasha Curtis (Shireen Crutchfield), a beautiful former model, is by turns neglected and dominated »
- Joe Leydon
Nearly two years after Bobbi Kristina's death, Whitney Houston's daughter's life is getting the TV movie treatment.
Watch: Bobby Brown Pays Tribute to Late Daughter Bobbi Kristina on Her Birthday: 'Today We Celebrate You Baby Girl'
The project, titled Bobbi Kristina, will offer an "intimate look at the highs and lows of parental, familial and romantic love complicated by fame through the eyes of a sensitive, vulnerable young woman," the network said.
Former Real Housewives of Atlanta star will star as Houston, Hassan Jonson has been tapped to play Brown, and Vivica A. Fox rounds out the cast as Houston's sister-in-law, Pat Houston.
"Bobbi Kristina's high-profile life -- and untimely death -- may have been shrouded »
It’s been nearly two years since the tragic death of Bobbi Kristina Brown, the daughter of R&B singers Whitney Houston and Bobby Brown. And this summer, TV One will turn the 22-year-old’s brief time in the spotlight into a made-for-tv biopic.
The network announced plans for the film, titled Bobbi Kristina, during their annual “upfront” presentation this week, telling reporters the project would offer an “intimate look at the highs and lows of parental, familial and romantic love complicated by fame through the eyes of a sensitive, vulnerable young woman.”
Playing Bobbi Kristina will be Disney channel »
- Dave Quinn
A Man ApartIn October 2016, Vin Diesel revealed that the director of The Fate of the Furious, the eighth installment in the multi-billion dollar series of films, would be none other than F. Gary Gray. To those familiar with his work, it seemed like a natural fit. Gray has worked in Hollywood for over twenty years and is one of the most financially successful black directors in history. Coming off of the massive success of Straight Outta Compton (his second film to gross over $100 million dollars at the domestic box office, after 2003’s The Italian Job), Gray seemed like the ideal choice for the latest Fast and Furious installment, where he could return to his cinematic trademarks: guns, heists, fast cars and racially diverse ensembles. These elements were staples of Gray’s work even before his first feature in 1995. Gray, a South Central Los Angeles native, began as a cameraman for Bet and Fox, »
"Play On" felt like a bit of a letdown after the adrenaline shot to the heart that was Empire Season 3 Episode 10. Then again, anything was going to feel like a letdown after Cookie's big bust-up with Lucious.
On Empire Season 3 Episode 11, it was back to business as usual – literally. The usual people butted heads, fought for power, argued over music, and so on and so forth.
While these kinds of things happened in the spring premiere as well, that episode had the benefit of being the show's welcome return after a few months away. Two episodes in a row of similar storylines makes one realize how little the show has actually moved forward.
That isn't to say "Play On" wasn't an entertaining hour of television. There were plenty of great moments, starting with the return of the fabulous Vivica A. Fox as Cookie's high-society sister, Candace.
Just because he was »
- Lee Jutton
Mann & Wife is back. This week, Bounce TV announced season three of the series will premiere next week.The sitcom stars real-life married couple and executive producers David and Tamela Mann as Daniel and Toni Mann, newlyweds trying to negotiate their new life and extended families. The cast also includes Jo Marie Payton, Tony Rock, Tiny Lister, Steven Walsh Jr., Lauryn Kennedy Hardy, Amir O’Neil, Jadah Marie, and Vivica A. Fox.Read More… »
Image Source: Getty / Lee Celano The Oscars have been plagued by obvious race issues since they began in 1929, and things seemingly came to a head with the #OscarsSoWhite discussion a couple of years ago; the overwhelming lack of diversity in nominees in both 2015 and 2016 resulted in Academy president Cheryl Boone Isaacs taking bigger, more noticeable steps to double the number of diverse members in its voting body by 2020. Nevertheless, a black actor (the incomparable Sidney Poitier) wasn't awarded until 1964, and it was only in 2002 that Halle Berry became the first black woman to win a best actress trophy. At this year's ceremony, Mahershala Ali and Viola Davis won for their supporting roles, adding to a pretty short list. So, just how many black actors have won Oscars over the years? Sixteen. A whopping sixteen distinguished, talented people in 89 years. Scroll through to see who they are and learn about the records they've broken. »
- Brittney Stephens
Halle Berry's Oscar win for Monster's Ball made her the first black woman to win best actress and only the second to win an Academy Award since the ceremony's inception in 1929. She gave a heartfelt, emotional speech that still brings us to tears thanks to its sincerity and passion; Berry didn't just accept the honor on her behalf, but paid homage to the women of color who came before her. "This moment is so much bigger than me," Berry told the crowd through tears. "This moment is for Dorothy Dandridge, Lena Horne, Diahann Carroll. It's for the women that stand beside me, Jada Pinkett, Angela Bassett, Vivica Fox. And it's for every nameless, faceless woman of color that now has a chance because this door tonight has been opened." Berry will be returning to the Oscars stage on Sunday to mark the 15th anniversary of her historic win, and »
- Brittney Stephens
Alvester Martin has been one of the most controversial figures in Season 1 of Vivica’s Black Magic on Lifetime, after feuds with both choreographer Darrin Henson and Vivica A. Fox. But with his hunky good looks, impressive moves and chiselled torso, he got many fans weak at the knees. Fans have been asking who he is — so we delved a little into his background. Alvester actually joined Vivica’s Black Magic after a long run of success as a dancer and actor, with his sights set on smashing it in the music industry too. In the past he’s toured with a whole host of...read more »
- Julian Cheatle
Alvester Martin has been nothing but trouble for Vivica A. Fox in her project to create her all-male revue show on Vivica’s Black Magic — and this week he crosses the line. Not only that, but he also disses his boss big-style saying: “I’ve lost all respect for her.” The feud comes in the penultimate episode of the season as the men prepare for their Las Vegas debut with a final performance in Los Angeles. But both Penetration and Alvester — who’s been hard work for the organisers since the start of the season — leave the team high and...read more »
- Julian Cheatle
They’re making Adele feel their love.
After re-starting her tribute to late music icon George Michael during the Grammys on Sunday, celebrities and fans were quick to rally behind the clearly emotional star on social media.
“@Adele, you get every do over you ever need. Ever. #GRAMMYs,” wrote Ellen DeGeneres.
Echoed Bette Middler, “#Adele taught us a all a great lesson just now. If it’s not right? Start Over And Nail It! And she did. Love you, girl.”
.@Adele, you get every do over you ever need. Ever. #GRAMMYs
— Ellen DeGeneres (@TheEllenShow) February 13, 2017
#Adele taught us a all a great lesson just now. »
- Lindsay Kimble
Keep up with the wild and wooly world of indie film acquisitions with our weekly Rundown of everything that’s been picked up around the globe. Check out last week’s Rundown here.
-Sony Pictures is acquiring the worldwide rights to “Greyhound,” the World War II drama written by Tom Hanks, Deadline reports. Hanks will also star in the film, which will be directed by Aaron Schneider (“Get Low”), and produce with his Playtone partner Gary Goetzman.
- Graham Winfrey
This July, they're ready to Set. It. Off. The restricted trailer for Universal Pictures' Girls Trip has just debuted online. We also have the first poster and plenty of new images from this R rated party that are sure to get your motor running.
Producer Will Packer (Ride Along and Think Like a Man franchises, upcoming Almost Christmas) presents Girls Trip, a new comedy from director/producer Malcolm D. Lee (The Best Man franchise, Barbershop: The Next Cut). When four lifelong friends, Regina Hall, Queen Latifah, Jada Pinkett Smith and Tiffany Haddish, travel to New Orleans for the annual Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there's enough dancing, drinking, brawling and romancing to make the Big Easy blush. James Lopez, head of motion pictures for Will Packer Productions, and Preston Holmes, executive produce.
The film had its world premiere last year at the American Black Film Festival, and will go on to play the Pan African Film Festival and Toronto Black Film Festival later this year. Breaking Glass is planning a theatrical release in Atlanta and Chicago in early May and a VOD/DVD release on May 23.
The story centers on a well-liked parole officer and a beautiful former model (Shireen Crutchfield) who enjoy a successful marriage until she gets the itch to go back to work. As the wife forms a friendship with an emerging photographer, the husband is dealing with a parolee who proves to be more than he bargained for.
- Dave McNary
Get ready for a double dose of ripped torsos on Vivica’s Black Magic this week — as the hunks from legendary Las Vegas revue show Thunder From Down Under make an appearance. Vivica A. Fox wants to go all-out to find success with her own show in Sin City, so calls in the Thunder From Down Under guys — who have their own show at the Excalibur hotel and casino — for some inspiration. But the blokes from Australia get a bit of a frosty reception when they turn up, as Michael ‘Bolo’ Bolwaire speaks for them all when he says:...read more »
- Julian Cheatle
Choreographer Darrin Henson is back at work on this week’s Vivica’s Black Magic — but things don’t go smoothly when he nearly comes to blows with dancer Alvester Martin. The pair have a history of not seeing eye to eye, and it comes to a head this episode when their feud hits new heights. Vivica A. Fox is excited after managing to get top Vegas promoter Marklen Kennedy to see the guys dance, and she’s happy with their “Matrix meets Mad Max — but with a whole lot of skin showing” routine. But she then has to deal with a disaster...read more »
- Julian Cheatle
As we prepare to celebrate films like La La Land and Hidden Figures at the Oscars in late February, it's important to remember the historic award show's roots (and let me tell you - those roots are covered in a hell of a lot of satin). Two decades earlier at the 1997 Academy Awards, the red carpet was crawling with celebrity couples. From enduring Hollywood duos like Kurt Russell and Goldie Hawn to some short-lived flings (Vivica A. Fox and Dennis Rodman, anyone?), the Oscars that year were a hotbed of Pda, hand-holding, and some very . . . um . . . interesting fashion choices. Bask in the glory of all of these late-'90s couples ahead! Related:20 Power Couples Who Ruled the Red Carpet at the 1997 Golden Globes »
- Quinn Keaney
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