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The 2015 Sundance Film Festival has been slowly unveiling the films that will screen in Park City, Ut from January 22-February 1. We’ve already listed the midnight line up as well as the list of films in competition. Now, the Premieres have been revealed and the event is looking more and more promising. The entire slate include films directed by Noah Baumbach, James Ponsoldt, Paul Weitz, Jared Hess, Joe Swanberg, Charles Stone III and others. Here is the full list.
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.
Brooklyn / United Kingdom (Director: John Crowley, Screenwriter: Nick Hornby, based on the book by Colm Tóibín) — 1950s Ireland: Eilis must confront a terrible dilemma — a heartbreaking choice between two men and two countries, between duty and true love. Cast: Saoirse Ronan, Domhnall Gleeson, Emory Cohen, Julie Walters, Jim Broadbent.
Digging for Fire / U. »
Our Sundance 2015 pre-coverage continues with some first look images and synopses from a collection of films that will have their world premiere in the Premieres category at the 2015 Sundance Film Festival. Briefly: Seoul Searching – Directed and Written by Benson Lee; starring Justin Chon, Jessika Van, In-pyo Cha, Teo Yoo, and Esteban Ahn, Byul Kang. Ten Thousand Saints – Co-directed and co-written by Robert Pulcini, Shari Springer Berman; starring Ethan Hawke, Asa Butterfield, Emily Mortimer, Julianne Nicholson, Hailee Steinfeld, and Emile Hirsch. Zipper – Directed and co-written by Mora Stephens; starring Patrick Wilson, Lena Headey, Richard Dreyfuss, Ray Winstone, John Cho, and Dianna Agron Hit the jump to check out the images and synopses. The 2015 Sundance Film Festival runs January 22nd – February 1st. Seoul Searching A comedy set in the '80s about a group of foreign-born Korean teenagers who meet at a Seoul summer camp to learn what it means to be Korean. »
- Haleigh Foutch
It gets harder and harder each and every year to find that perfect gift for the one you love. Thanksgiving is over, so its time to get a jump start on your Christmas shopping today! We've collected all of the biggest and best Blu-ray and DVD releases available this year in one convenient place. Whether you're hunting for Dad, Mom, a cousin, your kids or that long distant Aunt whose been living in a commune for the past three years, you simply can't go wrong with the gift of movies, or a favorite TV show. From the biggest Hollywood blockbusters to a few cult favorites, and even a very obscure release for that one snobby cinefile on your list, we have everyone covered...Even you! Take a look, and discover that finding the perfect gift really isn't that hard. Not when everyone loves a good film! Here is the best »
Few directors can be said to have changed the way films are made, but Mike Nichols, who died Wednesday at 83, was one of them. His first film, "Who's Afraid of Virginia Woolf?" (1966), ended decades of Hollywood censorship of adult content and freed the movies for mature language and subject matter ever after. His second film, "The Graduate," was the first serious mainstream movie to feature a rock soundtrack (spawning Simon and Garfunkel's hit "Mrs. Robinson") and, through its casting of Dustin Hoffman, expanded Hollywood's notion of what a leading man ought to look and sound like.
Nichols wasn't born in America (he and his family escaped from Nazi Germany when he was a child), but he was one of the best chroniclers of contemporary America -- its politics, its aspirations, its dreams, its aristocracy, and its successes and failures -- in movies. His youth in Manhattan as the son »
- Gary Susman
Legendary film and theater director, writer and producer Mike Nichols has passed away. An Oscar winner for 1967′s seminal The Graduate, he also was nominated for such films as Working Girl, Silkwood and Who’s Afraid Of Virginia Woolf? For his stage work, he amassed 10 Tony Awards including as director for such plays as Barefoot In The Park, The Odd Couple, The Prisoner Of Second Avenue and Death Of A Salesman; and as producer of Annie and The Real Thing.
“William Goldman said there were two great American film directors—Elia Kazan and Mike Nichols,” said Broadway producer Emanuel Azenberg, who co-produced Tom Stoppard’s The Real Thing with Nichols, who also staged ythe play’s Tony-winning Broadway edition with Glenn Close and Jeremy Irons. “I think that’s true. He was a giant who could convince people to be better than they were.”
Nichols died suddenly late Wednesday night »
- The Deadline Team
Allison Janney, awards contender Jk Simmons and Chris Elliott also star in the story of a former Oscar-winning screenwriter who takes a job at a university in upstate New York where he falls for a single mother.
Breakthrough Entertainment has sold all Us rights on dramatic comedy Cas & Dylan to eOne. Richard Dreyfuss plays a dying doctor who goes on the road with an unorthodox young lady.Bond/360 has taken Us rights to the imminent Doc NYC screening In Country, about a group of men who reenact battles from the Vietnam War every year. »
- firstname.lastname@example.org (Jeremy Kay)
The deal was made at the American Film Market, which closed Wednesday. Dreyfuss plays a dying doctor who inadvertently winds up on the lam with an “anything-but-normal” 22-year-old girl, portrayed by Maslany.
- Dave McNary
Entertainment One has taken U.S. distribution rights to Jason Priestley’s Cas & Dylan, which stars Richard Dreyfuss and Tatiana Maslany. Cas & Dylan, which marks Priestley's feature directorial debut, stars Dreyfuss as Dr. Cas Pepper, a dying man whose plans to check out on his own terms take a reluctant detour when he winds up on the lam with a young woman, played by Maslany. Read more Eric Peterson, Aaron Poole Join Jason Priestley's 'Cas & Dylan' Feature The Beverly Hills, 90210 alum directed the Canadian indie film from a script by Jessie Gabe. Mark Montefiore produced Cas & Dylan, which
- Etan Vlessing
Richard Dreyfuss and Orphan Black‘s Tatiana Maslany star in Cas & Dylan, the feature directorial debut from Jason Priestley. Entertainment One has taken all U.S. rights on the Canadian pic which sees Dreyfus as a dying doctor whose plans to check out on his own terms take a reluctant detour when he inadvertently winds up on the lam with an anything-but-normal 22-year-old girl. Produced by Montefiore Films, Cas & Dylan is written by Jessie Gabe (Mr. D, Being Erica). Breakthrough Entertainment acquired distribution rights to Cas & Dylan in 2013 and the eOne deal was brokered by Breakthrough’s Tim Brown and eOne’s Berry Meyerowitz.
Image Entertainment has taken all U.S. rights to the Marc Lawrence-directed The Rewrite. The romantic comedy reteams Lawrence with star Hugh Grant after previous collaborations on Two Weeks Notice, Music And Lyrics, and Did You Hear About The Morgans? Marisa Tomei, Allison Janney, J.K. Simmons and Chris Elliott co-star. »
- Nancy Tartaglione
BBC Two series Tomorrow's Worlds: The Unearthly History of Science Fiction will be accompanied by three iPlayer specials later this month.
Have your say: Vote to decide the greatest sci-fi movie of all time
Invasion of the Fans will follow the genre's most devoted followers as they attend conventions and reveal how science fiction has changed their lives.
Meanwhile, Days of Fear and Wonder will focus on the British Film Institute's nationwide celebration of the genre.
Historian and author Dominic Sandbrook is »
For fans of Gotham, Cory Michael Smith is known as Edward Nygma, but on Sunday night, he will set aside his riddles to appear in a new miniseries from HBO titled Olive Kitteridge. In the four-part miniseries, based on the book by the same name, Frances McDormand stars at the title character. The series tells the story of her life, her relationship with her husband (Richard Jenkins), and her interactions with others in her small town, all spanning over 25 years. And in part two of the miniseries, viewers will meet Kevin Coulson, Smith's character. When asked to describe the miniseries, »
- Samantha Highfill
Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman, »
- Andre Soares
20. The Godfather (1972)
Scene: The Horse Head
It’s the sweeping epic that eventually spanned three films. But, without the sequels, the first still stands as one of the greatest cinematic achievements of all time. The Godfather is a crime drama, a family drama, and a warped version of the American dream. The story focuses on the Corleone family, beginning at the marriage of his daughter, an expansive reception that serves as a wonderful introduction to the characters we would grow to love. Part of this intro is to demonstrate how ruthless the family could be if called to. Vito (Marlon Brando) will grant requests on this day, as it is his daughter’s wedding day. One of those requests comes from Johnny Fontane (Al Martino), Vito’s godson and a professional singer. He wants to land a contested part in a film, so »
- Joshua Gaul
'Interstellar' movie review: 'Ravishing, but overextended mind-bender' (photo: Anne Hathaway in 'Interstellar') There are many intriguing questions raised in director Christopher Nolan's ravishing, overextended mind-bender Interstellar. One of the first: has a theoretical physicist ever received an executive producer credit on a nine-figure, studio movie? Probably not, but if 74-year old Caltech professor Kip Thorne were to find any director willing to tap his intellect for an above-the-line credit, it would be Nolan. His movies are puzzle boxes of plot and theme that have become grander in scope as they've become more opaque in effect. At this point, every Nolan film contains the moment when we ask ourselves if the director himself has completely thought everything through. That's certainly true of Interstellar, where the London-born director and his screenwriter brother Jonathan utilize Thorne's theories on relativity and gravitational physics to bandy about questions as deep »
- Mark Keizer
Ever since his breakout role in 2004's Dodgeball: A True Underdog Story, Joel David Moore has been entertaining audience with his diverse array of talents that span several genres, from comedy (Grandma's Boy) to horror (Hatchet) to serious dramas (Beyond a Reasonable Doubt) to the biggest movie of all time (Avatar). He has even gone behind the camera to bring us the phenomenal indie Spiral, which he co-directed with Adam Green and he currently stars on the ABC drama series Forever. The actor goes back to his indie horror roots with the thriller Grace: The Possession, currently available on DVD and Digital HD, where he plays Luke, a young priest who helps the title character (Alexia Fast) with her "demons," literally.
In David Cronenberg’s world, sex hurts so good; it’s innately disgusting and primeval but at the same time beautiful and becoming. (Kind of like sex in the real world, when you think about it.) Bodies degenerate and mental states corrode under the influence of lust, and yet something new is engendered by the collision of bodies, bodily fluids, the ripping of flesh and the mangling of organs. Through the carrion of ugly comes the attractive flesh, the new flesh. Videodrome, as Jonathan Lethem once quipped, remains Cronenberg’s most penetrative film; he creates a world at once rooted in modernity circa 1983–a world afraid of the advent of television usurping our humanity, over-stimulated times ushering in the end times–and existing in a timeless, placeless vacuum. It’s vast and claustrophobic, prescient and paranoid, of the same lineage as early James Cameron »
- Greg Cwik
The Post-1960S, Pre-Digital Age: Real-time One-offs, 1975-1998
British filmmaker John Byrum is responsible for the first (and in some ways only) real-time period film. Inserts (1975), set in the early 1930s, is about a Boy Wonder movie director (called Boy Wonder, played by Richard Dreyfuss fresh from American Graffiti (1973) and Jaws (1975)) now washed up before the age of 30, resigned to making porn because of Hollywood’s conversion to sound. Not only is Inserts scrupulously real-time (with the exception of the opening credits sequence, which offers glimpses of the stag film we’re about to see made) and period, but it’s rather long for such a film, just shy of two hours. To tell the entire story would be spoiling the fun, but the Boy Wonder deals with recalcitrant actresses, the problem of his own potency, career problems, death, sex, after-death and after-sex…and in the end, as »
- Daniel Smith-Rowsey
They say we don't go to outer space anymore. But Christopher Nolan is doing a pretty good job of faking it. It's October 2013, and we are on the set of code name Flora's Letter, a.k.a. Interstellar, an epic sci-fi adventure that represents the beginning of the director's post-Batman life. Working on the same soundstage where he once built a dank batty cave for Christian Bale to skulk in, the British-American helmer has constructed a starship to take Matthew McConaughey and Anne Hathaway across the universe to find salvation for the human race. On screen that ship, the Endurance, »
- Jeff Jensen
Director: Steven Spielberg
In my lifetime, there hasn’t been a more influential and exciting film director than Steven Spielberg. He’s a man who’s managed to pluck at every heartstring, surprise with every creation, excites with continual fresh ideas and given some of the finest and most unforgettable cinema in modern movie history. The Steven Spielberg Director’s Collection, available on Blu-ray today from Universal Pictures International Entertainment, is the first time they’ve collected eight of his best.
It begins with his first feature-length television movie Duel from 1971. The film is written by the legendary Richard Matheson and has a very basic premise but is still an effecting thriller to this day. Starring Dennis Weaver as an everyday travelling salesman, he’s heading back home on a long drive and unintentionally »
- Dan Bullock
Kevin Smith is actually directing an homage to Jaws, of sorts, currently titled Moose Jaws, which replaces a man-eating shark with a moose, which he wants to make as close as he can to the original Jaws, "without getting sued by Universal." That topic got the director thinking of the original Jaws, one of his favorite movies, and how much he would like to see Steven Spielberg direct another sequel. Here's what the filmmaker had to say, when asked if he thinks the original will ever be rebooted.
"Yeah ... just probably not while Mr. Spielberg's around. But sooner or later, someone will be like, yeah, people are still afraid of sharks, right? And probably get to it. »
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