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Review: ‘The Commuter’ is a Blissfully Lucid Thriller

In the world of Hollywood where “action” is often synonymous with CGI-heavy monstrosities splattered across the screen backed by an assaultive sound design, the blissful visual coherence and immaculately-constructed thrills in the films of Jaume Collet-Serra can feel like the third coming of Alfred Hitchcock (after Brian De Palma, of course). Following a trio of films led by Liam Neeson, he shortened his scope with the career peak of The Shallows, an ingeniously simple but no-less exhilarating shark thriller. The Commuter reunites him with his action muse, multiplying the single-cabin setting and inherent mystery of Non-Stop ten-fold, this time on a Metro-North train.

Michael McCauley (Neeson), a middle class insurance salesman from the Hudson Valley, has the same daily routine. He wakes up, gets dressed, has his morning cup of coffee, has a few exchanges with his family, then his wife drives him to the Metro-North train station where he commutes into work.
See full article at The Film Stage »

Beauty vs Beast: Ebbing Through Awards Season

Jason from Mnpp here with this week's post-Globes edition of "Beauty vs Beast." And let's just get this out of the way right up front: Frances McDormand is, in the wise parlance of Groundhog Day, if not The God, A God. Every second she's on screen at any awards show ever is a gift - for the lovers, the memers, and me. I'm one of the ones who kind of can't with Three Billboards (although I fall more in the middle than most) and I don't even think Franny's doing anything near her best work in it, but trot her out in a stately pilgrim sack and have her scowl at the camera-man and my heart sings. I'll just pretend they're still giving her awards for Olive Kitteredge (while pouring one out for Sally Hawkins).

All of that is to say that if we're going to do Three Billboards for
See full article at FilmExperience »

Drew Barnhardt’s ‘Rondo’ Enters a World of Sex, Murder, and Revenge [Trailer]

Drew Barnhardt’s ‘Rondo’ Enters a World of Sex, Murder, and Revenge [Trailer]
Writer-director Drew Barnhardt and producer Guy Clark recently announced the completion of their feature film , shot on location in Denver, Colorado last year. In the tradition of Alfred Hitchcock’s Psycho and Brian De Palma’s Body Double, Drew Barnhardt’s Rondo is said to be “a sexy, funny, and distinctly modern update to the suspense thriller.” In the film, “Paul, a […]
See full article at Bloody-Disgusting.com »

Jerry Greenberg, ‘The French Connection’ Editor, Dies at 81

Jerry Greenberg, ‘The French Connection’ Editor, Dies at 81
Jerry Greenberg, the film editor who created one of the most legendary car chase scenes in history, died Friday after a long illness. He was 81.

While Greenberg was best-known for his Oscar- and BAFTA-winning editing for “The French Connection,” which included an iconic car chase sequence, he worked on other notable films like “Apocalypse Now” and “The Untouchables.” His work on “Apocalypse Now” earned him a second Oscar nomination in 1979, as well as BAFTA and Ace Eddie award nominations, alongside his co-editors. He received a second Oscar nomination in the same year for his editing of “Kramer Vs. Kramer.”

His career began as an assistant to pioneering editor Dede Allen on 1963’s “America America,” and he went on to assist her on “Bonnie and Clyde,” which received acclaim for its final ambush scene that contained more than 50 cuts in under a minute. He notably collaborated with director Brian De Palma after working on 1980’s “Dressed to Kill,” which
See full article at Variety - Film News »

New to Streaming: ‘The Killing of a Sacred Deer,’ ‘It,’ ‘American Made,’ ‘Battle of the Sexes,’ and More

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

American Made (Doug Liman)

Perhaps the most interesting thing about American Made is that Tom Cruise still has the clout to get something like it into theaters. Guided by his Edge of Tomorrow collaborator Doug Liman, we are told the impossibly true story of Barry Seal, a bored pilot who becomes a C.I.A.-funded drug smuggler and living embodiment of the Reagan era’s bullshit-tery. Taking structural cues from stuff like Goodfellas and Blow,
See full article at The Film Stage »

Horror-On-Sea 2018 Interview: Romain Serir talks The Girl with Two Faces

The Girl with Two Faces (aka La Fille aux 2 visages) is new gothic thriller from writer and director Romain Serir, which has been selected to play at the Horror-on-Sea Film Festival on Saturday 27th January. I got chance to ask Romain a few questions about what we can expect, his influences behind the style of the film, why he decided to shoot in black and white.

What can we expect from the film?

A very gothic thriller and a strange love story between a sort of a mad scientist and two beautiful girls with the same face. Strange and dark at the same time I hope.

What was your inspiration for writing The Girl with Two Faces?

First it was a homage to George Franju, a famous French director who made The Eyes without a Face (1960) or Judex (1936). But I think I was also very influenced by Pinku, the erotic
See full article at Blogomatic3000 »

10 Wide Releases in 2017 That Exceeded Expectations

While wide releases like Star Wars: The Last Jedi, Dunkirk, Baby Driver, John Wick: Chapter 2, and Logan Lucky either met or fulfilled expectations this year, we had to dig deep for the studio films that caught us pleasantly off-guard. While much of our year-end coverage will be focusing on the overlooked gems, today we’re highlighting the few major releases that left us surprised.

Note that the below ten features are strictly films that received a wide release on their opening weekend and not ones that eventually expanded with a roll-out. Some, for various reasons, arrived with virtually little-to-no anticipation around these parts, while others wildly exceeded our standard expectations, and a few managed to be among our favorites of the year.

Check out our selections below and let us know what surprised you most in 2017.

Blade Runner 2049 (Ridley Scott)

It is hard to say where exactly expectations
See full article at The Film Stage »

December 12th Blu-ray & DVD Releases Include Game Of Thrones Season 7, House and House II: The Second Story Special Editions

  • DailyDead
We should go ahead and rename December 12th “Arrow Video Day,” because the fine fiends over there have a ton of titles coming out this Tuesday, including Special Edition sets for The Premonition and Malatesta’s Carnival of Blood, and they’ve also put together standalone special edition Blu-rays for both House and House II: The Second Story. Severin Films is resurrecting Asylum this Tuesday, and fans can finally get their hands on the latest season of Game of Thrones, as well as a box set featuring every episode from all seven seasons.

Other notable releases for December 12th include K-Shop, Once Upon A Time at Christmas, Brackenmore, The Snake Woman, Beware the Lake, and Hollow Creek.

Game of Thrones: The Complete Seventh Season (HBO, Blu-ray & DVD)

Summers span decades. Winters can last a lifetime. And the struggle for the Iron Throne has begun. It will stretch from the south,
See full article at DailyDead »

Blu-ray Review – Carrie (1976)

Carrie, 1976.

Directed by Brian De Palma.

Starring Sissy Spacek, Nancy Allen, John Travolta, William Katt, Piper Laurie, Amy Irving, P.J. Soles, and Betty Buckley.

Synopsis:

A shy teenage girl with a domineering religious mother unleashes hell with her telekinetic powers against all those who have wronged her.

On the back of their excellent release of John Carpenter’s The Thing on Blu-ray earlier this year, Arrow Video have yet again delved into the vault of horror classics from notable directors and given Brian De Palma’s 1976 adaptation of Stephen King’s Carrie a 4K restoration, presented here in a glorious limited edition featuring some juicy new extras.

Carrie White (Sissy SpacekJFK) is a shy teenage girl without any friends, bullied at school by the other girls and sheltered from the fun of regular teenage life by her overbearing religious mother Margaret (Piper LaurieThe Hustler), who punishes Carrie whenever
See full article at Flickeringmyth »

Casualties of War

Casualties of War

Blu-ray – Region B

Explosive Media

1992/ 2:35:1 / 113 Min. / Street Date December 1, 2016

Starring Michael J. Fox, Sean Penn

Cinematography by Stephen Burum

Written by David Rabe

Music by Ennio Morricone

Edited by Bill Pankow

Produced by Fred C. Caruso, Art Linson

Directed by Brian De Palma

In 1969 The New Yorker published a detailed exposé by Daniel Lang concerning four soldiers deployed in the Phu My district of Vietnam who abducted a young woman and raped her repeatedly over the course of the next 24 hours. The following day, fearing discovery by incoming American helicopters, the sergeant in command of the squad ordered her killed.

There was a fifth soldier traveling with that crew, Max Erickson, the only man in Lang’s reporting with anything resembling a moral compass, who observed the actions of his sidekicks with a mix of helplessness and horror. His accusations lead to courts martial
See full article at Trailers from Hell »

Why 2017 was the year of Stephen King on screen

Ryan Lambie Dec 8, 2017

As The Dark Tower heads to disc, we take a look back at a screen year that's been big for Stephen King adaptations...

In the late 60s and early 1970s, a new generation of horror storytellers brought the genre out of the past and into the troubled, turbulent present. In cinemas, such directors as George A Romero, Tobe Hooper and David Cronenberg ushered in a new age of modern, fleshier horror, where the images were disturbing and the capes and castles of old Dracula and Frankenstein movies were entirely absent.

Over in the literary world, such writers as Ira Levin (Rosemary's Baby) and William Peter Batty (The Exorcist) were injecting creating a similarly seismic impact, sparking a pulp horror boom that would last until well into the 1980s. Few authors, however, have enjoyed the fame or the sheer longevity of Stephen King. Still in his 20s when his first novel,
See full article at Den of Geek »

Horror-on-Sea 2018 Interview: Chris Moore talks ‘Blessed are the Children’

Blessed are the Children is new thriller from co-writer and director Chris Moore, which has been selected to play at the Horror-on-Sea Film Festival on Friday 19th January. I got chance to ask Chris a few questions about his inspirations for making the film, his influences and what makes Blessed are the Children stand out in the horror genre.

What can we expect from the film?

I think you can expect a slasher film that’s fun, has something to say, and characters you actually care about. It’s one of the most important things in a horror film, but a lot of people seem fine with just throwing in a gaggle of busty 20-somethings and calling it a day. I want you to actually feel something when these people are terrorized. I never want you rooting for the killers. I usually come up with a story or concept first
See full article at Blogomatic3000 »

'Gangster Land': Film Review

'Gangster Land': Film Review
Trying to find a new reason to tell stories already immortalized by Howard Hawks, Brian De Palma and others, Timothy Woodward Jr.'s Gangster Land shifts the focus from larger-than-life Al Capone to his henchman Jack McGurn, a boxer-turned-enforcer who helped plan the St. Valentine's Day Massacre. Respectable period production values and some recognizable castmembers are no substitute for imagination in this flat crime flick, which steals freely from its predecessors but offers none of their guilty-pleasure thrills.

Embodied most memorably as a mercurial showboat by Robert De Niro in De Palma's The Untouchables, Capone is oddly charisma-free here, played in...
See full article at The Hollywood Reporter - Movie News »

Interview: Director Peter Stray talks ‘Canaries’

How did you first get into filmmaking?

Growing up in Swansea, there was a strong arts lineage thanks to local youth theatres and the legacy of Dylan Thomas. I was always into acting and was a child of the movies. I learnt a lot from BBC2 documentaries interviewing directors, from Ken Loach to Brian DePalma. Also, my mum is a Professor of Anthropology and her department at Swansea University was in the same building as media resources, so I was able to borrow Svhs cameras and learn to edit on the giant VHS editing decks they had back in the day! I learnt by doing.

What can we expect from your first feature film Canaries?

You can expect some laughs, scares, sci-fi intrigue and some political / social subtext should you go looking for it. Mostly it’s just a fun tale to be enjoyed with a beer and friends.

Can
See full article at Blogomatic3000 »

Steven Spielberg Is More Than His Brand

Henry Bevan on Steven Spielberg

Is this the face of the most underrated director of the twenty-first century?

It’s odd to use the word “underrated” in regards to Hollywood’s most successful director. He is the man who did change the face of popular culture with a shark, an archeologist and a dinosaur. His latest film, The Post, appears on countless ‘Oscar 2018 prediction’ listicles before a single frame was seen, and the recent trailer has only amplified anticipation.

Yet, Spielberg’s filmography has always had a “but” attached to it. E.T. The Extra-Terrestrial is great, but too sentimental. Jurassic Park is a ground-breaking technical achievement, but its characters lack depth. The Color Purple is a touching film, but it isn’t raw enough. His commercial tendencies and success has seemingly made him miss out on the critical fawning afforded to his movie brat buddies Martin Scorsese or Brian de Palma.
See full article at Flickeringmyth »

David Lynch ‘Changed My Life,’ Says Photographer Gregory Crewdson

David Lynch ‘Changed My Life,’ Says Photographer Gregory Crewdson
The haunting still images of fine art photographer Gregory Crewdson grow out of his vision of a place both sad and beautiful, he told audiences at the Camerimage film festival this week.

Devotees of his large-format portraits of strange, melancholy scenes seemingly captured from the fringes of America’s working-class life suppressed their party hangovers to attend a morning screening of the short docu “Gregory Crewdson: There But Not There” at the Opera Nova hall in Bydgoszcz, Poland, and to meet the film’s main subject.

Crewdson’s new gallery show “Cathedral of the Pines” also opened this week alongside the art of David Lynch in the Polish town of Turon, just outside Bydgoszcz, a pairing Crewdson said was moving to him.

Lynch’s 1986 film “Blue Velvet” was a major inspiration for Crewdson as a young artist and grad student at Yale and “changed my life,” he said during the Camerimage opening gala Saturday.

Indeed, Crewdson
See full article at Variety - Film News »

Documentary Filmmaker Frederick Wiseman on Life in Donald Trump’s America

Documentary Filmmaker Frederick Wiseman on Life in Donald Trump’s America
Frederick Wiseman, 87, whom Camerimage Film Festival is honoring with a retrospective of five films and its award for Outstanding Achievements in Documentary Filmmaking, has remained resolute in his approach to subjects, from Chicago public housing to juvenile court, beef feed lots and Paris’ Crazy Horse nightclub, since 1967. That’s when his first film, “Titicut Follies,” exposed such abusive practices at the Bridgewater, Massachusetts hospital for the criminally insane that it was banned for decades (though attorneys argued it was a violation of patients’ privacy).

His new project, “Ex Libris,” is an incisive, three-hour-plus look at the New York Public Library system that presents a host of the real-life heroes, struggles and small victories that have drawn audiences to Wiseman’s work ever since he left behind his career as an instructor and/or researcher at Boston University, Brandeis and Harvard, and picked up a camera.

“Ex Libris” leaves you with kind of a glow – something about seeing
See full article at Variety - Film News »

‘Star Wars,’ ‘Carrie’ Editor Paul Hirsch on Working with George Lucas, Brian De Palma

‘Star Wars,’ ‘Carrie’ Editor Paul Hirsch on Working with George Lucas, Brian De Palma
With more than 40 films to his credit, spanning genres from comedy to suspense and sci-fi, Oscar-winning editor Paul Hirsch has much to offer in counsel to younger filmmakers as he visits Camerimage Film Festival for his award for “unique visual sensitivity.”

Having jumped into editing with no formal training on 1970’s “Hi, Mom!” for Brian De Palma, soon leading to work with George Lucas on the first “Star Wars” film – for which he won an Oscar along with Marcia Lucas, and Richard Chew – Hirsch says he’s always focused on rhythm and the structure of music as guiding forces in his work.

“Music and film are the only art forms where time is involved,” he says. “There are rhythms involved in architecture and poetry, of course. And I suppose dance is sort of grafted onto music.”

The graduate of the High School of Music & Art and a native New Yorker has employed his sense of staccato and counterpoint
See full article at Variety - Film News »

‘Mission: Impossible’ Producer Paula Wagner to Be Honored at Camerimage

Poland’s Camerimage cinematography fest, which kicked off Saturday, will honor Paula Wagner with its prize for “producer with unique visual sensitivity,” in recognition for her work on such films as “Mission: Impossible” and other partnerships with co-producer Tom Cruise.

With four decades of work, starting with projects such as Alejandro Amenábar’s chiller “The Others” and Billy Ray’s journalist drama “Shattered Glass,” the former actress built her career via agency work, repping talents such as Sean Penn, Val Kilmer, Demi Moore and Liam Neeson while at the Creative Artists Agency.

In 1993, she launched Cruise/Wagner Productions, which took on the film adaptation of the hit ‘70s TV suspense series “Mission: Impossible,” launching the franchise that continues to roll along. Cruise and Wagner also worked on Cameron Crowe’s mystery romance “Vanilla Sky,” based on Amenábar’s “Abre los ojos.”

Wagner then produced Edward Zwick’s Cruise-starrer “The Last Samurai,” exec produced
See full article at Variety - Film News »
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