|Ami Julius||(? - present) 3 children|
Usually plays tough guys or men of authority
Alumnus of New Trier Township High School East, Winnetka, Illinois. Other New Trier graduates include Ralph Bellamy, Charlton Heston, Rock Hudson, Hugh B. O'Brien, Ann-Margret, William Christopher, Bruce Dern, Penelope Milford, Virginia Madsen and Liz Phair.
Recorded his own version of the song "The Man They Call Jayne" for use as an easter-egg feature in the DVD collection of "Firefly" (2002).
Son: Devlin Shepard Baldwin (b. October 17, 1996). Daughters: Zoey Baldwin (b. 1990) and Jeselle Baldwin (b. 1992).
One of four actors from "Firefly" (2002) who voiced superheroes on "Justice League" (2001). He voiced Hal Jordan, the Silver Age Green Lantern, while Nathan Fillion voiced the Vigilante, Gina Torres voiced Vixen and Morena Baccarin voiced Black Canary.
According to the commentary track on Superman/Doomsday (2007) (V), he was the original choice to play the voice of Superman on "Superman" (1996): the Animated Series, but was unavailable at the time. The role then went to Tim Daly.
During his time away from work, Adam likes to mountain bike, go bowling, play Frisbee and baseball.
Frequently participates in celebrity hockey games.
Was named TV Guide's Sexiest Newcomer in 2005 even though he started his acting career in 1980.
Both Adam Baldwin and "Angel" (1999) co-star David Boreanaz have provided the voice of DC Comics' Green Lantern Hal Jordan, Baldwin in "Justice League" (2001) and Boreanaz in Justice League: The New Frontier (2008) (V).
Is politically very conservative and conducts ongoing political discussions on his Twitter account.
He is a frequent contributor to Breitbart.com's Big Hollywood blog.
It was never the fame or fortune that drove me to act. It was something I love and enjoy doing it. A lot of people identify who they are by what they do and that's not me. It's what I do but not who I am. Who I am is a parent. I'm a family man.
The inspiration for Jayne Cobb... I had just been trying to do Warren Oates from The Wild Bunch (1969) meets Eli Wallach from "The Good, the Bad and the Ugly." Guys like that. Those are guys I was trying to impersonate, mixed in with some Strother Martin. Those are great Western guys. I just always approached it as a Western, with that sensibility. You can shoot someone in the back and rationalize it, because you're out on the frontier, and survival of the fittest. No honor among thieves. It was up to Joss [Whedon] to infuse him with a little bit of a heart of gold and honor for [Nathan Fillion's character] Mal. The rest of them, he could take or leave them. And later I saw _Alien (1979)_ again, and it turns out I was just doing Yaphet Kotto.
I need my comfort zone. I think I blew out my ears listening to Led Zeppelin in my headphones, living in my basement apartment, so I don't hear too well in crowds. I like having conversations where I don't need to go, "Huh? What?"
We all felt unique and lucky working on a Kubrick movie, but everyone's human. It's not like we got there with these expectations that we'd be working with Kubrick, the master, the God. He's only human. Familiarity breeds contempt. We just wanted to know when it was gonna be done, and he would just say, "I don't know." We were young and unwise. We didn't know it would end at some point, but we should have realized. We should have enjoyed it while we were there.
What I try to do is to appreciate every job I have while I'm working on it. [Stanley] Kubrick taught me that on Full Metal Jacket. He said I wasn't patient enough. We were a bunch of cocky young actors. "We're in a Kubrick film! We've made it!" Big arrogant fat-headed idiots in green fatigues. I'll always reflect back on that. He showed me you should appreciate what you have while you have it.
It's great to be able to pretend you're tough but funny at the same time. Dry humor. The straight man is already kind of in my wheelhouse. It's a pleasure to play that. I'm not one to start rambling on a Neil Simon soliloquy. I'm no Jack Lemmon. The guys I grew up with, my cinematic heroes, have always been men of few words, but of action. Clint Eastwood, Eli Wallach.
[on acting] 'A lot of people identify who they are by what they do and that's not me. It's what I do, but not who I am. Who I am is a parent. I'm a family man!'
[on the cancellation of 'Firefly'] 'We were all heartbroken. It was a heartbreaker because we all understood how many stories there were to be told.'
[on his 'Firefly' character Jayne Cobb] 'Jayne for me is the role of a lifetime...he could be good, funny, bad, selfish or a slob-that guy can do no wrong!'
[on moving from the series '_Firefly (2002-2003)_' to the movie Serenity (2005)] It fit like a glove. I still had the boots from the series. I slipped right back into those, and a couple of the T-shirts. We upgraded them a little bit, and put on some cooler beltwork and weaponry. The gun sling that the prop guy made for the movie used a quick-release parachute capo. That was pretty cool. It was great to have that group back again, because at that point, we all appreciated what it was. It was probably the most fun job I've ever worked on. It was so sweet. Such redemption. I'm sorry the movie didn't make more money at the theaters. If we'd had three more million viewers for the show, we'd still be on the air, and if we'd had three million more butts in the seats, we'd probably have made a sequel or two. ... I think the movie title was also kind of misleading. I mean, Serenity is the right title, but also the wrong title. It sounds like a yoga class to the uninitiated. Also, the movie is much darker than the series. There wasn't as much camp and fun. That may have hurt it too. (A.V. Club interview, February 2, 2009)
[on winning the role of Jayne Cobb on '_Firefly (2002-2003)_'] I'm under the impression that getting the job was an outlet from having done some guest work on '_The X-Files (1993-2002)_'. I was in kind of a funky stage in my life. My kids were young, I was hanging out with them, playing a little golf. Being a slacker. My manager called up and said I had to meet the guys from X-Files. I'd auditioned for the Robert Patrick role, but I guess I was wrong for it. Wrong age, wrong type, or just too tall for Gillian Anderson. They liked the audition, though. They brought me back for something else, so Joss [Whedon] had seen my work on the network. So I was on their list, too. I read for him. It went by pretty quick. You read two scenes; if they like you, they test you within a week, and bang, you're off and running. I remember that Joss knew we were under the gun [with "Firefly"] from the get-go, because they weren't too thrilled with the pilot. So they gave us Fridays at 8 p.m.; they didn't want to use the two-hour pilot, because it wasn't finished. That's a reminder that you don't want to give your boss an unfinished product. There was a battle sequence that was supposed to open the show that wasn't in the pilot, so I guess it felt kind of plodding. We were thrown into a perfect storm of baseball playoffs and American Idol's first season. [A.V. Club interview, February 2, 2009]
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