7 items from 2015
Once Bitten: Cailley’s Unique Exploration of Summer Lovin’
Since premiering at the 2014 Cannes Film Festival, where it picked up the Fipresci Prize in the Directors’ Fortnight sidebar, Thomas Cailley’s directorial debut, Love at First Fight has been treated to generous critical acclaim. Nabbing three César Awards in February, including for Best First Film, Most Promising Actor, and a Best Actress award for Adele Haenel (trumping competition that included Juliette Binoche and Marion Cotillard). Basically a romantically inclined drama that subverts its conventions by playing around a bit with gender norms, its winning protagonists make this strangely and unpredictably funny film quite charming. Its original title, Les Combattants literally means The Fighters, which would have been much preferred to the horrid English language surrogate.
With their father recently deceased, brothers Manu (Antoine Laurent) and Arnaud Labrede (Kevin Azais) are forced to take over the family woodcutting factory, which »
- Nicholas Bell
It was last August that I first got to view Starry Eyes and since that early Saturday screening at Frightfest I have been completely smitten. If you look closely at the packaging on the UK DVD, which is released on the 16th March you might spy some familiar stars and quotes, a proud moment in any writer’s life but it is even more special when it is a movie that truly stole your heart. Needless to say that when an opportunity to interview co-directors Dennis Widmyer and Kevin Kolsch, I jumped at the chance.
Widmyer and Kolsch have been working together for a number of years, producing short film Identical Dead Sisters and feature Absence before going onto make Starry Eyes with the help of Kickstarter funders. Starry Eyes chronicles a young and determined actress, Sarah Walker (Alex Essoe) as she goes to the darkest of lengths to achieve her Hollywood dreams. »
- Kat Smith
Qui aime les films français ?
If you do and you live in St. Louis, you’re in luck! The Seventh Annual Robert Classic French Film Festival — co-presented by Cinema St. Louis and the Webster University Film Series begins March 13th. The Classic French Film Festival celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1930s through the early 1990s, offering a comprehensive overview of French cinema. The fest is annually highlighted by significant restorations.
This year features recent restorations of eight works, including an extended director’s cut of Patrice Chéreau’s historical epic Queen Margot a New York-set film noir (Two Men In Manhattan) by crime-film maestro Jean-Pierre Melville, who also co-stars; a short feature (“A Day in the Country”) by Jean Renoir, on a double bill with the 2006 restoration of his masterpiece, The Rules Of The Game, and the »
- Tom Stockman
abstew here. Only 15 women in the 87 year history of the Academy have scored a Best Actress nomination for a foreign language performance. In contrast, British actresses have won Best Actress 14 times. While the Academy has always warmed to Brits, their European neighbors have had to struggle to breakthrough with recognition in the acting races. (There has still never been a Best Actress nominee for a performance in any language outside of a European origin.) The first actress to even score a nomination for a foreign language performance was Melina Mercouri for Never on a Sunday in 1960, over 30 years into the Academy's history. Only two women have actually won Best Actress for a foreign language performance and both those women have the even rarer distinction of being honored twice with nominations for foreign language performances. The first was Sophia Loren who won for 1961's Two Women and was nominated again for »
By Anjelica Oswald
With the addition of Marion Cotillard’s lead actress nomination for the Belgian film Two Days, One Night, 32 actors and actresses have been nominated for their performances in foreign-language films. Cotillard was nominated for her role as a young mother and wife struggling to salvage her job in Jean-Pierre and Luc Dardennes’ film, which was chosen as Belgium’s submission to the foreign-language category but failed to secure a spot on the Oscar shortist.
Though her performance did land a Critics’ Choice Award nomination, the Oscar nomination did come as a surprise for many pundits.
Cotillard was previously nominated for the French foreign-language film La Vie En Rose (2007) and won. She is one of six actors or actresses to win for a non-English role and is also the most recent winner.
The first acting nomination for a foreign-language performance went to Sophia Loren in 1962 for »
- Anjelica Oswald
Good Morning Oscar fans! Today is nomination day!
Wamg was in the thick of nomination morning fever at the home of the Oscars – the Academy of Motion Pictures Arts and Sciences.
Prior to the announcement, A.M.P.A.S. and the show’s producing team, Craig Zadan and Neil Meron, gave the press assembled in the Samuel Goldwyn Theatre a first look at the new Oscar promo featuring host Neil Patrick Harris, titled “Anything Can Happen,” and given what went down this morning, that’s certainly the case.
Let’s get right to the big shockers – No Lego Movie for Best Animated Feature or Life Itself in Best Documentary Feature.
Also missing among the presumed nominees were Ava DuVernay (Selma, directing), Clint Eastwood (American Sniper, directing), Jennifer Aniston (Cake, best actress), David Oyelowo (Selma, best actor), Jake Gyllenhaal (Nightcrawler, best actor), Ralph Fiennes (The Grand Budapest Hotel, best actor), Gillian Flynn (Gone Girl, »
- Movie Geeks
2015 marks the ending of a fifteen year hiatus from filmmaking for Polish auteur Andrzej Zulawski, whose last film was 2000’s La Fidelite, which starred the director’s then wife French actress Sophie Marceau. Known for capturing some of the most memorably gonzo performances ever committed to film, Zulawski’s most celebrated title is 1981’s Possession, which starred Isabelle Adjani (who nabbed Best Actress at Cannes for her unforgettable performance) and Sam Neill. Infamous for its inclusion on the dreaded “Video Nasties” list of the 1980s, the title slowly nurtured a cult audience and is still, by far, the most easily accessible title of Zulawski’s impressive filmography. Plagued by Polish censors, the critical success following his first two features, 1971′s The Third Part of the Night and 1972’s The Devil saw Zulawaski migrate to France for the magnificent The Most Important Thing is »
- Nicholas Bell
7 items from 2015
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