1-20 of 218 items from 2014 « Prev | Next »
John Wick, 2014.
An ex-hitman comes out of retirement to track down the gangsters that took everything from him.
If there is one thing that John Wick proves, it’s that no matter how stupid a story sounds on paper, with proper execution anything can be entertaining. Seriously, a movie where Keanu Reeves plays an ex-gangster known as The Boogeyman who gets back into the game because mobsters murder his dog – the very last thing reminding him of his deceased wife – sounds like it was spat out by a random movie plot generator website. It is completely absurd but fortunately never once takes itself seriously after the narrative sets up the non-stop action.
Furthermore, the action of the film is unexpectedly quite good. »
- Robert Kojder
In the mid-1980s, Belgian martial artist Jean-Claude Van Damme arrived in America with dreams of stardom. Possessing a finely-honed physique, thanks to years of training in (among other things) karate, kickboxing and ballet, he was ambitious and brimming with self-belief.
The acting bug bit Van Damme while he was still in his teens: he played “a bad guy with all the knives” in the 1984 French gangster movie Rue Barbare and, determined to further his goal of becoming an actor, hopped on a plane to Los Angeles. His first few years in America were, however, tough. He slept in a rental car for two weeks, and made money money by teaching aerobics and martial arts, delivering pizzas, and working as a doorman at a restaurant belonging to Chuck Norris. »
Turkish artist/auteur Kutlug Ataman’s “The Lamb,” a drama infused with humor set in poverty-stricken Anatolia, took the top prize at the 51st Antalya Golden Orange Film Festival which wrapped on Saturday with a high-caliber closing night gala that also saw Iranian maestro Abbas Kiarostami and Jean-Claude Van Damme take the stage of Turkey’s oldest film event.
“The Lamb” (pictured), an amusingly told tale of a rural family struggling to come up with cash to throw a banquet to celebrate their son’s circumcision, won the Golden Orange for best pic, which comes with roughy $155,000 in cash. Kiarostami, winner of the fest’s lifetime achievement award this year, handed Ataman the top statuette. Van Damme was feted with the fest’s Honorary Award.
Three female thesps in “The Lamb,” also scored acting honors, including the best actress nod, which went to Nesrin Cavadzade.
“The Lamb,” which bowed in Berlin earlier this year, »
- Nick Vivarelli
Jean-Claude Van Damme's looks still kick ass.Here's a 38-year-old version of the "Bloodsport" stud at a Los Angeles awards show back in 1998 (left) and 16 years later... the "The Expendables 2" brute -- who is celebrating his 54th birthday this weekend -- at a ceremony in Shanghai, China last summer (right).What a knockout.The question is... Read more »
- TMZ Staff
How did an 80s Van Damme action flick emerge from a failed Spider-Man movie and Masters Of The Universe sequel? Ryan takes a look...
Cannon Films was in deep trouble by 1987. Its boom years, between the late 70s to the mid-80s, were largely thanks to an eclectic and hurriedly-made collection of B-movies: Chuck Norris action pictures, Charles Bronson revenge flicks and lots of things with the word ‘ninja’ in the title.
Thanks to its outsider status and anything-for-a-buck approach to filmmaking, Cannon Films became a major name in Hollywood, the grinning faces of its brusque founders - producers Menahem Golan and Yoram Globus - frequently appearing in TV news reports and tinseltown trade papers.
Jean-Claude Van Damme (or Jcvd, if you’re into the whole brevity thing) is the undisputed king of absolutely, certifiably crazy martial arts movies. Sure, Jackie Chan movies have more stunts, Jet Li movies have better choreographed fights, but for sheer insanity, Jcvd is your man. In the name of science, I have shifted through Jcvd’s […]
Read The 5 Craziest Jean-Claude Van Damme Movies on Filmonic.
- Evan Hopkins
There's nothing particularly special about Hilla Medalia's documentary, "The Go-Go Boys: The Inside Story of Cannon Films," other than its subjects, Menahem Golan and Yorum Globus. The eponymous Israeli cousins are well known to anyone over the age of -- well, never mind. Arriving on Hollywood shores in the early 80s, this filmmaking team -- Golan was the filmmaker, Globus the moneyman -- had ambitions to make it big and despite lacking certain obvious traits (such as taste) that is exactly what they did. Getting their break in 1984 with a dance film fittingly called "Breakin," only two years later their Cannon Films was making 40-plus films, paying Sylvester Stallone $10-plus million, and bankrolling not only low-brow stars Charles Bronson ("Death Wish II"), Chuck Norris ("Delta Force") and Jean-Claude Van Damme ("Bloodsport") but the likes of John Cassavettes ("Love Streams"), Norman Mailer ("Tough Guys »
- Tom Christie
Cool film stuff can be almost as fun as actually going to the movies. Think of a Batman cape, an Arnold Schwarzenegger action figure, or Goldeneye on the N64. Hell, the merchandising can often be more enjoyable than the actual film – remember how much fun the first few months of 1999 were before Star Wars: The Phantom Menace was actually released?
Yet, in the chase to make a quick buck out of devoted fans, some... let's just say less relevant, movie merchandise is churned out and flogged to the public.
Here then are 50 of the strangest (not ranked in order!) – expect action figures of obscure henchmen, 16-carat gold Twilight jewellery and some truly vomit-inducing burgers…
In Spider-Man 3, Peter »
Donaldson will direct from a script by Ian Stokell and Lesley Paterson, who are producing with Radar Pictures’ Ted Field, Mike Weber and Michael Napoliello. The project is set to start shooting in March in Europe.
“All Quiet on the Western Front” is based on the 1928 novel by Erich Maria Remarque, who was a German veteran of World War I and described the immense stress on soldiers during the conflict. The 1930 film won Oscars for Best Picture and director Lewis Milestone.
Donaldson has a personal connection to the material as both of his grandparents fought in Word War I, »
- Dave McNary
Exclusive: Mia Hansen Love, Francois Ozon dramas and Cannon Films doc among Toronto haul.
UK distributor Metrodome has secured UK and Ireland rights to a trio of films that played at this year’s Toronto International Film Festival (Sept 4-14): Mia Hansen Love’s well-received drama Eden, Francois Ozon’s The New Girlfriend and documentary Electric Boogaloo: The Wild, Untold Story of Cannon Films.
All three will play at the London Film Festival (Oct 8-19).
Directed by French auteur Mia Hansen Love and starring Felix De Givry, Pauline Etienne and Greta Gerwig, Eden charts the rise and fall of one of the DJs who pioneered the French electro music scene in the 1990s.
- firstname.lastname@example.org (Andreas Wiseman)
For the second time in a year, the meteoric rise and ignominious demise of 1980s schlock juggernaut Cannon Films comes to the screen in feature-length documentary form. But where Cannon is concerned, a twice-told tale is no vexation for the weary cinephile’s ear. Faster, sleeker and more out-of-control (in a good way) than its Cannes-premiered predecessor (Israeli director Hila Medalia’s “The Go-Go Boys”), Mark Hartley’s “Electric Boogaloo” — actors, writers, directors, editors and studio execs who, if anything, seem emboldened by the lack of Golan and Globus’s official participation in the project. Sure to be a fest favorite, Hartley’s docu should also spur much Cannon revivalism on the repertory and cinematheque circuits.
Cannon is irresistible fodder for Hartley, whose previous cinephile docus “Not Quite Hollywood” (2008) and “Machete Maidens Unleashed!” (2010) showed he was drawn to exploitation movies like Charles Bronson to a pack of street thugs. Like those films, »
- Scott Foundas
For the past two months, viewers have been disturbed and unsettled by Richard Sammel's performance as Eichorst, the Nazi concentration camp guard turned vampire apocalypse facilitator, on FX's "The Strain." Playing both the human (but inhuman) Nazi version of Eichorst and his steely, arrogant contemporary incarnation, Sammel has given very different monstrous shadings to his role. That's why it's a bit funny to Skype up with the smiley, voluble Sammel and have him immediately cackle in pleasure at being able to identify my mogwai avatar from "Gremlins," before he very politely asks me to switch on my webcam so that we can see each other as we chat. Sammel is in a good mood because it's the first sunny day in Paris for a while. Or maybe he just genuinely enjoys talking about his part in the FX vampire drama, which was recently renewed for a second season. "I »
- Daniel Fienberg
There’s only one director who can claim to have introduced the world to Nicole Kidman (in 1983’s BMX Bandits) and directed two Leprechaun films (1995’s Leprechaun 3 and 1997’s Leprechaun 4: In Space). That director’s name? Brian Trenchard-Smith.
The latest film from the prolific auteur and Tarantino favorite is the action-comedy Drive Hard, which stars John Cusack as a criminal who robs a bank run by criminals and Thomas Jane as an ex-race car driver he coerces into becoming his reluctant wheelman. How did the project come about? “Well, I’ve never met a green light I didn’t like, »
- Clark Collis
With a heist in mind, a mysterious American called Keller (Cusack) arrives in Brisbane needing a getaway driver. Rather than recruit one from the local underworld, he tricks a driving school instructor, Roberts (Jane) into taking the wheel.
Keller chose well, Roberts just happens to be a washed out Formula-One driver. Chased by the cops and the mob, Roberts is forced to use his racing skills to evade pursuit on a Hard Drive that takes the two along the Gold Coast of Australia. »
- TFH Team
Everything we know, we learned from the movies of Stallone, Schwarzenegger, Lundgren, and Seagal...
Teachers? Professors? Lectures? Pfft. They don’t know anything. You don’t learn things from books. You learn things from hanging out of a helicopter blowing up a small army. That’s real life experience. Unfortunately most of us have jobs, responsibilities and the like stopping us from going on our own violent adventures and escapades, so we have to turn to the pantheon of great action stars to educate us. Here, in one handy guide, are some life lessons to take from the work of Arnie, Sly and the rest.
There are two key traits that we can gather from Schwarzenegger’s body of work that we should emulate. The first, and most prominent, is to always have something cool to say, especially after an act of violence. Try to make it relevant to the situation. »
Villains have encapsulated some of the most iconic characters in cinema history and have made their presence known in every genre. As time has progressed and cinema has evolved, so too has the villain and the qualities that they possess. The trend has now become that to make a great villain, they need to be very complex and layered and somehow relatable to the audience. To put it simply, a villain is, in a movie, the Yang to a hero/heroine’s Yin, a perfect balance.
The legendary Dolph Lundgren once said that every action movie is only as good as its villain, and that statement couldn’t hold more merit. In my opinion, action movies have by far given us the greatest villains. The most satisfying cinema experience (at least to me) is being exhilarated and dazzled by furious action sequences to then be paid off by seeing these »
- Matt Schembari
Did anyone miss Jean-Claude Van Damme in The Expendables 3? How could they when the Belgian action star has been making so many commercial appearances lately? The guy has risen as one the most notable pitchmen on television over the past year, showing up in hilarious spots for GoDaddy, Volvo and now Coors Light. For the beer brand, Jcvd is not just pulling an ice block on a sled with his mullet. He's not just carving a bull's head ice sculpture by kicking it. And he's not just destroying giant icicles with his powerful roundhouse to the sound of an awesome '80s-era action movie-style synth score. He's building an ice bar in the mountains, like one that you can win a trip to if you're a resident of the U.K. Yeah, this is an ad for Coors...
- Christopher Campbell
The Universal Soldier films are a strange case of life imitating art. Much like how series protagonist Luc Deveraux is killed in action then resurrected into something post-human, Universal was a pretty standard 90s action film which crashed and burned when it came to sequels, but became something unique and beautiful when it was reanimated for the straight to DVD market.
It’s a hushed secret among genre fans, but Universal Solder 3 and 4 (or possibly 5 and 6, it’s complicated) are some of the most remarkable action sci-fi films of the 21st century so far. Yes, really. I actually watched the series backwards when I first saw them, after being blown away by Universal Solder Day Of Reckoning and deciding to work my way back, and Roland Emmerich’s perfectly acceptable 1992 blockbuster »
The Expendables 3 is the latest installment of the cheese-tastic, 1980s style, throwback action franchise. You may not think of this series of films as anything more than an exercise in geriatric yoga for the addled action stars of yore. But, the fact is The Expendables (2010) made $275M on an $80M budget and The Expendables 2 (2012) made $305M on a $100M budget. And that is serious worldwide box-office business.
The Expendables 3 involves some unfinished business. As it turns out, Barney Ross (Sylvester Stallone), had a partner who co-founded the group with him (a new background detail sheds some light on the team’s bloody history), Conrad Stonebanks (Mel Gibson), who is out to wipe out the entire team – especially Barney. The film is directed by Patrick Hughes, a young filmmaker with only two prior films to his credit. (No you never heard of either of them.) The writing team is led by Sylvester Stallone, »
- Steven Gahm
Peter McAlevey, a film producer who partnered with Michael Douglas’ production company Stonebridge Entertainment in the late 1980s, died Friday in Los Angeles after a short battle with liver cancer. He was 58. Survivors include his wife, Melissa Hufjay McAlevey, vp publicity at Warner Bros. Home Entertainment, and their 4-year-old twin daughters, Rowan and Bailey. During his tenure at Stonebridge, the company produced such films as Joel Schumacher’s Flatliners (1990), starring Kiefer Sutherland and Julia Roberts; Double Impact (1991), the first studio hit for Jean-Claude Van Damme; and Richard Donner’s Radio Flyer (1992), starring Lorraine Bracco and
- Mike Barnes
1-20 of 218 items from 2014 « Prev | Next »
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners